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    The Canongate Burns

    Page 22
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    I’ve seen the day

      5 Thou could hae gaen like onie staggie, have gone, any colt

      Out-owre the lay. -over, lea

      Tho’ now thou’s dowie, stiff, an’ crazy, drooping

      An’ thy auld hide as white’s a daisie, old

      I’ve seen thee dappl’t, sleek an’ glaizie, glossy

      10 A bonie gray:

      He should been tight that daur’t to raize thee, able, dared, excite

      Ance in a day. once

      Thou ance was i’ the foremost rank, once

      A filly buirdly, steeve, an’ swank; strong, trim, stately

      15 An’ set weel down a shapely shank well, leg

      As e’er tread yird; earth

      An’ could hae flown out-owre a stank have, -over, ditch

      Like onie bird. any

      It’s now some nine-an’-twenty year

      20 Sin’ thou was my Guidfather’s Meere; father-in-law’s, mare

      He gied me thee, o’ tocher clear, gave, dowry

      An’ fifty mark; a coin worth 13s 4d

      Tho’ it was sma’,’ twas weel-won gear, small, well-won money

      An’ thou was stark. strong

      25 When first I gaed to woo my Jenny, went

      Ye then was trottan wi’ your Minnie: mother

      Tho’ ye was trickie, slee, an’ funnie, difficult, sly

      Ye ne’er was donsie; mischievous

      But hamely, tawie, quiet, an’ cannie, homely, placid, docile

      30 An’ unco sonsie. very good-natured

      That day, ye pranc’d wi’ muckle pride, great

      When ye bure hame my bonie Bride: bore/carried home

      An’ sweet an’ gracefu’ she did ride,

      Wi’ maiden air!

      35 KYLE-STEWART I could bragged wide, boasted the district over

      For sic a pair. such

      Tho’ now ye dow but hoyte and hobble, can, limp, stumble

      An’ wintle like a saumont-coble, twist, salmon-boat

      That day, ye was a jinker noble, runner

      40 For heels an’ win’! wind

      An’ ran them till they a’ did wauble, wobble

      Far, far behin’!

      When thou an’ I were young and skiegh, proud/fiery

      An’ Stable-meals at Fairs were driegh, tedious

      45 How thou wad prance, an’ snore, an’ scriegh, would, snort, whinny

      An’ tak the road!

      Town’s-bodies ran, an’ stood abiegh, out of the way

      An’ ca’t thee mad. called

      When thou was corn’t, an’ I was mellow, fed

      50 We took the road ay like a Swallow:

      At Brooses thou had ne’er a fellow, a horse race at a wedding

      For pith an’ speed;

      But ev’ry tail thou pay’t them hollow, beat

      Whare’er thou gaed. went

      55 The sma’, droop-rumpl’t, hunter cattle small, short-rumped

      Might aiblins waur’t thee for a brattle; perhaps beat, short race

      But sax Scotch mile thou try’t their mettle, six

      An’ gar’t them whaizle: made, wheeze

      Nae whip nor spur, but just a wattle no, stick

      60 O’ saugh or hazle. willow, hazel

      Thou was a noble Fittie-lan’, back left-hand plough horse

      As e’er in tug or tow was drawn!

      Aft thee an’ I, in aught hours’ gaun, often, any, going

      On guid March-weather, good

      65 Hae turn’d sax rood beside our han’ have, six quarter acres

      For days thegither. together

      Thou never braing’t, an’ fetch’t, an’ flisket; plunged, stalled, capered

      But thy auld tail thou wad hae whisket, old, would have lashed

      An’ spread abreed thy weel-fill’d brisket, across to, breast

      70 Wi’ pith an’ pow’r;

      Till sprittie knowes wad rair’t, an’ risket, rush-covered knolls were cracked and ripped

      An’ slypet owre. smashed over (by plough)

      When frosts lay lang, an’ snaws were deep, long, snows

      An’ threaten’d labour back to keep,

      75 I gied thy cog a wee bit heap gave, feed measure

      Aboon the timmer: above the rim

      I ken’d my Maggie wad na sleep knew, would not

      For that, or Simmer. before summer

      In cart or car thou never reestet; baulked

      80 The steyest brae thou wad hae fac’t it; steepest hill, would have

      Thou never lap, an’ sten’t, an’ breastet, leaped, reared

      Then stood to blaw; puff for air

      But just thy step a wee thing hastet, a little shortened

      Thou snoov’t awa. pushed away

      85 My Pleugh is now thy bairn-time a’, my plough-team is your offspring

      Four gallant brutes as e’er did draw;

      Forbye sax mae I’ve sell’t awa, six more, sold away

      That thou hast nurst: nursed

      They drew me thretteen pund an’ twa, thirteen pound, two

      90 The vera warst.

      Monie a sair daurk we twa hae wrought, many, sore day’s work, two, have

      An’ wi’ the weary warl’ fought! world

      An’ monie an anxious day I thought many

      We wad be beat! would

      95 Yet here to crazy Age we’re brought,

      Wi’ something yet.

      An’ think na, my auld trusty Servan’, not, old

      That now perhaps thou’s less deservin,

      An’ thy auld days may end in starvin; old

      100 For my last fow, bushel

      A heapet Stimpart, I’ll reserve ane heaped, 8th of a bushel

      Laid by for you.

      We’ve worn to crazy years thegither; together

      We’ll toyte about wi’ ane anither; totter, one another

      105 Wi’ tentie care I’ll flit thy tether heedful, change

      To some hain’d rig, reserved ground

      Whare ye may nobly rax your leather stretch your body

      Wi’ sma’ fatigue.

      Inevitably, in that now forever lost agrarian world, of all the deep bonds between man and beast, those with horses were the most intimate and profound. Burns’s extraordinary empathy with his horses is everywhere present in his writing and is exemplified by his often naming them as expression of the current state of his own feelings. Thus, for example, the quixotic Rosinante or the disruptively comic, stool-throwing, anti-clerical Jenny Geddes. If Wordsworth needed the rhythmical stimulation of walking to write poetry, Burns discovered more varied, energised rhythms in the saddle. His Excise horse he named Pegasus, that mythical winged icon of poetical creativity. In a sense, however, all his horses had contained these magical energies as can be seen in those astonishing lines (ll. 17–44) of The Epistle to Hugh Parker.

      The horse honoured here is not a flyer of that kind, though her young power had allowed her eventually to outpace the lightweight hunters of the gentry in an actual and, hence, political victory. The poem is a deeply moving, heavily vernacularised, monologue by the old man as he parallels the life of his mare and himself. Not the least of Burns’s intentions in the poem is to document the sheer, brutal harshness of the work conditions man and horse had to overcome in order to survive. McGuirk postulates that in part the poem is drawn from Burns’s memories of his father. The poem was probably written in January 1786.

      The Cotter’s Saturday Night

      Inscribed to R. Aiken, Esq.

      First published in the Kilmarnock edition, 1786.

      Let not Ambition mock their useful toil,

      Their homely joys, and destiny obscure;

      Nor Grandeur hear, with a disdainful smile,

      The short and simple annals of the Poor.

      GRAY.

      My lov’d, my honor’d, much respected friend!

      No mercenary Bard his homage pays;

      With honest pride, I scorn each selfish end,

      My dearest meed, a friend’s esteem and praise:

      5 To yo
    u I sing, in simple Scottish lays,

      The lowly train in life’s sequester’d scene;

      The native feelings strong, the guileless ways,

      What Aiken in a Cottage would have been;

      Ah! tho’ his worth unknown, far happier there I ween! trust

      10 November chill blaws loud wi’ angry sugh; blows, whistling wind

      The short’ning winter-day is near a close;

      The miry beasts retreating frae the pleugh; dirty, from, plough

      The black’ning trains o’ craws to their repose: crows

      The toil-worn COTTER frae his labour goes, from

      15 This night his weekly moil is at an end, toil/drudgery

      Collects his spades, his mattocks, and his hoes, a two-mouthed pick

      Hoping the morn in ease and rest to spend,

      And weary, o’er the moor, his course does hameward bend. homeward

      At length his lonely Cot appears in view, cottage

      20 Beneath the shelter of an aged tree;

      Th’ expectant wee-things, toddlan, stacher through children, totter

      To meet their Dad, wi’ flichterin noise and glee. fluttering

      His wee bit ingle, blinkan bonilie, fire, burning nicely

      His clean hearth-stane, his thrifty Wifie’s smile, fireside, wife’s

      25 The lisping infant, prattling on his knee,

      Does a’ his weary kiaugh and care beguile, anxiety

      And makes him quite forget his labor and his toil.

      Belyve, the elder bairns come drapping in, by-and-by, kids, dropping

      At Service out, amang the Farmers roun’; among, round

      30 Some ca’ the pleugh, some herd, some tentie rin work, shepherd, attentively run

      A cannie errand to a neebor town: private, neighbour

      Their eldest hope, their Jenny, woman-grown,

      In youthfu’ bloom, Love sparkling in her e’e, eye

      Comes hame, perhaps, to shew a braw new gown, home, show, fine

      35 Or deposite her sair-won penny-fee, sore-, wages

      To help her Parents dear, if they in hardship be.

      With joy unfeign’d, brothers and sisters meet,

      And each for other’s weelfare kindly spiers: welfare, inquires

      The social hours, swift-wing’d, unnotic’d fleet;

      40 Each tells the uncos that he sees or hears. news

      The Parents partial eye their hopeful years;

      Anticipation forward points the view;

      The Mother, wi’ her needle and her sheers, scissors

      Gars auld claes look amaist as weel’s the new; makes old clothes, almost, well

      45 The Father mixes a’ wi’ admonition due.

      Their Master’s and their Mistress’s command

      The youngkers a’ are warned to obey; youngsters all

      And mind their labors wi’ an eydent hand, diligent

      And ne’er, tho’ out o’ sight, to jauk or play: fool around

      50 ‘And O! be sure to fear the LORD always! always

      And mind your duty, duly, morn and night!

      Lest in temptation’s path ye gang astray, go

      Implore His counsel and assisting might:

      They never sought in vain that sought the LORD aright.’

      55 But hark! a rap comes gently to the door;

      Jenny, wha kens the meaning o’ the same. who knows

      Tells how a neebor lad came o’er the moor, neighbour

      To do some errands, and convoy her hame. home

      The wily Mother sees the conscious flame

      60 Sparkle in Jenny’s e’e, and flush her cheek; eye

      With heart-struck anxious care, enquires his name,

      While Jenny hafflins is afraid to speak; almost/partly

      Weel-pleas’d the mother hears, it’s nae wild, no

      worthless Rake.

      With kindly welcome, Jenny brings him ben; inside

      65 A strappan youth, he takes the Mother’s eye;

      Blythe Jenny sees the visit’s no ill taen; taken

      The Father cracks of horses, pleughs, and kye. talks, ploughs, cattle

      The youngster’s artless heart o’erflows wi’ joy,

      But blate and laithfu’, scarce can weel behave; shy, hesitating, well

      70 The Mother, wi’ a woman’s wiles, can spy cunning

      What makes the youth sae bashfu’ and sae grave; so

      Weel-pleas’d to think her bairn’s respected like the lave. well-, child’s, the others

      O happy love! where love like this is found:

      O heart-felt raptures! bliss beyond compare!

      75 I’ve pacè d much this weary, mortal round,

      And sage EXPERIENCE bids me this declare —

      ‘If Heaven a draught of heavenly pleasure spare,

      One cordial in this melancholy Vale,

      ‘Tis when a youthful, loving, modest Pair,

      80 In other’s arms, breathe out the tender tale

      Beneath the milk-white thorn that scents the ev’ning gale.’

      Is there, in human form, that bears a heart —

      A wretch! a villain! lost to love and truth!

      That can, with studied, sly, ensnaring art,

      85 Betray sweet Jenny’s unsuspecting youth?

      Curse on his perjur’d arts! dissembling, smoothe!

      Are Honor, Virtue, Conscience, all exil’d?

      Is there no Pity, no relenting Ruth, sorrow

      Points to the Parents fondling o’er their Child?

      90 Then paints the ruin’d Maid, and their distraction wild?

      But now the Supper crowns their simple board,

      The halesome Porritch, chief o’ SCOTIA’S food; wholesome porridge

      The soupe their only Hawkie does afford, drink/milk, cow

      That, ‘yont the hallan snugly chows her cood; beyond, partition, chews

      95 The Dame brings forth, in complimental mood,

      To grace the lad, her weel-hain’d kebbuck, fell; well-matured cheese, tasty

      And aft he’s prest, and aft he ca’s it guid; often, asked, calls, good

      The frugal Wifie, garrulous, will tell, wife

      How ‘twas a towmond auld, sin’ Lint was i’ the bell. 12 months old, flax, flower

      100 The chearfu’ Supper done, wi’ serious face,

      They, round the ingle, form a circle wide;

      The sire turns o’er, wi’ patriarchal grace,

      The big ha’-Bible, ance his Father’s pride. hall Bible, once

      His bonnet rev’rently is laid aside,

      105 His lyart haffets wearing thin and bare; grey sidelocks

      Those strains that once did sweet in ZION glide,

      He wales a portion with judicious care,

      ‘And let us worship GOD!’ he says, with solemn air.

      They chant their artless notes in simple guise,

      110 They tune their hearts, by far the noblest aim;

      Perhaps Dundee’s wild-warbling measures rise,

      Or plaintive Martyrs, worthy of the name;

      Or noble Elgin beets the heaven-ward flame, fans

      The sweetest far of SCOTIA’S holy lays:

      115 Compar’d with these, Italian trills are tame;

      The tickl’d ears no heart-felt raptures raise;

      Nae unison hae they, with our CREATOR’S praise. no, have

      The priest-like Father reads the sacred page,

      How Abram was the Friend of God on high;

      120 Or, Moses bade eternal warfare wage

      With Amalek’s ungracious progeny;

      Or, how the royal Bard did groaning lye

      Beneath the stroke of Heaven’s avenging ire;

      Or Job’s pathetic plaint, and wailing cry;

      125 Or rapt Isaiah’s wild, seraphic fire;

      Or other Holy Seers that tune the sacred lyre.

      Perhaps the Christian Volume is the theme:

      How guiltless blood for guilty man was shed;

      How He, who bore in Heaven the second name,

     
    ; 130 Had not on Earth whereon to lay His head;

      How His first followers and servants sped;

      The Precepts sage they wrote to many a land:

      How he, who lone in Patmos banishè d,

      Saw in the sun a mighty angel stand,

      135 And heard great Bab’lon’s doompronounc’d by Heaven’s command.

      Then kneeling down to HEAVEN’S ETERNAL KING,

      The Saint, the Father, and the Husband prays:

      Hope ‘springs exulting on triumphant wing,’1

      That thus they all shall meet in future days,

      140 There, ever bask in uncreated rays,

      No more to sigh or shed the bitter tear,

      Together hymning their CREATOR’S praise,

      In such society, yet still more dear;

      While circling Time moves round in an eternal sphere.

      145 Compar’d with this, how poor Religion’s pride,

      In all the pomp of method, and of art;

      When men display to congregations wide

      Devotion’s ev’ry grace, except the heart!

      The POWER, incens’d, the Pageant will desert,

      150 The pompous strain, the sacerdotal stole;

      But haply, in some Cottage far apart,

      May hear, well-pleas’d, the language of the Soul,

      And in His Book of Life the Inmates poor enroll.

      Then homeward all take off their sev’ral way;

      155 The youngling Cottagers retire to rest: youthful

      The Parent-pair their secret homage pay,

      And proffer up to Heaven the warm request,

      That ‘He who stills the raven’s clam’rous nest,

      ‘And decks the lily fair in flow’ry pride,

      160 ‘Would, in the way His Wisdom sees the best,

      ‘For them and for their little ones provide;

      ‘But, chiefly, in their hearts with Grace Divine preside’.

      From Scenes like these, old SCOTIA’S grandeur springs,

      That makes her lov’d at home, rever’d abroad:

      165 Princes and lords are but the breath of kings,

     


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