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    The Best American Essays 2013

    Page 40
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      HARRY MARK PETRAKIS

      The Three Lost Men, Notre Dame Review, Summer/Fall.

      DAISY PITKIN

      An Algorithm, Cutbank, no. 77.

      TAYLOR PLIMPTON

      My Father’s Voice, TheNewYorker.com, June 17.

      EILEEN POLLACK

      Ranch House, New England Review, vol. 32, no. 4.

      DAWN POTTER

      Not Writing the Poem, Sewanee Review, Winter.

      ROLF POTTS

      Tourist Snapshots, The Common, no. 3.

      ROBERT ANDREW POWELL

      In the Writers’ Room, Harper’s Magazine, November.

      KRISTIN PREVALLET

      Blood on the Illusion, Fourth Genre, Spring.

      FRANCINE PROSE

      The Giving Tree, Real Simple, May.

      CORINNE PURTILL

      My Book Was a Bad Idea, Salon.com, June 27.

      MARY QUADE

      Hatch, Flyway, vol. 14, no. 3, & vol. 15, no. 1.

      BERNARD QUETCHENBACH

      The Woods Are Burning, Ascent, November 12.

      KIERAN QUINLAN

      Kirwan Street, in Memory, New Hibernia Review, Winter.

      COLIN RAFFERTY

      Notes Toward Building the Monument, Witness, Spring.

      JESSICA RAIMI

      Ballet School, Antioch Review, Winter.

      CATHERINE REID

      Catch and Release, Under the Sun, Summer.

      JAMES RIOUX

      Tattoos, Death Metal, Shaving, and Other Ironies, Five Points, vol. 14, no. 3.

      CINTHIA RITCHIE

      Running, Sport Literate, vol. 8, no. 1.

      JOHN G. RODWAN Jr.

      Nice Things About Detroit, American Interest, May/June.

      JAMES SILAS ROGERS

      Outside Metaphor, Ruminate, no. 22.

      DAVID ROMPF

      A Personal History of Staring, Hotel Amerika, Spring.

      LEE ANN RORIPAUGH

      Poem as Mirror Box: Mirror Neurons, Emotions, Phantom Limbs, and Poems of Loss and Elegy, jubilat, no. 21.

      NOELLE ROSE

      A Heart for Knowing, Anderbo, n.d.

      NATANIA ROSENFELD

      Gravity, Fifth Wednesday, Spring.

      ALEX ROSS

      Love on the March, The New Yorker, November 12.

      DAVY ROTHBART

      Human Snowball, Paris Review, Summer.

      STEVEN D. RUCKER

      A Terminal Chord, Upstreet, no. 8.

      PATRICK RYAN

      Grand Mal, Granta.com, October.

      SCOTT RUSSELL SANDERS

      The Way of Imagination, Georgia Review, Summer.

      TED SANDERS

      The Playroom: A Diagram, Southern Review, Summer.

      REG SANER

      Married Grammar: The Deep Structure, College Hill Review, no. 8, Summer.

      RALPH JAMES SAVARESE

      River of Words, Raft of Our Conjoined Neurologies, Fourth Genre, Spring.

      ANNITA SAWYER

      The Crazy One, Bellevue Literary Review, vol. 12, no. 1, Spring.

      ELIZABETH SCARBORO

      No Man’s Land, Bellevue Literary Review, vol. 12, no. 2, Fall.

      MELITA SCHAUM

      Adam’s Curse, Briar Cliff Review, no. 24.

      JILL SCHEPMANN

      Our Country, Parcel, Fall.

      BRANDON R. SCHRAND

      Esto Perpetua, Ecotone, Spring.

      NIKKI SCHULAK

      On Not Seeing Whales, Bellevue Literary Review, vol. 12, no. 2, Fall.

      GRETA SCHULER

      Empty Boxes, Chattahoochee Review, Spring.

      STEVEN SCHWARTZ

      The Unbearable Lightness of Not Being There, Massachusetts Review, Spring.

      AMY LEE SCOTT

      Convergence, Gulf Coast, Summer/Fall.

      ANDREW D. SCRIMGEOUR

      Handled with Care, New York Times Book Review, December 30.

      DAVID SEDARIS

      Understanding Owls, The New Yorker, October 22.

      LORE SEGAL

      The Exes in My Life, Antioch Review, Spring.

      DANIELE SEISS

      My Mother’s Ashes, Washington Post Magazine, May 13.

      PETER SELGIN

      The Kuhreihen Melody, Missouri Review, Spring.

      LISA SHANNON

      Blindfolds, Anderbo, n.d.

      BILL SHERWONIT

      The Last Nature Writer, Interdisciplinary Studies in Literature and Environment, Winter.

      DAVID SHIELDS

      Saving My Life, Little Star, no. 3.

      T. M. SHINE

      American Idle, Washington Post Magazine, July 15.

      JAN SHOEMAKER

      Believer, Make, Winter.

      JUDITH SHULEVITZ

      The Grayest Generation, New Republic, December 20.

      KEANE SHUM

      My Short American Decade, Iowa Review, Winter.

      LAUREN SLATER

      The Spotless Mind, Elle, September.

      ANNE-MARIE SLAUGHTER

      Why Women Still Can’t Have It All, The Atlantic, July/August.

      DANIEL E. SLOTNIK

      Patient Zero, Narratively, November.

      MARK SLOUKA

      The Academy of Sciences, Ploughshares, Fall.

      JANNA MALAMUD SMITH

      An Absorbing Errand, The Sun, September.

      LISA SOLOD

      Black Boots for the End of the World, Huffington Post, November 28.

      KRISTINE SOMERVILLE

      Camera Artist: The Portraiture of Cecil Beaton, Missouri Review, Winter.

      MAYA SONENBERG

      My Mother’s Closet, South Loop Review, no. 13.

      ANA MARIA SPAGNA

      Where You’d Rather Be, Under the Sun, Summer.

      WILLARD SPIEGELMAN

      Senior Reading, New Haven Review, Summer.

      ELEANOR STANFORD

      Metamorphosis: Six Studies, Indiana Review, Summer.

      BRIAN JAY STANLEY

      A Sense of All Sorrows, Pleiades, Summer.

      GEORGE STEINER

      Fragments (Somewhat Charred), Kenyon Review, Summer.

      JEFFREY STEINGARTEN

      Turning Japanese, Vogue, February.

      J. DAVID STEVENS

      For Janet, at Forty, Gettysburg Review, Spring.

      ANGELA STEWART

      Rot, Gettysburg Review, Summer.

      ALISON STINE

      The Last Hotel, Zone 3, Fall.

      PETER STINE

      Detroit Wrecks, 1982, Antioch Review, Spring.

      SEBASTIAN STOCKMAN

      The Problem with Sportswriting, The Millions, August 6.

      ELIZABETH STONE

      Husband Emeritus, Gettysburg Review, Spring.

      EMILY STONE

      What Happens: Only You Know the Magic Words to Make it Possible, North American Review, Spring.

      SARAH PAYNE STUART

      Pilgrim’s Progress, The New Yorker, July 30.

      NED STUCKEY-FRENCH

      Don’t Be Cruel: An Argument for Elvis, Normal School, Fall.

      IRA SUKRUNGRUANG

      To Kill a Thought: A Confession, The Pinch, Fall.

      ROBERT SULLIVAN

      Almanac, A Public Space, no. 16.

      KELLY SUNDBERG

      Like Mourners’ Bread, Slice, no. 10.

      CAROLINE SUTTON

      Eclipsed, Southern Humanities Review, Spring.

      PATRICK SYMMES

      Who Pinched My Ride?, Outside, February.

      TERENCE TAO

      E Pluribus Unum: From Complexity, Universality, Daedalus, Summer.

      TESS TAYLOR

      The Waste Land App, Threepenny Review, Summer.

      KERRY TEMPLE

      My Life in Clothes, Notre Dame Magazine, Spring.

      PAUL THEROUX

      A Man and His Islands, Smithsonian, May.

      FRANCIS-NOEL THOMAS

      Tea, New England Review, vol. 33, no. 1.

      KIM TINGLEY

      Whisper of the Wild, New York Times Magazine, March 18.

      AN TRAN

      Redshift, Carolina Quarterly, Winter.


      BRIAN TRAPP

      My City in Two Dog Parks, Black Warrior Review, Fall/Winter.

      JASON TUCKER

      The Least Objectionable Thing, Southeast Review, vol. 30, no. 2.

      SPRING ULMER

      A Short History of Our Flesh and Blood, Southern Indiana Review, Spring.

      MELANIE UNRUH

      The Place Called Mother, Post Road, no. 23.

      LUIS ALBERTO URREA

      The Mr. Smith Syndrome, ZYZZYVA, Fall.

      MICHELLE VALOIS

      Good Form, Massachusetts Review, Winter.

      JEFF VANDERMEER

      The Art of the Literary Fake (with Violin), New Haven Review, Summer.

      JOE ANTONIO VARGAS

      Shadow Americans, Time, June 25.

      NATASHA VARGAS-COOPER

      Hard Blows, New Inquiry, August 22.

      SOPHIA VELTFORT

      Missing, Harvard Review, no. 42.

      MARIA VENEGAS

      The Devil’s Spine, Ploughshares, Spring.

      PRIMO VENTELLO

      Das Schweinehund, Carolina Quarterly, Spring/Summer.

      ROBERT VIVIAN

      Always a River, River Teeth, Fall.

      EMILY VIZZO

      A Personal History of Dirt, North American Review, Summer.

      ANNA VODICKA

      As Seen on TV, Ninth Letter, Spring/Summer.

      MATTHEW VOLLMER

      NeVer ForgeT, Ecotone, Spring.

      JANNA VOUGHT

      Moments of Snow, Under the Gum Tree, October.

      WYN WACHHORST

      Crossing the Wide Missouri, Yale Review, July.

      DANIEL J. WAKIN

      Dispossesed, New York Times Magazine, January 15.

      JERALD WALKER

      Captain Love, River Teeth, Fall.

      NICOLE WALKER

      Skin of the Earth, Zone 3, Fall.

      MADDY WALSH

      Placer County Jail, Under the Gum Tree, October.

      WILLIAM EATON WARNER

      On Pointing, Agni, no. 75.

      STEVE WASSERMAN

      The Amazon Effect, The Nation, June 18.

      ZACHARY WATTERSON

      Open Late Hours, Post Road, no. 23.

      ADAM WEINSTEIN

      Some Remarks on Teeth, Conjunctions, no. 58.

      STEFANIE WEISMAN

      In Search of E. B., Michigan Quarterly Review, Winter.

      SHEILA WELLER

      Suddenly That Summer, Vanity Fair, July.

      SARAH WELLS

      Country Boys, City Boys, River Teeth, Spring.

      COLSON WHITEHEAD

      A Psychotronic Childhood, The New Yorker, June 4 & 11.

      JOEL WHITNEY

      The Paris Review, the Cold War, and the CIA, Salon.com, May 27.

      JESSICA WILBANKS

      Father of Disorder, Ruminate, no. 24, Summer.

      JOE WILKINS

      Eleven Kinds of Sky, Orion, January/February.

      BROOKE WILLIAMS

      Moving Stones, High Desert Journal, Fall.

      C. K. WILLIAMS

      On Being Old, American Poetry Review, July/August.

      FRANK WILSON

      Time Crystals, Boulevard, Fall.

      JASON WILSON

      Food for Thought, Washington Post Magazine, September 16.

      CHRISTIAN WIMAN

      Mortify Our Wolves, American Scholar, Autumn.

      SHERRY WONG

      Dandelion, Prism, Fall.

      ERIN WOOD

      We Scar, We Heal, We Rise, Anderbo, n.d.

      STEPHANIE WORTMAN

      Greens, Southwest Review, vol. 97, no. 3.

      ROLF ALBERT YNGVE

      Three Tips for Those Returning from Deployments: A Memoir, War, Literature, and the Arts, no. 24.

      NINA YUN

      Kimchee, Fourth Genre, Fall.

      VICTOR ZAPANA

      Shaken, The New Yorker, November 26.

      ARIANNE ZWARTJES

      This Suturing of Wounds or Words, Gulf Coast, Winter/Spring.

      JESSE ZWICK

      Up in the Air, New Republic, July 12.

      Notable Special Issues of 2012

      American Letters & Commentary, The Future of the Book, eds. Catherine Kasper and David Ray Vance, no. 23.

      Antioch Review, Intimate Memoirs, ed. Robert S. Fogarty, Winter.

      Atrium, Graphic, guest eds. Catherine Belling and MK Czerwiec, Spring.

      The Baffler, The High, the Low, the Vibrant!, ed. John Summers, no. 20.

      Chattahoochee Review, Ireland, ed. Anna Schachner, Fall/Winter.

      Chautauqua, War & Peace, ed. Diana Hume George, no. 9.

      Conjunctions, Riveted: The Obsession Issue, ed. Brad Morrow, no. 58.

      Georgia Review, Georgia Writers Hall of Fame, ed. Stephen Corey, Summer.

      Hobart, Luck, ed. Aaron Burch, no. 13.

      Hunger Mountain, Labyrinths, ed. Miciah Bay Gault, no. 17.

      Image, The Word-Soaked World, ed. Gregory Wolfe, no. 75.

      Lapham’s Quarterly, Magic Shows, ed. Lewis Lapham, Summer.

      Mamalode, Capacity, ed. Elke Govertsen, Winter.

      Manoa, Almost Heaven, ed. Frank Stewart, vol. 23, no. 2.

      New Criterion, Hilton Kramer, 1928—2012, ed. Roger Kimball, May.

      New Letters, Resilience and Art, ed. Robert Stewart, vol. 78, nos. 3 & 4.

      Normal School, Film and Music Spectacular, eds. Sophie Beck, Steven Church, and Matt Roberts, Fall.

      Notre Dame Review, Memes and Memories, ed. William O’Rourke, Summer/Fall.

      Pen America, Teachers, ed. M Mark, no. 16.

      Ploughshares, Truth: All-Essay Issue, ed. Patricia Hampl, Fall.

      River Styx, End of the World, ed. Richard Newman, no. 88.

      Sewanee Review, Bound by the Cause of Words, ed. George Core, Fall.

      Slice, Growing Up, ed. Elizabeth Blachman, Spring/Summer.

      Texas Monthly, How to Raise a Texan, ed. Jake Silverstein, September.

      Tin House, Science Fair, ed. Rob Spillman, no. 51.

      Witness, Special Issue: Disaster, ed. Amber Withycombe, vol. 25, no. 1, Spring

      About the Editor

      CHERYL STRAYED, editor, is the author of the #1 New York Times bestseller Wild, the New York Times bestseller Tiny Beautiful Things, and the novel Torch. Strayed’s writing has appeared in the New York Times Magazine, the Washington Post Magazine, Vogue, Allure, the Missouri Review, the Sun, the Rumpus—where she has written the popular “Dear Sugar” column since 2010—and elsewhere.

      Footnotes

      1. Some of the victims’ names have been changed.

      [back]

      ***

      2. Among friends, I almost always refer to it as such. To do otherwise would endow it with undue weight.

      [back]

      ***

      3. Radiation’s baldness is true baldness, since hair falls out at the roots. No sign of its former inhabitant.

      [back]

     

     

     



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