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    Gaza Unsilenced

    Page 25
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      This is how these young people want to be represented and remembered. Not as mere numbers. Not as mangled corpses lying in concrete rubble. But as children that see shapes and figures and pictures even in the most horrific and brutal of circumstances. They are reminding the rest of the world that they too are people who value life and want to live as the rest of the world does: quietly. These altered photos are one of the most vital examples we have of how Palestinians in Gaza are coping with the consistent presence of death surrounding them.

      Waging Nonviolence, July 24, 2014, http://bit.ly/1IMzH5v.

      Three Poems for Gaza

      Nathalie Handal

      Gaza

      Once in a tiny strip

      dark holes swallowed hearts

      and one child told another

      withdraw your breath

      whenever the night wind

      is no longer a land of dreams

      The Gazans

      I died before I lived

      I lived once in a grave

      now I’m told it’s not big enough

      to hold all of my deaths

      Tiny Feet

      A mother looks at another—

      a sea of small bodies

      burnt or decapitated

      around them—

      and asks,

      How do we mourn this?

      World Literature Today, July 29, 2014, http://bit.ly/1xvs1U6

      Palestine, Summer 2014

      Kim Jensen

      There are things that allow you

      to take leave of the earth:

      the sea quarantined

      behind cement and wire

      chains of signifiers

      that men have been here—

      gun mounts and barbed towers

      a crested wave in the shape

      of a warped neck.

      There are things

      that allow you to take leave:

      four small children with frozen faces

      grey from the dust of rubble

      the color red blossoming

      beneath motionless heads

      in Shuja‘iya Rafah little Salma

      swaddled in blood. The Bakr boys fleeing on the beach

      hovering above the sand Don’t ask me

      to wait to see what happens

      when they land.

      This is how you take leave

      of ancient cities

      that rose in the gilded mist of imagination.

      You take leave as a monk does

      singing in chants and madrigals.

      You take leave in a spiral motion, a lyric wish

      in formal passage—so that perhaps

      your absence

      may be noted.

      The UN Counted the Number of Our Dead

      Samah Sabawi

      The UN counted the number of our dead

      Thank you for that

      But we know how to count

      The UN published reports and factsheets

      Detailing 51 days of “hostilities”

      Provided footage and documentaries

      The massacres were televised

      2131 killed...1.8 million terrorized

      110,000 displaced...

      495 children slaughtered...dead

      And the UN said

      “There is nothing more shameful

      Than killing sleeping children”

      Grave concerns were expressed

      Rivers of tears were shed

      The UN counted the number of our dead

      Thank you for that

      But we know how to count

      The UN issued denunciations

      Using words like “indiscriminate”

      “disproportionate”

      And even “abomination”

      The UN huffed and puffed

      And called for an investigation

      And they counted...and counted...and counted...

      ...the number of our dead

      Thank you for that

      But we know how to count

      We have counted our dead and displaced

      Since 1948

      We have counted demolished homes

      And uprooted trees

      Detentions

      Fatalities

      Injuries

      Revoked permits

      Exiled refugees

      We have counted settlements

      That spread like a disease

      We have been counting for years

      Towers and walls

      Checkpoints and wars

      And we know how to count

      Resolutions and declarations

      Statements and denunciations

      Press releases and condemnations

      War crimes and violations

      So thank you for counting United Nations

      But we know how to count

      Ferguson and Gaza

      Zeina Azzam

      They tried to make us invisible:

      the silencing bullets invaded,

      disappeared without fear

      into our flesh.

      The killer and the instrument

      have no words,

      just tear gas and F16s

      and unknowable means.

      Our bodies, like our maps,

      filled with holes.

      Our eyes sting, burn.

      Injustice everywhere smarting

      like smoke

      in the air we breathe.

      In Ferguson,

      officers in gear

      imitating soldiers

      conjuring a killing field.

      In Gaza

      drones watch and thrum

      there is nowhere to run.

      People explode, houses collapse,

      soldiers imitate themselves.

      I am not invisible.

      I’ve been the eyelash in your eye

      the stone in your shoe

      the heartburn in your heart

      burning, fashioning words that

      you chew and chew

      —a bitter, strange fruit

      you cannot swallow.

      Ferguson is our new word—

      it’s been on our tongues

      with Intifada, Soweto, Tiananmen,

      Tahrir, Occupy, Occupy...

      In Gaza, we’re occupied,

      we speak Ferguson like we’ve been there.

      We have brothers and sisters in Missouri.

      We tell them how to resist

      because it’s in our blood to resist.

      Yes, let’s make the police uncomfortable,

      the soldiers squirm,

      the reporters struggle to censor or understand.

      Ferguson is our word to speak, shout, sew on our flags

      as we hoist them high in the sky.

      As Michael Brown fell to the ground:

      My hands are up, don’t shoot me

      My food has run out, don’t evict me

      My face is brown, don’t choke me

      My baby is crying, don’t tear gas me

      My family is homeless, don’t jail me

      My flag is flying, don’t arrest me

      My job is gone, don’t erase me

      My son is dead, don’t torture me

      My door is broken, don’t rape me

      My school was bombed, don’t dismiss me

      I have nowhere to go, don’t starve me

      My hands are up, don’t shoot me

      My hands are up, don’t forget me.

      From Dawn to Dusk

      Lina H. Al-Sharif

      Caught between a rock

      and Gaza.

      Gaza is a hard place.

      Boxed into the trenches of abyss.

      Jawed between the teeth of darkness.

      Slowly filtered of life.

      Sea left to salt.

      Remembered when the night gnaws the dusk.

      Forgotten when the dawn makes the almonds husk.

      Dusted, trumped, rusted, crushed.

      Like a piece of rusk.

      The dim din.

      The ticking bomb.

      The sand clock.

     
    The Pandora box.

      Gaza is a rock.

      coarse, hoarse.

      Gaza is a hard place.

      Rose and fought.

      Filters in light.

      Remembered with pride.

      Forgot to recline.

      From dawn to dusk...

      when crushed like a rusk

      When the almonds husk

      Gaza never succumbs.

      An Unjust World

      Nour ElBorno

      I was asked to talk to the world

      In the language they know

      About the truth.

      They say I must try to wake them up.

      Make them see and listen.

      I say “No.”

      A world that needs someone to tell them,

      “It’s wrong to kill children and women.”

      Must rest and discuss global worming, with an “o.”

      I’d rather save my voice

      To comfort the child,

      And the mother that mourns,

      The man who saw his house turn

      From shelter to ash,

      And the bodies of his family burn along.

      I refuse to waste what is left of me

      On defending my right to exist.

      The world was told so many times;

      It decided to keep the dark,

      And blow out the candles instead:

      Who needs light when darkness takes over;

      It is an unjust world

      I refuse to take part in.

      I’d rather stay under the wreck

      With the memories I have built

      Than stand on a stage,

      And show my rage.

      My people are dying,

      And you are trying

      To be convinced:

      You give reasons why murder is okay;

      You give speeches when a child being an orphan is fine;

      When bombing a hospital is the only choice left.

      You ask me to tell the world what?

      Wake up?

      Dude they are a hopeless case.

      Why?

      Because they need reasons to be convinced

      Why a human must be allowed to exist.

      I no longer seek refuge in the world

      I hereby announce myself an outworld.

      And my people and I, hell yeah, will never cease to exist.

      Seafaring Nocturne

      Lena Khalaf Tuffaha

      Across the sea floor

      limbs curl through ink clouds,

      settle near an old trunk

      spilling its treasures.

      Sodden maps surrender

      their borders and silver frames

      tarnish. Currents swallow

      dark clots and over Gaza the rain

      sorties over new monuments

      of ash, open wounds of rubble.

      Waves buckle under

      the weight of swollen

      vessels, flayed carcasses, hauling

      hundreds of lives

      to shorelines where no one

      looks forward to their arrival,

      relentless survivors, white-knuckle

      grasping at stars, reaching

      for the buckle of Orion’s

      belt, cleft of his boot.

      Even on nights when

      there is no anchor, the brine

      of a dream consumed

      by the sea, salt like shards

      on parched lips is gentler

      than the sulfur of prayer,

      the dry scorch of waiting for mercy.

      This Miraculous Terrorism

      Omar J. Sakr For Shayma

      My tears are ineffective bombs,

      Hamas-hurled, Israel-born. If only

      I had more funding, state-of-the-art

      GPS navigation, I could guide them

      to bless the right soldiers, the ones

      without guns, untrained and still young,

      the little snakes-to-be, the ones dying.

      How is it that I can hear their screams

      and feel their mourning, their subtle ghosts,

      even though I sit deaf, hands folded,

      eyes closed, an ocean away? The flashes

      of cameras, and the twitching of fingers

      (accompanied by the sterile antiseptic drawl

      of reporter-speak, desert dry), can only account

      for so much. Why am I crying so fucking hard?

      When my tears dry up, when I am emptied of loss

      will the US kindly resupply my stock? Sorry,

      this isn’t—I’m not trying to be—I’m just tugging

      on this invisible line tying my chest to Palestine;

      I don’t know when it got there, or which fisherman

      sunk his hook so deep. But it isn’t just one line

      is it? No, it’s a multitude, a madman’s cat-cradle

      criss-crossing the world, set to twang

      every time someone says the word ‘Muslim’,

      the label on the net I was caught in from birth.

      It’s been getting tighter and tighter every year,

      and now our skin is fetish-marked fishstocking

      and we are all marred as one. Maybe this is why

      as these children die, and men and women burn

      beneath this name, this dog-tag embedded in our eyes,

      I feel their grief, their death, as if it were my own. It is

      my name too, it is my grief too, it is my heart too, it is

      my children too, and my death toll forever. That accounts

      for some of it, but not all. I hear the air sirens in Tel Aviv,

      I hear the death-chants on the streets, I taste their fear,

      as a distant echo, as the other side to this bitter coin.

      Right now though, as I sit here shaking and weeping,

      I cannot escape the call of my name shouted so often,

      ringing in the shrill music of missiles singing. I cannot

      stop thinking about Shayma Sheikh Khalil, 5 days old,

      prematurely born via caesarean section

      on July 26, 2014, 10 minutes after her mother died

      in an Israeli airstrike. They called her a “miracle baby”

      for surviving, for being pulled out of familial death

      and into life. However, she died

      July 30, 2014, after the power plants in Gaza

      were attacked and her incubator shut off.

      I could not write those words—

      thank god for copy + paste, thank god for reporter-speak

      otherwise you’d have only my trembling, my aching

      grief, my tears to translate into meaning. Shayma

      is merely a pebble in a blood-strewn avalanche:

      over 1300 dead. 433 a week. 61 a day. Two an hour.

      Such efficiency of horror. Such methodical death

      tearing gaping holes in this fishing net, letting the bodies

      rise to the surface to line the streets like grisly buoys.

      I cannot think anymore. I cannot speak anymore.

      I cannot feel anymore, or see through the shame.

      When even miracles are killed in their infancy

      in their first blue blush of life,

      can you imagine what comes next? Dare you even try?

      Scratched That [blog], http://bit.ly/1bMOAKn

      6

      51 Days Later, and Counting: The Untenable Status Quo

      Another assault ends with a cease-fire, and suddenly there is a slow and steady stillness, a numbing status quo. We have counted the dead and recounted the massacres and surveyed the damage and tallied the cost of reconstruction. We have heard the rebuttals of the carefully crafted spin. We have the figures to assist us in making sense where there is no sense to be found, as though an explanation would provide closure. But after the smoke clears, who will remember the dead? And what happens when the lenses of the cameras turn elsewhere, and gaze of the global community is no longer absorbed by Gaza’s burning images on their screen? And how will those left behin
    d live, rather than merely survive? Who will be there to pick up the pieces, to cradle the children, and to heal an entire society violently ruptured by an onslaught that deliberately aimed to fracture livelihoods, destroy productivity, and deprive a new generation of any chance of prosperity? This chapter takes stock of where things stand in the immediate aftermath of the assault and explores the long-term impact of repeated assaults on Gaza.

      How Israel Is Turning Gaza into a Super-Max Prison

      Jonathan Cook

      It is astonishing that the reconstruction of Gaza, bombed into the Stone Age according to the explicit goals of an Israeli military doctrine known as “Dahiya,” has tentatively only just begun two months after the end of the fighting.

      According to the United Nations, 100,000 homes have been destroyed or damaged, leaving 600,000 Palestinians—nearly one in three of Gaza’s population—homeless or in urgent need of humanitarian help.

      Roads, schools and the electricity plant to power water and sewerage systems are in ruins. The cold and wet of winter are approaching. Aid agency Oxfam warns that at the current rate of progress it may take 50 years to rebuild Gaza.

      Where else in the world apart from the Palestinian territories would the international community stand by idly as so many people suffer—and not from a random act of God but willed by fellow humans?

      The reason for the hold-up is, as ever, Israel’s “security needs.” Gaza can be rebuilt but only to the precise specifications laid down by Israeli officials.

      We have been here before. Twelve years ago, Israeli bulldozers rolled into Jenin camp in the West Bank in the midst of the second intifada. Israel had just lost its largest number of soldiers in a single battle as the army struggled through a warren of narrow alleys. In scenes that shocked the world, Israel turned hundreds of homes to rubble.

      With residents living in tents, Israel insisted on the terms of Jenin camp’s rehabilitation. The alleys that assisted the Palestinian resistance in its ambushes had to go. In their place, streets were built wide enough for Israeli tanks to patrol.

      In short, both the Palestinians’ humanitarian needs and their right in international law to resist their oppressor were sacrificed to satisfy Israel’s desire to make the enforcement of its occupation more efficient.

      It is hard not to view the agreement reached in Cairo this month for Gaza’s reconstruction in similar terms.

     


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