As the tour bus continued its zigzag through the Fatherland and Herr Neudorf continued in his threats to call my muzzah, I realized that, in the words of Goethe’s Faust, from the play Faust (which I had not yet read, being an eighteen-year-old idiot interested only in Kafka and, very recently, Thomas Mann), two souls dwelled in my decidedly unvoluptuous breast.
Part of me drank in every difference, every drop of German history, which seemed equally majestic and abhorrent (I finally figured out how to use that word). That part of me enjoyed the ache of solitude as I looked out the window at the verdant landscape whizzing by, protected from a country full of strangers by a bus full of strangers. I was having, I insisted to myself, a transformative experience, changing into a grown-up thanks to a much-needed change in perspective brought on by the hundreds of years of history around me (at a safe distance, natürlich). The other part felt monstrous in my alienation—stuffed so far down into myself that nobody could reach me there, regarding the world, as Kafka wrote, with the gaze of an animal, trapped inside my own disgusting shell of otherness. The alienation was twofold: both from the language, which had the gall not to be immediately and magically understandable, and from the new American friends who shared this experience with me and yet didn’t understand the profundity of my deepest soul the way they should have after two weeks drinking beer together.
It was a good thing, then, that I was so excellent at German by the time I stumbled off the bus and into the perplexed non-embrace of my new host family, the Herrmanns, because I had no trouble using my powerful arsenal of language to express the many nuances of my inner Sturm und Drang. Wait, no: I was functionally illiterate, perpetually confused and resentful—and I imagine even all of that would have been akzeptierbar, had I not also committed the unforgivable misdeed of losing track of select personal belongings.
3.
Lebensraum
n. habitat, from living and space
ex. Rooming with Germans in their natural Lebensraum gives a person ample opportunity to remind them, in various subtle ways, how the Nazis perverted the word Lebensraum (among other things).
As I stepped off the bus into the Münster parking lot where our host families were to greet us, Herr Neudorf, with one final threat to call my muzzah, motioned me over to an enclave of very tanned, very blond Germans. I watched the father’s bronzed brow compress, as he said: “You don’t look like your picture.”
Du siehst ja ganz anders aus, echoed the woman I assumed was my new mommy, regarding me like a show dog who turned out to be so inbred that he had one really short leg.
It was true. Not about my legs, both equally short, but the rest. We’d been asked to supply a photo so that our host families would recognize us, but in the age of the film camera, the most recent snap I had was one of my senior portraits from high school: pre–pixie cut, pre-bleach, pre–freshman-fifteen, and pre-cigarettes, and thus depicting an altogether different girl in a far more innocent (or at any rate marginally less obnoxious) time.
The Herrmann family had been expecting an earnest-faced child with chestnut ringlets that cascaded down to her elbows. I didn’t know the German for bait and switch, but judging by the looks on my new family’s Antlitze that was one bit of cross-cultural communication that didn’t need words. They had, it turns out, chosen me largely because of my supposed physical similarities to their previous and much-beloved exchange student, Kelly, also in possession of long brunette waves, a pale complexion, and light gray-blue eyes, which stared at me daily from the large soft-focus picture of her they kept on the mantel in their lushly appointed foyer. Kelly, I would learn, was so adored that Herr Herrmann thought of her as a “third daughter.” Apparently they had been in the market for a fourth, but clearly wanted to exchange the goods that ended up stumbling off the bus reeking of Riesling sweat and stale Drum.
Indeed, it didn’t help matters that the day I met the Herrmanns was the day after Herr Neudorf’s notorious bus-tour sendoff: a wine-tasting party, at which he was not satisfied until every participant “tasted” two liters of syrupy German vintage and belted out “Du, du liegst mir im Herzen” in a perfect accent, while linking arms and swaying back and forth.
The Herrmanns, it turned out, had never seen anyone who embodied the postgrunge aesthetic quite like me. The prevailing fashion in my subculture—dresses straight from the Elaine-from-Seinfeld collection, baggy jeans held up with huge belts, vintage polyester bowling shirts, dark-purple lipstick, massive Doc Martens, short hair plastered down with little-girl clips—differed greatly from the flowing flaxen locks, snug, brightly colored pants, and modest fitted tees covered in nonsensical English logos (“Feel It Easy!”) favored by mid-nineties German youth. And this is how I came to present myself to the uniformly unimpressed Herrmanns, all decked out in my finery, and sporting a short, straw-yellow coif that—especially juxtaposed with their staid Aryan real-blondness—appeared to be the result of a minor nuclear accident.
The Herrmanns lived in a small village outside Münster called Wolbeck. They drove BMWs and they had a tanning bed (or Solarium) in their house, a fact painfully evident from the matching tangerine complexions that set off the luminous flaxen locks of the children and Frau Herrmann, and the platinum-silver hair of Herr Herrmann, who was both the oldest and the shortest member of his family, and whose substantial potbelly and jaunty legs looked tailor-made for Lederhose. He looked like an imp who’d made sound financial investments. Frau Herrmann had remarkable posture and a disarming glare; her makeup was immaculate; her lips were pursed in a perennial straight line; her hair, blond as that of her progeny with the help of an upscale Friseur (stylist), was set in an immobile Princess Diana coif. The two Herrmann daughters, Lisette (seventeen) and Gisela (fifteen), were in high school, which I was astounded to learn was in session all through July. Lisette, a head taller than me with hair down to her waist, was studying to be a ballet teacher and was correspondingly willowy. She was also charmingly cavalier about cheating at school: the sole ironclad rule about our homestays was that our family was not to speak to us in English, but it was a rule Lisette broke a few times in private, in exchange for me doing all of her English homework. (I wonder if her teacher noticed a strange but temporary uptick in the word random and the term having issues.) She was also enrolled in Fahrschule, or driving school, so that she would be ready to take her driving test at eighteen, and when she found out I’d been driving (poorly) since I was Gisela’s age, she was aghast. “But don’t worry,” I said. “When you turn eighteen in America, you can buy a gun.”
Gisela, meanwhile, was identical to her sister save for a prodigious set of curves, every centimeter of which was on display in her American jeans that had gone out of style shortly before the sexual revolution, which she pronounced Levees fünf null eins. (“Why do you wear your pants so large?” she asked. Unable to explain the nuances of body dysmorphia auf Deutsch, I just told her it was the style, which was also true, but largely because most of America suffered from body dysmorphia.) There was also a third Herrmann child, Christoph, who wasn’t a child at all but a twenty-four-year-old student who still lived at home (not abnormal for a German), but I didn’t see hair or hide of him for weeks.
I would glean most of these Herrmann-related facts via hand gestures and low-level snooping in my early days im Herrmannshaus, but all I knew for the first two hours of our acquaintanceship was that they did not approve of my heavily cultivated look, nor were they impressed with my preferences in literature.
“So, Rebecca!” bellowed Herr Herrmann from the front seat of one of the Beemers, as he screeched around the bend of a narrow village road at approximately a billion kilometers per hour. He pronounced it like most Germans do, which is sadly not Webecca: the R rolled in the back of the throat, then a long, stressed first e. Rrrrrreeeeey-beeeeeeeey-kaaaaa. I dug my hands into the sumptuous leather interior and hoped they wouldn’t leave a mark. “Where does your interest in German come from?”
Delighted to have under
stood the question in German, I cleared my throat (I’d learned some preemptive phlegm-avoidance tactics during my stilted conversations of the past few weeks) and said: “I love the literature of Franz Kafka. I would like to read Franz Kafka in the original.”
Frau Herrmann snorted. “Er war aber kein Deutscher!” (He wasn’t a German!) “He was from Czechoslovakia!”
“I think it’s just called the Czech Republic now, Mama,” said Gisela. “I’ve never read anything by him,” she said to me. I wanted to tell her that I was exactly her age when he changed the course of my life forever (kind of), but I didn’t know how.
“He wrote in German, though,” I said.
“You should read some real German authors!” said Herr Herrmann. “Goethe. Schiller. Echte Deutsche.”
“Münster has a famous poet who comes from here, you know,” said Frau Herrmann.
“Annette von Droste-Hülshoff,” mumbled both daughters in unison, in the tone I use when I say dental X-rays.
Herr Herrmann took another corner like a Formula-Eins driver, and his wife let loose a guttural stream of invective I didn’t come close to understanding.
“Mein Gott, Mädchen!” he answered. (He’d called his wife “girl,” and I was pretty sure that was an insult.)
When the Herrmanns pulled their gleaming black Bey-Emm-Vay into their driveway and gave me the grand tour of my new digs, I did my best to play it cool—like, I’ve seen rich people before, obviously. But I hadn’t, really. Not up close. Not in their natural environs. The Herrmanns, for example, had a swimming pool in their basement, albeit a petite one. (Right next to the tanning bed, obviously.) They also had their own ballet studio down there, which, since I had listed “dance” as one of my Interesse on my application, was why I got placed with them at all. The basement also contained a sauna, an elaborate party room with a wet bar, and an entire autonomous one-bedroom apartment with its own entrance—residence of Christoph, and primary reason for my not seeing him for weeks. The main floor of the Herrmann house was somewhat less opulent, as was the top story, where the girls and I had our bedrooms. My little room was modest—dorm-sized, with a twin bed and a small skylight instead of a window—but it did have its own television, a luxury I had never before experienced. Despite my growing stack of flash cards and the magic of two entire weeks of immersion, I was still very much a beginner, so my German hindrances meant the dizzying array of channels was lost on me. As a result, I ended up watching many hours of VIVA (at the time Germany’s answer to MTV), due to its English-language videos. This primarily involved prolonged exposure to boy bands, which hadn’t yet experienced their renaissance Stateside. On my first night with the Herrmanns, Lisette commanded me to sleep as long as I wanted. I took her literally, stayed up half the night watching the tube, and then didn’t pad back downstairs until one the next afternoon.
“Oh, there you are!” said Frau Herrmann. “I thought you’d died.”
At school, Herr Neudorf’s first conversation assignment for us was to describe our host families to the best of our limited abilities. Since my rudimentary skills precluded tact, I simply proclaimed, “Sie sind reich” (“They’re rich”). I wondered if they were nouveaux-riche or old-money types. If it had been about two hundred years earlier, there would have been no question: either they’d have a nice von in their name to signify an aristocratic family, or they wouldn’t. And if they were aristocrats, even if I was cash-loaded and they were cash-poor, as a commoner I would have been considered a different and inferior species of person. In the eighteenth century, in fact, there was an entire genre of drama called the bürgerliches Trauerspiel, the “bourgeois tragedy,” which was usually about a common woman falling in love with a man from the nobility and getting pregnant, and the man attempting to avoid the ensuing disgrace of a Missheirat, or “mismarriage.” The “tragedy” part of the bourgeois tragedy was almost always death: of the infant, the woman, or both. One play from 1776 dispenses with all subtlety and is just called Die Kindermörderin (The Child-Murderess); it depicts a girl puncturing the skull of her newborn with a knitting needle. Back in the “bourgeois tragedy” days, in fact, infanticide was so common that authorities who suspected a girl of secretly bearing and then killing a baby had a method of force-milking her to prove she’d recently been pregnant. It was a fun time for all, I’m sure, and the Herrmanns’ tanning bed and Schwimmbad didn’t seem so bad in comparison. Still, even in the cosmopolitan nineties, it kind of did still feel as if we were different species.
I never did figure out how they got their money. When I asked what the dad did for a living, the girls said a word I’d never heard (and don’t remember), and then defined it by explaining: “He helps people with [something something] money [something],” which I took to mean that he was an accountant. Alas, despite all of my As and my flash cards and my Freshman Achievement Award, I did not understand upward of 90 percent of what went on in that house at any given time. Is the mother angry about something, or is that just the way Germans talk? Is she talking about me? (The mother’s job, incidentally, was a word I knew: Hausfrau.) At any rate, soon after my arrival, some sort of calamity whose exact nature I never figured out befell Herr Herrmann’s workplace. Robbery? Flood? Fire? Once again, it was described using a word I didn’t know and I was too ashamed to ask about. But whatever happened, the Herrmanns were distraught about the irreplaceable valuables that had been lost, and this, along with Herr Herrmann’s odd private antique money collection, led me to believe that perhaps he was not an accountant, but some sort of top-level numismatist.
Either way, his line of money-related work resulted in enough money for him that he could reward himself with a well-deserved dip in his very own pool whenever he liked. I discovered this in the least-comfortable way possible, when, one Sunday afternoon, I tiptoed down the basement stairs to visit the ballet studio and sensed that I wasn’t alone. A quick peek to my left confirmed this suspicion and seared into my retinas the indelible image of Herr Herrmann’s bronzed and bare rear end, as he plunged into his hard-earned pool in the nude (the state in which he obviously also used the Solarium). I thanked every possible deity that the splash covered up the sound of my pointe shoes clattering to the floor, then grabbed them as fast as I could and scuttled back up the stairs.
“Is Papa still swimming?” asked Lisette as I surfaced, wondering if she could see on my face that I’d just seen her father’s naked butt cheeks wobbling as he sprang into the water. I managed to creak out a ja before hustling back upstairs to the safety of my pocket-sized prudish enclave, whereupon I cleared a path through the discarded garments on the floor and looked briefly at the tiny, yellow German Reclam paperback edition of Kafka short stories I’d recently bought. Despite the seven-point type and Kafka’s hundred-mark vocabulary, I now understood the entire first two sentences of “Das Urteil,” which I supposed pitiful non-German-speakers such as not myself would still call “The Judgment” in their monolingual ignorance. This was an excellent development—but that story had a naked dad in it, too, so it made for a poor distraction.
Heart still pulsing in my temples, I flopped onto the bed and watched a video by the British boy group Take That for the seven hundredth time to calm myself. The squat lead singer, Gary, was promising me that whatever he said or did, he didn’t mean it. He just wanted me back for good. Christ, Gary, I thought, you should know what you did. But t
hese boy bands, they never stopped being huge in Germany, even as America rejected them for Pearl Jam and the like. “We don’t understand the words to any of the English songs,” Lisette had explained to me. “But we like them anyhow.” I suppose that would explain the gem that played directly after “Back for Good,” a truly obscene American song about cunnilingus called “Lick It” that no German understood, bless them. Then, as “Common People” by Pulp came on (which I had the good sense to recognize as one of the best songs of that or any decade), I heard someone futzing around outside my room and held my breath. Frau Herrmann, back to do her Sauberkeitspolizei, her cleanliness policing.
I may have been scandalized by Herr Herrmann’s adoption of the universally accepted German preference for Freikörperkultur, or nudism (literally “free body culture”), but that was nothing compared to Frau Herrmann’s terror at how I kept my room. Despite being well off, the Herrmanns did not employ a housekeeper, and instead every Herrmann was a fanatic and constant cleaner-upper. The Herrmann daughters’ rooms—suites, rather—were spotless at all times. Whereas for me, one of the most joyous aspects of moving out of my parents’ house at the age of seventeen had been breaking free of the constant bellyaching of Sharon Schuman, Ph.D., in regards to the state of my own quarters, in which a few square inches of floor were visible on a good day. I had reveled in my college dorm’s dearth of neatness policing, so much so that even when my habit of leaving bags of Top Ramen on the floor resulted in an influx of loud, MSG-sated mice, I simply—to the horror of my neat roommate—picked up the half-empty, gnawed-apart packages, threw them away, and shrugged. I tried my best to be considerate about common spaces, but I was an adult, goddammit, and my adult autonomy would be expressed through squalor. Given that I was unable to articulate this philosophical stance to my hosts, the state of my tiny bedroom became a constant source of tension between Frau Herrmann and myself.