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    Percy Bysshe Shelley

    Page 39
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      What, Mother, do you laugh now he is dead?

      ‘Who has known me of old,’ replied Earth,

      ‘Or who has my story told?

      It is thou who art overbold.’

      And the lightning of scorn laughed forth 20

      As she sung, ‘To my bosom I fold

      All my sons when their knell is knolled,

      And so with living motion all are fed,

      And the quick spring like weeds out of the dead.

      ‘Still alive and still bold,’ shouted Earth, 25

      ‘I grow bolder and still more bold.

      The dead fill me ten thousandfold

      Fuller of speed, and splendour, and mirth.

      I was cloudy, and sullen, and cold,

      Like a frozen chaos uprolled, 30

      Till by the spirit of the mighty dead

      My heart grew warm. I feed on whom I fed.

      ‘Ay, alive and still bold.’ muttered Earth,

      ‘Napoleon’s fierce spirit rolled,

      In terror and blood and gold, 35

      A torrent of ruin to death from his birth.

      Leave the millions who follow to mould

      The metal before it be cold;

      And weave into his shame, which like the dead

      Shrouds me, the hopes that from his glory fled.’ 40

      SONNET: POLITICAL GREATNESS.

      (Published by Mrs. Shelley, “Posthumous Poems”, 1824. There is a transcript, headed “Sonnet to the Republic of Benevento”, in the Harvard manuscript book.)

      Nor happiness, nor majesty, nor fame,

      Nor peace, nor strength, nor skill in arms or arts,

      Shepherd those herds whom tyranny makes tame;

      Verse echoes not one beating of their hearts,

      History is but the shadow of their shame, 5

      Art veils her glass, or from the pageant starts

      As to oblivion their blind millions fleet,

      Staining that Heaven with obscene imagery

      Of their own likeness. What are numbers knit

      By force or custom? Man who man would be, 10

      Must rule the empire of himself; in it

      Must be supreme, establishing his throne

      On vanquished will, quelling the anarchy

      Of hopes and fears, being himself alone.

      THE AZIOLA.

      (Published by Mrs. Shelley in “The Keepsake”, 1829.)

      1.

      ‘Do you not hear the Aziola cry?

      Methinks she must be nigh,’

      Said Mary, as we sate

      In dusk, ere stars were lit, or candles brought;

      And I, who thought 5

      This Aziola was some tedious woman,

      Asked, ‘Who is Aziola?’ How elate

      I felt to know that it was nothing human,

      No mockery of myself to fear or hate:

      And Mary saw my soul, 10

      And laughed, and said, ‘Disquiet yourself not;

      ‘Tis nothing but a little downy owl.’

      2.

      Sad Aziola! many an eventide

      Thy music I had heard

      By wood and stream, meadow and mountain-side, 15

      And fields and marshes wide, —

      Such as nor voice, nor lute, nor wind, nor bird,

      The soul ever stirred;

      Unlike and far sweeter than them all.

      Sad Aziola! from that moment I 20

      Loved thee and thy sad cry.

      A LAMENT.

      (Published by Mrs. Shelley, “Posthumous Poems”, 1824.)

      1.

      O world! O life! O time!

      On whose last steps I climb,

      Trembling at that where I had stood before;

      When will return the glory of your prime?

      No more — Oh, never more! 5

      2.

      Out of the day and night

      A joy has taken flight;

      Fresh spring, and summer, and winter hoar,

      Move my faint heart with grief, but with delight

      No more — Oh, never more! 10

      REMEMBRANCE.

      (Published by Mrs. Shelley, “Posthumous Poems”, 1824, where it is entitled “A Lament”. Three manuscript copies are extant: The Trelawny manuscript (“Remembrance”), the Harvard manuscript (“Song”) and the Houghton manuscript — the last written by Shelley on a flyleaf of a copy of “Adonais”.)

      1.

      Swifter far than summer’s flight —

      Swifter far than youth’s delight —

      Swifter far than happy night,

      Art thou come and gone —

      As the earth when leaves are dead, 5

      As the night when sleep is sped,

      As the heart when joy is fled,

      I am left lone, alone.

      2.

      The swallow summer comes again —

      The owlet night resumes her reign — 10

      But the wild-swan youth is fain

      To fly with thee, false as thou. —

      My heart each day desires the morrow;

      Sleep itself is turned to sorrow;

      Vainly would my winter borrow 15

      Sunny leaves from any bough.

      3.

      Lilies for a bridal bed —

      Roses for a matron’s head —

      Violets for a maiden dead —

      Pansies let MY flowers be: 20

      On the living grave I bear

      Scatter them without a tear —

      Let no friend, however dear,

      Waste one hope, one fear for me.

      TO EDWARD WILLIAMS.

      (Published in Ascham’s edition of the “Poems”, 1834.

      There is a copy amongst the Trelawny manuscripts.)

      1.

      The serpent is shut out from Paradise.

      The wounded deer must seek the herb no more

      In which its heart-cure lies:

      The widowed dove must cease to haunt a bower

      Like that from which its mate with feigned sighs 5

      Fled in the April hour.

      I too must seldom seek again

      Near happy friends a mitigated pain.

      2.

      Of hatred I am proud, — with scorn content;

      Indifference, that once hurt me, now is grown 10

      Itself indifferent;

      But, not to speak of love, pity alone

      Can break a spirit already more than bent.

      The miserable one

      Turns the mind’s poison into food, — 15

      Its medicine is tears, — its evil good.

      3.

      Therefore, if now I see you seldomer,

      Dear friends, dear FRIEND! know that I only fly

      Your looks, because they stir

      Griefs that should sleep, and hopes that cannot die: 20

      The very comfort that they minister

      I scarce can bear, yet I,

      So deeply is the arrow gone,

      Should quickly perish if it were withdrawn.

      4.

      When I return to my cold home, you ask 25

      Why I am not as I have ever been.

      YOU spoil me for the task

      Of acting a forced part in life’s dull scene, —

      Of wearing on my brow the idle mask

      Of author, great or mean, 30

      In the world’s carnival. I sought

      Peace thus, and but in you I found it not.

      5.

      Full half an hour, to-day, I tried my lot

      With various flowers, and every one still said,

      ‘She loves me — loves me not.’ 35

      And if this meant a vision long since fled —

      If it meant fortune, fame, or peace of thought —

      If it meant, — but I dread

      To speak what you may know too well:

      Still there was truth in the sad oracle. 40

      6.

      The crane o’er seas and forests seeks her home;

      No bird so wild but has its quiet nest,

      When it no mo
    re would roam;

      The sleepless billows on the ocean’s breast

      Break like a bursting heart, and die in foam, 45

      And thus at length find rest:

      Doubtless there is a place of peace

      Where MY weak heart and all its throbs will cease.

      7.

      I asked her, yesterday, if she believed

      That I had resolution. One who HAD 50

      Would ne’er have thus relieved

      His heart with words, — but what his judgement bade

      Would do, and leave the scorner unrelieved.

      These verses are too sad

      To send to you, but that I know, 55

      Happy yourself, you feel another’s woe.

      TO — .

      (Published by Mrs. Shelley, “Posthumous Poems”, 1824.)

      1.

      One word is too often profaned

      For me to profane it,

      One feeling too falsely disdained

      For thee to disdain it;

      One hope is too like despair 5

      For prudence to smother,

      And pity from thee more dear

      Than that from another.

      2.

      I can give not what men call love,

      But wilt thou accept not 10

      The worship the heart lifts above

      And the Heavens reject not, —

      The desire of the moth for the star,

      Of the night for the morrow,

      The devotion to something afar 15

      From the sphere of our sorrow?

      TO — .

      (Published by Mrs. Shelley, “Posthumous Poems”, 1824.

      There is a Boscombe manuscript.)

      1.

      When passion’s trance is overpast,

      If tenderness and truth could last,

      Or live, whilst all wild feelings keep

      Some mortal slumber, dark and deep,

      I should not weep, I should not weep! 5

      2.

      It were enough to feel, to see,

      Thy soft eyes gazing tenderly,

      And dream the rest — and burn and be

      The secret food of fires unseen,

      Couldst thou but be as thou hast been, 10

      3.

      After the slumber of the year

      The woodland violets reappear;

      All things revive in field or grove,

      And sky and sea, but two, which move

      And form all others, life and love. 15

      A BRIDAL SONG.

      (Published by Mrs. Shelley, “Posthumous Poems”, 1824.)

      1.

      The golden gates of Sleep unbar

      Where Strength and Beauty, met together,

      Kindle their image like a star

      In a sea of glassy weather!

      Night, with all thy stars look down, — 5

      Darkness, weep thy holiest dew, —

      Never smiled the inconstant moon

      On a pair so true.

      Let eyes not see their own delight; —

      Haste, swift Hour, and thy flight 10

      Oft renew.

      2.

      Fairies, sprites, and angels, keep her!

      Holy stars, permit no wrong!

      And return to wake the sleeper,

      Dawn, — ere it be long! 15

      O joy! O fear! what will be done

      In the absence of the sun!

      Come along!

      EPITHALAMIUM.

      ANOTHER VERSION OF THE PRECEDING.

      (Published by Medwin, “Life of Shelley”, 1847.)

      Night, with all thine eyes look down!

      Darkness shed its holiest dew!

      When ever smiled the inconstant moon

      On a pair so true?

      Hence, coy hour! and quench thy light, 5

      Lest eyes see their own delight!

      Hence, swift hour! and thy loved flight

      Oft renew.

      BOYS:

      O joy! O fear! what may be done

      In the absence of the sun? 10

      Come along!

      The golden gates of sleep unbar!

      When strength and beauty meet together,

      Kindles their image like a star

      In a sea of glassy weather. 15

      Hence, coy hour! and quench thy light,

      Lest eyes see their own delight!

      Hence, swift hour! and thy loved flight

      Oft renew.

      GIRLS:

      O joy! O fear! what may be done 20

      In the absence of the sun?

      Come along!

      Fairies! sprites! and angels, keep her!

      Holiest powers, permit no wrong!

      And return, to wake the sleeper, 25

      Dawn, ere it be long.

      Hence, swift hour! and quench thy light,

      Lest eyes see their own delight!

      Hence, coy hour! and thy loved flight

      Oft renew. 30

      BOYS AND GIRLS:

      O joy! O fear! what will be done

      In the absence of the sun?

      Come along!

      ANOTHER VERSION OF THE SAME.

      (Published by Rossetti, “Complete Poetical Works of P. B. S.”, 1870, from the Trelawny manuscript of Edward Williams’s play, “The Promise: or, A Year, a Month, and a Day”.)

      BOYS SING:

      Night! with all thine eyes look down!

      Darkness! weep thy holiest dew!

      Never smiled the inconstant moon

      On a pair so true.

      Haste, coy hour! and quench all light, 5

      Lest eyes see their own delight!

      Haste, swift hour! and thy loved flight

      Oft renew!

      GIRLS SING:

      Fairies, sprites, and angels, keep her!

      Holy stars! permit no wrong! 10

      And return, to wake the sleeper,

      Dawn, ere it be long!

      O joy! O fear! there is not one

      Of us can guess what may be done

      In the absence of the sun: — 15

      Come along!

      BOYS:

      Oh! linger long, thou envious eastern lamp

      In the damp

      Caves of the deep!

      GIRLS:

      Nay, return, Vesper! urge thy lazy car! 20

      Swift unbar

      The gates of Sleep!

      CHORUS:

      The golden gate of Sleep unbar,

      When Strength and Beauty, met together,

      Kindle their image, like a star 25

      In a sea of glassy weather.

      May the purple mist of love

      Round them rise, and with them move,

      Nourishing each tender gem

      Which, like flowers, will burst from them. 30

      As the fruit is to the tree

      May their children ever be!

      LOVE, HOPE, DESIRE, AND FEAR.

      (Published by Dr. Garnett, “Relics of Shelley”, 1862. ‘A very free translation of Brunetto Latini’s “Tesoretto”, lines 81-154.’ — A.C. Bradley.)

      …

      And many there were hurt by that strong boy,

      His name, they said, was Pleasure,

      And near him stood, glorious beyond measure

      Four Ladies who possess all empery

      In earth and air and sea, 5

      Nothing that lives from their award is free.

      Their names will I declare to thee,

      Love, Hope, Desire, and Fear,

      And they the regents are

      Of the four elements that frame the heart, 10

      And each diversely exercised her art

      By force or circumstance or sleight

      To prove her dreadful might

      Upon that poor domain.

      Desire presented her (false) glass, and then 15

      The spirit dwelling there

      Was spellbound to embrace what seemed so fair

      Within that magic mirror,

      And dazed by that bright error,

      It would have scorned the (shafts) of the
    avenger 20

      And death, and penitence, and danger,

      Had not then silent Fear

      Touched with her palsying spear,

      So that as if a frozen torrent

      The blood was curdled in its current; 25

      It dared not speak, even in look or motion,

      But chained within itself its proud devotion.

      Between Desire and Fear thou wert

      A wretched thing, poor heart!

      Sad was his life who bore thee in his breast, 30

      Wild bird for that weak nest.

      Till Love even from fierce Desire it bought,

      And from the very wound of tender thought

      Drew solace, and the pity of sweet eyes

      Gave strength to bear those gentle agonies, 35

      Surmount the loss, the terror, and the sorrow.

      Then Hope approached, she who can borrow

      For poor to-day, from rich tomorrow,

      And Fear withdrew, as night when day

      Descends upon the orient ray, 40

      And after long and vain endurance

      The poor heart woke to her assurance.

      — At one birth these four were born

      With the world’s forgotten morn,

      And from Pleasure still they hold 45

      All it circles, as of old.

      When, as summer lures the swallow,

      Pleasure lures the heart to follow —

      O weak heart of little wit!

      The fair hand that wounded it, 50

      Seeking, like a panting hare,

      Refuge in the lynx’s lair,

      Love, Desire, Hope, and Fear,

      Ever will be near.

      FRAGMENTS WRITTEN FOR HELLAS.

      (Published by Dr. Garnett, “Relics of Shelley”, 1862.)

      1.

      Fairest of the Destinies,

      Disarray thy dazzling eyes:

      Keener far thy lightnings are

      Than the winged (bolts) thou bearest,

      And the smile thou wearest 5

      Wraps thee as a star

      Is wrapped in light.

      2.

      Could Arethuse to her forsaken urn

      From Alpheus and the bitter Doris run,

      Or could the morning shafts of purest light 10

      Again into the quivers of the Sun

      Be gathered — could one thought from its wild flight

      Return into the temple of the brain

      Without a change, without a stain, —

      Could aught that is, ever again 15

      Be what it once has ceased to be,

      Greece might again be free!

      3.

      A star has fallen upon the earth

      Mid the benighted nations,

      A quenchless atom of immortal light, 20

      A living spark of Night,

     


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