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    Percy Bysshe Shelley

    Page 25
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    Thy giant brood of pines around thee clinging, 20

      Children of elder time, in whose devotion

      The chainless winds still come and ever came

      To drink their odours, and their mighty swinging

      To hear — an old and solemn harmony;

      Thine earthly rainbows stretched across the sweep 25

      Of the ethereal waterfall, whose veil

      Robes some unsculptured image; the strange sleep

      Which when the voices of the desert fail

      Wraps all in its own deep eternity; —

      Thy caverns echoing to the Arve’s commotion, 30

      A loud, lone sound no other sound can tame;

      Thou art pervaded with that ceaseless motion,

      Thou art the path of that unresting sound —

      Dizzy Ravine! and when I gaze on thee

      I seem as in a trance sublime and strange 35

      To muse on my own separate fantasy,

      My own, my human mind, which passively

      Now renders and receives fast influencings,

      Holding an unremitting interchange

      With the clear universe of things around; 40

      One legion of wild thoughts, whose wandering wings

      Now float above thy darkness, and now rest

      Where that or thou art no unbidden guest,

      In the still cave of the witch Poesy,

      Seeking among the shadows that pass by 45

      Ghosts of all things that are, some shade of thee,

      Some phantom, some faint image; till the breast

      From which they fled recalls them, thou art there!

      3.

      Some say that gleams of a remoter world

      Visit the soul in sleep, — that death is slumber, 50

      And that its shapes the busy thoughts outnumber

      Of those who wake and live. — I look on high;

      Has some unknown omnipotence unfurled

      The veil of life and death? or do I lie

      In dream, and does the mightier world of sleep 55

      Spread far around and inaccessibly

      Its circles? For the very spirit fails,

      Driven like a homeless cloud from steep to steep

      That vanishes among the viewless gales!

      Far, far above, piercing the infinite sky, 60

      Mont Blanc appears, — still, snowy, and serene —

      Its subject mountains their unearthly forms

      Pile around it, ice and rock; broad vales between

      Of frozen floods, unfathomable deeps,

      Blue as the overhanging heaven, that spread 65

      And wind among the accumulated steeps;

      A desert peopled by the storms alone,

      Save when the eagle brings some hunter’s bone,

      And the wolf tracts her there — how hideously

      Its shapes are heaped around! rude, bare, and high, 70

      Ghastly, and scarred, and riven. — Is this the scene

      Where the old Earthquake-daemon taught her young

      Ruin? Were these their toys? or did a sea

      Of fire envelope once this silent snow?

      None can reply — all seems eternal now. 75

      The wilderness has a mysterious tongue

      Which teaches awful doubt, or faith so mild,

      So solemn, so serene, that man may be,

      But for such faith, with nature reconciled;

      Thou hast a voice, great Mountain, to repeal 80

      Large codes of fraud and woe; not understood

      By all, but which the wise, and great, and good

      Interpret, or make felt, or deeply feel.

      4.

      The fields, the lakes, the forests, and the streams,

      Ocean, and all the living things that dwell 85

      Within the daedal earth; lightning, and rain,

      Earthquake, and fiery flood, and hurricane,

      The torpor of the year when feeble dreams

      Visit the hidden buds, or dreamless sleep

      Holds every future leaf and flower; — the bound 90

      With which from that detested trance they leap;

      The works and ways of man, their death and birth,

      And that of him and all that his may be;

      All things that move and breathe with toil and sound

      Are born and die; revolve, subside, and swell. 95

      Power dwells apart in its tranquillity,

      Remote, serene, and inaccessible:

      And THIS, the naked countenance of earth,

      On which I gaze, even these primaeval mountains

      Teach the adverting mind. The glaciers creep 100

      Like snakes that watch their prey, from their far fountains,

      Slow rolling on; there, many a precipice,

      Frost and the Sun in scorn of mortal power

      Have piled: dome, pyramid, and pinnacle,

      A city of death, distinct with many a tower 105

      And wall impregnable of beaming ice.

      Yet not a city, but a flood of ruin

      Is there, that from the boundaries of the sky

      Rolls its perpetual stream; vast pines are strewing

      Its destined path, or in the mangled soil 110

      Branchless and shattered stand; the rocks, drawn down

      From yon remotest waste, have overthrown

      The limits of the dead and living world,

      Never to be reclaimed. The dwelling-place

      Of insects, beasts, and birds, becomes its spoil; 115

      Their food and their retreat for ever gone,

      So much of life and joy is lost. The race

      Of man flies far in dread; his work and dwelling

      Vanish, like smoke before the tempest’s stream,

      And their place is not known. Below, vast caves 120

      Shine in the rushing torrents’ restless gleam,

      Which from those secret chasms in tumult welling

      Meet in the vale, and one majestic River,

      The breath and blood of distant lands, for ever

      Rolls its loud waters to the ocean waves, 125

      Breathes its swift vapours to the circling air.

      5.

      Mont Blanc yet gleams on high — the power is there,

      The still and solemn power of many sights,

      And many sounds, and much of life and death.

      In the calm darkness of the moonless nights, 130

      In the lone glare of day, the snows descend

      Upon that Mountain; none beholds them there,

      Nor when the flakes burn in the sinking sun,

      Or the star-beams dart through them: — Winds contend

      Silently there, and heap the snow with breath 135

      Rapid and strong, but silently! Its home

      The voiceless lightning in these solitudes

      Keeps innocently, and like vapour broods

      Over the snow. The secret strength of things

      Which governs thought, and to the infinite dome 140

      Of heaven is as a law, inhabits thee!

      And what were thou, and earth, and stars, and sea,

      If to the human mind’s imaginings

      Silence and solitude were vacancy?

      July 23, 1816.

      CANCELLED PASSAGE OF MONT BLANC.

      (Published by Garnett, “Relics of Shelley”, 1862.)

      There is a voice, not understood by all,

      Sent from these desert-caves. It is the roar

      Of the rent ice-cliff which the sunbeams call,

      Plunging into the vale — it is the blast

      Descending on the pines — the torrents pour… 5

      HOME. (FRAGMENT)

      (Published by Garnett, “Relics of Shelley”, 1862.)

      Dear home, thou scene of earliest hopes and joys,

      The least of which wronged Memory ever makes

      Bitterer than all thine unremembered tears.

      FRAGMENT OF A GHOST STORY.

      (Published by Garnett, “Relics of Shelley”, 1862.)

      A sh
    ovel of his ashes took

      From the hearth’s obscurest nook,

      Muttering mysteries as she went.

      Helen and Henry knew that Granny

      Was as much afraid of Ghosts as any, 5

      And so they followed hard —

      But Helen clung to her brother’s arm,

      And her own spasm made her shake.

      NOTE ON POEMS OF 1816, BY MRS. SHELLEY.

      Shelley wrote little during this year. The poem entitled “The Sunset” was written in the spring of the year, while still residing at Bishopsgate. He spent the summer on the shores of the Lake of Geneva. The “Hymn to Intellectual Beauty” was conceived during his voyage round the lake with Lord Byron. He occupied himself during this voyage by reading the “Nouvelle Heloise” for the first time. The reading it on the very spot where the scenes are laid added to the interest; and he was at once surprised and charmed by the passionate eloquence and earnest enthralling interest that pervade this work. There was something in the character of Saint-Preux, in his abnegation of self, and in the worship he paid to Love, that coincided with Shelley’s own disposition; and, though differing in many of the views and shocked by others, yet the effect of the whole was fascinating and delightful.

      “Mont Blanc” was inspired by a view of that mountain and its surrounding peaks and valleys, as he lingered on the Bridge of Arve on his way through the Valley of Chamouni. Shelley makes the following mention of this poem in his publication of the “History of a Six Weeks’ Tour, and Letters from Switzerland”: ‘The poem entitled “Mont Blanc” is written by the author of the two letters from Chamouni and Vevai. It was composed under the immediate impression of the deep and powerful feelings excited by the objects which it attempts to describe; and, as an undisciplined overflowing of the soul, rests its claim to approbation on an attempt to imitate the untamable wildness and inaccessible solemnity from which those feelings sprang.’

      This was an eventful year, and less time was given to study than usual. In the list of his reading I find, in Greek, Theocritus, the “Prometheus” of Aeschylus, several of Plutarch’s “Lives”, and the works of Lucian. In Latin, Lucretius, Pliny’s “Letters”, the “Annals” and “Germany” of Tacitus. In French, the “History of the French Revolution” by Lacretelle. He read for the first time, this year, Montaigne’s “Essays”, and regarded them ever after as one of the most delightful and instructive books in the world. The list is scanty in English works: Locke’s “Essay”, “Political Justice”, and Coleridge’s “Lay Sermon”, form nearly the whole. It was his frequent habit to read aloud to me in the evening; in this way we read, this year, the New Testament, “Paradise Lost”, Spenser’s “Faery Queen”, and “Don Quixote”.

      POEMS WRITTEN IN 1817.

      MARIANNE’S DREAM.

      (Composed at Marlow, 1817. Published in Hunt’s “Literary Pocket-Book”, 1819, and reprinted in “Posthumous Poems”, 1824.)

      1.

      A pale Dream came to a Lady fair,

      And said, A boon, a boon, I pray!

      I know the secrets of the air,

      And things are lost in the glare of day,

      Which I can make the sleeping see, 5

      If they will put their trust in me.

      2.

      And thou shalt know of things unknown,

      If thou wilt let me rest between

      The veiny lids, whose fringe is thrown

      Over thine eyes so dark and sheen: 10

      And half in hope, and half in fright,

      The Lady closed her eyes so bright.

      3.

      At first all deadly shapes were driven

      Tumultuously across her sleep,

      And o’er the vast cope of bending heaven 15

      All ghastly-visaged clouds did sweep;

      And the Lady ever looked to spy

      If the golden sun shone forth on high.

      4.

      And as towards the east she turned,

      She saw aloft in the morning air, 20

      Which now with hues of sunrise burned,

      A great black Anchor rising there;

      And wherever the Lady turned her eyes,

      It hung before her in the skies.

      5.

      The sky was blue as the summer sea, 25

      The depths were cloudless overhead,

      The air was calm as it could be,

      There was no sight or sound of dread,

      But that black Anchor floating still

      Over the piny eastern hill. 30

      6.

      The Lady grew sick with a weight of fear

      To see that Anchor ever hanging,

      And veiled her eyes; she then did hear

      The sound as of a dim low clanging,

      And looked abroad if she might know 35

      Was it aught else, or but the flow

      Of the blood in her own veins, to and fro.

      7.

      There was a mist in the sunless air,

      Which shook as it were with an earthquake’s shock,

      But the very weeds that blossomed there 40

      Were moveless, and each mighty rock

      Stood on its basis steadfastly;

      The Anchor was seen no more on high.

      8.

      But piled around, with summits hid

      In lines of cloud at intervals, 45

      Stood many a mountain pyramid

      Among whose everlasting walls

      Two mighty cities shone, and ever

      Through the red mist their domes did quiver.

      9.

      On two dread mountains, from whose crest, 50

      Might seem, the eagle, for her brood,

      Would ne’er have hung her dizzy nest,

      Those tower-encircled cities stood.

      A vision strange such towers to see,

      Sculptured and wrought so gorgeously, 55

      Where human art could never be.

      10.

      And columns framed of marble white,

      And giant fanes, dome over dome

      Piled, and triumphant gates, all bright

      With workmanship, which could not come 60

      From touch of mortal instrument,

      Shot o’er the vales, or lustre lent

      From its own shapes magnificent.

      11.

      But still the Lady heard that clang

      Filling the wide air far away; 65

      And still the mist whose light did hang

      Among the mountains shook alway,

      So that the Lady’s heart beat fast,

      As half in joy, and half aghast,

      On those high domes her look she cast. 70

      12.

      Sudden, from out that city sprung

      A light that made the earth grow red;

      Two flames that each with quivering tongue

      Licked its high domes, and overhead

      Among those mighty towers and fanes 75

      Dropped fire, as a volcano rains

      Its sulphurous ruin on the plains.

      13.

      And hark! a rush as if the deep

      Had burst its bonds; she looked behind

      And saw over the western steep 80

      A raging flood descend, and wind

      Through that wide vale; she felt no fear,

      But said within herself, ‘Tis clear

      These towers are Nature’s own, and she

      To save them has sent forth the sea. 85

      14.

      And now those raging billows came

      Where that fair Lady sate, and she

      Was borne towards the showering flame

      By the wild waves heaped tumultuously.

      And, on a little plank, the flow 90

      Of the whirlpool bore her to and fro.

      15.

      The flames were fiercely vomited

      From every tower and every dome,

      And dreary light did widely shed

      O’er that vast flood’s suspended foam, 95

      Beneath the smoke which hung its night


      On the stained cope of heaven’s light.

      16.

      The plank whereon that Lady sate

      Was driven through the chasms, about and about,

      Between the peaks so desolate 100

      Of the drowning mountains, in and out,

      As the thistle-beard on a whirlwind sails —

      While the flood was filling those hollow vales.

      17.

      At last her plank an eddy crossed,

      And bore her to the city’s wall, 105

      Which now the flood had reached almost;

      It might the stoutest heart appal

      To hear the fire roar and hiss

      Through the domes of those mighty palaces.

      18.

      The eddy whirled her round and round 110

      Before a gorgeous gate, which stood

      Piercing the clouds of smoke which bound

      Its aery arch with light like blood;

      She looked on that gate of marble clear,

      With wonder that extinguished fear. 115

      19.

      For it was filled with sculptures rarest,

      Of forms most beautiful and strange,

      Like nothing human, but the fairest

      Of winged shapes, whose legions range

      Throughout the sleep of those that are, 120

      Like this same Lady, good and fair.

      20.

      And as she looked, still lovelier grew

      Those marble forms; — the sculptor sure

      Was a strong spirit, and the hue

      Of his own mind did there endure 125

      After the touch, whose power had braided

      Such grace, was in some sad change faded.

      21.

      She looked, the flames were dim, the flood

      Grew tranquil as a woodland river

      Winding through hills in solitude; 130

      Those marble shapes then seemed to quiver,

      And their fair limbs to float in motion,

      Like weeds unfolding in the ocean.

      22.

      And their lips moved; one seemed to speak,

      When suddenly the mountains cracked, 135

      And through the chasm the flood did break

      With an earth-uplifting cataract:

      The statues gave a joyous scream,

      And on its wings the pale thin Dream

      Lifted the Lady from the stream. 140

      23.

      The dizzy flight of that phantom pale

      Waked the fair Lady from her sleep,

      And she arose, while from the veil

      Of her dark eyes the Dream did creep,

      And she walked about as one who knew 145

      That sleep has sights as clear and true

      As any waking eyes can view.

     


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