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    A House of Air

    Page 49
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      While Tolstoy and William Morris both came to doubt art’s power to change society—and if it failed in that it failed for them in everything—James Joyce and Virginia Woolf entrusted themselves to it, for its own sake, entirely. ‘Now they’re bombing Spain,’ said Joyce in 1936. ‘Isn’t it better to make a great joke instead, as I have done?’ Virginia Woolf’s Miss La Trobe, in Between the Acts, is her last version, perhaps consciously her last, of the artist in relation to society. Finishing the book, as always, was a strain on her perilous mental balance. It was written, but not revised for the press, when she walked out of her garden gate and down to the river to drown herself.

      From 1938 onwards Leonard and Virginia Woolf were living for longer and longer periods in the country, at Rodmell in Sussex. Between the Acts is contained in a day and a night, and in one country house with its barn, pastures, and gardens. Poyntz Hall is old but middle-sized and ordinary—as far as anything described by Virginia Woolf is ordinary. There is no mention of it in the guidebooks, but ‘driving past, people said to each other, “I wonder if that’ll ever come into the market?”’ But although its beauty is real, its suggestion of a settled contentment is not. A closer look shows ‘vast vacancies’ of body and spirit. Children are divided from adults, husband from wife, servants from employers, and Poyntz Hall itself seems cut off from the war and almost unconcerned, although at any moment ‘guns might rake the ancient land into furrows.’ Miss La Trobe is the unlikely force that will make for wholeness. She is a bizarre, disconsolate figure, a lesbian deserted by her lover, fond of drink and known to the villagers as Bossy. Her art is as a presenter of pageants. She ‘gets them up,’ composing everything herself, words, music, and passing shows. A setting is required—Poyntz Hall itself—and an acceptable cause, in this case a collection for the repair of the parish church, but these are not the things that matter to Miss La Trobe. A heap of old clothes and a cast of amateur actors who don’t always know their parts are all that she has to work with, and she despairs, or almost despairs, of making her audience ‘see.’ What she had had in mind to show them had been the whole history of their island, back to the ‘night before roads were made, or houses,’ through to the present moment when they would be asked to see their own reflections in great mirrors and looking glasses, borrowed from the Hall and held up to their view. All this had been her intention, but in her own judgement she has failed. She needs company, she needs a drink, but in the village she is an outcast and she knows that when she goes into the public bar, the customers will fall silent. This, however, is not important to her (just as Virginia Woolf tried to persuade herself, time after time, that what her critics said was unimportant). For her the failure—worse than death—is failure as an artist. But when the pageant is over and the audience has drifted away, leaving the park to the cows and the roosting swallows, Miss La Trobe is already possessed by a new idea. She has ‘heard the first words.’ These are words that other characters in the book will speak, but have not yet spoken. In fact, we never know what they are. But Miss La Trobe does know.

      She strode off across the lawn. The house was dormant: one thread of smoke thickened against the trees…From the earth green waters seemed to rise over her. She took her voyage away from the shore, and, raising her hand, fumbled for the latch of the iron entrance gate.

      from End Games, edited by Maura Dooley,

      South Bank, 1988

      INDEX

      The pagination of this electronic edition does not match the edition from which it was created. To locate a specific passage, please use the search feature of your e-book reader.

      Ackland, Valentine, 247—8, 250, 252; Whether a Dove or a Seagull (with Sylvia Townsend Warner), 250

      Ackroyd, Peter: Blake, 12, 14—15; Dickens, 14

      Acworth, Dr James, 93

      Aiken, Conrad, 189

      Alain-Fournier (Henri Alain Fournier), 305—10, 354; Colombes Blanchet, 306; Le Grand Meaulnes, 305, 306—7; translated as The Lost Domain by Frank Davison, 305, 309—10

      Albert, Stephen, 529

      Aldington, Richard: enlists, 161; Images, 165

      Allen, Walter, 52

      Allston, Washington, 19

      Amis, Sir Kingsley: correspondence with Larkin, 375, 377

      Amory, Mark, 331

      Andrews, Henry Maxwell, 315—17

      Angier, Carole: Jean Rhys: Life and Work, 318—19

      Annan, Noël, Baron, 277

      Anscombe, Elizabeth, 356

      Apollinaire, Guillaume, 167

      Arbuckle, Roscoe (‘Fatty’), 467

      Arkell, David: Alain-Fournier: A Brief Life, 1886—1914, 305, 308

      Arnim, Elizabeth von, 149

      Arts and Crafts movement, 129—33

      Ashbee, Charles Robert: biography by Fiona MacCarthy, 129—33; From Whitechapel to Camelot, 129

      Ashbee, Henry Spencer, 130

      Ashbee, Janet (née Forbes), 131

      Askwith, Betty: Two Victorian Families, 76

      Asquith, Anthony, 327

      Asquith, Herbert Henry, 1st Earl of Oxford and Asquith, 188

      Atherton, Gertrude, 229

      Athill, Diana, 318

      Atlantic Monthly, The, 24

      Auden, Wystan Hugh: influence on MacNeice, 347, 352; John Lehmann publishes, 341; MacNeice travels with, 348

      Augustine, St, 313

      Austen, Jane: final illness, 5; on romantic imagination, 395; Emma, 5—11; Northanger Abbey, 10; Persuasion, 506—7

      Austen-Leigh, James E. (Jane Austen’s nephew): memoir of Jane, 10

      Austin, Alfred, 104

      Aylesbury, Buckinghamshire, 44n

      Bacon, Leonard, 169

      Baker, Michael: Our Three Selves: A Life of Radclyffe Hall, 253—8

      Balcombe, Sussex, 468, 486—90

      Baldwin, Louisa (née Macdonald), 105, 115, 137

      Balfour, Arthur James (later 1st Earl), 145

      Banks, Leslie, 483

      Barbera, Jack and William McBrien (eds): Me Again: Uncollected Writings of Stevie Smih, 358—63

      Barrie, Sir James Matthew: on attempting to grow up, 306; on Mrs Oliphant, 511; and Peter Pan statue, 189; visits dying Mrs Oliphant, 72; Peter Pan, 213

      Basire, James, 13

      Batemans (house), Sussex, 142

      Batey, Mavis, 84

      Batten, Mabel (‘Ladye’), 255—8

      Battiscombe, Georgina: Christina Rossetti: A Divided Life, 97—100

      Bawden, Edward, 168

      Bayley, John, 502

      Beach, Sylvia, 168

      Beardsley, Aubrey, 139, 177

      Beardsley, Mabel, 140

      Beauman, Sally, introduction to Ada Leverson’s The Little Ottleys, 233—5

      Beaverbrook, William Maxwell Aitken, 1st Baron, 315

      Beck, Ian, 310

      Beckett, Samuel, 414, 505, 525

      Bedford College, London, 173—4

      Bedford, John Russell, 4th Duke of, 453

      Beerbohm, (Sir) Max, 233

      Bell, Clive, 281, 283

      Bell, Julian, 283, 338

      Bell, Quentin, 275, 277, 289

      Bell, Vanessa, 280—4, 289, 291

      Bellow, Saul: Henderson the Rain King, 424; Ravelstein, 424—6

      Benda, Simone, 306, 308; Sous les nouveaux soleils, 307

      Bennett, Alan, 215

      Benson family, 280

      Benson, Arthur, 73, 75, 196

      Benson, Edward White, Archbishop of Canterbury: biography by Geoffrey Palmer and Noel Lloyd, 73—8; and loss of eldest son, 281

      Benson, Frederick, 73, 75, 280

      Benson, Hugh, 73, 75—6, 280

      Benson, Maggie, 73, 75

      Benson, Martin, 75

      Benson, Minnie (née Sidgwick), 73—5

      Benson, Nellie, 73

      Benson, W.A.S., 138

      Bernhardt, Sarah, 139

      Besant, Annie, 118

      Bethlehem, 459

      Betjeman, Sir John, 346, 445

      Biala, Janice, 295

      Blackwood, John (publisher), 32, 38, 40, 58,
    67

      Blackwood, Major (publisher), 40

      Blackwood, Miss (John’s sister), 52

      Blackwood, William, 61

      Blackwood’s Magazine: Mrs Oliphant writes for, 40, 43, 57, 67, 70

      Blake, Catherine (née Boucher; William’s wife), 13—14, 16

      Blake, James and Catherine (William’s parents), 12—13

      Blake, William, 12—16, 313, 358; ‘Schoolboy’, 168

      Bloomsbury group, 277, 289

      Blunden, Edmund, 354

      Blunt, Anthony, 346, 348

      Blunt, Wilfrid Scawen: on Charlotte Mew, 178; on William Morris, 107; Love-Lyrics & Songs of Praise, 124

      Boer War (1899—1902), 245

      Boll, Theophilus, 179

      Booker Prize, 477—9

      Boos, Florence, 104

      Bottomley, Gordon, 150

      Bourget, Paul, 235

      Bowen, Stella, 295

      Bowra, Sir Maurice, 99

      Boylan, Clare (ed.): The Agony and the Ego: The Art and Strategy of Fiction Writing Explored, 507

      Brenan, Gerald, 289

      Bridges, Robert, 166

      British Broadcasting Corporation (BBC): John Lehmann at, 342; MacNeice works for, 349, 351; Penelope Fitzgerald works for, 472—5

      Brittain, Vera, 253

      Brontë, Charlotte: Villette, 66

      Brontë, Emily, 98

      Brooke, Rupert, 157

      Brooke-Rose, Christine: Amalgamemnon, 506—7

      Brown, Ford Madox, 294

      Brown, Frederick, 289

      Burnand, Francis, 208

      Burne-Jones family: at The Grange, 133—4

      Burne-Jones, Christopher, 134

      Burne-Jones, Sir Edward: death, 142; decline in popularity, 141; exhibits, 137—8; fears de Morgan’s wife, 126—7; at The Grange, 136—40; illustrates Kelmscott Chaucer, 124, 141; indulges granddaughters, 141; infatuation with Helen Gaskell, 141—2; Kipling visits, 101; liaison with Mary Zambaco, 108—9, 135, 145; marriage, 108—9; Mary Nicholson keeps house for, 117; meets George Eliot, 36; resigns from Academy, 139; stained glass, 137, 146; supports William Morris, 124; tours Italy, 137; watercolours reviewed (1993), 143—7; Golden Stairs, 138; ‘The Merciful Knight’, 144—5; Phyllis and Demophoön, 136, 145

      Burne-Jones, Georgiana, Lady (née Macdonald): on Edward’s ‘The Merciful Knight’, 144; at The Grange, 135, 140—1; in local politics, 118; marriage, 108—9; on Morrises’ marriage, 117; on servant problems, 92, 139; settles in Rottingdean, 142; William Morris’s dependence on, 119

      Burne-Jones, Margaret see Mackail, Margaret

      Butler, John, 529

      Butler, Samuel: Erewhon, 115

      Butts, Thomas, 14

      Byron, George Gordon, 6th Baron, 19—20

      Cage, John, 529

      Canaletto (Giovanni Antonio Canal): exhibition (New York 1990), 450—6

      Cannan, Gilbert, 166

      Carlyle, Thomas, 21

      Carpenter, Edward, 130—1, 242—3

      Carr, James Lloyd: The Harpole Report, 380, 386; A Month in the Country: Introduction to, 380—7

      Carrington, Dora, 288—91

      Carroll, Lewis (Charles Lutwidge Dodgson): biographies of, 80—6; deaconate, 193; Alice in Wonderland, 83; Sylvie and Bruno, 85; Through the Looking Glass, 83

      Cartwright, Julia, 140, 142

      Cather, Willa, 25

      Cecil, Lord David, 327

      Chalmers, Martin, 432—3, 436

      Chang, Jung see Jung Chang

      Chapbook (Harold Monro’s periodical), 160, 166—8, 170

      Chapman, John (publisher), 37—8

      Charles I, King, 446

      Chaucer, Geoffrey: Kelmscott Press edition, 123, 141

      Chelsea Bookshop, 162

      Chelsea Broadsides, 162

      Chipping Campden, 129, 131—2

      Christ Church, Oxford: Lewis Carroll at, 81

      Christian, John, 146

      Christ’s Hospital (school), 19

      Clarke, Revd James Stanier, 6

      Cobden-Sanderson, Annie, 118

      Cockerell, Kate, Lady, 182

      Cockerell, Sir Sydney, 124, 171, 181—2, 188

      Cohen, Morton N.: Lewis Carroll: A Biography, 80—5

      Coldstream, Nancy, 348

      Coleridge, Mary, 188

      Coleridge, Samuel Taylor, 17—21; Biographia Literaria, 20; Notebooks, 20; Remorse (play), 19

      Collins, Wilkie: The Woman in White, 57, 134

      Coltman, Ella, 187—8

      Compton-Burnett, Dame Ivy, 505

      Connolly, Cyril: edits Horizon, 341 Conrad, Joseph: friendship with F.M. Ford, 295—6

      Constable, John, 482

      Conti, Italia see Italia Conti

      Cooper, Barbara, 343

      Cooper, James Fenimore, 21

      Cornford, Frances: Monro publishes, 165; ‘To a Fat Lady Seen from a Train’, 170

      Corvo, Baron see Rolfe, Frederick

      Cottle, Joseph, 19

      Coulton, Barbara: Louis MacNeice in the BBC, 349

      Cournos, John, 272

      Cox, Michael, 192

      Craig, Edward Gordon, 167

      Crane, Walter, 146

      Crawford, Alan, 129

      Crispin, Edmund see Montgomery, Bruce

      Cronwright-Schreiner, Cron, 241, 244—5

      Cross, John, 37, 39

      Cuala Press, 227

      Dahl, Roald: biography by Jeremy Treglown, 371—3; Boy, 371

      D’Arcy, Ella, 177

      Dartmoor, 446—9

      David, Elizabeth: A Book of Mediterranean Food, 342

      Davies, W.H., 149—50, 161, 277

      Davin, Dan, 344

      Dawes, ‘Toddy’, 380—1

      Delafield, E.M.: Consequences, 268; Late and Soon, 260; Thank Heaven Fasting: afterword, 259—70

      de la Mare, Elfrida (née Ingpen; Walter’s wife), 187—9

      de la Mare, Florence (Walter’s daughter), 189

      de la Mare, Jinnie (Walter’s daughter), 189

      de la Mare, Walter: appearance, 184; and Edward Thomas, 148, 150; and Naomi Royde Smith, 189; poetic qualities, 251; readings at Poetry Bookshop, 184, 277; reputation, 277; supports Charlotte Mew, 182; Theresa Whistler’s biography of, 184—90; ‘Arabia’, 169; ‘The Huntsmen’, 170; The Listeners and Other Poems, 188; Memoirs of a Midget, 189; ‘The Old Man’, 189; Peacock Pie, 184, 188—9, 488; A Portrait, 189

      de la Pasture, Mrs Henry, 260

      Democratic Federation, 139

      de Morgan, Mary Evelyn (née Pickering), 126—8

      de Morgan, William: biography by Mark Hamilton, 125—8; Alice-for-Short, 128; Joseph Vance, 128

      Denman, Gertrude Mary, Lady (née Pearson), 489

      De Quincey, Thomas, 19

      Derby, Edward Stanley, 12th Earl of, 87

      Dick, Kay, 360

      Dickens, Charles: Angus Wilson and, 371; death, 36; dialogue in, 505—7; fictional plots, 497; on lesbianism, 253; not admired by Mrs Oliphant, 57, 64; sets final novel in cathedral city, 45; William Morris cites, 106; A Christmas Carol, 46

      Dickinson, Emily, 358

      Dickinson, Goldsworthy Lowes, 130

      Dickinson, Patric, 359

      Digby, Kenelm: Broadstone of Honour, 112

      Disraeli, Benjamin, 85, 205

      Dodds, E.R., 344, 348

      Dooley, Maura (ed.): Novelists at Work, 517

      Douglas, James, 253

      Doyle, Roddy: The Commitments, 406; The Snapper, 406; The Van, 406—10

      Drabble, Margaret: Angus Wilson: A Biography, 367—71

      Drinkwater, John, 157

      Duffy, Maureen, 99

      du Maurier, George, 206—8

      Dun Emer Press, 168

      Dunn, Douglas, 379

      Dunn, Jane: A Very Close Conspiracy: Vanessa Bell and Virginia Woolf, 280—4

      Dürer, Albrecht: The Knight, Death, and the Devil, 112

      Eastbourne, 491—2

      Egoist, The (magazine), 179

      Eliot, George: Georgiana Burne-Jones seeks advice from, 136; Karl’s biography of, 36—9; on M
    ethodism, 54; Mrs Oliphant on life of, 70; Mrs Oliphant’s Salem Chapel attributed to, 58; on position of women, 31; on working in remote past, 525; Adam Bede, 38, 54; Autobiography, 70; Middlemarch, 28—35, 38, 115, 525; The Mill on the Floss, 31—3; Romola, 39; Scenes of Clerical Life, 44; Silas Marner, 38—9, 46, 511

      Eliot, T.S.: edits Criterion, 167; on learning to care, 98; Monro rejects, 165—6; Pound promotes, 166; proposes toast to John Lehmann, 343; publishes MacNeice’s poetry, 348; reads to Oxford University Poetry Society, 354; takes French lessons from Alain-Fournier, 308; ‘The Love Song of J. Alfred Prufrock’, 401; The Rock, 285; The Waste Land, 166, 304, 354

      Ellerbeck, George: Literary Award, 380

      Ellis, Henry Havelock, 242—3, 257

      Ellman, Richard: James Joyce, 529

      Elton, Oliver, 217

      Emerson, Ralph Waldo, 21, 239

      Emma, Queen of the Sandwich Islands, 93

      English Review, 295

      Enright, D.J., 376

      Epstein, (Sir) Jacob, 160 ‘Etherton, George’, 177

      Eton Rambler (magazine), 194

      Evans, Isaac (George Eliot’s brother), 37

     


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