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      "For the last

      time psycho-

      logy."

      The imitation

      jackdaw

      breakfasts.

      The glottal stop

      sings.

      DETOUR-

      MAPS, phosphorous,

      far behind Here by sheer

      ring-fingers beaten.

      Travelluck, look:

      The tripdart, two

      inches from the target,

      topples

      into the aorta.

      The shared goods, ten

      hundredweight

      folie a deux,

      wake up

      in the vultureshadow,

      in the seventeenth liver, at the foot

      of the stuttering

      information mast.

      Before it,

      in the slated watershield, the

      three standing whales

      head the ball.

      A right eye

      flashes.

      SPASMS. I love you, psalms,

      the feeling-walls deep in the you-ravine

      rejoice, seedpainted one,

      Eternal, de-eternalized are you

      eternalized, Uneternal, you,

      hey,

      into you, into you

      I sing the bone-rod-scratch,

      Redred, far behind the pubic hair

      harped, in the caves,

      outside, all around

      the unending none-whatsoever-canon,

      you throw me the nine times

      twined, dripping

      eyetooth-wreath.

      PAU, LATER

      In the corner of

      your eyes, stranger,

      the albigenses-shadow -

      after

      the Waterloo-Plein,

      towards the orphaned

      raffia shoe, towards

      the also bartered Amen,

      into the eternal

      housegap I

      sing you:

      so that Baruch, he who never

      weeps,

      may grind aright

      all around you the

      angular,

      ununderstood, seeing

      tear.

      THE STALLION with the flowering wick,

      levitating, at pass-

      height,

      comet brilliance on

      the rump.

      You, in the con-

      spirationary torrents un-

      locked, the

      bouncing breasts in the sharp

      verse-fibula-yoke,

      fall with me through

      images, rocks, numbers.

      LYON, LES ARCHERS

      The iron spike, reared,

      in the brickniche:

      the co-millennium,

      instranges itself, unconquerable,

      follows

      your driving eyes,

      now,

      with glances cast here by dice

      you wake, who is beside you,

      she becomes heavier,

      heavier,

      you too, with all

      the instrangedness in you,

      instrange yourself,

      deeper,

      the One

      string

      tenses its pain between you,

      the missing target

      radiates, bow.

      THE INDUSTRIOUS

      mineral resources, homey,

      the heated syncope,

      the not-to-be-deciphered

      jubilee,

      the completely glassed in

      spider-altars in the all-

      overtowering low building,

      the intermediate sounds

      (even yet?)

      the shadowpalavers,

      the anxieties, icetrue,

      flightclear,

      the baroquely cloaked,

      language-swallowing showerroom,

      semantically floodlit,

      the uninscribed wall

      of a standing-cell:

      here

      live yourself

      straightthrough, without clock.

      WHEN I DON'T KNOW, DON'T KNOW,

      without you, without you, without a You,

      they all come,

      the

      freebeheaded, who

      lifelong brainlessly sang

      of the tribe

      of the You-less:

      Aschrej,

      a word without meaning,

      transtibetan,

      injected into the

      Jewess

      Pallas

      Athena's

      helmeted ovaries,

      and when he,

      he,

      fetally,

      harps Carpathian notnot,

      then the Allemande

      bobbins her lace for

      the vomiting im-

      mortal

      song.

      YOU WERE my death:

      you I could hold,

      when all fell from me.

      LINE THE WORDCAVES

      with panther skins,

      widen them, hide-to and hide-fro,

      sense-hither and sense-thither,

      give them courtyards, chambers, trapdoors

      and wildnesses, parietal,

      and listen for their second

      and each time second and second

      tone.

      NEAR. IN THE AORTIC ARCH.

      in the light-blood:

      the light-word.

      Mother Rachel

      weeps no more.

      Carried over:

      all the weepings.

      Quiet, in the coronary arteries,

      unconstricted:

      Ziv, that light.

      IMAGINE

      Imagine:

      the moorsoldier from Masada

      teaches himself homeland, in

      the most inextinguishable way,

      against

      all barbs in the wire.

      Imagine:

      the eyeless without shape

      lead you free through the throng, you

      grow stronger and

      stronger.

      Imagine: your

      own hand

      has held once

      more this

      into life re-

      suffered

      piece of

      inhabitable earth.

      Imagine:

      that came towards me,

      awake to the name, awake to the hand,

      forever,

      from what cannot be buried.

      ALL POEMS IN THIS SECTION TRANSLATED BY PIERRE JORIS

      FROM LICHTZWANG/ LIGHTDURESS

      SOUNDSCRAPS, VISIONSCRAPS, On

      ward onethousandandone,

      daynightly

      the Bear-Polka:

      they retrain you,

      you again become

      he.

      WE ALREADY LAY

      deep in the underbrush, when you

      finally crept along.

      But we could not

      darken over towards you:

      there reigned

      lightduress.

      CONTACT MINES on your left

      moons, Saturn.

      Shardsealed

      the orbits out there.

      Now must be the moment

      for a just

      birth.

      CLEARED, this start

      also.

      Bow-wheelchant with

      Corona.

      The duskrudder responds,

      your torn-

      awake vein

      unknots itself,

      what's left of you, slants,

      you gain

      altitude.

      ONCE, death was much in demand,

      you hid in me.

      TWO AT BRANCUSI'S

      If one among these stones

      were to tell

      what conceals it:

      here, nearby,

      on the old man's crutch-stick,

      it would open, as a wound,

      into which you'd have to dive,

      lonely,

      far from my scream, the already also

     
    ; hewn, white one.

      TODTNAUBERG

      Arnica, eyebright, the

      draft from the well with the

      star-die on top,

      in the

      Hiitte,

      written in the book

      — whose name did it record

      before mine—?

      in this book

      the line about

      a hope, today,

      for a thinker's

      word

      to come,

      in the heart,

      forest turf, unleveled,

      orchis and orchis, singly,

      crudeness, later, while driving,

      clearly,

      he who drives us, the man,

      he who also hears it,

      the half-

      trod log-

      trails on the highmoor,

      humidity,

      much.

      TO A BROTHER IN ASIA

      The auto-transfigured

      cannons

      drive toward heaven,

      ten

      bombers yawn,

      a running fire blooms,

      as surely as peace,

      a handful of rice

      expires as your friend.

      ORANIENSTRASSE 1

      Tin grew in my hand

      I didn't know how

      to help myself.

      I didn't want to mould,

      it didn't want to read me —

      If now

      Ossietzky's last

      drinking bowl

      could be found,

      I'd let the tin

      learn from it,

      and the host of pilgrims'

      staffs

      would ensilence, endure the hours.

      STREW OCHER into my eyes:

      you no longer

      live there,

      save

      on the tomb-

      furnishings, save,

      pace off the stonerows,

      on your hands,

      with their dream

      paint over the

      stamped out

      temporal bone's squama,

      at the

      great

      bifurcation re-

      count yourself to the ocher,

      three times, nine times.

      LEAP CENTURIES, leap

      seconds, leap-

      births, novembering, leap-

      deaths,

      stocked in honeycomb-troughs,

      bits

      on chips,

      the menorah-poem from Berlin,

      (Unasylumed, un-

      archived, un-

      cared for, a

      -live?),

      reading station in the late-word,

      economical ignition points

      in the sky,

      crests under fire,

      feelings, frost-

      spindled,

      cold start —

      with hemoglobin.

      TREK-SCOW-TIME.

      the half-transformed drag

      at one of the worlds,

      the dis-elevated one, intimated,

      speaks under the foreheads on the bank:

      Quits with death, quits with

      God.

      YOU BE LIKE YOU. always.

      Stant up Jherosalem inde

      erheyff dich

      Even he who cut the bond with you,

      inde wirt

      erluchtet

      knots it anew, in the Gehugnis,

      mudclots I swallowed, in the tower,

      language, dark pilaster strip,

      kumi

      ori.

      ALL POEMS IN THIS SECTION TRANSLATED BY PIERRE JORIS

      FROM SCHNEEPART/ SNOWPART

      UNWASHED, UNPAINTED,

      in Hereafter's

      pithead:

      there

      where we find ourselves,

      Earthy, always,

      a

      belated

      bucket conveyor pierces

      us cloudtorn,

      upwards, downwards,

      seditious

      piping inside, on Fool's

      legs,

      the flightshadow in

      the iridescing round

      heals us in, into the seven-

      height,

      ice-age-close

      the felt swan pair steers

      through the hovering

      stone-icon

      YOU LIE in the great listening

      ambushed, snowed in.

      Go to the Spree, go to the Havel,

      go to the butcher hooks,

      to the red apple stakes

      from Sweden —

      Here comes the table with the presents,

      he turns around an Eden —

      The man became a sieve, the woman

      had to swim, the saw,

      for herself, for none, for everyone —

      The Landwehrkanal will not roar

      Nothing

      stops.

      LILAC AIR with yellow windowstains,

      Orion's belt above the

      Anhalter ruin,

      Flamehour, nothing

      intercurrent yet,

      from

      standing bar to

      snow bar.

      WELL-GRAVES in the wind:

      someone will play the viola, day downward, in the ale house,

      someone will stand on his head in the word Enough,

      someone will hang crosslegged in the gateway, next to the winch.

      This year

      does not roar across,

      it throws back December, November,

      it turns up its wounds,

      it opens up to you, young

      grave-

      well,

      twelvemouth.

      THE BREACHED YEAR

      with the moldering edges

      of delusion bread.

      Drink

      from my mouth.

      UNREADABILITY of this

      world. All doubles.

      The strong clocks

      back the fissure-hour,

      hoarsely.

      You, wedged into your deepest,

      climb out of yourself

      for ever.

      WHORISH ELSE. And eternity

      blood-black circumbabeled.

      Moored

      by your loamy locks

      my faith.

      Two fingers, far from the hand,

      a-row the swampy

      oath.

      WHAT NEWS

      at this voice? What

      does this

      voice

      sew

      hither, beyond?

      The chasms are

      sworn in on White, from them

      arose

      the snowneedle,

      swallow it,

      you order the world,

      that counts

      as much as nine names,

      named on knees,

      tumuli, tumuli,

      you hill away, alive,

      come

      into the kiss,

      a flip of the fin,

      steady,

      lights up the bays,

     


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