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    The Spider's House

    Page 45
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      “I want to go to Meknès,” he said in a low voice.

      “No, no, no!” cried the man, laughing jovially and pumping Amar’s hand up and down. “No, Amar, that won’t do. Even here it’s a long way for you to walk back, you know.”

      “Back to where?” said Amar evenly, neither shifting his gaze from the man’s eyes nor letting go of his hand, which the man moved up and down again violently, trying to withdraw it. His face was changing: he was embarrassed, annoyed, growing angry. “Good-bye, Amar,” he said firmly. “I can’t take you to Meknès. There’s no time.” If he had said, “I won’t take you with me,” Amar would have understood.

      Without the motor going, the one endless rasping note of the cicadas overhead was very loud.

      “My mother’s there,” murmured Amar, scarcely knowing what he said.

      The woman, who seemed not to understand anything, smiled at him, raised her arms, pretending to aim a gun, and cried: “Boom! Bam!” She shifted her position and was behind an imaginary machine-gun. “Dat-tat-tat-tat-tat!” she said very quickly. When she had finished, she pointed her forefinger at Amar. The man nudged her, raising an eyebrow at the back of the driver’s head. Then he said something to the driver, who reached in front of Amar and opened the door for him, looking at him expectantly.

      Amar let go of the man’s hand and stepped into the road, his head lowered. He saw his sandals sinking slightly into the hot sticky tar, and he heard the door slam beside him.

      “B’slemah!“ called the man, but Amar could not look up at him.

      “B’slemah!” echoed the woman. Still he could not raise his head. The motor started up.

      “Amar!” the man cried.

      The car moved ahead uncertainly, then it gathered speed. He knew they were looking out the rear window, waving to him, but he stood still, seeing only his feet in their sandals, and the black tar beside them. The driver turned into the highway, shifted gears.

      Amar was running after the car. It was still there, ahead of him, going further away and faster. He could never catch it, but he ran because there was nothing else to do. And as he ran, his sandals made a terrible flapping noise on the hard surface of the highway, and he kicked them off, and ran silently and with freedorn.

      Now for a moment he had the exultant feeling of flying along the road behind the car. It would surely stop. He could see the two heads in the window’s rectangle, and it seemed to him that they were looking back.

      The car had reached a curve in the road; it passed out of sight. He ran on. When he got to the curve the road was empty.

      —Taprobane, Weligama

      16/iii/55

      About the Author

      PAUL BOWLES was born in 1910 and studied mu-ron Copland before moving to th his wife, Jane. His first novel, The Sheltering Sky, was a bestseller in the 1950s and was made into a film by Bernardo Bertolucci in 1990. Bowles’s prolific career included many musical compositions, novels, collections of short stories, and books of travel, poetry, and translations.

      Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.

      BOOKS BY PAUL BOWLES

      NOVELS

      The Sheltering Sky

      Let It Come Down

      The Spider’s House

      Up Above the World

      NOVELLA

      Too Far from Home

      SHORT STORIES

      The Delicate Prey

      A Hundred Camels in the Courtyard

      The Time of Friendship

      Pages from Cold Point and Other Stories

      Things Gone and Things Still Here

      A Distant Episode Midnight Mass and Other Stories

      Call at Corazón and Other Stories

      Collected Stories, 1939–1976

      Unwelcome Words

      A Thousand Days for Mokhtar

      The Stories of Paul Bowles

      AUTOBIOGRAPHY

      Without Stopping

      Days: A Tangier Diary

      LETTERS

      In Touch: The Letters of Paul Bowles (edited by Jeffrey Miller)

      POETRY

      Two Poems Scenes

      The Thicket of Spring

      Next to Nothing: Collected Poems, 1926–1977

      NONFICTION, TRAVEL, ESSAYS, MISCELLANEOUS

      Yallah! (written by Paul Bowles, photographs by Peter W. Haeberlin) Their Heads Are Green and

      Their Hands Are Blue

      Points in Time: Tales from Morocco

      Paul Bowles: Photographs (edited by Simon Bischoff)

      PAUL BOWLES (1965) BY LE GAUNT

      Copyright

      THE SPIDER’S HOUSE. Copyright © 1955 by Paul Bowles. Preface copyright © 1982 by Paul Bowles. Introduction copyright © 2003 by Francine Prose.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

      EPub Edition © OCTOBER 2011 ISBN: 978-0-062-11936-0

      First Ecco paperback published 2003.

      FIRST HARPER PERENNIAL EDITION PUBLISHED 2006.

      The Library of Congress has catalogued a previous edition as follows:

      Bowles, Paul, 1910–1999.

      The spider’s house.

      Reprint. Originally published : New York : Random House, 1955.

      ISBN 0-87685-546-X

      ISBN 0-87685-545-1 (pbk.)

      I. Title.

      PS3552.0874S6 1982 813’.54 82-4195

      AARC2

      ISBN-10: 0-06-113703-0 (pbk.)

      ISBN-13: 978-0-06-113703-7 (pbk.)

      10 RRD 10 9 8 7 6 5 4

      About the Publisher

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      United Kingdom

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      United States

      HarperCollins Publishers Inc.

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      New York, NY 10022

      http://www.harpercollinsebooks.com

     

     

     



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