PRAISE FOR IF YOU TELL
“There’s only one writer who can tell such an intensely horrifying, psychotic tale of unspeakable abuse, grotesque torture, and horrendous serial murder with grace, sensitivity, and class . . . a riveting, taut, real-life psychological suspense thrill ride . . . all at once compelling and original, Gregg Olsen’s If You Tell is an instant true crime classic.”
—New York Times bestselling author M. William Phelps
“We all start life with immense promise, but in our first minute, we cannot know who’ll ultimately have the greatest impact on our lives, for better or worse. Here, Gregg Olsen—the heir apparent to legendary crime writers Jack Olsen and Ann Rule—explores the dark side of that question in his usual chilling, heart-breaking prose. Superb and creepy storytelling from a true-crime master.”
—Ron Franscell, author of Alice & Gerald: A Homicidal Love Story
“Bristling with tension, gripping from the first pages, Gregg Olsen’s masterful portrait of children caught in the web of a coldly calculating killer fascinates. A read so compelling it kept me up late into the night, If You Tell exposes incredible evil that lived quietly in small-town America. That the book is fact not fiction terrifies.”
—Kathryn Casey, bestselling author of In Plain Sight
“A suspenseful, horrific, and yet fascinating character study of an incredibly dysfunctional and dangerous family by Gregg Olsen, one of today’s true crime masters.”
—New York Times bestselling author Caitlin Rother
“A master of true crime returns with a vengeance. After a decade detour into novels, Gregg Olsen is back with a dark tale of nonfiction from the Pacific Northwest that will keep you awake long after the lights have gone out. The monster at the heart of If You Tell is not your typical boogeyman, not some wandering drifter or man in a van. No. In fact, they called her . . . mother. And yet this story is about hope and renewal in the face of evil and how three sisters can find the goodness in the world after surviving the worst it has to offer. Classic true crime in the tradition of In Cold Blood and The Stranger Beside Me.”
—James Renner
“This nightmare walked on two legs and some of her victims called her mom. In If You Tell, Gregg Olsen documents the horrific mental and physical torture Shelly Knotek inflicted on everyone in her household. A powerful story of cruelty that will haunt you for a long time.”
—Diane Fanning
“A true-crime tour de force.”
—Steve Jackson, New York Times bestselling author of No Stone Unturned
“Even the most devoted true-crime reader will be shocked by the maddening and mind-boggling acts of horror that Gregg Olsen chronicles in this book. Olsen has done it again, giving readers a glimpse into a murderous duo that’s so chilling, it will have your head spinning. I could not put this book down!”
—New York Times bestselling author Aphrodite Jones
ALSO BY GREGG OLSEN
Fiction
Lying Next to Me
The Weight of Silence
The Last Thing She Ever Did
The Sound of Rain
Just Try to Stop Me
Now That She’s Gone
The Girl in the Woods
The Girl on the Run
Shocking True Story
Fear Collector
Betrayal
The Bone Box
Envy
Closer Than Blood
Victim Six
Heart of Ice
A Wicked Snow
A Cold Dark Place
Nonfiction
A Killing in Amish Country: Sex, Betrayal, and a Cold-Blooded Murder
A Twisted Faith: A Minister’s Obsession and the Murder That Destroyed a Church
The Deep Dark: Disaster and Redemption in America’s Richest Silver Mine
Starvation Heights: A True Story of Murder and Malice in the Woods of the Pacific Northwest
Cruel Deception: The True Story of Multiple Murder and Two Devastated Families
If Loving You Is Wrong: The Teacher and Student Sex Case that Shocked the World
Abandoned Prayers: The Incredible True Story of Murder, Obsession, and Amish Secrets
Bitter Almonds: The True Story of Mothers, Daughters, and the Seattle Cyanide Murders
Bitch on Wheels: The True Story of Black Widow Killer Sharon Nelson
If I Can’t Have You: Susan Powell, Her Mysterious Disappearance, and the Murder of Her Children
Text copyright © 2019 by Gregg Olsen
All rights reserved.
No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher.
Published by Thomas & Mercer, Seattle
www.apub.com
Amazon, the Amazon logo, and Thomas & Mercer are trademarks of Amazon.com, Inc., or its affiliates.
ISBN-13: 9781542005227 (hardcover)
ISBN-10: 1542005221 (hardcover)
ISBN-13: 9781542005234 (paperback)
ISBN-10: 154200523X (paperback)
Cover design by Rex Bonomelli
First Edition
For Nikki, Sami, and Tori
CONTENTS
AUTHOR’S NOTE
PROLOGUE
PART ONE
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
PART TWO
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
PART THREE
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
CHAPTER NINETEEN
CHAPTER TWENTY
CHAPTER TWENTY-ONE
CHAPTER TWENTY-TWO
CHAPTER TWENTY-THREE
CHAPTER TWENTY-FOUR
CHAPTER TWENTY-FIVE
CHAPTER TWENTY-SIX
CHAPTER TWENTY-SEVEN
PART FOUR
CHAPTER TWENTY-EIGHT
CHAPTER TWENTY-NINE
CHAPTER THIRTY
CHAPTER THIRTY-ONE
CHAPTER THIRTY-TWO
CHAPTER THIRTY-THREE
CHAPTER THIRTY-FOUR
CHAPTER THIRTY-FIVE
CHAPTER THIRTY-SIX
CHAPTER THIRTY-SEVEN
CHAPTER THIRTY-EIGHT
CHAPTER THIRTY-NINE
CHAPTER FORTY
CHAPTER FORTY-ONE
CHAPTER FORTY-TWO
CHAPTER FORTY-THREE
CHAPTER FORTY-FOUR
CHAPTER FORTY-FIVE
CHAPTER FORTY-SIX
CHAPTER FORTY-SEVEN
CHAPTER FORTY-EIGHT
PART FIVE
CHAPTER FORTY-NINE
CHAPTER FIFTY
CHAPTER FIFTY-ONE
CHAPTER FIFTY-TWO
CHAPTER FIFTY-THREE
CHAPTER FIFTY-FOUR
CHAPTER FIFTY-FIVE
CHAPTER FIFTY-SIX
CHAPTER FIFTY-SEVEN
CHAPTER FIFTY-EIGHT
CHAPTER FIFTY-NINE
CHAPTER SIXTY
CHAPTER SIXTY-ONE
PART SIX
CHAPTER SIXTY-TWO
CHAPTER SIXTY-THREE
CHAPTER SIXTY-FOUR
CHAPTER SIXTY-FIVE
CHAPTER SIXTY-SIX
CHAPTER SIXTY-SEVEN
CHAPTER SIXTY-EIGHT
CHAPTER SIXTY-NINE
CHAPTER SEVENTY
CHAPTER SEVENTY-ONE
CHAPTER SEVENTY-TWO
CHAPTER SEVENTY-THREE
CHAPTER SEVENTY-FOUR
CHAPTER SEVENTY-FIVE
CHAPTER SEVENTY-SIX
CHAPTER SEVENTY-SEVEN
CHAPTER SEVENTY-EIGHT
CHAPTER SEVENTY-NINE
PART SEVEN
CHAPTER EIGHTY
CHAPTER EIGHTY-ONE
CHAPTER EIGHTY-TWO
CHAPTER EIGHTY-THREE
CHAPTER EIGHTY-FOUR
CHAPTER EIGHTY-FIVE
EPILOGUE
AFTERWORD
ABOUT THE AUTHOR
AUTHOR’S NOTE
Shared memories are like jagged puzzle pieces. Sometimes they don’t exactly align with complete precision. I’ve done my best to put all of the pieces of this complex story in the most accurate sequence as possible. In instances where the narrative includes dialogue, I used investigative documents and recollections from interviews conducted over a two-year period. Finally, for reasons related to privacy, I elected to use a pseudonym for Lara Watson’s first name.
PROLOGUE
Three sisters.
Now grown women.
All live in the Pacific Northwest.
The eldest, Nikki, lives in the moneyed suburbs of Seattle, in a million-dollar home of gleaming wood and high-end furnishings. She’s in her early forties, married, with a houseful of beautiful children. A quick tour through a gallery of family photos in the living room touches on the good life she and her husband have made for themselves, with a successful business and a moral compass that has always kept them pointed in the right direction.
It takes only the mention of a single word to take her back to the unthinkable.
“Mom.”
Every now and then, she literally shudders when she hears it, a visceral reaction to a word that scrapes at her like the talons of an eagle, cutting and slicing her skin until blood runs out.
To look at her, no one would know what she’s lived through and survived. And outside her immediate family, no one really does. It isn’t a mask that she wears to cover the past but an invisible badge of courage. What happened to Nikki made her stronger. It made her the incredible woman that she is today.
The middle daughter, Sami, eventually returned to live in her hometown, the same small coastal Washington town where everything happened. She’s just turned forty and teaches at a local elementary school. She has corkscrew hair and an infectious sense of humor. Humor is her armor. It always has been. Like her older sister, Sami’s own children are what any mother dreams for their little ones. Smart. Adventurous. Loved.
When Sami runs the shower in the morning before getting the kids ready for school and heading off to the classroom, she doesn’t pause a single beat for the water to warm. She jumps right in, letting the icy water stab at her body. Like Nikki, Sami is tied to things in the past. Things she can’t shake.
Things she can’t forget.
The youngest, like her older sisters, is a beauty. Tori is barely in her thirties: blonde, irreverent, and brilliant. Her home is farther away, in Central Oregon, but she’s very connected to her sisters. Adversity and courage have forged a strong, impenetrable bond between them. This young woman has made an amazing life for herself developing social media for a major player in the hospitality industry. Her posts for work and for her personal life never fail to bring a smile or even a laugh out loud.
She did it on her own, of course, but says she couldn’t have managed it without her sisters.
Whenever she’s in the cleaning supply aisle of the local grocery store and her eyes land on the row of bleach, she turns away. Nearly a wince. She can’t look at it. She certainly can’t smell it. Like her sisters, it’s the little things—duct tape, pain relievers, the sound of a weed eater—that propel her back to a time and place where their mother did things they swore they’d hold secret forever.
Enduring their mother was what bound them together. And while they might have had three different dads, they were always 100 percent sisters. Never half sisters. Their sisterhood was the one thing the Knotek girls could depend upon, and really, the only thing their mother couldn’t take away.
It was what propelled them to survive.
PART ONE
MOTHER
SHELLY
CHAPTER ONE
Some small towns are built on bloody earth and betrayal. Battle Ground, Washington, twelve miles northeast of Vancouver, near the Oregon state line, is one such place. The town is named for an incident involving a standoff between the Klickitat nation and the US Army. The native people freed themselves from imprisonment in the barracks, but while a surrender was being negotiated, a single shot rang out, killing the Klickitat’s Chief Umtuch.
It’s fitting for Michelle “Shelly” Lynn Watson Rivardo Long Knotek’s hometown to be known for a major conflict and a false promise.
As it turned out, it was pretty much the way Shelly lived her life.
For those who lived there in the 1950s, Battle Ground was quintessential small-town America with good schools, neighbors who looked out for each other, and a bowling league that kept the pins falling every Friday and Saturday night. Dads worked hard to afford the new car and nice house. Most moms stayed home taking care of the children, maybe later returning to the workforce or taking classes at Clark College to continue dreams thwarted by conventions of the day and marriage.
If Battle Ground had a Mr. Big Shot of sorts, it was Shelly’s father.
At six feet, two inches tall, with broad shoulders, Les Watson, former Battle Ground High School track and football star, was a big deal around town. Everyone knew him. He was quick-witted and could pour on the charm, a smooth talker and a master of BS. Handsome too. All the girls in town thought he was a catch. Not only did he and his mother own and operate a pair of nursing homes, Les also owned the Tiger Bowl, a ten-lane bowling alley complete with a twelve-seat snack counter.
That was where Lara Stallings worked in 1958. She’d just graduated from Fort Vancouver High School and was selling hamburgers to save money for college. Lara’s curly hair was blonde, with a ponytail that swung back and forth as she took orders. With sparkling blue eyes, she was undeniably beautiful. She was also smart. Later, she’d lament that her brain wasn’t in full gear when she agreed to date, and then eventually marry, Les Watson.
Les was also ten years older, though he’d lied and told his teenage bride that he was only four years her senior.
“I got caught up in all he had going for him,” Lara said years later, bemoaning the choice she made. “I fell hook, line, and sinker. He just wasn’t a great guy.”
Lara’s jolt into reality came the day after she put her hair up in a French twist—like Tippi Hedren in the Hitchcock classic, The Birds—and married Les in a civil ceremony in 1960 in Vancouver, her hometown. Only Lara’s family was present, though her parents had been against the marriage. Les had had good reason not to invite his.
They knew what was coming.
When the phone rang early the next morning, Lara answered. It was Les’s first wife on the line, calling from California.
“When are you coming to get these damn kids?” Sharon Todd Watson spat into the phone.
Lara didn’t know what she was talking about. “What?”
Les had never mentioned to Lara that he’d promised to raise his children by Sharon: Shelly, Chuck, and Paul Watson. The omission of that little detail was typical of Les, though Lara knew that she’d never be able to fix that—and that her parents’ concerns had been justified.
After the early-morning call, Les told Lara that his ex-wife, Sharon, couldn’t raise the kids; she was a depressive and an alcoholic. Lara took a deep breath and agreed. And really, what could she do about it anyway? They were her husband’s children, and she knew she would need to buck up.
It turned out to be a very big request. Shelly was six and Chuck was just three when they moved in. Lar
a took on the role of stepmother—Sharon had kept the youngest son, Paul, still then an infant, with her. Shelly was a beautiful little girl, with wide eyes and thick, curly auburn hair. Lara noticed a strange dynamic, however, between Shelly and her brother. Chuck didn’t speak a word. It was Shelly who did all the talking. She seemed to control the boy.
And as Shelly grew more comfortable with her new environment, she often voiced complaints or unkind words.
“She told me every single day that she hated me,” Lara recalled. “I’m not joking. It was honestly every day.”
Sharon Watson returned home to Alameda, California, after dropping off her two oldest children with Lara and Les in the fall of 1960. Once Sharon was gone, it was like she’d never existed. She never called or sent birthday cards to either Shelly or Chuck. No Christmas wishes either. There were few excuses for this “out of sight, out of mind” approach to child-rearing, though Lara later wondered if the course had been set long before Shelly’s mother had married and divorced Les Watson.
“Sharon came from a very dysfunctional family,” Lara recounted, having heard about Les’s first wife. “Her mother was married five, six, seven times and she was an only child. I understood she had a twin that died at birth. I don’t know if that’s really true or not, but that’s one of the stories I’d been told.”
Regardless of what had led her to that point, it was understood that while Sharon had serious problems with alcohol, there was more pulling her down. She’d gotten caught up in a dangerous lifestyle. Family members speculated she might even be a prostitute.
Finally, in the spring of 1967, a call from the Los Angeles County Sheriff’s Department came to the Watsons’ home in Battle Ground. A homicide detective said that Sharon had been murdered in a seedy motel room and the coroner needed someone to identify her body—and to pick up her little boy, Paul.
Les didn’t want to go get his son, whom he knew had exhibited myriad behavioral problems, but Lara insisted. It was the right thing to do. Reluctantly, they made the trip to California to get him and to identify Sharon’s body.
Les reported to Lara what he’d learned from the police and the coroner.
“She was living with a Native American, but they were homeless,” he told her. “Drunks. Living on Skid Row. She was beaten to death.”