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    Bronx Masquerade


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      Table of Contents

      Title Page

      Copyright Page

      Dedication

      OPEN MIKE - Attendance

      Chankara Troupe

      OPEN MIKE - Bruised Love

      Tyrone

      Raud Ramirez

      OPEN MIKE - Zorro

      Tyrone

      Diondra Jordan

      OPEN MIKE - If

      Tyrone

      Devon Hope

      OPEN MIKE - Bronx Masquerade

      Tyrone

      Lupe Algarin

      OPEN MIKE - Brown Hands

      Tyrone

      Gloria Martinez

      OPEN MIKE - Message to a Friend

      Tyrone

      Janelle Battle

      OPEN MIKE - inside

      Tyrone

      Leslie Lucas

      OPEN MIKE - Common Ground

      Tyrone

      Judianne Alexander

      OPEN MIKE - Cocoon

      Tyrone

      Lupe

      OPEN MIKE - El Noche

      Tyrone

      Janelle

      OPEN MIKE - Mirror, Mirror

      Tyrone

      Tanisha Scott

      OPEN MIKE - For the Record

      Tyrone

      Devon

      OPEN MIKE - BlacK Box

      Tyrone

      Sterling S. Hughes

      OPEN MIKE - D-Train

      Tyrone

      Diondra

      OPEN MIKE - High Dive

      Tyrone

      Amy Moscowitz

      OPEN MIKE - Ode to Stone

      Tyrone

      Sheila Gamberoni

      OPEN MIKE - What’s in a Name?

      Tyrone

      Steve Ericson

      OPEN MIKE - Doubtless

      Tyrone

      Raynard Patterson

      OPEN MIKE - Dyslexia

      Tyrone

      OPEN MIKE - News at Five

      Sheila

      OPEN MIKE - Private Puzzle

      Tyrone

      Janelle

      OPEN MIKE - The Door

      Tyrone

      Lupe

      OPEN MIKE - imagine

      Tyrone

      Diondra

      OPEN MIKE - Self-Portrait : A Poem for My Father

      Tyrone

      Porscha Johnson

      OPEN MIKE - A Letter to My Mother

      Tyrone

      Epilogue

      Tyrone Bittings

      School ain’t nothin’ but a joke. My moms don’t want to hear that, but if it weren’t for Wesley and my other homeys, I wouldn’t even be here, aiight? These white folk talking ’bout some future, telling me I need to be planning for some future—like I got one! And Raynard agreeing, like he’s smart enough to know. From what I hear, that boy can’t hardly read! Anyway, it’s them white folk that get me with this future mess.

      White folk! Who they think they kidding? They might as well go blow smoke up somebody else’s you-know-what, ‘cause a Black man’s got no chance in this country. I be lucky if I make it to twenty-one with all these fools running round with AK-47s. Here I am one of the few kids I know whose daddy didn’t skip out on him, and he didn’t even make it to thirty. He was doing okay ’til he got blown away on a Saturday. Blam! Another statistic in a long line of drive-bys. Life is cold. Future? What I got is right now, right here, spending time with my homeys. Wish there was some future to talk about. I could use me some future.

      “Grimes’ creative contemporary premise will hook teens, and the poems may even inspire readers to try a few of their own.”

      —Publishers Weekly

      OTHER SPEAK BOOKS

      SPEAK

      Published by Penguin Group

      Penguin Group (USA) Inc.,

      345 Hudson Street, New York, New York 10014, U.S.A.

      Penguin Books Ltd, 80 Strand, London WC2R ORL, England

      Penguin Books Australia Ltd, 250 Camberwell Road,

      Camberwell, Victoria 3124, Australia

      Penguin Books Canada Ltd, 10 Alcorn Avenue, Toronto, Ontario, Canada M4V 3B2

      Penguin Books (N.Z.) Ltd, 182-190 Wairau Road, Auckland 10, New Zealand

      Published in the United States of America by Dial Books,

      a division of Penguin Putnam Inc., 2002

      Published by Speak, an imprint of Penguin Group (USA) Inc., 2003

      Copyright © Nikki Grimes, 2002

      THE LIBRARY OF CONGRESS HAS CATALOGED THE DIAL EDITION AS FOLLOWS:

      Grimes, Nikki.

      Bronx masquerade / by Nikki Grimes.

      p. cm.

      Summary: While studying the Harlem Renaissance, students at a Bronx high school

      read aloud poems they’ve written, revealing their innermost thoughts

      and fears to their formerly clueless classmates.

      eISBN : 978-1-440-67281-1

      [1. Poetry—Fiction. 2. Identity—Fiction. 3. Ethnicity—Fiction.

      4. Afro-Americans—Fiction. 5. High schools—Fiction.

      6. Schools—Fiction. 7. Bronx (New York, N.Y.)—Fiction.] I. Title.

      PZ7.688429 Br 2002 [Fic]—de21 00-031701

      http://us.penguingroup.com

      For Ashley, Bryan,

      Daniel, Imani, and Jordan—

      the teens who light up my life

      Wesley “Bad Boy” Boone

      I ain’t particular about doing homework, you understand. My teachers practically faint whenever I turn something in. Matter of fact, I probably got the longest list of excuses for missing homework of anyone alive. Except for my homey Tyrone. He tries to act like he’s not even interested in school, like there’s no point in studying hard, or dreaming about tomorrow, or bothering to graduate. He’s got his reasons. I keep on him about going to school, though, saying I need the company. Besides, I tell him, if he drops out and gets a J.O.B., he won’t have any time to work on his songs. That always gets to him. Tyrone might convince everybody else that he’s all through with dreaming, but I know he wants to be a big hip-hop star. He’s just afraid he won’t live long enough to do it. Me, I hardly ever think about checking out. I’m more worried about figuring what I want to do if I live.

      Anyway, I haven’t had to drag Tyrone off to school lately, or make excuses for not having my homework done, because I’ve been doing it. It’s the Harlem Renaissance stuff that’s got us both going.

      We spent a month reading poetry from the Harlem Renaissance in our English class. Then Mr. Ward—that’s our teacher—asked us to write an essay about it. Make sense to you? Me neither. I mean, what’s the point of studying poetry and then writing essays? So I wrote a bunch of poems instead. They weren’t too shabby, considering I’d only done a few rap pieces before. My favorite was about Langston Hughes. How was I to know Teach would ask me to read it out loud? But I did. Knees knocking like a skeleton on Halloween, embarrassment bleaching my black cheeks red, eyes stapled to the page in front of me. But I did it, I read my poem.

      Guess what. Nobody laughed. In fact, everybody thought it was cool. By the time I got back to my seat, other kids were shouting out: “Mr. Ward, I got a poem too. Can I bring it in to read?”

      Teach cocked his head to the side, like he was hearing something nobody else did.

      “How many people here have poems they’d like to read?” he asked. Three hands shot up. Mr. Ward rubbed his chin for a minute. “Okay,” he said. “Bring them with you tomorrow.”

      After class Teach came over to my desk. “Great poem,” said Mr. Ward. “But I still expect to see an essay from you. I’ll give you another week.” So much for creative expression.

      Long Live Langston

      BY WESLEY BOONE

      Trumpeter of Lenox and 7th

      through Jesse B. Semple,

      you simply celebrated

      Blues and Be-bop


      and being Black before

      it was considered hip.

      You dipped into

      the muddy waters

      of the Harlem River

      and shouted “taste and see”

      that we Black folk be good

      at fanning hope

      and stoking the fires

      of dreams deferred.

      You made sure

      the world heard

      about the beauty of

      maple sugar children, and the

      artfully tattooed backs of Black

      sailors venturing out

      to foreign places.

      Your Sweet Flypaper of Life

      led us past the Apollo and on

      through 125th and all the other

      Harlem streets you knew like

      the black of your hand.

      You were a pied-piper, brother man

      with poetry as your flute.

      It’s my honor and pleasure to salute

      You, a true Renaissance man

      of Harlem.

      Tyrone Bitting

      School ain’t nothin’ but a joke. My moms don’t want to hear that, but if it weren’t for Wesley and my other homeys, I wouldn’t even be here, aiight? These white folk talking ‘bout some future, telling me I need to be planning for some future—like I got one! And Raynard agreeing, like he’s smart enough to know. From what I hear, that boy can’t hardly read! Anyway, it’s them white folk that get me with this future mess. Like Steve, all hopped up about working on Broadway and telling me I should think about getting with it too. Asked me if I ever thought about writing plays. “Fool! What kinda question is that?” I said. He threw his hands up and backed off a few steps. “All I’m saying is, you’re a walking drama, man. You got that down pat, so maybe you should think about putting it on paper.” When that boy dyed his hair, I b’lieve some of that bleach must’ve seeped right into his brain. I grind my teeth and lower my voice. “Boy, get out my face,” I tell him. He finally gets the message and splits. I’m ticked off that he even got me thinking about such nonsense as Broadway.

      White folk! Who they think they kidding? They might as well go blow smoke up somebody else’s you-know-what, ‘cause a Black man’s got no chance in this country. I be lucky if I make it to twenty-one with all these fools running round with AK-47s. Here I am one of the few kids I know whose daddy didn’t skip out on him, and he didn’t even make it to thirty. He was doing okay ’til he got blown away on a Saturday. Blam! Another statistic in a long line of drive-bys. Life is cold. Future? What I got is right now, right here, spending time with my homeys. Wish there was some future to talk about. I could use me some future.

      I’m just about ready to sleep off the whole year when this teacher starts talking about poetry. And he rattles off a poem by some white guy named Dylan Thomas that sounds an awful lot like rap. Now, I know me some rap, and I start to thinking I should show Mr. Ward what rap is really all about. So I tell him I’ve got a poem I’d like to read. “Bring it on Friday,” he says. “As a matter of fact, from now on, I’ll leave time for poetry readings at the end of every month. We’ll call them Open Mike Fridays.” Next thing I know, I’m digging my old rap poems out of my dresser drawer and bringing them to school. I’m thinking it can’t hurt to share them, even if there’s no chance I’ll ever get to be a songwriter. After all, it’s the one thing I could see myself doing if there really was a future. And I’m thinking that maybe there could be if I wanted it bad enough. And all of a sudden, I realize I do.

      OPEN MIKE

      Attendance

      BY TYRONE BITTINGS

      We are all here,

      Leslie and Bad Boy, Lupe and Raul,

      Here, here and here.

      Dear Mr. Ward

      with his wards and wardettes.

      Let’s have a show of hands today.

      Is Porscha here? Is Diondra here?

      Where oh where is Sheila?

      It’s me, Tyrone,

      up here all alone

      rapping into a microphone

      ’cause I’ve got something to say:

      MTV is here, Mir and

      morning space-walks are here,

      terrorism is here

      lurking at the bus stop.

      Can’t hop on the subway

      without thinkin’ of Tokyo—

      we all know poison gas

      does not discriminate.

      It’s too late to worry

      about my innocence

      since fear is here.

      Why is it a weekend visit

      to your local Mickey D’s

      may be deadly?

      Why hasn’t somebody

      censored death?

      Don’t hold your breath waiting.

      Still you can chill and celebrate

      all that’s great about life, like music

      and the tick-tick-tick of time

      which is equal parts yours and mine

      to make of the world what we will.

      But first, say no to coke, and smoke.

      Say no to police brutality

      and causing fatality.

      Say no to race hate.

      Don’t underestimate

      the power of love.

      But most of all

      take two poems

      and call me

      in the morning.

      Chankara Troupe

      I am not in the mood for Tyrone’s sorry “Baby, gimme some loving” routine, so when I see him in the hall, I storm past as if he’s not even there. Eventually, he’ll figure out why.

      I come to school sporting shades and a johnny-print across my left cheek, Johnny being the name of the idiot who smacked me last night. Naturally, Porscha is the first person who notices my new tattoo. She walks straight up to me and says, “You deserve better, girlfriend. And you know it.” No hello. No how are you. Just: “You deserve better.” Then she turns away and walks into the classroom. Typical Porscha. No nonsense. That’s why we get along.

      Then here comes Sheila Gamberoni. The minute she sees me, she demands to know the name of the guy who gave me my shiner, like she’s gonna send her brothers after him or something. I keep his name to myself, just in case. She commences to call the guy everything but a child of God, which makes her feel better, I think, then gives me a hug and says she’ll see me later. Sheila is a bit over the top with this sister act, as if she’s trying to make up for being white, but she means well. I can do without some of the other girls who stare at me, though. I know they’re just looking for something to talk about, so I rip off my sunglasses, let them get a better look. Might as well stare all you want. This is the first and last time you’ll ever see me like this.

      Of course, that’s what they all say. Nobody knows that better than me. My sister’s boyfriends have been beating on her for years. I made up my mind a long time ago, I’m not having none of that.

      Last night I tried telling this to Johnny, who seems to be hard of hearing. He’d brought me home from a movie. He came in for a while, got comfortable since Mom was working overtime and we had the apartment to ourselves. We locked lips for a few minutes. Next thing I know, he’s fingering my shirt buttons. I push him away, gently at first. “I think we better slow down,” I say. “No, no,” he says, voice all husky. “It’s just getting good.” This time, his hand shoots up my skirt. Bad move. I jump off the sofa like it’s on fire. “Maybe it’s time for you to go.” He grabbed my skirt and tried pulling me back down, which is right about when I hauled off and smacked him. He leaped up and smacked me back.

      My jaw dropped from shock, and I looked in his eyes and saw my sister’s reflection.

      I turned away, strode to the door, unlocked it, and held it open for him.

      “I hope you enjoyed yourself,” I said, “’cause that’s the last time you’ll ever lay a hand on me. Now get out!” He actually looked like he was studying on staying, so I stepped out into the hall and screamed at the top of my lungs, “I said get out!” Fearing trouble, he left.

      Now
    I’ve got this ugly tattoo on my cheek. I thought about skipping school today, but I hate to miss English. Besides, the bruise is temporary and so is the pain. Still, I’d rather not have kids gawking at me all period, so I park myself in the back of the room and wait for Mr. Ward to call our English class to attention.

      Mr. Ward is funny. Sometimes he asks us a question with no warning, and tells us to answer quick, without stopping to think about it. The truth is always right on the tip of your tongue, he says. It’s the fabrications that take a lot of time. Yesterday he asked us: “What do you know?” Yesterday I said my name, but today would be different. Today I’d tell him a woman ain’t no punching bag. That’s what I know.

      OPEN MIKE

      Bruised Love

      BY CHANKARA TROUPE

      A midnight thirst sent me

      padding to the kitchen

      for a jelly-jar of water

      and an accidental run-in

      with my sister.

      She tiptoed in, late

      and limping, her cheek

      raw as red-brown meat.

      I caught a quick glance

      in the chilly glow

      of the refrigerator

      before she had

      a chance to hide

      the latest souvenir

      her boyfriend gave her.

      “I bruise easily”

      is one of the lies

      she sprinkles like sugar.

     


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