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    Wheel With a Single Spoke

    Page 8
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    we kissed with our throats cut.

      My words and yours

      stuck together, because

      the place where they were born

      was one and the same for both of us.

      Like a god with two bodies and no head,

      we trotted along

      on four feet,

      with four hands patting the walls.

      The river flowed by quickly, even though

      it existed alone.

      Existing, it carried existence and all else.

      Thus frozen and alone, we persisted

      sleeping in the same knee joint,

      in the center without color,

      at the edge without noise.

      Where They Go

      Feelings go, oh,

      in the ear

      Feelings go, oh,

      in the eye,

      nostril, tongue.

      Oh my, feelings go

      in the ear.

      They sleep like

      an earring hangs,

      they trip along the thin cartilage,

      they bed on the drum of the tympanum . . .

      . . . feelings go, oh,

      in the ear.

      Only the soul goes

      nowhere.

      The soul has nowhere to go.

      The soul goes nowhere.

      Its ear is

      no one’s ear.

      Scent on a High Hill

      As though it rained, long ago, the black earth,

      slippery, bugs

      with wet legs press their bodies

      against black branches

      or windows, or door frames, Lord,

      oh,

      and musty air on boxes

      flecked with green.

      God has left then, ah, he’s left,

      and there’s no reason I can smell, no reason.

      High hill, valley, high hill,

      loam, black grass . . .

      The Sacrifice and Burning of Everything

      I break a lamb along its spine,

      my thumb pops out its eye,

      I snap a hoof off, then the nostrils,

      the liver, the unguent kidney,

      I hold the brain jelly in my palm

      careful to not let it drip

      its lamby vision, much too calm,

      and stain my demiurgic tunic.

      Lord, I burn them that the smell be sweet,

      I will burn everything, for the sake of sin,

      I will smite a bull between its horns

      and cut the goat’s jugular, to be forgiven,

      I will tear apart any animal I meet.

      To please you will I scorch

      their pieces, and all of this to signify

      that you and I resemble them. The torch

      will burn whatever you want, the thigh

      on the bone, the lung I pull into the light.

      For you, O Lord, are the greatest sense of smell,

      the nostril of time, the epochal nostril.

      But I will never pluck a flower,

      never crush a splendorous carnation,

      nor will I ever have to pull the sex

      from a sublime body of verdation.

      We who have animal bodies

      lacking roots, we move.

      We, beside the flower’s soft splendor,

      sit eating one another.

      So we may be a tasty feed

      for worlds stuck in the earth,

      the taxes trees and grass

      will pay, simply to be.

      We have only soles, but they

      have roots in myth. Our sky

      has stars alone, just stars,

      while they are deep with halted time.

      What Is Life? When Does It Start, and Where Is It Going?

      Toward all parts at once, said

      the one without parts.

      Toward one part alone, said

      The Part.

      What is it?

      What what is it?

      It is, pure and simple.

      I mean I, I mean T, I mean I, I mean S.

      The first I is older than the second I.

      That’s all.

      Noose

      Along the stone’s grey-white edge

      young people file by,

      thin, like an evil chalk mark

      on the idolatrous slate of the night.

      O equations, to the power of two,

      gentle trigonometry

      of the only one who exists

      in us, the divine “to be.”

      They pass and bells ring,

      they pass and cannons ring,

      they pass and clocks ring,

      ever faster, ever more disturbing.

      Long and holy line, I would hang myself

      from you alone, as if from a tree,

      and let myself be rocked and rung

      by a secular, cold breeze.

      What Is the Supreme Power That Drives the Universe and Creates Life?

      The power to be, but especially the power

      to have been – being.

      The power to not be

      but especially the power

      to have not been – being.

      The power, ah, the power

      to have not had power,

      a-e-i-o-u, e-i-a-u-o,

      u-a-i-e-o.

      Sound with smell,

      continuity without time,

      migratory heart

      exchanging bodies.

      If you are no more, it is like

      you have not been.

      To be is like

      you have not been,

      a-e-i-o-u, u-o-i-e-a,

      A and E

      and I and O

      and U . . .

      What Is a Human? What Are His Origins? What Fate Awaits Him?

      A human is a leaf a human sees.

      A human is a flower a human smells.

      A human is a horse a human rides.

      A human is a peach a human tastes.

      A human is a sea a human touches.

      A human is a wheel.

      A human is milk a human drinks.

      A human is the dawn over a human.

      A human is a dream at night.

      A human is the pleasure of a blue sky a human sees.

      A human is a bird’s flight a human flies.

      A human is a word a human speaks.

      A human is a word understood.

      A human is a word a human reads.

      A human is a word un-understood.

      Human is a word asleep in human stone.

      Human is a word at rest in stars

      above the human.

      Human is the unword of human.

      Human is a dying human tended by a human.

      Human takes a deposition

      about the human, before a human.

      A human was not born so will not die.

      He is eternal and forever

      because he takes all depositions

      about that which exists.

      A human has never existed and will never exist

      because nonexistence is its own witness.

      And still, a human, human, human

      is one who does not believe

      who did not believe

      who we did not believe

      would ever learn to die.

      The One Who Eats Dragonflies

      I eat dragonflies because they’re green

      with black eyes,

      because they have two sets of wings,

      transparent wings,

      because they fly without making noise,

      because I don’t know who made them

      or why,

      because they are beautiful and gentle,

      because I don’t know why they’re beautiful and gentle,

      because they don’t talk and because

      I’m not completely sure that’s true.

      I eat dragonflies because I don’t like

      the taste,

      because they are noxious and

      don’t sit well.

      I eat dragonflies because I don’t understand them,


      I eat them because I live at the same time they do,

      I eat them because once I tried to eat myself,

      my hands first,

      and they were infinitely more disgusting,

      I eat them because I tried

      to eat my tongue,

      my own fleshy tongue,

      and I was terrified when I saw

      it spit out words.

      They were green with black eyes,

      and far from me, and hungry.

      Who Am I? What Is My Place in the Cosmos?

      Without me, it is impossible – proof that I am.

      Without me, it was impossible;

      proof: I pulled myself out of myself,

      that is, from that me that was.

      I am he without whom it is impossible.

      I am he without whom it was impossible.

      I am he who gave a deposition

      on God’s existence.

      I am he who gave a deposition

      on God’s nonexistence, because

      I made God visible.

      I am made by God, because

      I made God.

      I am neither good nor bad,

      I just am.

      I am the word “am.”

      I am the ear that hears “am.”

      I am the spirit that understands “am.”

      I am the absurd body of “am”

      and its letters.

      I am the place where “am” exists

      and the bed where it sleeps.

      Atavistic Melancholy

      Many of them, for various reasons

      all living together below the floor,

      mixed together, becoming enemies

      of death,

      some dying of old age

      or simply

      killing themselves.

      From time to time, someone

      rents a reason.

      I myself lived inside a reason

      of this kind, but after a while

      I wandered off.

      There were so many. From time to time,

      in the common grave where they died

      they left bones behind, much more beautiful

      than I could have imagined.

      Now I have climbed up. Sometimes I am

      able to think even at the level of the moon.

      And still I long, like I can’t take any more,

      to throw myself into the chimney, come out through the fireplace,

      and lie spread over the floor for hours on end

      with my ear pressed to the joists.

      Idols of the Grass

      Occasionally, instead of grassblades

      there are idols, green and thin.

      Horses circumambulate in wonder

      and swarms of ants . . .

      They glisten at night like blades

      threatening the stars and moon.

      The horses run on gravel to the river.

      No more ants are seen, not one.

      Grassblades for an unborn horse

      Only in the future will it eat them.

      I have seen them, yes, I have,

      but I surrendered before them.

      Fruits Before Being Eaten

      I prepare for a great tree,

      the one that is nothing but a smell,

      I turn the nostrils of dusky

      fruits toward the hunted vegetable.

      I strip off my bark and rings

      down to my rising osmotic sap.

      Monday is an apple, Tuesday a pear, and Wednesday

      a bitter grape.

      Autumn falls. A kind of yellow

      arrives, and rust. The tree

      drops its hours. Seconds faint

      within clusters of grapes.

      Let’s have a drink, not wine, but a sour,

      early fermentation, let’s bind the mouths

      of hunting dogs with raffia, so they

      will take the zenith in their snouts.

      One nostril stuck beside the next

      wedded like the tubes of a pan-flute

      and you play what runs through them –

      the smell of fruit.

      Air Currents

      Air currents, running unseen

      through the unseen,

      the pressure of emptiness on emptiness.

      The awkwardness of birds forced

      to move their nerves wrapped

      in feathers.

      Tall animals, sleeping

      on tenuous air.

      They poke their beaks out

      of the atmosphere, in waves.

      Here are spheres, but very

      far apart.

      They want to leap up

      but cannot

      that belowness –

      up above, unexisting,

      Quiet. We prepare for something else.

      Tragedies in Peacetime

      I was enclosed in my own capsule.

      My heart worked well, and

      I would have slept behind it,

      accustomed as I was to the irregular thumps

      of interior time.

      But my every second was measured out

      and I had no patience left,

      not even

      enough to write one letter down.

      If I had died, I would have been good dead,

      a hero, even.

      Everything I had done rocked to and fro

      in the quiet battle of the stars.

      I hung from a hook of fate.

      Red holidays ran from my throat . . .

      But look, they came

      and took me from the capsule.

      They invited my soul to exist

      anywhere I liked, except my body.

      And the liberated soul suddenly

      had time,

      it brought the bird-loud tree to light,

      it was blanched by the moon.

      It would have liked to become a sphere,

      but it found its own body as disgusting

      as Noah’s putrid ark.

      It got lazy, took on angels,

      doubted the reality of fate.

      O unhappy character!

      You should have stayed in myth

      locked in by things that happen

      and kept yourself for yourself, just enough

      to sleep and dream

      the unclear light of your birth.

      Ars Poetica

      for Lucian Raicu

      O music, you vibration

      most rare

      because we will never

      leap over our ears.

      O smells, you wonders

      because my heart may travel

      toward childhood

      through your tunnel.

      O colors, you deceit

      of light.

      O words, you words,

      I stretch out behind you

      constantly, a locomotive’s

      black soul . . .

      Any peak can pierce you

      words, you words,

      and any peak’s desire,

      words, you unwords . . .

      Song

      God forgot me, in my thoughts

      until my thought

      became my body.

      Leaves forgot me

      shading over me

      until the unseen

      became my seen.

      I wait as though someone

      will remember me,

      and meanwhile, worn by air, worn by snow

      I snuff my light in anyone.

      Self-Portrait in an Autumn Leaf

      The unwhole is meant to dominate me,

      god without thighs, goddess without arms.

      Trees without trunks, grass without green,

      a slalom of white through vertical dark.

      Spiders cling to the winding silence

      and behind their muffled fluttering,

      their hearts drag themselves into an older body,

      more solitary, edges crumpled, time sputtering.

      The unwhole is meant to dominate me,

      a single-faced medallion,

      d
    ays that begin after noon and end after noon,

      without continuation.

      Time

      It can pop like a lightbulb,

      this second, so familiar.

      It can lie on top of us

      and we drown under stale water.

      Darting shadows flee at dusk

      below the moon, like under a round

      shelter thrown off at random

      by all eyes opening – at once.

      Inverted chimney, its smoke in the ravine,

      the sky pulled into the gape.

      Maybe that’s why it shows, magnified

      like under a glass, what for us remains.

      Look: it resembles no word.

      It cannot be said or seen.

      It lies between the sky and earth

      without an end, without beginning.

      Passage . . .

      I fled by jumping on tip-toe

      from body to body, like an arcade

      lain over the dying row

      of columns in a cold Hellas.

      Dirty in spots, I flew

      with open arms, forehead out,

      eyebrows in the future,

      while my thigh turned snow-white

      between the jaws of a gnawing sky.

      O, mouths give birth to great syllables

      when they close in the abyss . . .

      But I flew through a god’s clenched teeth,

      between Scylla and Charybdis.

      Mirage

      In front of me, the galleries of air

      with rats gnawing,

      wings of angels asleep

      with their sternums stuck in the earth.

      Mirage of abundance, of rest,

      of sleep against the milky

      titty of the mother

      who bore the divine

      Jesus. Fa-la-la.

      It rains and there is trash, fa-la-la,

      it rains inside, in the breath,

      fa-la-la, in fingers, fa-la-la,

      in kneecaps, fa-la-la, the brow,

      fa-la-la, in teeth,

      fa-la-la, in bodies unborn

      and fa-la-la, in bodies great.

      So I’ll Stay

      So I’ll stay, with my snout and pout yanked out

      of the infected air, all of me

      snagged on a hook by the roof of my mouth,

      the pilot of the void and beings.

      My, my, I’ll end up in a cauldron

      spiced with peppery meteorites,

      food for another, higher being when

      the starved with my starvation unites.

     


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