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    Tied Up In Tinsel

    Page 25
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      Troy said: ‘She knew you minded about things like that.’

      ‘Of course I do. I’m the last of the howling snobs. But – Moult? Moult! Her papa!’

      ‘She didn’t know,’ Alleyn said, ‘about Moult.’

      Hilary pounced: ‘When did she find out?’ he snapped. ‘Or did she? Has she – has she – confessed?’

      ‘She’s said enough,’ Alleyn said sparsely. And as Hilary stared at him: ‘She knew that documents relating to her parentage were in the uniform case. The colonel told her so when he said that you should know of her background. When she thought that the colonel was downstairs in the cloakroom waiting for her and when everybody else had assembled for the tree, she tried to break into the case with the dressing-room poker. Moult, who had been showing himself to the colonel in his robe and wig, returned to the dressing-room and caught her in the act. Climax. He’d taken a lot to drink, he was excited and he told her. The bells had started up downstairs, he looked out of the window for Vincent and she hit him with the poker.’

      ‘Unpremeditated, then,’ Hilary said quickly. ‘Not planned? A kind of reflex thing? Yes?’

      ‘You may say so.’

      ‘At least one may be glad of that. And no designs upon poorest Uncle Flea. Thank heaven for that.’

      Alleyn said nothing. There would not, he believed, be cause to produce the evidence of the wedge in the colonel’s window sash nor of the concealment of his tablets.

      ‘The defence,’ he said, ‘will probably seek to have the charge reduced to one of manslaughter.’

      ‘How long –?’

      ‘Difficult to say. She may get off.’

      Hilary looked alarmed.

      ‘But not altogether, I fancy,’ said Alleyn.

      ‘You might almost say,’ Hilary ventured after a pause, ‘that my poor creatures, Vincent and Co., collaborated.’

      ‘In a way, I suppose you might.’

      ‘Yes,’ Hilary said in a hurry, ‘but it’s one thing to staff one’s house with – er “oncers” but quite another to –’ He stopped short and turned rather pink.

      ‘I think we should be off, Rory,’ said Troy.

      Hilary was effusive in thanks, exclamations about his portrait, apologies and expressions of goodwill.

      As they drove away in the thin sunshine he stood, manorially, on the steps of the great porch. Mervyn and Cuthbert, having assisted with the luggage, were in the offing. At the last moment Hilary was joined by Mr Smith and the Forresters. Troy waved to them.

      ‘We might be going away from a jolly weekend party,’ she said.

      ‘Do you know,’ her husband asked, ‘what Hilary nearly said?’

      ‘What?’

      ‘That when she comes out she’ll qualify for a job at Halberds. Not quite the one envisaged. Parlour-maid perhaps. With perks.’

      ‘Rory!’

      ‘I bet you anything you like,’ said Alleyn.

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      Also by the Author

      A Man Lay Dead

      Enter a Murderer

      The Nursing Home Murder

      Death in Ecstasy

      Vintage Murder

      Artists in Crime

      Death in a White Tie

      Overture to Death

      Death at the Bar

      Surfeit of Lampreys

      Death and the Dancing Footman

      Colour Scheme

      Died in the Wool

      Final Curtain

      Swing, Brother, Swing

      Opening Night

      Spinsters in Jeopardy

      Scales of Justice

      Off With His Head

      Singing in the Shrouds

      False Scent

      Hand in Glove

      Dead Water

      Death at the Dolphin

      Clutch of Constables

      When in Rome

      Tied up in Tinsel

      Black As He’s Painted

      Last Ditch

      Grave Mistake

      Photo-Finish

      Light Thickens

      Black Beech and Honeydew (autobiography)

      Copyright

      HARPER

      an imprint of HarperCollinsPublishers

      77-85 Fulham Palace Road

      Hammersmith, London W6 8JB

      www.harpercollins.co.uk

      Published by HarperCollinsPublishers 2009

      Copyright © Ngaio Marsh Ltd 1971

      Ngaio Marsh asserts the moral right to be identified as the author of this work.

      A catalogue copy of this book is available from the British Library.

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      Tied Up In Tinsel first published in Great Britain by Collins 1972

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780006512271

      Ebook Edition © JANUARY 2010 ISBN: 9780007344826

      Version: 2014-06-20

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