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    Master of Shadows


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      DEDICATION

      For Trudi, Evie, Archie and Teddy, my fellow travellers.

      All my love, always.

      NEIL OLIVER

      CONTENTS

      Cover

      Dedication

      Title Page

      Acknowledgements

      Introduction

      Prologue

      PART ONE

      Chapter 1

      Chapter 2

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

      Chapter 8

      Chapter 9

      Chapter 10

      Chapter 11

      Chapter 12

      Chapter 13

      Chapter 14

      Chapter 15

      PART TWO

      Chapter 16

      Chapter 17

      Chapter 18

      Chapter 19

      Chapter 20

      Chapter 21

      Chapter 22

      Chapter 23

      Chapter 24

      Chapter 25

      PART THREE

      Chapter 26

      Chapter 27

      Chapter 28

      Chapter 29

      Chapter 30

      Chapter 31

      Chapter 32

      Chapter 33

      Chapter 34

      Chapter 35

      Chapter 36

      Chapter 37

      Chapter 38

      Chapter 39

      Chapter 40

      Chapter 41

      Chapter 42

      Chapter 43

      PART FOUR

      Chapter 44

      Chapter 45

      Chapter 46

      Chapter 47

      Chapter 48

      Chapter 49

      Chapter 50

      Chapter 51

      Chapter 52

      Chapter 53

      Chapter 54

      Chapter 55

      Chapter 56

      Chapter 57

      Chapter 58

      Chapter 59

      Chapter 60

      Chapter 61

      Chapter 62

      Chapter 63

      Chapter 64

      Chapter 65

      Chapter 66

      Chapter 67

      Chapter 68

      Chapter 69

      Chapter 70

      Chapter 71

      Chapter 72

      Chapter 73

      Chapter 74

      Chapter 75

      Chapter 76

      Chapter 77

      Chapter 78

      Also by Neil Oliver

      Copyright

      ACKNOWLEDGEMENTS

      I have never been more worried about releasing a book into the wild. Non-fiction feels like it can take care of itself, but a novel seems strangely vulnerable. For that reason, I have depended a great deal on the confidence and encouragement of others. I owe an enormous debt to Eugenie Furniss, my literary agent at Furniss Lawton. A thousand thank yous for all manner of support and help, but most of all for persuading me this was the right time (and for laughing along with me as nervous hysteria ran its course). The whole team at Orion got behind the project with invaluable energy. Editing is such a marvellous skill – indeed an elegant one – and I have been fortunate in finding myself in the hands of masters. Special thanks to Jon Wood and Jemima Forrester for having faith from the very beginning, for all the reading and re-reading, the vital comments and suggestions and above all the assurance that this was an idea worth sticking with. Thanks also to Graeme Williams, Angela McMahon and Julia Pidduck, and to Jane Selley for a beautiful job of copy-editing. Huge gratitude to Factual Management, to my agent Sophie Laurimore who always looks after me and listens patiently while I fret and grumble, and to Mark Johnson and Jamie Slattery – without your daily attention, I would be forever in the wrong place, at the wrong time and without a clue. Special thanks as well to Mum and Dad, avid readers both, for raising me in a home that was always full of books. And finally, a limitless thank you to Trudi, my wife and the mother of the three best babies in the whole wide world. I love you.

      INTRODUCTION

      For more than eleven hundred years the Byzantine Empire controlled much of Europe, as well as that part of Asia known once as Anatolia.

      Its capital city was Constantinople, founded by and named after the Roman Emperor Constantine in AD 330. In the centuries that followed it became a centre of Christian learning, art and theology as well as an architectural wonder – a man-made heaven on earth.

      During its long life Constantinople was besieged more than twenty times – by Arabs and Avars; Bulgarians and Persians; Slavs and Vikings and more besides. In 1204 the city fell to the Christian soldiers of the Fourth Crusade. The city was raped, sacked and torn to pieces – left in tatters until 1261, when the Byzantines took it back.

      Then in 1453 the twenty-one-year-old Ottoman Sultan Mehmet II brought a truly massive army before the ancient walls of the place they called the Great City.

      Standing in defiance of the young sultan’s ambitions was Emperor Constantine XI. He was more than twice the age of the sultan and had inherited an empire that was unravelling and failing before his eyes.

      In the years and months before the siege began, he had asked for help from throughout Christendom. But the four-centuries-old Great Schism – between the Catholic Church of Rome and the Orthodox Church of Constantinople – meant that even the Pope turned his back on the Christians of the East, and they were left alone, to stand or fall.

      When the Ottomans arrived outside his gates, Emperor Constantine had no more than eight thousand soldiers at his command, ranged against a force of perhaps a quarter of a million men.

      Among the city’s defenders was a man cloaked in shadow. He is mentioned in accounts of the siege, but only in a few lines here and there.

      Some writers described him as a German, but in fact he was a Scot, and his name was John Grant.

      PROLOGUE

      Like a loved one, the darkness took him in her arms. The ghost of the torch flame, extinguished moments before, drifted in front of him, fading to yellow and then blue. He waited until there was nothing before his eyes but steady blackness.

      It was the silence that sometimes felt overwhelming underground. He held his breath, straining with the effort of listening. The silence pressed against him from all sides and leaned down from above. He was a threat to its dominion – likely to make a sound and tear apart the quiet. Only the darkness held him safe.

      He reached out to the side with his right hand until his fingertips brushed against the cool wall of the tunnel. Crouching, bent over like a half-shut knife, he took a step forward into the cramped space, then another and another, and then stopped.

      Instead of rock, his fingers felt empty space. He had reached a corner – a twist away towards the right. He moved sideways again until his fingers regained contact with the wall and began inching silently forward once more. Sometimes his hair brushed the roughly hewn roof of the tunnel and he flinched from it like a child ducking a blow.

      In his left hand, his good hand, he clutched a knife, its blade curved like a tiger’s claw. Experience had taught him that a sword was unwieldy in the tunnels, an encumbrance. He made no noise as he drifted into the darkness, all but floating over the ground as he felt for each step. His breath trailed noiselessly from his open mouth. With his eyes closed he summoned his consciousness and sent it out ahead of him, further into the void.

      He had covered a dozen yards beyond the corner when, on an impulse, he stopped. He trusted his impulses, however slight. The texture of the darkness had altered. Where before it had been smooth and still, now it was disturbed, ruffled. Ripples, like waves from a pebble dropped into water, pulsed against his face and chest. Beats from an anxious heart.


      There was someone else there, someone else trying to be silent but disturbing the peace just the same by being alive. He smiled. With his knife held low he reached out swiftly with his right hand, straight in front. He touched a man’s face, felt stubble on the chin, and cold sweat. A gasp broke the silence – split it in two.

      He stepped forward into the space created there, smelt the sour gust of the exhaled breath. His knife hand moved of its own accord.

      A lammergeier draws lazy shapes in the sky above the city of Constantinople. Columns of warm air rise from white limestone buildings seared by summer heat, and the bird rides the updraughts in ever-widening loops. Always watchful of movement below, he tracks his shadow, a tiny black cross, as it flickers across the rooftops.

      A thousand feet beneath his breast lies the Church of St Sophia, like a mother hen surrounded by needy chicks.

      Seemingly attracted by the shape of the dome, he begins a spiralling descent, and as he comes closer to the church, so do we.

      Beneath the dome, inside the church, a broken-hearted girl climbs over the balustrade surrounding the first-floor gallery. Fingers of sunlight through tall windows illuminate her slight form so that she seems to glow. A shadow – her own, and twice her size – rises on the wall behind her. Her long brown hair gleams like the kernel of a horse chestnut, and two tears trace shining paths over high cheekbones.

      Her name is Yaminah – meaning suitable, proper – and she is twelve years old. Beyond the plinth are two stone steps, leading downwards. On the lower step is a second balustrade, this one of carved wood and four feet high. Carefully, slowly, she climbs up on to its top rail, only four inches wide. With both arms spread for balance, she straightens until she is looking out across the void beneath her feet. While she steadies herself she lets her gaze drift down to the bowed heads of the mourners gathered a hundred feet below for the funeral of her mother.

      Unaware that she is doing so, she smoothes the heavy material of her dress with both hands. After all, a princess has to look her best.

      Yaminah is an orphan, but soon – in just a few moments, in fact – she will be reunited with the person she loves more than anyone else in the world. One brave step will be all that is required to bring them together again.

      Well schooled in the Christian faith though she is, suicide seems like no sin at all to a girl wishing only to be with her mother once more, to hear her voice and smell the clean scent of her long fair hair …

      But when it came to it – when Yaminah focused properly upon the reality of the long fall towards the floor below – she changed her mind. Her heart and head were still filled with a smothering fog of sadness, but a pinprick of light had appeared amid the gloom. She could not – did not – identify it in that moment, but it was a flicker of understanding. Yaminah had realised that while she wanted her mother to be alive once more, truly she herself did not want to die – no more than her mother had wanted to die and leave her only child alone in the world.

      All at once she knew that although her grief had near overwhelmed her, the need to avoid a long drop towards the flagstones so many tens of feet beneath her was stronger still. With her gaze fixed on the gallery directly opposite, she let out a long, slow whistling breath.

      And so, as it happened, it was the scream of a woman that stole Yaminah’s balance away and had her topple from her perch. The sound of that one relieved exhalation from high above – so out of place – had caught the ear of a lady mourner. Looking up, she saw the child balanced precariously in all her finery – and yelped, hand to mouth.

      Snapped back from their thoughts by the unexpected sound, the faithful looked around at the lady who had made it, then up towards the point where she was staring. Thus when Yaminah fell out into space with her arms spinning like a penny whirligig, she had their full attention.

      Prince Constantine had noticed her some little while before the mourner cried out at the sight. He had been watching motes of dust drifting through shafts of sunlight – anything to distract him from the misery of the occasion (misery that was not his, but misery just the same) – when an unexpected movement on the gallery high above caught his eye.

      He was standing at one end of a row of mourners and she had appeared above him, although a little to his right. The strangeness of her actions meant he said and did nothing while she clambered hesitantly on to the balustrade. Like a scene from a dream, it all seemed beyond his control.

      But while the lady mourner’s cry made Yaminah fall, it also pulled Constantine firmly back into the active world.

      Rather than toppling forwards, the girl seemed only to hop in fright, so that she was bolt upright as she began her descent towards the shining marble floor. A collective gasp was tugged from the lungs of the congregation as they watched her flutter into space. A broad beam of sunlight caught the moment so that the silvered fabric of her gown shimmered. All below were transfixed. Hundreds of pairs of eyes opened wide, stretching the fragment of a second into ages.

      All were rooted to the spot – all save Constantine. Without any conscious decision, he had begun to drift away from the rest, pulled into a position directly below the girl. Her arms spun and her head was thrown backwards. Her hair stood straight up like fronds of weed in the clearest sea; the folds of her dress billowed with the force so that her skirts ballooned outwards. Her long, skinny legs, exposed for all to see, were cycling too, searching fruitlessly for purchase – for some or other friction to slow her descent.

      They called it a miracle ever after, said Our Lady herself had reached out a hand to spare the child. Perhaps her billowing dress performed some part of it as well, taking just enough speed out of the drop. In the end, though, it was to Prince Constantine that she owed her life.

      Without a thought for the consequences, he had placed himself squarely between the girl and the pitiless slabs of the floor of the church. The sun shone, the dress shimmered, the faithful held their breath, and a teenage prince of the Byzantine Empire thrust out his slender arms.

      None of those who witnessed the moment would ever forget it (most would struggle to believe they had even seen it with their own eyes). But there it was – a shining angel fell to earth and a callow boy reached out for her, caught her, and crumpled beneath the impact like a bag of washing.

      PART ONE

      Badr

      1

      Scotland, 1444

      John Grant had disappeared, as was his intention. Lying on his back among the long grass and flowers of the meadow, he was invisible to all but the birds. He watched the slow circles of one black shape against the blue. Flower heads on long stalks, yellow and pink, nodded in and out of the frame at the whim of the breeze, as though passing the time of day. The bird changed tack and passed from his sight, leaving him gazing into infinite sky. With nothing left to focus on, he let go instead, letting the emptiness rush towards him.

      There have always been those who feel the spinning of the earth and the momentum of her orbit around the sun. While most people are tricked by the illusion – of a world fixed in place – a handful sense reality. John Grant felt the rush as the planet turned her face from left to right across the sky, sensed too her flight into the limitless dark. When he lay in bed at night he listened to the rumble and hum of the great ball as it turned and turned on its axis.

      Given the nature of Earth’s journey it is a wonder the sensitives are so few, while the many are blissfully unaware. Earth pirouettes at a thousand miles an hour, faster than a bullet fired from a gun. To circle the sun in just three hundred and sixty-five days (give or take) she hurtles through the void at sixty-seven thousand miles an hour. The solar system of which she is an infinitesimal part, clings to the rim of a great spinning vortex called a galaxy. Once around the glowing centre takes two hundred and twenty-five million years and since the world began, five billion years ago, the great odyssey has been completed fewer than twenty times.

      On that day in the year 1444, John Grant had been alive for a few weeks more than twelve years
    – a fraction of a fraction of time in terms of the voyage of the earth, but a long time for a boy alive to the speed of it all, to the hell-for-leather gallop across time and space.

      He was tall for his age, and lean. His mother despaired that for all he ate, which was as much as she had to give him, he stayed thin as a whip. She would have liked him sturdier, with more flesh between him and the world.

      As well as tall, he was sandy-haired and hazel-eyed. More than hazel, they were flecked with gold, so that sometimes they seemed to sparkle with tiny suns. He was pleasing to look upon. He was quick, too – of mind as well as of hand and foot. Some noticed that when he walked, his footsteps made no sound.

      The lightness touched his mother’s heart. At times he seemed to her a will-o’-the-wisp – something too slight for the world that might disappear, for no reason, at any moment. If he had been a pot of soup she would have stirred in flour, to thicken him. By day she watched his grace and mistook it for frailty. By night she lay awake wondering how she had kept him safe so far and dreaded the nameless threats posed by the days, weeks and years to come. Always she feared that the next gust of wind might snatch him away like a seed from a dandelion clock.

      Had she known his secret, that he could feel rushing infinity plucking at his clothes, seeking purchase like a wind ruffling the topmost leaves of a tree, she might never have slept again. But John Grant lacked the words to share what he knew and so left the truth unsaid. Perhaps he understood, anyway, that what he had to tell was too much for others to hear.

      Young John Grant knew nothing of planets, suns and galaxies, of course – and even less of bullets and miles an hour. How could he? He had no way to make sense of what he felt and no one alive in 1444 had yet learned the truth of it anyway. Earth would have to hurl around the sun another one hundred times and more before Nicolaus Coperncius, of Royal Prussia, would explain it – that we are in thrall to the sun and she to the universe.

     


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