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    ADAMS, Douglas - Mostly Harmless

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      ments of all the major universities were acquiring more and

      more elaborate equipment to probe and search the hearts of

      distant galaxies, and then the very centre and the very edges of

      the whole Universe, but when eventually it was tracked down it

      turned out in fact to he all the stuff which the equipment had

      been packed in.

      There was quite a large quantity of missing matter in the

      box, little soft round white pellets of missing matter, which

      Random discarded for future generations of physicists to track

      down and discover all over again once the findings of the

      current generation of physicists had been lost and forgotten

      about.

      Out of the pellets of missing matter she lifted the featureless

      black disk. She put it down on a rock beside her and sifted

      amongst all the missing matter to see if there was anything

      else, a manual or some attachments or something, but there

      was nothing else at all. Just the black disk.

      She shone the torch on it.

      As she did so, cracks began to appear along its apparently

      featureless surface. Random backed away nervously, but then

      saw that the thing, whatever it was, was merely unfolding itself.

      The process was wonderfully beautiful. It was extraordinarily

      elaborate but also simple and elegant. It was like a piece of

      self-opening origami, or a rosebud blooming into a rose in just

      a few seconds.

      Where just a few moments earlier there had been a smoothly

      curved black disk there was now a bird. A bird, hovering there.

      Random continued to back away from it, carefully and watch-

      fully.

      It was a little like a pikka bird, only rather smaller. That is

      to say, in fact it was larger, or to be more exact, precisely the

      same size or, at least, not less than twice the size. It was also

      both a lot bluer and a lot pinker than pikka birds, while at the

      same time being perfectly black.

      There was also something very odd about it, which Random

      couldn't immediately make out.

      It certainly shared with pikka birds the impression it gave

      that it was watching something that you couldn't see.

      Suddenly it vanished.

      Then, just as suddenly everything went black. Random drop-

      ped into a tense crouch, feeling for the specially sharpened rock

      in her pocket again. Then the blackness receded and rolled itself

      up into a ball and then the blackness was the bird again. It hung

      in the air in front of her, beating its wings slowly and staring at

      her.

      `Excuse me,' it said suddenly, `I just have to calibrate myself.

      Can you hear me when I say this?'

      `When you say what?' demanded Random.

      `Good,' said the bird. `And can you hear me when I say

      this?' It spoke this time at a much higher pitch.

      `Yes, of course I can!' said Random.

      `And can you hear me when I say this?' it said, this time

      in a sepulchrally deep voice.

      `Yes!'

      There was then a pause.

      `No obviously not,' said the bird after a few seconds. `Good,

      well your hearing range is obviously between 20 and 16 KHz. So.

      Is this comfortable for you?' it said in a pleasant light tenor. `No

      uncomfortable harmonics screeching away in the upper register?

      Obviously not. Good. I can use those as data channels. Now.

      How many of me can you see?'

      Suddenly the air was full of nothing but interlocking birds.

      Random was well used to spending time in virtual realities, but

      this was something far weirder than anything she had previously

      encountered. It was as if the whole geometry of space was

      redefined in seamless bird shapes.

      Random gasped and flung her arms round her face, her

      arms moving through bird-shaped space.

      `Hmmm, obviously way too many,' said the bird. `How about

      now?'

      It concertina-ed into a tunnel of birds, as if it was a bird

      caught between parallel mirrors, reflecting infinitely into the

      distance.

      `What are you?' shouted Random.

      `We'll come to that in a minute,' said the bird. `Just how

      many, please?'

      `Well, you're sort of...' Random gestured helplessly off

      into the distance.

      `I see, still infinite in extent, but at least we're homing in

      on the right dimensional matrix. Good. No, the answer is an

      orange and two lemons.'

      `Lemons?'

      `If I have three lemons and three oranges and I lose two

      oranges and a lemon what do I have left?'

      `Huh?'

      `OK, so you think that time flows that way, do you? Interesting.

      Am I still infinite?' it asked, ballooning this way and that in space.

      `Am I infinite now? How yellow am I?'

      Moment by moment the bird was going through mind-mangling

      transformations of shape and extent.

      `I can't...' said Random bewildered.

      `You don't have to answer, I can tell from watching you

      now. So. Am I your mother? Am I a rock? Do I seem huge,

      squishy and sinuously intertwined? No? How about now? Am

      I going backwards?'

      For once the bird was perfectly still and steady.

      `No,' Said Random.

      `Well I was in fact, I was moving backwards in time. Hmmm.

      Well I think we've sorted all that out now. If you'd like to know,

      I can tell you that in your universe you move freely in three

      dimensions that you call space. You move in a straight line in

      a fourth, which you call time, and stay rooted to one place in a

      fifth, which is the first fundamental of probability. After that it

      gets a hit complicated, and there's all sorts of stuff going on in

      dimensions 13 to 22 that you really wouldn't want to know about.

      All you really need to know for the moment is that the universe

      is a lot more complicated than you might think, even if you start

      from a position of thinking it's pretty damn complicated in the

      first place. I can easily not say words like ``damn'' if it offends

      you.'

      `Say what you damn well like.'

      `I will.'

      `What the hell are you?' demanded Random.

      `I am The Guide. In your universe I am your Guide. In fact I

      inhabit what is technically known as the Whole Sort of General

      Mish Mash which means... well, let me show you.'

      It turned in mid-air and swooped out of the cave, and then

      perched on a rock, just beneath an overhang, out of the rain,

      which was getting heavier again.

      `Come on,' it said, `watch this.'

      Random didn't like being bossed around by a bird, but she

      followed it to the mouth of the cave anyway, still fingering the

      rock in her pocket.

      `Rain,' said the bird. `You see? Just rain.'

      `I know what rain is.'

      Sheets of the stuff were sweeping through the night, moonlight

      sifting through it.

      `So what is it?'

      `What do you mean, what is it? Look, who are you? What

      were you doing in that box? Why have I spent a night running

      through the forest fending off demented squirrels to find that

      all I've got at the end of it is a bird asking me what rain


      is. It's just water falling through the bloody air, that's what

      it is. Anything else you want to know or can we go home

      now?'

      There was a long pause before the bird answered, `You

      want to go home?'

      `I haven't got a home!' Random almost shocked herself,

      she screamed the words so loudly.

      `Look into the rain...' said the bird Guide.

      `I'm looking into the rain! What else is there to look at?'

      `What do you see?'

      `What do you mean, you stupid bird? I just see a load

      of rain. It's just water, falling.'

      `What shapes do you see in the water?'

      `Shapes? There aren't any shapes. It's just, just...'

      `Just a mish mash,' said the bird Guide.

      `Yes...'

      `Now what do you see?'

      Just on the very edge of visibility a thin faint beam fanned out

      of the bird's eyes. In the dry air beneath the overhang there was

      nothing to see. Where the beam hit the drops of rain as they fell

      through it, there was a flat sheet of light, so bright and vivid it

      seemed solid.

      `Oh great. A laser show,' said Random fractiously. `Never

      seen one of those before, of course, except at about five million

      rock concerts.'

      `Tell me what you see!'

      `Just a flat sheet! Stupid bird.'

      `There's nothing there that wasn't there before. I'm just using

      light to draw your attention to certain drops at certain moments.

      Now what do you see?'

      The light shut off.

      `Nothing.'

      `I'm doing exactly the same thing, but with ultra-violet light.

      You can't see it.'

      `So what's the point of showing me something I can't see?'

      `So that you understand that just because you see something,

      it doesn't mean to say it's there. And if you don't see something

      it doesn't mean to say it's not there, it's only what your senses

      bring to your attention.'

      `I'm bored with this,' said Random, and then gasped.

      Hanging in the rain was a giant and very vivid three-dimen-

      sional image of her father looking startled about something.

      About two miles away behind Random, her father, struggling

      his way through the woods suddenly stopped. He was startled to

      see an image of himself looking startled about something hanging

      brightly in the rain-filled air about two miles away. About two

      miles away some distance to the right of the direction in which

      he was heading.

      He was almost completely lost, convinced he was going to die

      of cold and wet and exhaustion and beginning to wish he could

      just get on with it. He had just been brought an entire golfing

      magazine by a squirrel, as well, and his brain. was beginning to

      howl and gibber.

      Seeing a huge bright image of himself light up in the sky told

      him that, on balance, he was probably right to howl and gibber

      but probably wrong as far as the direction he was heading was

      concerned.

      Taking a deep breath, he turned and headed off towards

      the inexplicable light show.

      `OK, so what's that supposed to prove?' demanded Random. It

      was the fact that the image was her father that had startled her

      rather than the appearance of the image itself. She had seen her

      first hologram when she was two months old and had been put in

      it to play. She had seen her most recent one about half an hour

      ago playing the March of the AnjaQantine Star Guard.

      `Only that it's no more there or not there than the sheet

      was,' said the bird. `It's just the interaction of water from the

      sky moving in one direction, with light at frequencies your senses

      can detect moving in another. It makes an apparently solid image

      in your mind. But it's all just images in the Mish Mash. Here's

      another one for you.'

      `My mother!' said Random.

      `No,' said the bird.

      `I know my mother when I see her!'

      The image was of a woman emerging from a spacecraft

      inside a large, grey hangar-like building. She was being escorted

      by a group of tall, thin purplish-green creatures. It was definite-

      ly Random's mother. Well, almost definitely. Trillian wouldn't

      have been walking quite so uncertainly in low gravity, or looking

      around her at a boring old life-support environment with quite

      such a disbelieving look on her face, or carrying such a quaint

      old camera.

      `So who is it?' demanded Random.

      `She is part of the extent of your mother on the probability

      axis,' said the bird Guide.

      `I haven't the faintest idea what you mean.'

      `Space, time and probability all have axes along which it

      is possible to move.'

      `Still dunno. Though I think... No. Explain.'

      `I thought you wanted to go home.'

      `Explain!'

      `Would you like to see your home?'

      `See it? It was destroyed!'

      `It is discontinuous along the probability axis. Look!'

      Something very strange and wonderful now swam into view

      in the rain. It was a huge, bluish-greenish globe, misty and

      cloud-covered, turning with. majestic slowness against a black,

      starry background.

      `Now you see it,' said the bird. `Now you don't.'

      A little less than two miles away, now, Arthur Dent stood still

      in his tracks. He could not believe what he could see, hanging

      there, shrouded in rain, but brilliant and vividly real against the

      night sky - the Earth. He gasped at the sight of it. Then, at the

      moment he gasped, it disappeared again. Then it appeared again.

      Then, and this was the bit that made him give up and stick straws

      in his hair, it turned into a sausage.

      Random was also startled by the sight of this huge, blue and

      green and watery and misty sausage hanging above her. And

      now it was a string of sausages, or rather it was a string of

      sausages in which many of the sausages were missing. The whole

      brilliant string turned and span in a bewildering dance in the

      air and then gradually slowed, grew insubstantial and faded into

      the glistening darkness of the night.

      `What was that?' asked Random, in a small voice.

      `A glimpse along the probability axis of a discontinuously

      probable object.'

      `I see.'

      `Most objects mutate and change along their axis of prob-

      ability, but the world of your origin does something slightly

      different. It lies on what you might call a fault line in the

      landscape of probability which means that at many probability

      co-ordinates, the whole of it simply ceases to exist. It has an

      inherent instability, which is typical of anything that lies within

      what are usually designated the Plural sectors. Make sense?'

      `No.'

      `Want to go and see for yourself?'

      `To... Earth?'

      `Yes.'

      `Is that possible?'

      The bird Guide did not answer at once. It spread its wings

      and, with an easy grace, ascended into the air and flew out into

      the rain which, once again, was beginning to lighten.

      It soared ecstatically up into the night sky, lights flashed

      around it, dimensions dither
    ed in its wake. It swooped and

      turned and looped and turned again and came at last to rest

      two feet in front of Random's face, its wings beating slowly and

      silently.

      It spoke to her again.

      `Your universe is vast to you. Vast in time, vast in space.

      That's because of the filters through which you perceive it. But

      I was built with no filters at all, which means I perceive the mish

      mash which contains all possible universes but which has, itself,

      no size at all. For me, anything is possible. I am omniscient

      and omnipotent, extremely vain, and, what is more, I come in

      a handy self-carrying package. You have to work out how much

      of the above is true.'

      A slow smile spread over Random's face.

      `You bloody little thing. You've been winding me up!'

      `As I said, anything is possible.'

      Random laughed. `OK,' she said. `Let's try and go to Earth.

      Let's go to Earth at some point on its, er...'

     


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