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    The Conversations: Walter Murch and the Art of Editing Film

    Page 29
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      Zoetrope; right from The Murch Family Collection Copyright page: right page © Warner Brothers vi from The Everett Collection viii–ix all © American Zoetrope x by Phil Bray © 1996 The Saul Zaentz

      Company. All rights reserved/ © Miramax Films xxii–xxiii © American Zoetrope

      First Conversation

      2 by Kim Aubry © American Zoetrope

      7 from the Archive of Modern Conflict

      8 © Robert Doisneau/RAPHO

      11 from Photofest

      12 from Photofest

      13 from Photofest

      14 by Matthew Robbins/The Murch Family Collection

      16–17 © American Zoetrope

      18 from Photofest

      21 from The Murch Family Collection

      22 left from The Murch Family Collection; right from MPTV

      23 left from The Murch Family Collection; right by Francis Ford Coppola

      24 from Culver pictures

      25 © Films du Carrosse/SEDIF

      28–29 left to right, courtesy Dede Allen; from

      Photofest; The Ronald Grant Archive

      30 courtesy of The Academy of Motion Picture Arts and Sciences

      31 by Richard Biggs © American Zoetrope

      35 from Movie Still Archives

      40 courtesy of Michael Ondaatje

      42 both © American Zoetrope/Paramount

      44 courtesy Walter Murch

      48 by Phil Bray © 1996 The Saul Zaentz Company. All rights reserved/ © Miramax Films

      52 from Photofest

      55 by Wayne Miller/Magnum Photos

      56 from The Ronald Grant Archives

      57 by Mary Ellen Mark

      60–61 all © American Zoetrope/Paramount

      62 from Photofest

      67 both © American Zoetrope/Miramax

      71 © American Zoetrope/Paramount

      72 by Jacqueline Lopez

      75 © American Zoetrope/Miramax Films

      76 © American Zoetrope/Miramax Films

      78 © American Zoetrope/Paramount

      79 © American Zoetrope/Miramax Films

      80 © American Zoetrope/Miramax Films

      83 top courtesy of The Academy of Motion Pictures Arts and Sciences; bottom by Jack Guez © AFP/Corbis

      Second Conversation

      86 from The Murch Family Collection

      93 from SNARK/Art Resource, N.Y.

      94–95 from The Library of Congress

      96 from Grierson © From The National Film Board of Canada

      97 left from Globe Photos; right © American Zoetrope/Paramount

      98 © Steve Schapiro

      101 from The Murch Family Collection

      106 by John R. Neill © William Morrow & Company, Inc.

      108 from Photofest

      109 from Photofest

      111 courtesy of Michael Ondaatje

      113 from Photofest

      114–115 from Brown Brothers

      120 © Paramount Pictures

      121 © Paramount Pictures

      126 both from The Everett Collection

      129 both by Phil Bray © 1988 The Saul Zaentz Company. All rights reserved

      132–133 both by Phil Bray © 1988 The Saul Zaentz Company. All rights reserved

      135 top and bottom © 1996 The Saul Zaentz Company. All rights reserved/ © Miramax Films

      138–139 courtesy of The Estate of Elizabeth Bishop

      143 from Casa Malaparte Foundation Archives

      145 from Olympia Publifoto

      Third Conversation

      150 © American Zoetrope

      153 by Kim Aubry © American Zoetrope

      158–59 from Globe Photos

      161 top from Photofest; bottom from The Kobal Collection

      162 from The Everett Collection

      167 by Léo Mirkine/from The Murch Family Collection

      172 both © 1996 The Saul Zaentz Company. All rights reserved/© Miramax Films

      177 left from Ronald Grant Archive; right from Photofest

      179 courtesy of Walter Murch

      185 © Universal Pictures

      187 from Photofest

      188 from The Neal Peters Collection

      189 from The Lester Glassner Collection/Neal Peters

      192 © Universal Pictures

      194 both © Universal Pictures

      195 left courtesy of The Academy of Motion Picture Arts and Sciences © Universal Pictures; right from The Everett Collection

      197 from MPTV

      198 from Photofest

      Fourth Conversation

      200 from The Murch Family Collection

      205 by Annette Carducci

      207 from Photofest

      216 from The Everett Collection

      218 from Photofest

      220 © Warner Seven Arts

      221 from Photofest

      223 from Photofest

      224 from The Murch Family Collection

      228 courtesy of The Academy of Motion Picture Arts and Sciences

      230 both by Katherine Louise Scott Murch/ from The Murch Family Collection

      232 left from The Murch Family Collection; right by Kim Aubry/American Zoetrope

      233 left The Radio by Walter Tandy Murch, courtesy of a private collection; right The Lightbulb by Walter Tandy Murch, courtesy of a private collection

      234 © Gaumont British

      237 courtesy of Walter Murch

      238 courtesy of Walter Murch

      240–241 courtesy of Walter Murch

      243 from The Murch Family Collection

      249 both © Paramount

      252 from Photofest

      253 from The Kobal Collection

      254 from Photofest

      255 © Paramount

      260 © American Zoetrope/Paramount

      263 © American Zoetrope

      264 © American Zoetrope

      273 © Miramax Films

      274 by Phil Bray © Miramax Films/MPTV

      L ast Conversation

      278 by Richard Blanschard/courtesy of Walter Murch

      284 by Richard Blanschard/courtesy of Walter Murch

      286–287 left by John R. Neill © William Morrow & Company, Inc.; right by Richard Blanschard/courtesy of Walter Murch

      288–289 both by Richard Blanschard/courtesy of Walter Murch

      291 from The Van Schaick Collection/courtesy of The State Historical Society of Wisconsin

      293 left by John R. Neill © William Morrow & Company, Inc.; right top by Richard Blanschard/courtesy of Walter Murch; bottom by Richard Blanschard/from Globe Photos/Rangefinders

      295 from The Lebrecht Collection

      300 from The Everett Collection

      301 left from Photofest; right by Phil Bray © 1996 The Saul Zaentz Company. All rights reserved/© Miramax Films

      302–303 left from Photofest; center from The Everett Collection; right by Phil Bray © 1996 The Saul Zaentz Company. All rights reserved/© Miramax Films/The Neal Peters Collection

      311 from the Everett Collection

      312 top by Phil Bray © 1988 The Saul Zaentz Company. All rights reserved/ The Kobal Collection; center row left from Globe Photos; center and left by Phil Bray © 1996 The Saul Zaentz Company. All rights reserved/© Mira-max Films; bottom © American Zoetrope

      313 top Portrait of Joseph Cornell by Walter Murch from Smithsonian American Art Museum, Gift of Mr. and Mrs. John A. Benton; center row left © Warner Brothers; center and right © Metro Tartan/Block2/Paradis/Jet

      Tone; bottom from the Everett Collection

      314 by Susan Sterner/A.P. Wide World Photos

      317 by Susan Sterner/A.P. Wide World Photos

      318 top from The Everett Collection; bottom by Phil Bray © 1988 The Saul Zaentz Company. All rights reserved

      320 top by Annette Carducci; bottom courtesy of Walter Murch

      340–341 by Phil Bray © 1996 The Saul Zaentz Company. All rights reserved/ © Miramax Films

      342 by Phil Bray/Globe Photos/Rangefinders

      343 courtesy of Walter Murch

      Front Cover

      Top row left © Metro Tartan/Block 2/Pa
    radis/Jet Tone, right by Phil Bray © 1996 The Saul Zaentz Company. All rights reserved/© Miramax Films/The Neal Peters Collection;center row left to right, from The Everett Collection, The Neal Peters Collection, the Ronald Grant Archives; bottom row left from Photofest, right by Phil Bray © 1996 The Saul Zaentz Company. All rights reserved/© Miramax Films/Neal Peters Collection

      Back Cover

      Top from the Neal Peters Collection; center row left from Photofest, right The Murch Family Collection; bottom row left from Photofest, right © Metro Tartan/Block 2/Paradis/Jet Tone

      Spine

      Left © Miramax Films, right top from Globe Photos, center The Lester Glassner Collection/Neal Peters, bottom by Annette Carducci

      ABOUT THE AUTHOR

      La Jetée by Chris Marker, edited by Jean Ravel (1963); The Life and Death of Colonel Blimp by Michael Powell, edited by John Seabourne (1943); The Lady Eve by Preston Sturgess, edited by Stuart Gilmore (1941); Les Enfants du Paradis by Marcel Carné, edited by Madeleine Bonin and Henri Rust; The Searchers by John Ford, edited by Jack Murray (1956); The Hustler by Robert Rossen, edited by Dede Allen (1961); Edvard Munch directed and edited by Peter Watkins (1974); The Tree of Wooden Clogs, directed and edited by Ermanno Olmi (1978); Yeelen (Brightness) by Souleymane Cisse, edited by Dounamba Coulibaly (1987); The Grifters by Stephen Frears, edited by Mick Audsley (1990); To Live by Zhang Yimou, edited by Du Yuan (1994); and Ekti Jiban,directed and edited by Raja Mitra (1988).

      This is a Borzoi Book Published by Alfred A. Knopf

      Copyright © 2002 by Michael Ondaatje

      All rights reserved under International and Pan-American Copyright Conventions. Published in the United States of America by Alfred A. Knopf, a division of Random House, Inc. Distributed by Random House, Inc., New York

      www.aaknopf.com

      Knopf, Borzoi Books, and the colophon are registered trademarks of Random House, Inc.

      Material on page xviii is from a conversation between Walter Murch and Michael Ondaatje, hosted by Muriel Murch, on the art of editing in film and literature. The conversation was recorded at KPFA Radio 94.1 FM in Berkeley, California, with recording engineer Jim Bennett. This programme was first aired on KPFA on March 26, 1997. An edited version can be read in Projections 8, published by Faber and Faber, London, 1998.

      Library of Congress Cataloging-in-Publication Data

      Ondaatje, Michael.

      The conversations: Walter Murch and the art of editing film/Michael Ondaatje.—1st ed. p.cm.

      eISBN: 978-0-307-51817-0

      1. Murch, Walter, 1943—Interviews. 2. Motion picture editors—United States—Interviews. 3. Motion pictures—Editing. I. Murch, Walter, date II. Title.

      TR849.M86 O53 2002

      778.5'35—dc21

      2002021526

      v3.0

     

     

     



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