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    The Temple of Set II

    Page 44
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    To meet this goal I have analyzed hundreds of volumes of archæological journals as well as the complete files of

      Nature and Science. The result is an incomparable collection of information on the frontiers of archæology.’

      Chapters on engineering structures, tools & artifacts, graphics & symbols, geology, anthropology, biology, and

      mythology. 800 pages of small print! Altogether a refreshingly reliable text after one has endured the

      sensationalistic stuff of van Däniken and his many imitators for so many years.” DW: “If you write to Corliss, get his

      catalogue. Its well-researched title stock will challenge you in many ways.”

      5H. Atlantis of the North by Jürgen Spanuth. NY: Van Nostrand Reinhold Company, 1979. [Deutschland: Die

      Atlanter-Volk aus dem Bernsteinland. Grabert Verlag, Tübingen, 1985.] (TOS-4) (TRP-1) MA: “This is a rather

      deceptive work. Although published as a book in 1979, it is a revised and expanded treatment of the author’s earlier

      work Atlantis (1965). But as you examine the dates in the footnotes and the 16-page bibliography, it begins to dawn

      - 186 -

      on you that Spanuth has taken massive amounts of material from the archives of the prehistorical research elements

      of the Ahnenerbe-SS [see #14M]. In fact it is rather amusing to see how ‘startling’ everyone finds this book - as

      though this is all ‘breakthrough revelation’ in archæology. It is more correctly the unveiling of source material that

      has lain under an emotional and political taboo since 1945. To be fair to Spanuth, he has done a good job of

      integrating and analyzing an enormous amount of data whose processing under the Nazi regime was inhibited by (a)

      wartime pressures and (b) the ideological constraints of Nazi politics. Spanuth’s thesis is that the royal island of

      Atlantis (Basileia) was located in the area of Heligoland, and that the Platonic accounts of Atlantean history are

      essentially accurate. He - and the Ahnenerbe - make a good case.”

      5I. Plato, Prehistorian: 10000-5000 B.C. Myth, Religion, and Archæology by Mary Settegast. Cambridge:

      The Rotenberg Press, 1986. (TOS-3) DW: “There’s a more recent trade paperback of this book from Lindisfarne

      Press. Settegast looks seriously at Plato’s Timæus and Critias as a remembrance of the spiritual awakening in the

      mid-seventh millennium from Persia to north Africa to the Greek peninsula, which created certain links in these

      cultures with the practice of mystery religions.”

      5J. Forbidden Archæology: The Hidden History of the Human Race by Michael Cremo and Richard

      Thompson. San Diego: Bhaktivedanta Institute, 1993. ISBN: 0-9635309-8-4. (TOS-4) MA: “A gigantic compendium

      of all sorts of ‘inconvenient’ archæological data that conventional archæology has preferred to ignore or ‘fast-

      forward’ through. At the end of this tome the authors blithely propose the significance of this data: that ‘beings

      resembling anatomically-modern humans were present in the Early Pleistocene (1.7 million years ago) and Pliocene

      (3.5 million years ago)’. Furiously denounced by conventional archæologists [see Scroll of Set, April 1996], this book

      still, well, exists unrefuted. A year later C&T followed FA with a less-technical, abridged version entitled just The

      Hidden History of the Human Race (Badger, California: Govardhan Hill, 1994), which could be considered TOS-3.”

      * * *

      F5A. Atlantis, The Lost Continent. MA: “Despite the power of the Atlantis legend, it has not been an object of

      much interest by filmmakers. One exception was this 1960s-vintage fantasy film by George Pal. Beginning the film

      with a recitation of ‘Atlantis-proofs’ from #5A, Pal set his Atlantis in the time of Classical Greece and decorated it

      with Nautilus-like submarines, crystalline death-rays, and mad-labs in applied lycanthropy. Interesting for the

      ‘flavor’ it creates for an Atlantis like yet unlike the known ones of the Mediterranean.”

      - 187 -

      Category 6: Satanism

      as of February 26, 2003

      Satanism is the “Blackest” of the Black Arts and until the North Solstice X encompassed the most

      advanced - and the most dangerous - school of religion and magical knowledge. Because its doctrines

      are intensely personal, hence asocial, conventional societies have tended to regard it as a threat to the

      docile, cooperative obedience of the citizenry. This bias against Satanism as something “necessarily

      criminal” will be evident in some of the following accounts, and it frequently resulted in persecution

      that drove Satanists even farther from the social mainstream. In 1966 CE (the year I of the Æon of Set)

      Anton Szandor LaVey founded the Church of Satan, an institution designed to translate the philosophy

      of Satanism into a socially- acceptable form. In 1975 the Church of Satan evolved into the Temple of Set,

      at which time the philosophical inconsistencies and anti-Judaic/Christian orientation of the older

      organization were eliminated. The Black Art has now been raised to its highest form.

      6A. La-Bas ( Down There) by J.K. Huysmans. NY: Dover Publications, 1972. [Deutschland: Tief unten.

      Diogenes Taschenbuchverlag, CH-Zürich, 1987.] (TOS-3) MA: “This is the classic of late 19th-century French

      Satanism. It contains detailed accounts of the old 17th-century Black Mass as later practiced in ‘underground’ Paris.

      The book evidences a strong Christian moral bias; hence it is historically unreliable. Nevertheless it became a model

      for subsequent efforts at anti-Christian ceremonies. ‘Devil-worship’ sequences from most contemporary films, for

      example, can be recognized as variations on the La-Bas account. [Appendix 64 of #6N reprints the Black Mass

      sequence from La-Bas.]”

      6B. The Satanic Mass by H.T.F. Rhodes. London: Jarrold’s Publishers Ltd, 1968 [available in the U.S. from

      Citadel Publishers]. (COS-3) (TOS-3) AL: “A non-hysterical account by a criminologist who has researched his

      subject well.” MA: “This book, whose emphasis is criminological, traces Satanism from an underground French

      revolutionary movement to organized crime to decadent burlesque to modern cultural offshoots and influences

      [short of the Church of Satan, which had not yet been founded when the research for this book was completed].

      Principal emphasis is on the French tradition and the Dashwood Hell-Fire Club. This was one of the basic

      sourcebooks for the Church of Satan during its formative years.”

      6C. A Razor for a Goat by Elliot Rose. Toronto: University of Toronto Press, 1962. (TOS-3) MA: “This book

      was begun as a good-humored effort to debunk the neo-witchcraft theories of Margaret Murray and Gerald Gardner

      [which it does rather conclusively]. Rose went a good deal further and straightened out many misconceptions

      concerning medieval witchcraft accounts as well. Yet he argues for the essential value of the concepts of ‘pure’

      Satanism. This was another book of prime importance to the original design of the Church of Satan, and it helps to

      explain the strong anti-neopagan/Wiccan attitude of that institution. It says something for popular tastes [and the

      memory of P.T. Barnum] that Wiccan literature continues to flourish while #6C is usually found only in university

      libraries.”

      6D. Seven Footprints to Satan by A. Merritt. NY: Avon Books #28209, 1942 [reprinted 1976]. (TOS-5)

      (LVT-5) MA: “Written ca. 1928, this novel contains many passages describing the central philosophies of Satanism,

      as well as many episodes exemplifying them. Since the book was ostensibly fiction, Merritt did not have to mince


      words. Harmless to non-Initiates, it is a Satanic manifesto for Adepts of the Left-Hand Path. And the character of

      ‘Satan’ in the story bears a remarkable resemblance to Anton Szandor LaVey ... in more than one way.” JL: “The

      image of ‘Satan’ in #6D is very like that of Anton LaVey during I-X AES. His expertise as a magician surpasses even

      Ayesha’s best efforts and is more believable because of the novel’s contemporary setting. Although he uses highly

      sophisticated LBM exclusively, his designs far exceed the grasp of the other players who, despite their efforts,

      continue dancing to the tune played by ‘Satan’ almost to the end. #6D portrays a world in which the present and

      future are both controlled with admirable precision. The acts of theft and violence in #6D may be deplorable, but we

      can admire the mind which created and mastered a universe designed for its exclusive pleasure.”

      6E. Asimov’s Annotated Paradise Lost by John Milton and Isaac Asimov. NY: Doubleday, 1974. (TOS-4) MA:

      “The creative aspects of Satanism are beautifully portrayed in Paradise Lost, and this edition has the added

      attraction of extensive notes by the brilliant and witty Asimov. [Missing, sadly, are the famous Dore illustrations,

      which enthusiasts will have to seek in other editions.] Milton, who lived and wrote during the Cromwellian

      Commonwealth, observed due subtlety in his portrayal of the virtues of Satan and the vices of YHVH. Asimov is

      under no such constraint, and he overlooks no opportunities to identify and explain the hidden material.”

      6F. The Unholy Bible by June K. Singer. NY: G.P. Putnam’s Sons, 1970 [Harper & Row paperback edition

      available]. (TOS-4) MA: “This is a psychological interpretation of the Satanism of William Blake, prepared for the

      C.G. Jung Foundation for Analytical Psychology. Included are plates, quotes, and detailed commentary on The

      - 188 -

      Marriage of Heaven and Hell and The Bible of Hell, as well as a short biography and psychological profile of Blake

      himself.”

      6G. The Hell-Fire Club by Daniel P. Mannix. NY: Ballantine Books #01625, 1959. (TOS-3) MA: “This is an

      extensive, sensationalistic account of 18th-century England’s notorious Friars of St. Francis of Wycombe, a Satanic

      society organized by Sir Francis Dashwood and including such prominent personalities as the Prime Minister and

      the First Lord of the Admiralty. Benjamin Franklin was a noted visitor from the Colonies. [The Dashwood estate is

      open to visitors.] See also #6T & #6AC, which are progressively less colorful but probably more accurate.”

      6H. Witchcraft: Its Power in the World Today by William Seabrook. NY: Lancer Books #78656, 1968.

      (COS-3) (TOS-3) AL: “Witchcraft discussed in terms of suggestive psychology.” MA: “Originally published in 1940,

      this book was the forerunner of the occult revival of the 1950s. Although personally a skeptic, Seabrook admitted the

      psychological effectiveness of witchcraft. He was among the close friends of Aleister Crowley at the time of the

      latter’s attainment of the grade of Magus. This book is now somewhat dated, but it may be acquired for its

      scholarship and its value as a classic.”

      6I. The Magus by John Fowles. Boston: Little, Brown & Co., 1965 [revised edition 1977]. (TOS-4) MA: “A

      novel of an arrogant/selfish/ sensitive/intellectual British schoolteacher who becomes enmeshed in the schemes of

      a modern magician. An excellent illustration of the use of psychological magic as a control device [as opposed to a

      mere research tool]. The characters of Nicholas (the schoolteacher) and Conchis (the magus) exemplify aspects of

      the Nemo and Aristos, principles in Fowles’ own brand of existentialism as set forth in his incisive theoretical work

      The Aristos (NY: Signet Books #Q4280, 1964). Fowles describes the revised edition of The Magus as less fantastic/

      more realistic than the original edition, but after several readings of comparing the two I am inclined to favor the

      revised edition as a richer experience from which the magic has definitely not been excised. The Magus is one of

      those books whose every re-reading brings new impressions and adventures. I was strongly tempted to rate it

      TOS-1, but feel that greatest benefit will be derived from a reading of it when the Setian has first mastered the basics

      of the included philosophical concepts and of Lesser Black Magic. See also #F6J.”

      6J. The Powers of Evil by Richard Cavendish. NY: G.P. Putnam’s Sons, 1975. (TOS-3) MA: “While preparing

      #4C and editing #4E, Cavendish was intrigued by certain recurring themes relative to the notion of ‘evil’ in cross-

      cultural contexts involving death, darkness, sex, disorder, etc. This book is his effort, as an acknowledged skeptic

      and agnostic, to deal with these themes. The result is not a full survey of the philosophy and theology of ‘evil’, but it

      is a good introduction. The book’s defect is that Cavendish, as a consequence of his detachment, is forced to rely

      upon second-hand sources for his data and so can only report others’ direct impressions [which can be somewhat

      less than objective]. Much of the book’s 300 pages are weighted down with the usual, tiresome collection of occult

      anecdotes and mythological stories.”

      6K. The Satanic Bible by Anton Szandor LaVey. NY: Avon Books #NS44, 1969 [hardcover edition from

      University Books, 1972]. (COS-1) (TOS-3) (TRP-1) (LVT-1) MA: “This book summarizes the social and magical

      philosophy of the Church of Satan at the time of its writing, but it is not a compendium of all C/S doctrines of

      subsequent years. LaVey was the founder and High Priest of the C/S and Magus V° of the Age of Satan (1966-1975

      CE). Included are instructions for a ‘basic’ Satanic ritual, as well as LaVey’s ‘Satanic’ version of the Enochian Keys of

      John Dee [see category 11]. Introduction to the hardcover edition by M.A. Aquino, then IV° C/S. Introduction to the

      most recent Avon edition by Burton Wolfe, author of #6M. Chapter 4 of #6N reviews #6K in detail.” JL: “Although

      research by the Temple of Set has shown that the ‘Book of Satan’ section was plagiarized from Ragnar Redbeard’s

      Might is Right (1896), the ‘Nine Satanic Statements’ from Ayn Rand, and the ‘Enochian Keys’ from Ipsissimus

      Crowley’s Equinox, #6K was the leading reference volume for Satanists during years V-5/X of the Age of Satan. Just

      as Ipsissimus Crowley was faced with opposition from the momentum from the Æon of Osiris, Magus LaVey boldly

      confronted society with a Church in honor of the Devil. Without the dramatic impact of the Age of Satan, the Æon of

      Set would have been longer coming into being.” DW: “This book is one of the most effective workings in the English-

      speaking world. It set up the path of Satanic initiation, which utilizes the forces of the world as the resistance

      necessary for the individual to gain power. It was designed to produce a solve, a dissolving of the world. As such it

      will remain a powerful force in the world; as long as there are 17-year-olds, it will be in print. It failed to provide a

      new vision directly, but it is the nature of works of destruction that they carry the seeds of a new creation. The Æon

      of Set is that creation. This book isn’t here for inspiration, but as a model of how to shake things up, if that is what

      you want to do. But you’ll have to come up with a new figure to shake things up with: Satan now sells T-shirts and

      music albums.”

      6L. The Satanic Rituals by Anton Szandor LaVey. NY: Avon Books #W359, 1972 [hardcover edition from

      University Books, 1972]. (COS-1) (TOS-3)
    (TRP-1) (LVT-3) MA: “Companion volume to #6K, this book contains a

      discussion of ritual theory and a selection of rituals (French, German, Russian, Persian, and Church of Satan)

      adapted and/or written by LaVey for the Church. The historical claims for the texts are improbable, although each

      text does incorporate ethnic and/or historical images of interest to the magician. A theoretical essay on H.P.

      - 189 -

      Lovecraft and two accompanying Lovecraftian rituals were contributed by M.A. Aquino. Chapter 21 of #6N reviews

      #6L in detail, and #6N also contains uncensored/original/authentic versions of some of the rituals published in

      #6L. Performances of early (ca. III/1968) versions of a C/S Black Mass, the Stifling Air, and other ritual sequences

      may be seen in the film Satanis [see comments under #6M]. See also #6AA & #6AB.” JL: “In the Æon of Set our

      Understanding and application of ritual magic have evolved substantially since the Age of Satan. And yet the rituals

      created and collected by the original Church of Satan deserve preservation [and application as appropriate] rather

      than neglect. Rituals of any religion are an expression of the magical and philosophical trends of the host society.”

      DW: “A good source of ritual texts to be reworked and redesigned in a Setian context. Of particular importance are:

      (1) the ‘ Vorspiele’, which demonstrates that the laws of consciousness evolve through time and culture - an excellent

      reworking of the Eighth Precept of the Emerald Tablet of Hermes Trismegistus; (2) the ‘Ceremony of the Nine

      Angles’, which demonstrates the GBM principle that one may attain inner psychic order, the existence of the Xeper

      of mankind’s most noble heritage [If they did it, I can do it.]; and (3) the ‘Adult Satanic Baptism’, which establishes

      control of the psyche as the key to power.”

      6M. The Devil’s Avenger by Burton H. Wolfe. NY: Pyramid Books, 1974. (COS-1) (TOS-3) (LVT-3) MA: “A

      biography of LaVey and an account of the Church of Satan’s San Francisco operations from I/1966 to III/1968,

      including profiles of some early C/S members. The book brings out the impressive scope of LaVey’s exposure to the

      art, history, and institutions of occultism and to many colorful personalities on the fringe of contemporary society.

     


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