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    The Night Country

    Page 23
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      I thought about it. Thought about my mother talking about getting a degree at last. Paging through those college catalogs still, but dreaming now for herself. I considered the way her dreams for me took different shapes, and how one of them might look like this: back on the road with someone else who knew me. Knew me. Who could love me, maybe, if I stuck around long enough to let him.

      His palm was going sweaty on mine.

      “Where do you want to go?”

      “I mean. Montreal? LA? This world I went to that’s basically one big garden, where everything’s edible but it all gives you really weird dreams?” He looked at me. “Or we could just go to New Jersey. Eat pizza.”

      “That sounds good,” I told him.

      “Which part?”

      “The part where you’re with me.”

      Falling for someone makes you say shit that would’ve made you vomit, back before you were toast.

      It’s true that sometimes I think about the third Alice, the one the Spinner claimed I carry inside me. If I’m still here, she must be, too. And I wonder, again, how I’m still here. Whether it’s by the grace of the slumbering Spinner or whether being loved by people who actually belong in this world made all the difference. Maybe Finch did something wrong when he ended his world. Or he did something right, and kept it a secret. If the Spinner’s still alive somewhere, I hope she’s sleeping in her golden cage. Hurting no one. Dreaming of fairy tales. And if she’s gotten out, remade herself, I hope she doesn’t come looking for us.

      I don’t think she will. We’re something formidable now. I’m an ex-Story, the girl who got away. He’s a Spinner who survived the rise and fall of his world. We’re both survivors, the two of us. We’re wanderers. We could make a home in any world.

      ACKNOWLEDGMENTS

      Hats off to the usual suspects: Faye Bender, my indispensable agent; and Sarah Barley, my tireless editor. Sarah, this book would be a blob floating in space without your patience, your faith in the story, and most of all your questions, which never failed to unlock doors I didn’t know were there. To the whole Flatiron team, my eternal gratitude for the care you’ve taken with this book and its weird sister (or maybe this book is the weird sister). The Hinterland and I couldn’t have found a better home.

      Thank you also to two intimidatingly brilliant authors who helped make this book better: Emma Chastain, for your sharp, life-saving story notes; and Emily X. R. Pan, for turning your gimlet eye on the so-close draft.

      Second books are hard, I’ve heard. Wouldn’t know. (Hahahahaha!) Thank you, thank you to all those who generously shared their advice, a listening ear, and most of all their own stories of surviving the trials of the second book. You will go unnamed here, but you know who you are. Thank you also to Tara Sonin, for offering emotional text support; and to Josh Perilo, for patiently listening to a whoooole lot of angsting. Stephanie Garber, thank you for being a lighthouse of kindness. Bill Tipper, thank you for your practical support and understanding.

      Thank you to my parents, my first readers and the best unpaid street team I could ever ask for. Thank you to Michael, for too many things to write down here without getting hot eye. And Miles, my Miles. Thank you.

      ALSO BY MELISSA ALBERT

      THE HAZEL WOOD

      ABOUT THE AUTHOR

      Melissa Albert is the New York Times bestselling author of The Hazel Wood. She was the founding editor of the Barnes & Noble Teen Blog and has written for publications including McSweeney’s, Time Out Chicago, and MTV. Melissa lives in Brooklyn with her family. The Night Country is her second novel. You can sign up for email updates here.

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      For email updates on the author, click here.

      CONTENTS

      Title Page

      Copyright Notice

      Dedication

      Epigraph

      Chapter 1

      Chapter 2

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

      Chapter 8

      Chapter 9

      Chapter 10

      Chapter 11

      Chapter 12

      Chapter 13

      Chapter 14

      Chapter 15

      Chapter 16

      Chapter 17

      Chapter 18

      Chapter 19

      Chapter 20

      Chapter 21

      Chapter 22

      Chapter 23

      Chapter 24

      Chapter 25

      Chapter 26

      Chapter 27

      Chapter 28

      Chapter 29

      Chapter 30

      Chapter 31

      Chapter 32

      Chapter 33

      Chapter 34

      Chapter 35

      Chapter 36

      Chapter 37

      Chapter 38

      Chapter 39

      Chapter 40

      Chapter 41

      Chapter 42

      Acknowledgments

      Also by Melissa Albert

      About the Author

      Copyright

      This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.

      THE NIGHT COUNTRY. Copyright © 2019 by Melissa Albert. All rights reserved. For information, address Flatiron Books, 120 Broadway, New York, NY 10271.

      www.flatironbooks.com

      Illustrations and cover design by Jim Tierney

      The Library of Congress Cataloging-in-Publication Data is available upon request.

      ISBN 978-1-250-24607-3 (hardcover)

      ISBN 978-1-250-25813-7 (international, sold outside the U.S., subject to rights availability)

      ISBN 978-1-250-24608-0 (ebook)

      eISBN 9781250246080

      Our ebooks may be purchased in bulk for promotional, educational, or business use. Please contact the Macmillan Corporate and Premium Sales Department at 1-800-221-7945, extension 5442, or by email at MacmillanSpecialMarkets@macmillan.com.

      First U.S. Edition: January 2020

      First International Edition: January 2020

     

     

     



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