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    Horror Literature through History

    Page 4
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      1757

      Publication of Edmund Burke’s A Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, an essay articulating an aesthetics of death, pain, power, and cosmic immensity that proved hugely influential for subsequent Gothic and horror literature

      1764

      Horace Walpole, The Castle of Otranto

      1774

      August Bürger, Lenore

      1778

      Clara Reeve, The Old English Baron

      1781

      Henry Fuseli, The Nightmare (painting)

      1786

      William Beckford, Vathek

      1787–1789

      Friedrich von Schiller, Der Geisterseher (The Ghost-Seer)

      1793

      Christian Heinrich Spiess, Petermännchen (The Dwarf of Westerbourg)

      1794

      Ann Radcliffe, The Mysteries of Udolpho

      1796

      Matthew Lewis, The Monk

      1797

      Samuel Taylor Coleridge, Christabel; Matthew Lewis, The Castle Spectre; Ann Radcliffe, The Italian

      1798

      Charles Brockden Brown, Wieland, or The Transformation; Samuel Taylor Coleridge, Rime of the Ancient Mariner

      1799

      Charles Brockden Brown, Edgar Huntly

      1801

      Robert Southey, Thalaba the Destroyer

      1816

      Lord Byron, John Polidori, Percy Shelley, and Mary Shelley hold a ghost story contest while staying together for the summer at the Villa Diodati on the shores of Lake Geneva, giving rise to the literary vampire (via Polidori’s “The Vampyre”) and Mary’s Frankenstein

      1817

      E. T. A. Hoffmann, “The Sand-man”; Lord Byron, Manfred

      1818

      Jane Austen, Northanger Abbey; Mary Shelley, Frankenstein, or The Modern Prometheus

      1819

      John Polidori, “The Vampyre”

      1820

      Washington Irving, “The Legend of Sleepy Hollow”; Charles Maturin, Melmoth the Wanderer

      1824

      James Hogg, The Private Memoirs and Confessions of a Justified Sinner

      1826

      Posthumous publication of Ann Radcliffe’s essay “On the Supernatural in Poetry”

      1831

      Nikolai Gogol, Evenings on a Farm Near Dikanka; Victor Hugo, Notre Dame de Paris (The Hunchback of Notre Dame); Mary Shelley, Frankenstein (revised version)

      1835

      Nikolai Gogol, Mirgorod and Arabesques; Nathaniel Hawthorne, “Young Goodman Brown”

      1837

      Nathaniel Hawthorne, Twice-Told Tales

      1838

      Edgar Allan Poe, “Ligeia” and The Narrative of Arthur Gordon Pym

      1839

      J. Sheridan Le Fanu, “Schalken the Painter”; Edgar Allan Poe, “The Fall of the House of Usher”

      1840

      Edgar Allan Poe, Tales of the Grotesque and Arabesque

      1842

      Edward Bulwer-Lytton, Zanoni; Edgar Allan Poe, “The Mask of the Red Death” (revised in 1845 as “The Masque of the Red Death”)

      1843

      Edgar Allan Poe, “The Black Cat,” “The Pit and the Pendulum,” “The Tell-Tale Heart,” “The Conqueror Worm”

      1844

      Nathaniel Hawthorne, “Rappaccini’s Daughter”; Karl Adolf von Wachsmann, “The Mysterious Stranger”

      1845

      Edgar Allan Poe, “The Raven”

      1845–1847

      James Malcolm Rymer and Thomas Peckett Prest, Varney the Vampire (published in installments)

      1846

      Edgar Allan Poe, “The Cask of Amontillado”

      1847

      Charlotte Brontë, Jane Eyre; Emily Brontë, Wuthering Heights; Thomas Peckett Prest, Sweeney Todd, The Demon Barber (first published as The String of Pearls); Count Jan Potocki, The Manuscript Found in Saragossa

      1848

      The young Fox sisters of Hydesville, New York, report hearing “spirit raps,” leading to the explosive birth of Spiritualism, which will play a significant role in much supernatural horror fiction

      1851

      Nathaniel Hawthorne, The House of the Seven Gables

      1855

      Elizabeth Gaskell, “The Old Nurse’s Story”

      1857

      Charles Baudelaire, Les Fleurs du Mal (The Flowers of Evil)

      1859

      Edward Bulwer-Lytton, “The Haunted and the Haunters”; Wilkie Collins, The Woman in White; Fitz-James O’Brien, “What Was It?”

      1866

      Charles Dickens, “The Signal-man” (first published as “No. 1 Branch Line: The Signal-man”)

      1869

      Comte de Lautréamont, The Songs of Maldoror; J. Sheridan Le Fanu, “Green Tea”

      1872

      J. Sheridan Le Fanu, In a Glass Darkly (includes Carmilla)

      1881

      Robert Louis Stevenson, “Thrawn Janet”

      1882

      The Society for Psychical Research is founded in London.

      1884

      J. K. Huysmans, A rebours (Against the Grain); Robert Louis Stevenson, “The Body Snatcher”

      1885

      Rudyard Kipling, “The Phantom ’Rickshaw”; Robert Louis Stevenson, “Olalla”

      1886

      F. Marion Crawford, “The Upper Berth”; H. Rider Haggard, She: A History of Adventure; Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde

      1887

      Guy de Maupassant, “The Horla”

      1888

      Rudyard Kipling, The Phantom ’Rickshaw, and Other Tales

      1889

      W. C. Morrow, “His Unconquerable Enemy”

      1890

      Arthur Conan Doyle, “The Ring of Thoth”; Rudyard Kipling, “The Mark of the Beast”; Vernon Lee, Hauntings; Oscar Wilde, The Picture of Dorian Gray

      1891

      Ambrose Bierce, “An Occurrence at Owl Creek Bridge” and “The Death of Halpin Frayser”; Thomas Hardy, Tess of the d’Urbervilles; J. K. Huysmans, Là-Bas (published in English as Down There or The Damned); Henry James, “Sir Edmund Orme”; Rudyard Kipling, “The Recrudescence of Imray”

      1892

      Charlotte Perkins Gilman, “The Yellow Wall-Paper” Arthur Conan Doyle, “Lot No. 249”

      1893

      Ambrose Bierce, “The Damned Thing” and Can Such Things Be?

      1894

      George du Maurier, Trilby; Arthur Machen, The Great God Pan and the Inmost Light

      1895

      Robert W. Chambers, The King in Yellow; Arthur Machen, The Three Impostors (with “The Novel of the Black Seal”)

      1896

      H. G. Wells, The Island of Dr. Moreau

      1897

      Arthur Machen, The Hill of Dreams; Richard Marsh, The Beetle; Bram Stoker, Dracula; H. G. Wells, The Invisible Man

      1898

      Henry James, The Turn of the Screw

      1899

      Vernon Lee, “The Doll”

      1900

      Lafcadio Hearn, “Nightmare-Touch”; Robert Hichens, “How Love Came to Professor Guildea”

      1901

      Arthur Conan Doyle, The Hound of the Baskervilles; M. P. Shiel, The Purple Cloud

      1902

      W. W. Jacobs, “The Monkey’s Paw”

      1903

      Bram Stoker, The Jewel of Seven Stars

      1904

      Lafcadio Hearn, Kwaidan: Stories and Studies of Strange Things; M. R. James, Ghost Stories of an Antiquary (with “Oh, Whistle, and I’ll Come to You, My Lad”); Arthur Machen, “The White People”

      1905

      F. Marion Crawford, “For the Blood Is the Life”

      1906

      Leonid Andreyev, “Lazarus”; Algernon Blackwood, The Empty House

      1907

      Algernon Blackwood, The Listener and Other Stories (with “The Willows”)

      1908

      Algernon Blackwood, John Silence: Physician Extraordinary; F. Marion Crawford, “The Screaming Skull”; Hanns Heinz Ewers, “The Spider”; William Hope Hodgson, The Hou
    se on the Borderland

      1910

      Algernon Blackwood, “The Wendigo”; Walter de la Mare, The Return; Gaston Leroux, The Phantom of the Opera; Edith Wharton, “Afterward”

      1911

      Hanns Heinz Ewers, Alraune; M. R. James, More Ghost Stories of an Antiquary (with “Casting the Runes”); Oliver Onions, Widdershins (with “The Beckoning Fair One”); Saki, “Sredni Vashtar”; Bram Stoker, The Lair of the White Worm

      1912

      E. F. Benson, The Room in the Tower; Walter de la Mare, “The Listeners”; William Hope Hodgson, The Night Land

      1913

      William Hope Hodgson, Carnacki, the Ghost Finder

      1913–1914

      Gustav Meyrink, The Golem

      1914

      Saki, “The Open Window”

      1915

      Franz Kafka, “The Metamorphosis”

      1918

      Sax Rohmer, Brood of the Witch Queen

      1919

      Sigmund Freud, “The Uncanny”; Stefan GrabiƄski, The Motion Demon; W. F. Harvey, “The Beast with Five Fingers”

      1920

      Maurice Renard, The Hands of Orlac

      1921

      A. E. Coppard, “Adam & Eve & Pinch Me”

      1922

      Walter de la Mare, “Seaton’s Aunt”; H. P. Lovecraft, “The Music of Erich Zann”

      1923

      Walter de la Mare, The Riddle and Other Stories (with “Seaton’s Aunt” and “Out of the Deep”); launch of Weird Tales

      1924

      H. P. Lovecraft, “The Rats in the Walls”

      1925

      Franz Kafka, The Trial; Edward Lucas White, “Lukundoo”; Not at Night, edited by Christine Campbell Thomson

      1926

      Cynthia Asquith, The Ghost Book; D. H. Lawrence, “The Rocking-Horse Winner”; H. P. Lovecraft, “The Outsider”

      1927

      F. Scott Fitzgerald, “A Short Trip Home”; H. P. Lovecraft, The Case of Charles Dexter Ward, “Pickman’s Model,” “The Colour out of Space,” and Supernatural Horror in Literature

      1928

      Frank Belknap Long, “The Space Eaters”; H. P. Lovecraft, “The Call of Cthulhu”; Montague Summers, The Vampire, His Kith and Kin; H. R. Wakefield, They Return at Evening (with “He Cometh and He Passeth By”); Great Short Stories of Detection, Mystery, and Horror, edited by Dorothy Sayers

      1929

      Frank Belknap Long, “The Hounds of Tindalos”; H. P. Lovecraft, “The Dunwich Horror”; Montague Summers, The Vampire in Europe

      1930

      William Faulkner, “A Rose for Emily”; H. P. Lovecraft, “The Whisperer in Darkness”

      1931

      Conrad Aiken, “Mr. Arcularis”; Clark Ashton Smith, “The Return of the Sorcerer”

      1932

      Conrad Aiken, “Silent Snow, Secret Snow”; Jean Ray, “The Shadowy Street”; launch of Charles Birkin’s Creeps anthology series

      1933

      Guy Endore, The Werewolf of Paris; H. P. Lovecraft, “The Dreams in the Witch House”; Clark Ashton Smith, “Ubbo-Sathla”

      1934

      Dennis Wheatley, The Devil Rides Out

      1936

      H. P. Lovecraft, At the Mountains of Madness, “The Shadow over Innsmouth” “The Shadow Out of Time,” and “The Haunter of the Dark”

      1937

      H. P. Lovecraft, “The Thing on the Doorstep”; Edith Wharton, Ghosts (published posthumously)

      1938

      John W. Campbell, “Who Goes There?”; Robert E. Howard, “Pigeons from Hell”; Daphne du Maurier, Rebecca

      1939

      H. P. Lovecraft, The Outsider and Others—the first published collection of Lovecraft’s fiction, from the newly founded Arkham House; founding of Unknown magazine

      1940

      John Collier, “Evening Primrose”; L. Ron Hubbard, Fear; Theodore Sturgeon, “It”; Jack Williamson, Darker Than You Think

      1941

      Fritz Leiber, “Smoke Ghost”; H. P. Lovecraft, The Case of Charles Dexter Ward (published posthumously)

      1942

      Clark Ashton Smith, Out of Space and Time

      1943

      Robert Bloch, “Yours Truly, Jack the Ripper”; Fritz Leiber, Conjure Wife; Jean Ray, Malpertuis

      1944

      Theodore Sturgeon, “Killdozer”; Jack Williamson, Darker Than You Think: Great Tales of Terror and the Supernatural, edited by Herbert Wise and Phyllis Fraser; Sleep No More, edited by August Derleth

      1945

      Robert Bloch, The Opener of the Way; Elizabeth Bowen, The Demon Lover; August Derleth (and H. P. Lovecraft), The Lurker at the Threshold

      1946

      Ray Bradbury, “The Homecoming”

      1947

      Ray Bradbury, Dark Carnival; rebranding of Educational Comics as Entertaining Comics by William Gaines, soon to publish Tales from the Crypt, Haunt of Fear, and Vault of Horror

      1948

      Shirley Jackson, “The Lottery”; Theodore Sturgeon, “The Perfect Host”

      1949

      Fritz Leiber, “The Girl with the Hungry Eyes”

      1950

      Richard Matheson, “Born of Man and Woman”

      1951

      Robert Aickman, We Are for the Dark; Ray Bradbury, The Illustrated Man; John Wyndham, The Day of the Triffids

      1952

      Daphne du Maurier, “The Birds”

      1953

      Sarban, The Doll Maker and Other Tales of the Uncanny

      1954

      Richard Matheson, I Am Legend

      1955

      Jack Finney, The Body Snatchers; Flannery O’Connor, “Good Country People”

      1955

      Ray Bradbury, The October Country (revised version of 1947’s Dark Carnival)

      1957

      John Wyndham, The Midwich Cuckoos

      1959

      Robert Bloch, Psycho; Shirley Jackson, The Haunting of Hill House; the first Pan Book of Horror Stories, edited by Herbert van Thal; The Macabre Reader, edited by Donald A. Wollheim

      1961

      Richard Matheson, “Nightmare at 20,000 Feet”; Ray Russell, “Sardonicus”

      1962

      Ray Bradbury, Something Wicked This Way Comes; Shirley Jackson, We Have Always Lived in the Castle; Ray Russell, The Case Against Satan

      1963

      Manly Wade Wellman, Who Fears the Devil?

      1964

      Robert Aickman, Dark Entries (with “Ringing the Changes”); Ramsey Campbell, The Inhabitant of the Lake and Less Welcome Tenants; Creepy #1, from Warren Publishing

      1966

      Eerie #1, from Warren Publishing

      1967

      Ira Levin, Rosemary’s Baby; Colin Wilson, The Mind Parasites; Dangerous Visions, edited by Harlan Ellison

      1968

      Robert Aickman, Sub Rosa (with “The Cicerones”); Fred Chappell, Dagon; launch of the magazine Weirdbook; creation of modern zombie archetype in George Romero’s Night of the Living Dead

      1971

      William Peter Blatty, The Exorcist; T. E. D. Klein, “The Events at Poroth Farm”; Richard Matheson, Hell House; Thomas Tryon, The Other; The Seventh Fontana Book of Great Ghost Stories, edited by Robert Aickman

      1973

      J. G. Ballard, Crash; Ramsey Campbell, Demons by Daylight; Harlan Ellison, “The Whimper of Whipped Dogs”; Robert Marasco, Burnt Offerings; Thomas Tryon, Harvest Home

      1974

      James Herbert, The Rats; Stephen King, Carrie; Brian Lumley, Beneath the Moors and The Burrowers Beneath; Karl Edward Wagner, “Sticks”

      1975

      J. G. Ballard, High-Rise; Harlan Ellison, Deathbird Stories; James Herbert, The Fog; Stephen King, ’Salem’s Lot; establishment of the World Fantasy Award at the first World Fantasy Convention

      1976

      Ramsey Campbell, The Doll Who Ate His Mother; John Farris, The Fury; Russell Kirk, “There’s a Long, Long Trail A-Winding”; Ray Russell, Incubus; Frights, edited by Kirby McCauley

      1977

      Gary Brandner, The Howling; Stephen King, The Shining
    ; Fritz Leiber, Our Lady of Darkness; Joyce Carol Oates, Night-Side; Whispers, edited by Stuart David Schiff

      1978

      Stephen King, The Stand and Night Shift; Whitley Strieber, The Wolfen; Chelsea Quinn Yarbro, Hotel Transylvania; launch of the Shadows horror anthology series, edited by Charles L. Grant

      1979

      Ramsey Campbell, The Face That Must Die and “Mackintosh Willie”; Angela Carter, The Bloody Chamber; Charles L. Grant, The Hour of the Oxrun Dead; George R. R. Martin, Sandkings; David Morrell, The Totem; Peter Straub, Ghost Story; Thomas Tessier, The Nightwalker

      1980

      Jonathan Carroll, The Land of Laughs; Suzy McKee Charnas, The Vampire Tapestry; Jack Ketchum, Off Season; Russell Kirk, “The Watchers at the Strait Gate”; Michael Shea, “The Autopsy”; Dark Forces, edited by Kirby McCauley

     


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