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    Enchanted Air

    Page 7
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    to village.

      We are a family of wanderers.

      Every meal is a picnic of fresh bread,

      apples, yogurt, and cheese.

      I no longer feel sullen and sad.

      On the road, I am free to be

      child-hearted again, filled with wonder,

      a daring explorer, unafraid of seeing

      new places, unusual people,

      strange customs,

      odd ways. . . .

      CAVE PAINTINGS

      In Spain, we venture underground,

      into the mystery of prehistoric art.

      Bison, horses, human handprints.

      Herds of wild feelings

      long extinct.

      The cavern walls are cool stone,

      covered with earthy pigments

      of red, brown, and yellow clay.

      Shapes in the ancient stone

      become the swollen bellies

      and curved horns

      of painted animals.

      The herds seem to move,

      rippling through time.

      I begin to understand

      that each time I scribble

      a poem on my wall

      at home, I am not really

      alone.

      Certain longings

      are shared

      by all.

      Even cavemen.

      Cavewomen.

      Children.

      Teens.

      IMAGINARY HORSES

      When we reach the wheat fields

      of La Mancha—the part of Spain

      where a storybook dreamer

      imagined that he was a brave knight—

      Dad becomes unusually playful,

      bursting with delight

      at the chance to experience

      the land of Don Quixote,

      the subject of so many

      of his own wistful paintings.

      Dad seizes a stick to use as a lance,

      and places a bowl upside down

      on his head to create a helmet

      that gives him the courage

      to attack a windmill, as he pretends

      that the slowly spinning blades

      are the enormous arms

      of a monstrous

      giant.

      Watching an artist who believes

      in the power of stories,

      I find it easy

      to see

      the puffing breath

      of a brave knight’s

      invisible horse.

      SECRET LANGUAGES

      All over Spain, strangers speak to us

      in Spanish, then whisper to one another

      in forbidden dialects—Basque, Catalán,

      and Gallego, all the banned tongues

      of local provinces.

      The words are illegal,

      outlawed

      by a dictator.

      I notice the fearful way

      Spaniards glance

      at uniformed officers

      of the Guardia Civil.

      Could they actually be arrested

      just for whispering ordinary words?

      I’ve never had to live in a place

      where I would not be allowed to speak

      all my opinions

      openly.

      Now I imagine how it must feel

      to really need poetic metaphors,

      instead of just enjoying

      their simple beauty.

      No wonder Abuelita always finds

      such flowery ways of saying ugly things

      in her carefully censored

      airmail letters.

      By now, I am old enough to understand

      that the island’s revolution merely replaced

      one tyranny with another.

      Right wing or left wing, tyrants always

      try to control communication.

      They always

      fail.

      VILLAGE LIFE

      After we visit many cities and see

      each amazing art museum, we settle

      for a month in a rented house

      on a sunny hill, above a rocky beach.

      When the village celebrates a festival,

      young men let cows chase them

      off the end of a pier.

      Even though the cows

      make the strong young men look silly,

      laughter helps everyone feel

      united.

      When nomadic gitano/Gypsy caravans

      pass across the land in horse-drawn wagons,

      I feel like every creature on earth

      just might be mysteriously linked,

      as we wander from one place

      to another, constantly learning

      about one another’s ways.

      UNANSWERABLE QUESTIONS

      Unable to swim skillfully, I watch Mad

      and Dad as they have fun in the waves.

      Why have they always been so brave

      in daily life, while Mom is only courageous

      in strange ways, and I am only bold

      with words?

      The villagers are friendly and talkative,

      even though they complain to me

      about the United States, asking why we

      support their dictator, and why we

      build US Air Force bases in Spain.

      I don’t know how to answer questions

      about governments.

      Not mine.

      Not theirs.

      Certainly not Cuba’s.

      All I know is that I’m grateful

      for my two languages,

      so that I can explain

      that I can’t explain.

      Speaking almost feels

      like having

      wings.

      FINAL FLAMES

      When a heat wave

      brings a wildfire,

      sweeping swiftly

      down a hillside,

      all the villagers

      line up to pass

      buckets of water

      from hand to hand,

      working together

      to prevent

      devastation.

      It’s a sight I plan to remember,

      this spontaneous unity

      when faced

      with disaster.

      MY SECOND WING

      Poetry feels like one wing

      of my mind’s ability to travel

      away from gloom.

      Now, Spain has reminded me

      that other journeys

      are magical too.

      I can love

      many countries,

      not just two.

      Moving on after a month

      in the village, we visit the houses

      of famous artists in France and Italy,

      where we see marble statues

      and magnificent paintings.

      But mixed with those adventures,

      there is one stark moment

      that stays with me—ghostly—

      after we’re turned away

      from the Swiss border

      simply because

      Mom’s passport is Cuban.

      By the time we leave Europe,

      I’m fourteen, with gold loops

      in my ears, like the Gypsies,

      and exotic stamps

      all over my passport.

      My passport.

      The disturbing document

      that specifically states

      it cannot be used for travel

      to Cuba.

      HOPE

      All I know about the future

      is that it will be beautiful.

      An almost-war

      can’t last

      forever.

      Someday, surely I’ll be free

      to return to the island of all my childhood

      dreams.

      Normal diplomatic relations.

      An ordinary family—united.

      Magical travel, back and forth.

      It will happen.

      When?

      COLD WAR TIME LINE

      The following list shows only a few of the
    most easily understood events of a complex and perilous era when much of the world was divided into hostile regions.

      1945

      The United States destroys the Japanese cities of Hiroshima and Nagasaki with the world’s first military use of nuclear weapons.

      After World War II, the Allies divide Germany into US and Russian–influenced zones of occupation.

      1948

      Communist takeover of Czechoslovakia launches a long series of Soviet military actions in Eastern European nations.

      1949

      Soviet Russia detonates its first nuclear weapons.

      Communist revolution in China.

      1950–1953

      Korean War; Korea is divided into Communist and capitalist zones.

      1954

      US-armed overthrow of the democratically elected government in Guatemala launches a long series of American military actions in Latin American nations.

      1956–1959

      Revolution in Cuba.

      1960

      Cuba nationalizes oil refineries and many other American-owned businesses on the island; the United States restricts trade with Cuba; Cuba increases trade with the Soviet Union.

      1961

      US-trained Cuban exiles attack the island in the failed Bay of Pigs Invasion; Cuba’s government aligns with the Soviet Union; the United States breaks diplomatic relations with Cuba and restricts travel by American citizens.

      The German Democractic Republic (Communist East Germany) government builds the Berlin Wall to stop its citizens from fleeing to US influenced West Germany.

      1962

      The “Cuban” Missile Crisis (known in Cuba as the October Crisis, and in Russia as the Caribbean Crisis) results when Russian nuclear weapons on the island are detected by US spy planes; the entire world hovers on the brink of all-out atomic war until the crisis is resolved through secret negotiations between US president Kennedy and Soviet premier Khrushchev; Russian missiles are withdrawn from Cuba in exchange for the withdrawal of US missiles from Turkey; US travel restrictions are tightened.

      1965–1975

      Vietnam War—the United States is defeated.

      1979–1989

      Soviet war in Afghanistan—Russia is defeated.

      The Berlin Wall is deactivated and pulled down.

      The Soviet Union crumbles after Eastern European nations declare independence.

      1991

      Worldwide end of the Cold War, with the exception of ongoing tensions between North and South Korea, and continued US travel and trade restrictions against Cuba.

      2014

      Simultaneous announcements by US president Barack Obama and Cuban leader Raúl Castro, declaring that a gradual process of normalizing diplomatic relations, trade, and travel will begin in January 2015.

      AUTHOR’S NOTE

      Enchanted Air is the true story of my first fourteen years. Since early memories tend to swirl through time, certain events are undoubtedly out of order, while others probably entered my mind through stories told by older relatives, or even by looking at photographs.

      I never thought I would be brave enough to write about my life as a Cuban American child growing up in the United States during the hostilities of the Cold War. I thought it would be too excruciating. That is why I have chosen to focus on travel memories. Travel is a magical experience. Travel opens the heart and challenges the mind. Travel gives us an opportunity to see how others live, whether they are relatives or strangers. Travel teaches compassion.

      Soon after my last childhood visit to Cuba in 1960, a devastating travel ban was imposed by the United States Treasury Department, under the Trading with the Enemies Act. While I was still a teenager, I began applying for permission to return to Cuba. With visas denied by both countries, I pushed the island to the back of my mind. Eventually, my grandmother became a refugee. Both she and my mother became US citizens.

      As an adult, I studied agriculture, botany, and creative writing, became the first woman agronomy professor at one of California’s polytechnic universities, and traveled all over Latin America, eager to learn about other countries. I married, raised a family, and enjoyed an ordinary North American life, but that sense of loss left by the Cold War—an almost-war—never passed.

      In 1991, thirty-one years after my last childhood visit to my mother’s homeland, I was finally blessed with a chance to visit relatives, who began calling me the family’s ambassador. More than half a century after the Missile Crisis, the two countries I love had not yet renewed diplomatic relations. I have returned to Cuba many times with humanitarian-aid programs and for legal family visits, but as I write this, one of the closest neighbors of the United States is just beginning to be accessible to other American citizens.

      While I was writing Enchanted Air, my hope was that normalization would begin before it went to press. That prayer has been answered. May this little book of childhood memories serve as one of José Martí’s white roses—a poetic plea for the chance to treat neighbors like friends.

      Margarita Engle

      January 2015

      Cultivo una rosa blanca,

      en julio como en enero,

      para el amigo sincero

      que me da su mano franca.

      Y para el cruel que me arranca

      el corazón con que vivo,

      cardo ni oruga cultivo;

      cultivo la rosa blanca.

      I grow a white rose,

      in July, as in January,

      for the sincere friend

      who gives me his honest hand.

      And for the cruel one who rips out

      the heart with which I live,

      I don’t grow thistles or weeds;

      I grow the white rose.

      —José Martí

      from Versos Sencillos (Simple Verses)

      ACKNOWLEDGMENTS

      I thank God for the magic of travel and the miracle of hope.

      I am profoundly grateful to my parents, sister, and extended family for childhood travel experiences, and to my husband and children for later journeys.

      Abrazos a los primos.

      For suggesting that I write a childhood memoir, I am eternally grateful to Oralia Garza de Cortes.

      Hugs to the following friends who listened as I moaned about the difficulty of writing a childhood memoir: Sandra Ríos Balderrama, Angelica Carpenter, and Joan Schoettler.

      Special thanks to my wonderful agent, Michelle Humphrey, my amazing editor, Reka Simonsen, and the entire fantastic publishing team at Atheneum. For the stunning jacket art, I am grateful to Edel Rodriguez, and for a beautiful design, I am thankful to Debra Sfetsios-Conover.

      MARGARITA ENGLE is a Cuban-American poet and novelist whose books include The Surrender Tree, a Newbery Honor Book and winner of the Jane Addams Children’s Book Award, the Pura Belpré Author Award, the Américas Award, and the Claudia Lewis Poetry Award; The Poet Slave of Cuba, winner of the Pura Belpré Author Award and the Américas Award; Tropical Secrets; The Firefly Letters; Hurricane Dancers; The Wild Book; The Lightning Dreamer, winner of the PEN Literary Award for Young Adult Literature; and Silver People. She lives with her husband in Northern California. Visit her at margaritaengle.com.

      ATHENEUM BOOKS FOR YOUNG READERS

      SIMON & SCHUSTER

      NEW YORK

      Visit us at TEEN.SimonandSchuster.com

      authors.simonandschuster.com/Margarita-Engle

      ATHENEUM BOOKS FOR YOUNG READERS

      An imprint of Simon & Schuster Children’s Publishing Division

      1230 Avenue of the Americas, New York, New York 10020

      www.SimonandSchuster.com

      This work is a memoir. It reflects the author’s present recollections of her experiences over a period of years.

      Text copyright © 2015 by Margarita Engle

      Jacket illustrations, interior illustrations, and hand-lettering copyright © 2015 by Edel Rodriguez

      All rights reserved, including the right of reproduction in whole or in part in any form.

      ATHENEUM
    BOOKS FOR YOUNG READERS is a registered trademark of Simon & Schuster, Inc.

      Atheneum logo is a trademark of Simon & Schuster, Inc.

      For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1-866-506-1949 or business@simonandschuster.com.

      The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event, contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com.

      Book design by Debra Sfetsios-Conover

      The text for this book is set in Simoncini Garamond and Trajan Pro.

      Library of Congress Cataloging-in-Publication Data

      Engle, Margarita.

      Enchanted air : Two cultures, two wings: a memoir / Margarita Engle. — First edition.

      pages cm

      ISBN 978-1-4814-3522-2

      ISBN 978-1-4814-3524-6 (eBook)

      1. Engle, Margarita. 2. Cuban Americans—Biography. 3. Women authors, American—20th century—Biography. I. Title.

      PS3555.N4254Z46 2015

      811’.54—dc23

      [B]  2014017408

     

     

     



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