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    Dearly

    Page 2
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      time, listening to your brain

      shrink, your diaries

      expanding as you grow older,

      growing older, of course you’ll

      die but not yet, you’ll outlive

      even my distortions of you

      and there isn’t anything

      I want to do about the fact

      that you are unhappy & sick

      you aren’t sick & unhappy

      only alive & stuck with it.

      Small tactics

      1

      These days my fingers bleed

      even before I bite them

      Can’t play it safe, can’t play

      at all any more

      Let’s go back please

      to the games, they were

      more fun and less painful

      2

      You too have your gentle

      moments, you too have

      eyelashes, each of your eyes

      is a different colour

      in the half light

      your body stutters against

      me, tentative as moths, your

      skin is nervous

      I touch

      your mouth, I don’t

      want to hurt

      you any more

      now than I have to

      3

      Waiting for news of you

      which does not come, I have to

      guess you

      You are

      in the city, climbing the stairs

      already, that is you at the door

      or you have gone, your last

      message to me left

      illegible on the mountain

      road, quick

      scribble of glass and blood

      4

      For stones, opening

      is not easy

      Staying closed is

      less pain but

      your anger finally

      is more dangerous

      To be picked up and thrown

      (you won’t stop) against

      the ground, picked up

      and thrown again and again

      5

      It’s getting bad, you weren’t

      there again

      Wire silences, you trying

      to think of something you haven’t

      said, at least to me

      Me trying to give

      the impression it isn’t

      getting bad at least

      not yet

      6

      I walk the cell, open the window,

      shut the window, the little

      motors click

      and whir, I turn on all the

      taps and switches

      I take pills, I drink water, I kneel

      O electric lights

      that shine on my suitcases and my fears

      Let me stop caring

      about anything but skinless

      wheels and smoothly

      running money

      Get me out of this trap, this

      body, let me be

      like you, closed and useful

      7

      What do you expect after this?

      Applause? Your name on stone?

      You will have nothing

      but me and in a worse way than before,

      my face packed in cotton

      in a white gift box, the features

      dissolving and re-forming so quickly

      I seem only to flicker.

      There are better ways of doing this

      It would be so good if you’d

      only stay up there

      where I put you, I could

      believe, you’d solve

      most of my religious problems

      you have to admit it’s easier

      when you’re somewhere else

      but today it’s this

      deserted mattress, music over-

      heard through the end wall, you giving me

      a hard time again for the fun

      of it or just for

      the publicity, when we leave each other

      it will be so

      we can say we did.

      yes at first you

      go down smooth as

      pills, all of me

      breathes you in and then it’s

      a kick in the head, orange

      and brutal, sharp jewels

      hit and my

      hair splinters

      the adjectives

      fall away from me, no

      threads left holding

      me, I flake apart

      layer by

      layer down

      quietly to the bone, my skull

      unfolds to an astounded flower

      regrowing the body, learning

      speech again takes

      days and longer

      each time / too much of

      this is fatal

      The accident has occurred,

      the ship has broken, the motor

      of the car has failed, we have been

      separated from the others,

      we are alone in the sand, the ocean,

      the frozen snow

      I remember what I have to do

      in order to stay alive,

      I take stock of our belongings

      most of them useless

      I know I should be digging shelters,

      killing seabirds and making

      clothes from their feathers,

      cutting the rinds from cacti, chewing

      roots for water, scraping through

      the ice for treebark, for moss

      but I rest here without power

      to save myself, tasting

      salt in my mouth, the fact that

      you won’t save me

      watching the mirage of us

      hands locked, smiling,

      as it fades into the white desert.

      I touch you, straighten the sheet, you turn over

      in the bed, tender

      sun comes through the curtains

      Which of us will survive

      which of us will survive the other

      1

      We are hard on each other

      and call it honesty,

      choosing our jagged truths

      with care and aiming them across

      the neutral table.

      The things we say are

      true; it is our crooked

      aims, our choices

      turn them criminal.

      2

      Of course your lies

      are more amusing:

      you make them new each time.

      Your truths, painful and boring

      repeat themselves over & over

      perhaps because you own

      so few of them

      3

      A truth should exist,

      it should not be used

      like this. If I love you

      is that a fact or a weapon?

      4

      Does the body lie

      moving like this, are these

      touches, hairs, wet

      soft marble my tongue runs over

      lies you are telling me?

      Your body is not a word,

      it does not lie or

      speak truth either.

      It is only

      here or not here.

      He shifts from east to west

      Because we have no history

      I construct one for you

      making use of what

      there is, parts of other people’s

      lives, paragraphs

      I invent, now and then

      an object, a watch, a picture

      you claim as yours

      (What did go on in that red

      brick building with the fire

      escape? Which river?)

      (You said you took

      the boat, you forget too much.)

      I locate you on streets, in cities

      I’ve never seen, you walk

      against a background crowded

      with lifelike detail

      which crumbles and turns grey

      when I look too closely.

      Why should
    I need

      to explain you, perhaps

      this is the right place for you

      The mountains in this hard

      clear vacancy are blue tin

      edges, you appear

      without prelude midway between

      my eyes and the nearest trees,

      your colours bright, your

      outline flattened

      suspended in the air with no more

      reason for occurring

      exactly here than this billboard,

      this highway or that cloud.

      At first I was given centuries

      to wait in caves, in leather

      tents, knowing you would never come back

      Then it speeded up: only

      several years between

      the day you jangled off

      into the mountains, and the day (it was

      spring again) I rose from the embroidery

      frame at the messenger’s entrance.

      That happened twice, or was it

      more; and there was once, not so

      long ago, you failed,

      and came back in a wheelchair

      with a moustache and a sunburn

      and were insufferable.

      Time before last though, I remember

      I had a good eight months between

      running alongside the train, skirts hitched, handing

      you violets in at the window

      and opening the letter; I watched

      your snapshot fade for twenty years.

      And last time (I drove to the airport

      still dressed in my factory

      overalls, the wrench

      I had forgotten sticking out of the back

      pocket; there you were,

      zippered and helmeted, it was zero

      hour, you said Be

      Brave) it was at least three weeks before

      I got the telegram and could start regretting.

      But recently, the bad evenings

      there are only seconds

      between the warning on the radio and the

      explosion; my hands

      don’t reach you

      and on quieter nights

      you jump up from

      your chair without even touching your dinner

      and I can scarcely kiss you goodbye

      before you run out into the street and they shoot

      You refuse to own

      yourself, you permit

      others to do it for you:

      you become slowly more public,

      in a year there will be nothing left

      of you but a megaphone

      or you will descend through the roof

      with the spurious authority of a

      government official,

      blue as a policeman, grey as a used angel,

      having long forgotten the difference

      between an annunciation and a parking ticket

      or you will be slipped under

      the door, your skin furred with cancelled

      airmail stamps, your kiss no longer literature

      but fine print, a set of instructions.

      If you deny these uniforms

      and choose to repossess

      yourself, your future

      will be less dignified, more painful, death will be sooner,

      (it is no longer possible

      to be both human and alive): lying piled with

      the others, your face and body

      covered so thickly with scars

      only the eyes show through.

      We hear nothing these days

      from the ones in power

      Why talk when you are a shoulder

      or a vault

      Why talk when you are

      helmeted with numbers

      Fists have many forms;

      a fist knows what it can do

      without the nuisance of speaking:

      it grabs and smashes.

      From those inside or under

      words gush like toothpaste.

      Language, the fist

      proclaims by squeezing

      is for the weak only.

      You did it

      it was you who started the countdown

      and you conversely

      on whom the demonic number

      zero descended in the form of an egg

      bodied machine

      coming at you like a

      football or a bloated thumb

      and it was you whose skin

      fell off bubbling

      all at once when the fence

      accidentally touched you

      and you also who laughed

      when you saw it happen.

      When will you learn

      the flame and the wood/flesh

      it burns are whole and the same?

      You attempt merely power

      you accomplish merely suffering

      How long do you expect me to wait

      while you cauterize your

      senses, one

      after another

      turning yourself to an

      impervious glass tower?

      How long will you demand I love you?

      I’m through, I won’t make

      any more flowers for you

      I judge you as the trees do

      by dying

      your back is rough all

      over like a cat’s tongue / I stroke

      you lightly and you shiver

      you clench yourself, withhold

      even your flesh

      outline / pleasure is what

      you take but will not accept.

      believe me, allow

      me to touch you

      gently, it may be the last

      time / your closed eyes beat

      against my fingers

      I slip my hand down

      your neck, rest on the pulse

      you pull away

      there is something in your throat that wants

      to get out and you won’t let it.

      This is a mistake,

      these arms and legs

      that don’t work any more

      Now it’s broken

      and no space for excuses.

      The earth doesn’t comfort,

      it only covers up

      if you have the decency to stay quiet

      The sun doesn’t forgive,

      it looks and keeps going.

      Night seeps into us

      through the accidents we have

      inflicted on each other

      Next time we commit

      love, we ought to

      choose in advance what to kill.

      Beyond truth,

      tenacity: of those

      dwarf trees & mosses,

      hooked into straight rock

      believing the sun’s lies & thus

      refuting / gravity

      & of this cactus, gathering

      itself together

      against the sand, yes tough

      rind & spikes but doing

      the best it can

      They are hostile nations

      1

      In view of the fading animals

      the proliferation of sewers and fears

      the sea clogging, the air

      nearing extinction

      we should be kind, we should

      take warning, we should forgive each other

      Instead we are opposite, we

      touch as though attacking,

      the gifts we bring

      even in good faith maybe

      warp in our hands to

      implements, to manoeuvres

      2

      Put down the target of me

      you guard inside your binoculars,

      in turn I will surrender

      this aerial photograph

      (your vulnerable

      sections marked in red)

      I have found so useful

      See, we are alone in

      the dormant field, the snow

      that cannot be eaten or captured

      3

      Here there are no armies

      here ther
    e is no money

      It is cold and getting colder

      We need each others’

      breathing, warmth, surviving

      is the only war

      we can afford, stay

      walking with me, there is almost

      time / if we can only

      make it as far as

      the (possibly) last summer

      Returning from the dead

      used to be something I did well

      I began asking why

      I began forgetting how

      Spring again, can I stand it

      shooting its needles into

      the earth, my head, both

      used to darkness

      Snow on brown soil and

      the squashed caterpillar

      coloured liquid lawn

      Winter collapses

      in slack folds around

      my feet / no leaves yet / loose fat

      Thick lilac buds crouch for the

      spurt but I

      hold back

      Not ready / help me

      what I want from you is

      moonlight smooth as

      wind, long hairs of water

      This year I intended children

      a space where I could raise

      foxes and strawberries, finally

      be reconciled to fur seeds & burrows

      but the entrails of dead cards

      are against me, foretell

      it will be water, the

      element that shaped

      me, that I shape by

      being in

      It is the blue

      cup, I fill it

      it is the pond again

      where the children, looking from

      the side of the boat, see their mother

      upside down, lifesize, hair streaming

      over the slashed throat

      and words fertilize each other

      in the cold and with bulging eyes

      I am sitting on the

      edge of the impartial

     


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