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    Natural Born Killers (Sick Boys Book 3)


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      NATURAL BORN KILLERS

      SICK BOYS BOOK 3

      LUCY SMOKE

      Copyright © 2021 by Lucy Smoke

      All rights reserved.

      No part of this book may be reproduced in any form or by any electronic or mechanical means,

      including information storage and retrieval systems, without written permission from the author, except

      for the use of brief quotations in a book review.

      Editing by Heather Long and Your Editing Lounge

      Cover Design: Dee Garcia at Black Widows Designs

      Created with Vellum

      CONTENTS

      Author’s Note

      Prologue

      1. Avalon

      2. Dean

      3. Avalon

      4. Dean

      5. Avalon

      6. Avalon

      7. Dean

      8. Avalon

      9. Avalon

      10. Avalon

      11. Avalon

      12. Avalon

      13. Avalon

      14. Dean

      15. Avalon

      16. Avalon

      17. Dean

      18. Avalon

      19. Avalon

      20. Dean

      21. Avalon

      22. Avalon

      23. Dean

      24. Avalon

      25. Avalon

      26. Dean

      27. Avalon

      28. Dean

      29. Avalon

      30. Avalon

      31. Avalon

      32. Dean

      33. Avalon

      34. Dean

      35. Avalon

      36. Avalon

      37. Avalon

      38. Dean

      39. Avalon

      40. Avalon

      41. Dean

      42. Avalon

      43. Dean

      44. Dean

      45. Avalon

      46. Avalon

      47. Avalon

      48. Avalon

      49. Dean

      50. Avalon

      Epilogue

      THANK YOU FOR READING

      About the Author

      Also By Lucy Smoke / Lucinda Dark

      AUTHOR’S NOTE

      Hey friend! Welcome back to the world of the Sick Boys. If you’ve made it

      this far then you know what to expect in this little note—a warning.

      As in the previous books in this series, Natural Born Killers is a Dark

      Romance. That means that if events, actions, and themes common in dark

      romance are triggering for you then this may not be the book for you. NBK is

      just as dark, if not more so, than the previous books in the Sick Boys series.

      This book may be a little more psychologically fucked up, so if that’s

      something that upsets or triggers you, again, this may not be the book for

      you.

      This is the last book in Avalon and Dean’s story and I want to thank

      everyone for coming along with me on this ride. These two assholes have

      been a major turning point in my life and in my career. They’re violent and

      fucked up and I love them very much because of that. I hope you enjoy

      Avalon’s journey of revenge and romance.

      LAST WARNING: If you are sensitive to or offended by any such themes

      that are common in dark romances or you are easily triggered, this book may

      not be the best fit for you. Please keep that in mind and read responsibly.

      “I threw myself to the wolves, only to learn the tenderness of their howl, and

      loyalty in their blood.”

      Isra Al-Thibeh

      PROLOGUE

      AVALON

      The soft whirring of tires turning over pavement lifts me out of the darkness.

      It feels like several tons of concrete are sitting over my eyes as I fight to open

      them. Once I do, I find that my forehead is pressed against the cool glass of a

      car window. Blinking rapidly, I sit up. The world is foggy; I can't seem to

      bring anything directly into focus even with my eyes wide open. Trees fly past

      outside and I look to see who the driver is.

      "Dean?"

      His head turns. "Hey," he says, his voice deep and familiar and yet, at the

      same time—strange. "You're awake."

      "Where are we?" A hard pounding ricochets through my skull. I put a

      palm to the side of my head and groan. "What happened?"

      "Don't worry," he replies, looking back through the windshield. "It's

      going to be okay. We're almost there."

      "There?" I repeat, confused. "Where are we going?"

      He doesn't answer, and that doesn’t sit right with me.

      "Dean?" Something hits me. We’re in the Mustang, but Abel isn’t here. I

      feel around, my hands cold and shaking. The aching in my skull isn't going

      away. Instead, it’s getting worse. It feels like red hot spikes are being shoved

      through my ear holes and into my brain. "Ugh." I lower my face to my knees,

      breathing rapidly through my mouth and nose as I try to bear through the

      pain. What’s wrong with me? Why can't I remember getting in the car? Why

      does everything still feel so fuzzy?

      "Dean," I say through clenched teeth, "where are we going? Why are we

      in Abel's Mustang? Where is Abel? Where's everyone else?"

      Dean turns his head towards me, though his hands remain gripping the

      wheel. "It's going to be okay," he repeats.

      A chill rushes down my spine and irritation flares to life. I slam my fist

      against the dashboard. "Stop fucking saying that,” I snap. "Just answer me!"

      "You're hurt, Avalon," he says, cool faced. Not Ava. Not baby. Avalon. I

      turn my head and stare at him for a long moment, but he doesn’t look at me.

      I’m in pain—it’s obvious—and he’s not asking me if I’m okay. No, he’s not

      asking—he’s telling me that I will be. Maybe I’d believe it if his voice shook,

      if he showed some sort of emotion, but he seems as cool as ever. And that's

      when I know. This isn't real. He isn't real. Whoever this man is, he most

      certainly is not Dean Carter.

      My hand shoots for the glove compartment and I rip it open, reaching in

      for the gun I know is always stashed there. My hand meets empty air. I jerk

      my head down. There’s nothing in there, not even papers or old receipts like

      there normally is. It’s just … empty. Slowly, I lift my head and stare at the

      man driving the car. "Who the hell are you?"

      He glances my way finally and sighs. "I thought you would feel more

      comfortable with this face," the man says.

      Chills chase down my spine. "That's not an answer," I reply.

      "You should get comfortable," he says, ignoring me. "We'll be there

      soon."

      "You still haven't told me where we're going," I grit out.

      "I'm surprised you haven't figured it out yet, Avalon."

      I hate it when he says my name with that face. Whoever this man is, he

      isn't right. There is not a single ounce of emotion in him. No fear. No anger.

      No concern. Just a stillness, a coldness I’ve only ever experienced from one

      other human being before.

      His body is like a puppet. His movements are jerky as if he’s being played

      and pulled around by strings. I want to cut them. I want to shoot him in the

      head and see what comes out. Will it be blood? Or will he be as hollow
    and

      empty as his words?

      My breath comes faster. The pain grows fiercer. My eyes dart to the door

      handle. I reach for it.

      "Don't," he warns.

      "Don't what?" I ask sharply. "I want out. Get me the hell out of here."

      As I fight through the agony in my head, a new one spreads through my

      chest. Breathing becomes harder. My heart squeezes, pumping so slowly it’s

      as if it’s moving tar through my veins and arteries instead of blood. What’s

      happening to me? Where the hell am I? Is this a dream?

      "It's not a dream," the man says. Had he read my mind or had I asked that

      question aloud? I don't know. I can't even hear myself think anymore.

      "Fuck," I whimper. It hurts. I want it to stop. Stop hurting. Stop tearing

      me apart inside. I want it to stop. Stop. STOP!

      "It will," the man assures me.

      "Stop doing that!" I yell. My lungs squeeze with my panic. "Let me out!" I

      grab onto the door handle and yank. It doesn't move. I release it and punch

      the window. My bones feel like they've broken, but the glass remains

      unfractured. I’m not going to stop, though—not until I get out of this fucking

      car.

      "Avalon, you’ll hurt yourself before we even arrive. I recommend that you

      don't."

      "Shut the fuck up!" I scream. "I don't know who you are. I don't trust you

      and I hate that fucking face you're wearing!" I rear back and punch him.

      " Fuck !" I double over, cradling my fist in my hand. His face is like granite

      beneath the facade of human skin. Certainly harder than the glass.

      "Calm down," he says.

      I work through the pain. Unbuckling my seatbelt and sliding down in the

      passenger seat. I turn and put my feet against the window and start kicking.

      "Dean!" I scream his name. "Dean, get me out!"

      Suddenly, the dark trees outside begin to grow lighter. Sunlight peeks in

      through the branches. I shudder inside. The warmth in the car turns cold—

      like ice in my veins. The fake Dean turns his head towards me and stares in

      what appears to be shock. "Interesting," he murmurs.

      "What?" I look back at him, trying not to panic, but that’s all I feel right

      now. Panic. Horror. Fear. True fear. Where is the real Dean? Why isn’t he

      here? "What's interesting? What does that mean?"

      He looks down at me. "I thought you were ready," he says. "I guess not."

      I gape at him. "No fucking shit, Sherlock! Now, let me out."

      He hums and I feel the car decelerate. "It's time for you to wake up,

      Avalon."

      “What?” I blurt. I sit up straighter as something hard hits my back, like a

      hard metal surface, but when I glance at the seat, it’s normal—just a regular

      car seat. Nothing metal about it. I refocus on the fake Dean.

      The car rolls to a stop as more sunlight pours in through the trees on

      either side of us, and he turns to face me fully. "Wake. Up."

      I’m propelled out of the car by a force I can't see. My eyes slam shut and

      when I open them again, I’m not in the Mustang anymore. Instead, I’m on a

      rolling table. The hard metal surface, I absently realize. A bright light shines

      down on my face—not sunlight but a manufactured light—straight into my

      eyes. What the fuck? Memories come rushing back to me. Corina. Patricia.

      Them. The gun. Dean’s blood. I’m not where I’m supposed to be. I’m not

      with Dean. Where is he?

      "She's awake!" someone yells, distracting me.

      "Increase the dose and put her back under,” someone else replies. “We're

      not done."

      The black fog that I'd fought my way free of before begins to seep into

      my mind once more. My lips part and I can feel how dry and cracked they

      are. "No..." I can't go back. I won't.

      "Shhh." Someone's fingers brush over my hair, smoothing it back from

      my face. "It's okay, Avalon," they say. "This is a good thing. You're awake,

      honey. You woke up. You'll wake up again."

      That’s the last I hear before the darkness rips me back into oblivion.

      Right back into hell.

      1

      AVALON

      15 YEARS OLD …

      “High or drunk?" The sound of Micki's voice causes me to lift my head

      and look her way. She stands at the end of the cracked driveway of Patricia's

      single wide in a pair of cut off shorts, a baggy t-shirt, and dollar store flip-

      flops that look one wrong step from snapping even under her slight stature.

      Has she lost weight? I wonder. If I comment, she'll just blow me off. It’s

      what she does. Hell, I can’t even be mad about it; I would too.

      "Neither," I tell her. "She's with Roger and a couple of his guys—fucking,

      probably."

      "Ah, well, guess that’s the life of an adult,” she says lightly.

      I snort and lower my head back to my knees, breathing deeply as I do so.

      I’m so fucking tired and hungry. Some ‘life’ Patricia leads. I have to believe

      that not every ‘adult’—if that’s even a term I’d use for my mother—is like

      her. Micki rolls her shoulders back and shoves her hands into the pockets on

      her ass before turning away. She takes two steps down the street, pauses, and

      glances over. "You coming or what?"

      I thought she'd never ask. I jump up from my spot and follow after her,

      knowing whatever she's got cooked up in that crazy brain of hers will be a

      welcome relief to waiting out Patricia's disgusting payment method. I kind of

      hope whatever Roger gives her will kill her this time. Sooner or later,

      something or someone will.

      Micki heads off down the road and I trail her, walking slower as I stare at

      the back of her head. It's only been a few months since I met the strange girl

      who lives a couple of miles up the road from the trailer park. Since then,

      we've formed a sort of distant friendship.

      From the night we met, she knows about my mom and my life. I know

      that she lives alone in a ranch house that's ten times nicer than the trailer. But

      it's weird— she's weird. She's always alone. No mention of any parents. I've

      never seen her at school—though I suppose since she's eighteen, she could

      have already graduated. Or maybe she’s just in one of the schools I’ve

      already been kicked out of.

      The fact is, I don't know anything about Micki except that she doesn't

      seem to mind my attitude. She doesn't judge me about Patricia when most

      would take one look at the drug-addicted stripper’s daughter and see nothing

      but the same. She’s pretty handy at teaching me to fight—far better than

      learning on my own, which has only gotten me a few cracked teeth, several

      bloody noses, and a few close calls with a broken limb—arm, leg, finger,

      didn’t matter. Street fighters went after everything they could get and they

      fought dirty. There is one thing that does bother me about Micki, though.

      She’s cool, older, and easy to hang with, but she’s got secrets. Weird ones.

      When we make it to her place, she hops up the back porch steps, and

      heads for the rear door, twisting the knob and swinging it open to head into

      the older kitchen with its cracked tiles and dated design. "Want something to

      eat?" she asks.

      I shrug and turn back to close the door. "Did you really leave your door


      unlocked?" I ask with a scoff. "You know someone might just break into your

      house and steal your shit. This isn't a great area."

      Micki snickers as she pops open the fridge and reaches inside. "It's not

      really breaking and entering if I left the door open," she replies. "And I don't

      care if they do."

      "You don't care if they take your stuff?" I scowl at her, wondering why

      the hell I spend my time with such a fucking weirdo. Who the hell just openly

      wants people to steal from them?

      Micki pulls a casserole dish out of the fridge and lifts the tinfoil over it

      before sniffing the contents. She wrinkles her nose and pivots towards the

      trash can, dumping it inside—glass pan and all. Like I said, a motherfucking

      weirdo. Next, she grabs a loaf of bread, yanks out a couple of pieces, and

      proceeds to make a PB&J—two, one for her and one for me. My stomach

      rumbles, telling me to keep my mouth shut about her strange habits and

      complete disregard for shit—as if none of it actually belongs to her and

      therefore, it doesn't warrant even a modicum of interest or care—and let her

      feed me. It might be the only thing I eat for a while.

      "Listen," Micki starts, "it's just stuff. Ain't nothing super special about it.

      Whatever gets broke or thrown away will be fixed or replaced … eventually."

      "Yeah, but what if you need it before that ‘eventually’ comes?" I can't

      help but ask.

      At the countertop, her movements still until she stops what she's doing

      completely and turns around to face me. "I don't need anything," she says.

      "And neither do you."

      I frown. Of course, we need shit, I think. We need to sleep and eat or else

      we'll die.

      As if she senses the direction of my thoughts, she smiles and waves the

      butter knife in her hand through the air before turning back to spread jelly

      over the bread slices. "I mean, sure we need the basic necessities," she says.

      "Water. Food. Sleep. But everything else is just window dressing. Everything

      else comes and goes. It was here before we came along for the most part and

      it’ll be here when we’re gone. Other than what we need for pure survival—

      everything else is just … dangerous.”

      Dangerous? I eye the back of her head. What the hell is going on in that

      strange mind of hers? What the hell does she mean?

      She continues working for a moment, reaching into the cabinets and

     


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