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    The Haunted Mesa (Louis L'Amour's Lost Treasures)

    Page 36
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      As much as I believe that the story of a skeptic forced to confront the paranormal is a very solid concept, I know that Dad also wanted to write a full-bore adventure story. He wanted to go to the other world and see it through the eyes of his hero. Given that fact, I have always wondered if my best advice might have been to suggest a character who was more of a man of action and who had a different personal issue to be resolved.

      Regardless, I worry that a reader of The Haunted Mesa can feel the conflict between these earlier and later versions: Is the story going to be about Mike the skeptic having to finally confront his personal fears or Mike the action hero heading off into an alien world to save his friend? There is no question that The Haunted Mesa eventually ended up following the latter path, but the more I think about it the more I wonder if that half-remembered or partially discarded early draft didn’t continue to cause Dad some concern about the overall direction of the story. I also wouldn’t be surprised if this sort of unresolved ghost of an idea doesn’t haunt countless manuscripts by many different writers.

      I realized much of this while working on my Haunted Mesa film and TV experiment. In the end, the version where Mike finds Eric cut in half by the closing of the portal between worlds would work wonderfully for a spooky feature with a modest budget. For a TV series, where Mike would spend many episodes on the “other side,” I chose to make Mike a retired Special Forces officer, a man dealing with PTSD and chafing from the confines of civilization—someone more capable of going solo into hostile territory and surviving.

      * * *

      —

      Throughout the fall of ’86, Louis forged ahead, but it was an agonizing process, full of the sort of misgivings from which his career had always been remarkably free. Here are some of his journal entries from that time:

      Anxious to complete MESA, hope it is good, and to get on with something else. My mind is not quite tuned to MESA right now. A few weeks one way or the other would have made a difference, I think. I needed to work on something else after BREED.

      I shall complete MESA this week, I think. Not a good job, however.

      Must finish this book, and get to clearing the decks here…I have 20 books I very much want to write…That is my problem: always there are ideas, they throng my brain, each demanding to be written.

      Even though The Haunted Mesa contains no small amount of that Louis L’Amour magic—that ability to fire the imagination and involve the reader—and even though it was eventually a number one bestseller, selected by the Literary Guild and beloved by many readers, Louis almost didn’t publish it. At one point, not too long before it was due, he wrote the following:

      May hold back on HAUNTED MESA. Am not sure if it is any good or not. I got off the deep end on this one and it may need some work. Too bad. Everybody set for it and a beautiful cover set for it with a painting by Clifford Brycelea, my Navajo friend.

      That may not sound like a particularly negative attitude, but for Louis, a constant optimist—and a man who always delivered on time—it’s pretty significant. He even considered asking Bantam to swap in another novel that he had stashed away. But in the end he decided that the possible replacement was even less ready for publication than The Haunted Mesa…so he agreed to move ahead.

      Though he was rarely happy with any book during the writing of its last few chapters, his last journal entry on the subject of The Haunted Mesa shows a continuing wistfulness:

      Book selling well. No. 2 on NY Times list. Some don’t like it, some do. I was unsure about this one, knew I was gambling, but wished to do it. Not as good as I wanted it to be…

      It might not have been as good as he wanted it to be, but many have found The Haunted Mesa to be an enjoyable read and one of the more intriguing explorations of the “Weird West” subgenre. More important, however, it was part of a highly significant set of personal milestones.

      For thirty years Louis had been trying to break away from writing traditional Westerns. He had attempted to write contemporary thrillers and historical novels in the 1950s and gotten nowhere. In the 1960s he managed to sell transitional works that dealt with Western Americans in Europe and Europeans in the American West—but it was unclear if doing so had actually bought him any freedom. By the 1970s Dad had managed to expand the definition of his genre from that of the mid- to late-nineteenth century to all of the early frontier. Finally, between 1984 and 1987, with The Walking Drum, Last of the Breed, and The Haunted Mesa, three very different novels in three completely different genres, he was able to prove he could be a bestselling author in any category he chose. Though he had many more planned, the success of those three titles defied expectations and fulfilled the dreams and aspirations of a lifetime.

      For more information on The Haunted Mesa and photographs of No Man’s Mesa and Johnnie’s Hole, visit louislamourslosttreasures.com and click on “Website Exclusives,” followed by “Additional Materials.”

      Beau L’Amour

      October 2019

      Bantam Books by Louis L’Amour

      NOVELS

      Bendigo Shafter

      Borden Chantry

      Brionne

      The Broken Gun

      The Burning Hills

      The Californios

      Callaghen

      Catlow

      Chancy

      The Cherokee Trail

      Comstock Lode

      Conagher

      Crossfire Trail

      Dark Canyon

      Down the Long Hills

      The Empty Land

      Fair Blows the Wind

      Fallon

      The Ferguson Rifle

      The First Fast Draw

      Flint

      Guns of the Timberlands

      Hanging Woman Creek

      The Haunted Mesa

      Heller with a Gun

      The High Graders

      High Lonesome

      Hondo

      How the West Was Won

      The Iron Marshal

      The Key-Lock Man

      Kid Rodelo

      Kilkenny

      Killoe

      Kilrone

      Kiowa Trail

      Last of the Breed

      Last Stand at Papago Wells

      The Lonesome Gods

      The Man Called Noon

      The Man from Skibbereen

      The Man from the Broken Hills

      Matagorda

      Milo Talon

      The Mountain Valley War

      North to the Rails

      Over on the Dry Side

      Passin’ Through

      The Proving Trail

      The Quick and the Dead

      Radigan

      Reilly’s Luck

      The Rider of Lost Creek

      Rivers West

      The Shadow Riders

      Shalako

      Showdown at Yellow Butte

      Silver Canyon

      Sitka

      Son of a Wanted Man

      Taggart

      The Tall Stranger

      To Tame a Land

      Tucker

      Under the Sweetwater Rim

      Utah Blaine

      The Walking Drum

      Westward the Tide

      Where the Long Grass Blows

      SHORT STORY COLLECTIONS

      Beyond the Great Snow Mountains

      Bowdrie

      Bowdrie’s Law

      Buckskin Run

      The Collected Short Stories of Louis L’Amour (vols. 1–7)

      Dutchman’s Flat

      End of the Drive

      From the Listening Hills

      The Hills of Homicide

      Law of the Desert Born

      Long Ride Home

      Lonigan

      May There Be a Road

      Monument Rock


      Night Over the Solomons

      Off the Mangrove Coast

      The Outlaws of Mesquite

      The Rider of the Ruby Hills

      Riding for the Brand

      The Strong Shall Live

      The Trail to Crazy Man

      Valley of the Sun

      War Party

      West from Singapore

      West of Dodge

      With These Hands

      Yondering

      SACKETT TITLES

      Sackett’s Land

      To the Far Blue Mountains

      The Warrior’s Path

      Jubal Sackett

      Ride the River

      The Daybreakers

      Sackett

      Lando

      Mojave Crossing

      Mustang Man

      The Lonely Men

      Galloway

      Treasure Mountain

      Lonely on the Mountain

      Ride the Dark Trail

      The Sackett Brand

      The Sky-Liners

      THE HOPALONG CASSIDY NOVELS

      The Riders of High Rock

      The Rustlers of West Fork

      The Trail to Seven Pines

      Trouble Shooter

      NONFICTION

      Education of a Wandering Man

      Frontier

      The Sackett Companion: A Personal Guide to the Sackett Novels

      A Trail of Memories: The Quotations of Louis L’Amour, compiled by Angelique L’Amour

      POETRY

      Smoke from This Altar

      LOST TREASURES

      Louis L’Amour’s Lost Treasures: Volume 1 (with Beau L’Amour)

      No Traveller Returns (with Beau L’Amour)

      ABOUT LOUIS L’AMOUR

      “I think of myself in the oral tradition—

      as a troubadour, a village taleteller, the man

      in the shadows of the campfire. That’s the way

      I’d like to be remembered—as a storyteller.

      A good storyteller.”

      It is doubtful that any author could be as at home in the world re-created in his novels as Louis Dearborn L’Amour. Not only could he physically fill the boots of the rugged characters he wrote about, but he literally “walked the land my characters walk.” His personal experiences as well as his lifelong devotion to historical research combined to give Mr. L’Amour the unique knowledge and understanding of people, events, and the challenge of the American frontier that became the hallmarks of his popularity.

      As a boy growing up in Jamestown, North Dakota, he absorbed all he could about his family’s frontier heritage, including the story of his great-grandfather who was scalped by Sioux warriors.

      Spurred by an eager curiosity and a desire to broaden his horizons, Mr. L’Amour left home at the age of fifteen and enjoyed a wide variety of jobs, including seaman, lumberjack, elephant handler, skinner of dead cattle, miner, and officer in the Transportation Corps during World War II. He was a voracious reader and collector of books. His personal library contained 17,000 volumes.

      Mr. L’Amour “wanted to write almost from the time I could talk.” After developing a widespread following for the many frontier and adventure stories he wrote for fiction magazines, Mr. L’Amour published his first full-length novel, Hondo, in the United States in 1953. Every one of his more than 120 books is in print; there are more than 300 million copies of his books in print worldwide, making him one of the bestselling authors in modern literary history. His books have been translated into twenty languages, and more than forty-five of his novels and stories have been made into feature films and television movies.

      His hardcover bestsellers include The Lonesome Gods, The Walking Drum (his twelfth-century historical novel), Jubal Sackett, Last of the Breed, and The Haunted Mesa. His memoir, Education of a Wandering Man, was a leading bestseller in 1989. Audio dramatizations and adaptations of many L’Amour stories are available from Random House Audio.

      The recipient of many great honors and awards, in 1983 Mr. L’Amour became the first novelist ever to be awarded the Congressional Gold Medal by the United States Congress in honor of his life’s work. In 1984 he was also awarded the Medal of Freedom by President Reagan.

      Louis L’Amour died on June 10, 1988.

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