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    Simple Dreams ~ A Musical Memoir

    Page 21
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      GTOs, 39

      “Guess I’ll Hang My Tears Out to Dry,” 148, 152

      Guilbeau, Gib, 64

      guitar building, 112–13, 194

      gunrunning, 38

      guns, 164–65

      Guthrie, Woody, 25

      Gutiérrez, Pedro Elías, vii

      Hackberry Ramblers, 26

      Haggard, Merle, 24, 58–59, 75, 81

      Hair, 123

      Hamill, Pete, 143–44, 147, 151–52

      “Handsome Molly”, 27

      Hanna, Jeff, 57

      Hardin, Glen D., 84

      Harris, Emmylou, 79–80, 83–87, 90–93, 95, 97, 99, 105–10, 176, 191

      Harrison, George, 112

      Hart Street, LR’s residence on, 34, 35–37, 60

      Harvard University, 92–93

      Harvest, 101

      hashish, 38

      “Hasten Down the Wind,” 116

      Hathaway, Donny, 73

      Havens, Richie, 54

      Hawaii, 64–65

      head tones, 186

      head voice, 157

      “Heart Like a Wheel,” 55, 75, 76, 89, 95–97, 99, 116

      “Heart of Gold,” 101

      Hearts and Flowers, 50

      “Heat Wave,” 126, 179

      heavy metal music, 116–17

      Heinlein, Robert, 121

      “Hello Stranger,” 99

      Hendrix, Jimi, 40

      Henley, Don, 66, 68, 69–70, 100, 110, 191

      Henske, Judy, 38–39

      Henson, Jim, 127–28

      Herald, John, 42

      Hernández, Ismael, 180

      Hillman, Chris, 32, 50, 79

      hippie culture, 51–53

      “His Honor the Judge” (puppy), 11

      Hitler, Adolf, 122

      H.M.S. Pinafore (Gilbert and Sullivan), 20, 124, 133

      Holiday, Billie, 6, 25, 142

      Holly, Buddy, 157

      “Honky Tonkin’,” 84

      Hoot Night, 36, 69

      Hopper, Dennis, 72

      horses:

      LR’s love of, 7–11, 15, 35, 103, 178

      LR’s performance on, 177–78

      Hot Band, 84

      House Un-American Activities Committee (HUAC), 28

      Howl’s Moving Castle, 149

      huapangos, 25, 26, 27, 71, 170, 172

      Hummin’ to Myself, 65, 192

      Hynde, Chrissie, 158

      Ian and Sylvia, 26, 54

      “I Can’t Help It (If I’m Still in Love with You),” 49, 84, 95, 97

      “I’m So Lonesome I Could Cry,” 110

      Infante, Pedro, 3

      Ingber, Elliot, 72

      “In My Room,” 183

      I Remember Mama, 138

      “It Doesn’t Matter Anymore,” 95, 99

      “I’ve Got a Crush on You,” 128, 157

      Jackson, Michael, 74

      Jagger, Mick, 25, 58–59, 138

      Jalisco, Mexico, 176

      jam sessions, 59–60, 81, 86–87, 93

      “Jarabe Tapatio,” 172

      jazz, 142–44, 156, 188, 192

      “Jealous Guy,” 73

      Jim Crow racism, 28

      Jim Kweskin Jug Band, 30, 41, 45, 46–47

      John, Elton, 191

      Johnny Cash Show, 50, 51, 100

      Johnson, Plas, 156, 186

      Johnson, Robert, 25

      “Jolene,” 100

      Jones, George, 29, 58–59, 81, 106, 176

      Jones, Spike, 138

      Joplin, Janis, 41, 75

      Kathy and Carol, 29

      Kaz, Eric, 54, 181

      “Keep Me from Blowing Away,” 92, 93

      Keith, Ben and Linda, 78

      Kelly, Terrance, 185

      Kentucky Colonels, 29

      Kermit the Frog, 126, 128–29

      Kimmel, Bobby, 26–27, 30–32, 35–37, 41–44, 48–49, 72, 200

      King, Carole, 66

      Kissinger, Henry, 77

      Kline, Kevin, 133–34, 147

      Koch, Ed, 136–37

      kohl, 118–19

      Krieger, Robby, 44

      Krishnamurti, Jiddu, 27

      Kristofferson, Kris, 51

      Kubrick, Stanley, 125

      “La Bamba,” 172

      “La Barca de Oro,” 3

      labor movement, 28

      La Fonda restaurant, 172

      LaLanne, Jack, 102

      Lansbury, Angela, 147

      Larson, Nicolette, 99–105, 112, 125

      Leach, Wilford, 123–25, 133, 140–41, 164, 166–67

      Leadon, Bernie, 49–50, 57–59, 68, 69–70

      Led Zeppelin, 143

      Lee, Albert, 109

      Lee, Peggy, 142, 152

      Lennear, Claudia, 78

      Lennon, John, 73

      Let It Bleed, 58

      Liberty Hall, 79–80

      Lightfoot, Gordon, 54

      “Light My Fire,” 44

      light shows, 32

      Liisa (friend), 46–47

      Li’l Abner, 3, 42

      Lindley, David, 90–91, 109

      Little Feat, 85, 93

      Little Paint (pony), 8, 10–11, 103

      Living in the USA, 128

      Loesser, Frank, 65

      London, LR in, 114, 126–29, 147–48

      Longbranch Pennywhistle, 62, 69

      “Long Distance Love,” 91

      “Long Long Time,” 54

      Long Time Gone, 93

      Los Angeles, Calif.:

      LR in, 48, 57, 83–84, 172

      music scene in, 30–33, 36, 83, 93, 164, 185, 195

      Los Angeles Times, 32

      “Lotta Love,” 101

      Louisiana, music of, 185–88, 192–95

      “Love Has No Pride,” 54

      Love in the Time of Cholera (García Márquez), 199

      Lovin’ Spoonful, 30

      Lucy’s El Adobe Cafe, 171

      lullabies, 20–21

      Luna (cow), 174, 178

      Lush Life, 159

      Mabel (character), 125–26, 130, 134–35

      McCabe’s Guitar Shop, 31–32, 48, 72

      McCartney, Paul, 66

      McEuen, Bill, 57–58

      McEuen, John, 58

      McGarrigle, Anna, 55–56, 95, 107

      McGarrigle, Kate, 55–56, 107

      McGhee, Brownie, 28

      McGhee, Mickey, 57, 80

      McGuinn, Roger, 25

      Madame Butterfly, 20

      Madison Square Garden, 77

      Mad Love, 125

      Magnolia Sisters, 194

      Mahal, Taj, 32

      Malibu Colony, LR’s residence at, 98, 99–113, 197

      Manson, Charles, 105

      Manzarek, Ray, 44

      Mariachi Los Camperos, 171–72, 180, 197

      mariachi music, 12, 163, 170–72, 176–77, 180, 197

      Mariachi Vargas de Tecalitlán, 170–71, 173

      “Marie Mouri,” 195

      marijuana, 60, 72

      Martin, Bill, 72

      Martin, Steve, 57–58, 117

      Mas Canciones, 180

      Massenburg, George, 92, 93, 108, 144, 148–50, 185, 189

      mathematics, 2–4

      May altar, 18–19

      Mazer, Elliot, 54

      Meisner, Randy, 68, 70

      Menon, Bhaskar, 76

      Metallica, 116–17

      Metropolitan Opera, 20

      Mexican and Spanish music, 3–5, 12, 20, 25–26, 27, 30, 71, 144, 163–64, 168, 169–80, 197

      Michigan, 2–3, 21

      Mikado, The (Gilbert and Sullivan), 123

      “Miss Otis Regrets,” 192

      Miss Piggy, 126, 128–29

      Mitchell, Adam, 99–100, 112, 197

      Mitchell, Joni, 61, 66, 76, 117

      Molly (Akita dog), 112, 120, 135

      Monkees, 42

      Monroe, Bill, 27

      Moon Is a Harsh Mistress, The, 121–22, 152

      Morris, Gary, 166

      Morrison, Jim, 44–47

      Mothers of Invention, 39

      Motown twenty-fifth anniversary special, 74–
    75

      Mott, Charles Stewart, 3

      “Mr. Bojangles,” 53

      mud huaraches, 7, 13, 15

      Muldaur, Geoff, 30

      Muldaur, Maria D’Amato, 30, 41–42, 46–47

      Muppet Show, The, 126–29, 131

      Murphy (horse), 9–11, 15, 103

      Murray, Anne, 76

      Murray, Larry, 50–52

      music:

      arena vs. club settings for, 115–18

      artists input in, 146

      changing tastes in, 52, 109, 116

      emulation in, 24–25, 30, 118, 192

      essential elements of, 196–97

      harmonies in, 70, 92, 95, 100–101, 106, 107–8, 184, 194

      key changes in, 86, 126, 153, 155

      LR’s dreams of, 168

      LR’s reflections on, 196–97, 199–200

      marketing and promotion of, 109–10

      novelty, 14

      production in, 144–46, 148–50, 154–56, 181–85

      recording styles in, 101

      song titles in, 121–22

      technological innovation in, 49, 54, 127, 148, 184–85

      vocalization in, 181–83

      see also individual artists and works; specific genres

      “My Dear Companion,” 108

      Myrick, Weldon, 54

      Nashville, Tenn., 49, 51–53, 84, 92, 100, 110

      “Nature Boy,” 102

      Nelson, Rick, 61, 70

      Nesmith, Mike, 42

      Neuwirth, Bob, 45–47

      “Never Will I Marry,” 65, 144

      Neville, Aaron, 185–89

      Neville, Joel, 188

      Neville Brothers, 185–87

      Newberry, Mickey, 51

      Newman, Randy, 24, 164–66, 191–92

      New Orleans, La., 185–88

      New Orleans Artists Against

      Hunger and Homelessness, 187

      New Union Ramblers, 26

      New York, N.Y.:

      Doors tour in, 44

      LR in, 45–47, 53–56, 77–78, 89, 91, 123–26, 131–41, 143–45, 156–57, 161, 164–68

      LR’s residence in, 138–39, 157, 166, 168

      music scene in, 41, 45

      New York Public Theater, 121, 123, 125, 131–41, 164–68; see also Papp, Joe New York Times, 56, 121, 167

      Niles, John Jacob, 55

      Nina (LR’s cousin), 15

      Nitty Gritty Dirt Band, 57

      Nitzsche, Jack, 78, 80–82

      Nogales, Mexico, 2

      Norman, Jim Ed, 110

      Nudie, 84, 176

      nuns, 16–19, 160, 187

      Nyro, Laura, 61

      Oakland Interfaith Gospel Choir, 185

      Oaxaca, Mexico, 175

      “Oceana Roll, The,” 20

      O’Connor, Mark, 109

      Odetta, 36

      “Old Man,” 101

      “Ooh Baby Baby,” 74–75

      opera, see Bohème, La

      Orbison, Roy, 63, 106

      Ostin, Mo, 75

      O’Sullivan, Dana, 8–10, 15, 103

      Owens, Bonnie, 58

      Oz, Frank, 127–29

      pachangas (picnics), 22

      Palomino Club, 57

      paparazzi, 136–37

      Papp, Joe, 121–27, 121, 132, 136–39, 161, 164–68

      “Parlezmoi d’amour,” 195

      “parlor music,” 107

      Parsons, Estelle, 139

      Parsons, Gene, 49

      Parsons, Gram, 49, 50, 58–60, 79–82, 83, 84, 92–93

      Parsons, Gretchen, 80–81

      Parton, Dolly, 93, 95, 105–10, 176, 191

      Patsy (LR’s friend), 16, 19

      Patton, Charlie, 36

      Paul Butterfield Blues Band, 41

      Pauline (secretary), 40

      Paupers, 99

      Pavón, Pastora (La Niña de los Peines), 13, 196

      Payne, Bill, 85

      Pearlman, Ron, 35, 60–61

      Peer Gynt (Grieg), 13

      Peter, Paul and Mary, 26, 75

      Peter and Gordon, 66

      Petty, Tom, 25

      Phillips, Lee, 76

      physical training, 102–3

      Piaf, Edith, 26, 174, 197

      Pickett, Wilson, 143, 186

      Pieces of the Sky, 87

      Pirates of Penzance, The (Gilbert and Sullivan), 4, 123–27, 130, 144, 145, 157, 166, 181

      Broadway production of, 137–41

      Central Park production of, 135–37

      motion picture version of, 147–48

      rehearsals for, 131–35, 139–40

      Pirates of the Caribbean, 133

      Playboy After Dark, 58

      playlists, 29, 43

      poetry, Mexican, 169–70

      ponies, 8–9

      Ponselle, Rosa, 24

      “Poor Poor Pitiful Me,” 63

      “Poor Wandering One,” 126

      pop music, 141, 142, 182, 195

      Porter, Cole, 192

      Prejean, Sister Helen, 187

      Presley, Elvis, 84, 176

      Pretenders, 158

      Price, Ray, 49

      “Prisoner in Disguise,” 72

      puppetry, 128–29

      Putnam, Norbert, 54

      Quadrafonic Studios, 100–101

      Quico (L. Ronstadt’s nephew), 200

      “Quiéreme Mucho,” 3

      Radio City Music Hall, 156–57

      “Ragtime Cowboy Joe,” 20

      Raitt, Bonnie, 191

      Rameau, Jean-Philippe, 186

      rancheras, 12, 25, 26, 163–64, 170, 180

      Randi, Don, 42

      Ray Charles in Person, 73

      Redding, Otis, 72

      Reddy, Helen, 76

      Reeves, Steve, 102

      “Refrain Audacious Tar,” 124

      Remson, Sister Jane, 187

      rhinestone cowboy, 176

      rhythm and blues, 143, 186

      Rich, Frank, 167

      Richard (bodyguard), 137

      Richards, Keith, 58–60, 112, 133

      Richmond, Fritz, 41

      Riddle, Christopher, 159

      Riddle, Nelson, 29, 73, 151–61, 170, 174, 179, 181, 184, 186

      Riddle, Rosemary, 152

      Rillito River, 10

      Rising Sons, 32

      “River Deep, Mountain High,” 82

      Rivingston, Marge “Magic Marge,” 140–41

      Roberts, Elliot, 61, 83, 143

      Robinson, Smokey, 74–75

      rock and roll, 39, 49–50, 85, 141, 143, 152, 157–59, 179

      LR’s uneasiness with, 158–59

      Rockingham Drive, Brentwood, LR’s residence at, 112, 131, 137, 151

      Rockwell, John, 56, 121–24

      Rodgers, Jimmie, 58

      Rodrigues, Amália, 197

      Rogers, Roy, 176

      roller skates, 103–4

      Rolling Stones, 42, 58–59, 82, 116, 138

      “Roll On Through the Night,” 91

      “Roll Out the Barrel,” 31

      Ronstadt, Bill, 27, 199–200

      Ronstadt, Britt, 199–200

      Ronstadt, Fred, 1–4, 6, 20, 33, 176, 194–95

      Ronstadt, Gilbert, 1–3, 5–6, 13, 15, 18, 19, 22–23, 25, 32–33, 65, 103, 126, 142, 147, 158, 163, 170, 177, 196

      death of, 189

      Ronstadt, John, 199–200

      Ronstadt, Linda:

      A. Fudge and, 28–31, 73

      arrest of, 64, 84, 104

      A. Savoy and, 192–96

      birth of, 1

      childhood of, xii, 5–23, 25–27, 124, 133, 148, 152, 164, 170, 172, 173, 179, 188, 189, 194, 196, 200

      children of, 16, 116, 190, 191, 197, 200

      E. Harris and, 79–80, 83–87, 90–93, 95, 97, 99, 105–10

      ethical values of, 5, 65, 67, 112, 161

      family background of, 1–6

      financial status of, 6, 36–37, 48, 67, 70–71, 90, 99, 102, 139, 152

      friendships of, 8–10, 16, 46, 48, 53, 81, 99–100, 160, 174, 192–96

      Hamill and, 143–44, 147, 151–52

      ho
    norary doctorate of, 75

      J. Brown and, 111–12, 124, 159–61, 171

      Mexican heritage of, 2, 4, 164, 170, 172, 173, 179

      propositioning of, 36–37, 52–53

      as reader, 12, 72, 119–20, 148, 193

      school experience of, 15–19, 160, 187–88

      self-doubt and self-criticism of, 54, 78, 81, 108, 156, 167, 174, 188, 200

      shyness of, 15–16

      skepticism of, 18–19

      social conscience of, 10, 28, 112, 161, 165

      Souther and, 61–63, 66, 69–70, 71–74

      Tucson years of, 1–33

      and Wexler, 142–47, 142, 148, 173

      Ronstadt, Linda, musical career of:

      American Standards in, see American Standards

      classical influence on, 13, 20, 73, 182

      country influence on, see country music; country rock music

      early advancement in, 26–33, 35–47

      effect of McGarrigles on, 55–56

      end of, 191–92, 197

      family roots of, 3–4, 5, 12, 19–24, 26, 33, 49, 124, 133, 142

      folk music influence on, 26–33, 36, 38, 40–42, 49, 193

      going solo in, 48–56

      H. Cohen’s as manager of, 39–40, 44, 45, 49–53, 60, 63–66, 76

      large venues in, 77–79, 81, 115–18

      meeting conflict and resistance in, 73, 75–76, 154, 155

      Mexican and Spanish music in, see Mexican and Spanish music

      musical style in, 95–96, 115–16, 142, 144–45, 149–50, 153, 155, 157–58

      Papp’s collaboration in, 121–27, 132, 136–39, 164–68

      P. Asher as manager of, 66–67, 88–89, 88, 93, 95–97, 131, 137–39, 145–47, 148–50, 152, 155, 157, 173, 180, 184, 185, 188

      qualities of compatible musicians in, 50–51, 57

      reflections on, 197, 200

      restlessness in, 115–20

      rock influence on, see rock and roll

      role of lead singer in, 43–44, 48–56

      as soprano, 23–24, 26, 124, 141, 187, 189

      on stage, 123–27, 131–41

      stagnancy and need for change in, 121–22, 131

      touring in, 41, 61, 62–63, 69–70, 74, 77–82, 85–87, 89–93, 115–20, 156, 160, 169–80

      Trio in, 105–10

      uneasiness with being Queen of Rock, 158–59

      voice quality of, 23–25, 42, 86, 116, 126, 140–41, 149–50, 157–58, 166–67, 181, 191–92, 197

      voice training in, 140–41

      Ronstadt, Michael, 26, 199–200

      Ronstadt, Mikey, 199

      Ronstadt, Mindy, 200

      Ronstadt, Peter, 5, 12, 14, 18, 19, 22–24, 26, 27, 141, 188, 189, 199–200

      Ronstadt, Petie, 199

      Ronstadt, Ruth Mary, 1–4, 9, 16, 20–23, 30, 32–33, 37, 46, 126, 158, 159

      car accident and paralysis of, 11–15

      death of, 6, 147–48, 152

      marriage of, 5–6

      Ronstadt, Suzy, 5, 10–20, 23–24, 26, 27, 124, 133, 156, 177, 199–200

      Ronstadt Generations, 199

      Rose, George, 133, 147

      “Rosewood Casket,” 110

      Rosmini, Dick, 29–30, 38

      “Round Midnight,” 159

      Routledge, Patricia, 133–34, 139

      Roxy, 83–84

     


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