The sex slowed after Jani was born and it was still good enough that it made him angry that they didn’t have more of it. She said that if he wanted more attention from her, he needed to help around the house. He wasn’t raised to be that way. Gregg had grown up without a father, and his mother had worked overtime, in and out of the house, to make sure he knew what was his due as a man. Pauline didn’t even have a job. Why was she so tired?
By the time Jani turned two, Pauline was still tired and the newness had worn off everything—marriage, house, baby, her. There was nothing left to distract them from the fact that they just didn’t like each other that much. Yet the sex was still good. Looking back, he thinks she treated the sex like that was her job, a job she enjoyed. Listening to his friends at work, he felt smug at first because it wasn’t that way with them. But now he knew, that was another sign that she was unnatural. Once a woman became a mother, she wasn’t supposed to be like that. Pauline was a dirty, dirty girl. She wasn’t cut out to be a mother, a wife. How had he missed it?
Then, Pauline had—it was hard to admit, even to himself—Pauline had started hitting him. During. It had started with him spanking her a little, not hard, just for fun, a way to spice things up. She had howled all out of proportion to the pain, tried to scratch him with her nails.
But when she calmed down, she asked if he wanted to see what it felt like. He didn’t, but he didn’t want to look as if he wasn’t as bold as she was. She slapped his cheek. It hurt, but he didn’t want to say how much because he couldn’t let her be tougher than he was. Of course, he had reined himself in, didn’t use his full strength because that would be wrong, whereas she wasn’t holding anything back. It stung. It was painful. It was exciting.
Then, somehow, about two months ago, the acrid fights of their day-to-day life spilled over into the sex and even sex wasn’t fun anymore. He had a coworker, Mandy, who went to lunch with him, listened and sympathized. He started staying out late, claiming he was working overtime. They were doing a lot of refi’s at work, so it was credible. Then he went home to Pauline, overflowing with this mysterious anger.
He started dropping by the bar where he met Pauline and, yes, sometimes, he took another girl out to the parking lot. The sex was never quite as good as what he had with Pauline, in their early days, but it was better than what he had now, which was pretty much nothing.
He had proposed this beach vacation as one last family get-together, to see if they could find their way back. He spun the one-room studio rental as a part of the plan—real togetherness, one big happy. But, in the back of his mind, he was already thinking about moving out. His mom would take him in, he could always count on his mom.
Now she’s moved out, leaving him with the kid. There had been a separate note just to him, one that he had hidden from Jani. This note was cool and businesslike. A typed note at that, which means she had written it before they ever got here. Probably pecked it out at the library, where they had word processors.
I will let you know of my plans as soon as possible. I know you want a divorce, so let’s make it quick and painless. For now, it’s best if Jani remains with you, in the house and routine she knows. I will call after I’m settled.
And now it’s Tuesday, their last day of “vacation.” He has trudged through the past forty-eight hours as if the end of this getaway was some sort of finish line. He cannot believe how hard it is to care for a child 24/7, although he told himself that’s because they’re not at their house, with all their stuff. Now, packing up to return home, he sees that life is just going to keep going, that he will have even more problems once he gets home. What will he do for child care? He loves Jani, but, Christ, he cannot be a single dad.
There’s a $125 penalty if you stay one minute past 11 A.M. on the last day of your rental, even on a Tuesday. Jani wanted one more morning at the beach, but Gregg can’t get them packed up and have the place clean enough to get his deposit back if they do that. Jani whines every second of the morning and shows a real talent for creating a mess wherever he has just cleaned—stepping in dust piles, leaving sticky prints on appliances, tables, walls. They get away with only minutes to spare, 10:57 on the dashboard clock.
When he turns to check his sights as he backs the car out of the driveway, he sees Jani in her car seat, clutching that damn note to her cheek. Those dark curls, olive skin, light eyes—she looks nothing like her mother. If he hadn’t been at the hospital when Jani was born, if he hadn’t been there for the pregnancy, he’d wonder if a woman could somehow fake having a kid. Jani has looked exactly like him since Day One. “That’s evolution at work,” Pauline told him. “If babies didn’t look like their fathers, they’d reject them. She’ll look more like both of us as time goes on.” Well, it’s three years later and the little girl in the car seat still looks like a female version of him. Put their childhood photos next to each other and you’d think they were fraternal twins. There’s not a trace of her mother in her face.
Pauline’s not going to dump this kid on him. He’ll find her, make her do right. He’s the one who’s supposed to be moving out, moving on.
“Whore,” he mutters.
“What, Daddy?”
“Nothing.”
Two miles up the highway, he takes the left turn onto State Highway 26 too fast and the boogie board he roped to the roof goes sliding off. Horns honk around him, as if he planned this fiasco. He’d leave the board on the roadside if he could, but that would make him no better than her. He pulls over and puts everything to rights, then fights for his way back into the westbound traffic, surprisingly thick for a Tuesday in June. Oh God, there’s a funeral, apparently for the most popular guy in Bethany Beach, the line of cars twenty, thirty deep. He adds this mishap to the growing list of everything that’s her fault. She has ruined his life. Or tried to. He’ll find her, make her fulfill her obligations, make her pay.
He remembers the first slap, after he gave her permission, so hard it almost brought tears to his eyes. It was as if she had been waiting to hit him for a very long time.
About the Author
Since LAURA LIPPMAN’s debut, she has won multiple awards and critical acclaim for provocative, timely crime novels set in her beloved hometown of Baltimore. Laura has been nominated for more than fifty awards for crime fiction and won almost twenty, including the Edgar. Her books have been translated into more than twenty languages. Now a perennial New York Times bestselling author, she lives in Baltimore and New Orleans with her family.
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Also by Laura Lippman
Sunburn
Wilde Lake
Hush Hush
After I’m Gone
And When She Was Good
The Most Dangerous Thing
I’d Know You Anywhere
Life Sentences
Hardly Knew Her
Another Thing to Fall
What the Dead Know
No Good Deeds
To the Power of Three
By a Spider’s Thread
Every Secret Thing
The Last Place
In a Strange City
The Sugar House
In Big Trouble
Butchers Hill
Charm City
Baltimore Blues
Copyright
This is a work of fiction. Names, characters, places, and incidents are products of the author’s imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental.
The Babysitter’s Code first published in Plots with Guns; copyright © 2005 by Laura Lippman.
Excerpt from Sunburn copyright © 2018 by Laura Lippman.
DIFFERENT FOR GIRLS. Copyright © 2018 by Laura Lippman. All rights reserved under International and Pan-American Copyright
Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins Publishers. For information, address HarperCollins Publishers, 195 Broadway, New York, NY 10007.
Digital Edition JULY 2018 ISBN: 978-0-06-286860-2
Cover photograph © Picsfive/Shutterstock
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William Morrow and HarperCollins are registered trademarks of HarperCollins Publishers in the United States of America and other countries.
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