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    Tour de Lovecraft- The Tales

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      There’s also a nasty little grace note toward the end, one which for whatever reason struck me as particularly foul. Jermyn makes a deal with a Belgian agent to acquire the ape-goddess from “the once mighty N’bangus…now the submissive servants of King Albert’s government.” The Belgian believes that the N’bangus “with but little persuasion could be induced to part with the gruesome deity…” Given the charnel nature of the Belgian Congo, reading Jermyn’s willingness to traffic in genocide-enforced theft of sacred objects…well, eeeww. Though one can’t mention the Congo and Lovecraft without adding a recommendation for David Drake’s hammer-blow of a story, “Than Curse the Darkness.” ♠

      I would like to point out that again, Lovecraft removes, or denatures, race from his source material even as he emphasizes lineage and ethnicity. HPL borrowed the stress-atavism concept from a rather distasteful story by Irvin S. Cobb in which a Frenchman of mixed blood, run over by a train, cries out in an African dialect words used by his ancestor who had been gored by a rhinoceros. Sadly, of course, Lovecraft named Delapore’s cat in the story after his own beloved cat Nigger-Man, and there are those “howling negroes” on the old family plantation (Carfax, a lovely Dracula tribute), so there you go with that. In other, happier racist-writer news, though, it’s thanks to the cod-Celtic he used at the end of “Rats” that Lovecraft got a nitpicky letter from Robert E. Howard, and thus began their legendary correspondence and friendship. ♠

      Much as we saw words as the manifestation of, and theorized them as the entry-way for, the horror in “Statement of Randolph Carter.” ♠

      At http://chrisperridas.blogspot.com/ ♠

      Steampunk is also, it suddenly occurs to me, a kind of domestication of technological unease, analogous to the Victorian domestication of the fairy tale. ♠

      Table of Contents

      Foreword

      Introduction

      A Brief Survey of Lovecraftian Criticism

      The Stories

      The Tomb

      Dagon

      Polaris

      Beyond the Wall of Sleep

      The White Ship

      The Doom That Came to Sarnath

      The Statement of Randolph Carter

      The Terrible Old Man

      The Tree

      Facts Concerning the Late Arthur Jermyn and His Family

      The Cats of Ulthar

      The Temple

      Celephaïs

      Nyarlathotep

      From Beyond

      The Picture in the House

      The Nameless City

      The Quest of Iranon

      The Moon-Bog

      The Outsider

      The Other Gods

      Herbert West—Reanimator

      The Music of Erich Zann

      Hypnos

      The Hound

      The Lurking Fear

      The Rats in the Walls

      The Unnamable

      The Festival

      Under the Pyramids

      The Shunned House

      The Horror at Red Hook

      He

      In the Vault

      Cool Air

      The Call of Cthulhu

      Pickman’s Model

      The Strange High House in the Mist

      The Dream-Quest of Unknown Kadath

      The Silver Key

      The Case of Charles Dexter Ward

      The Colour Out of Space

      The Dunwich Horror

      The Whisperer in Darkness

      At the Mountains of Madness

      The Shadow Over Innsmouth

      The Dreams in the Witch House

      Through the Gates of the Silver Key

      The Thing on the Doorstep

      The Shadow Out of Time

      The Haunter of the Dark

      Conclusion

      Sources and Resources

      About the Author

      Endnotes

      Table of Contents

      Foreword

      Introduction

      A Brief Survey of Lovecraftian Criticism

      The Stories

      The Tomb

      Dagon

      Polaris

      Beyond the Wall of Sleep

      The White Ship

      The Doom That Came to Sarnath

      The Statement of Randolph Carter

      The Terrible Old Man

      The Tree

      Facts Concerning the Late Arthur Jermyn and His Family

      The Cats of Ulthar

      The Temple

      Celephaïs

      Nyarlathotep

      From Beyond

      The Picture in the House

      The Nameless City

      The Quest of Iranon

      The Moon-Bog

      The Outsider

      The Other Gods

      Herbert West—Reanimator

      The Music of Erich Zann

      Hypnos

      The Hound

      The Lurking Fear

      The Rats in the Walls

      The Unnamable

      The Festival

      Under the Pyramids

      The Shunned House

      The Horror at Red Hook

      He

      In the Vault

      Cool Air

      The Call of Cthulhu

      Pickman’s Model

      The Strange High House in the Mist

      The Dream-Quest of Unknown Kadath

      The Silver Key

      The Case of Charles Dexter Ward

      The Colour Out of Space

      The Dunwich Horror

      The Whisperer in Darkness

      At the Mountains of Madness

      The Shadow Over Innsmouth

      The Dreams in the Witch House

      Through the Gates of the Silver Key

      The Thing on the Doorstep

      The Shadow Out of Time

      The Haunter of the Dark

      Conclusion

      Sources and Resources

      About the Author

      Endnotes

     

     

     



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