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    The Shakespeare Notebooks

    Page 9
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      To Freya, where they first caught sight of the

      Dread foe who had laid waste these lands. We have

      Not name for them, but those who saw their flight

      Spoke of steel bodies and a burning eye;

      Curved ribs of metal, and a stubby rod

      That shot a burning bolt of hot brimstone

      Through plated ranks of rosy Taran youth.

      One man, Coriolanus, was not moved.

      He rode on, bravely, thus. His sword, death’s stamp,

      Where it did mark, it took; from face to foot

      He was a thing of blood, whose every motion

      Was timed with dying cries; the gurgles of

      The hidden occupants of these steel shells.

      Still on he rode: unto the city that

      Our metal foes had planted ’pon the plain.

      A gilded plate suspended there on stilts,

      Massy; a league from edge to edge, they said.

      And from its glassy portals could be seen,

      More of our foes, bright lamps upon their skulls,

      Gazing dispassionate upon the sight.

      Brave captain ours; alone he entered

      The mortal gate of the city, which he painted

      With shunless destiny; aidless came off,

      And with a strange sword roaring in his fist

      Ran reeking o’er metallic dead, as if

      ’Twere a perpetual spoil: and till we call’d

      Both field and city ours, he never stood

      To ease his breast with panting.

      TILL

      Worthy man!

      KURSTER

      He cannot but with measure fit the honours

      Which we devise him.

      THORVALD

      Our spoils he kick’d at,

      The ground was thick with riches from the stars

      Minerals and devices crystalline,

      Lay scattered on the muddy Taran ground.

      He look’d upon things precious as they were

      The common muck of the world: he covets less

      Than misery itself would give; rewards

      His deeds with doing them, and is content

      To spend the time to end it.

      KURSTER

      He’s right noble:

      Let him be call’d for.

      TILL

      Call Coriolanus.

      KURSTER

      He doth appear.

      Enter CORIOLANUS, attended by ZADEK and FARRAH, two swordsmen.

      ARCHIMANDRITE

      The senate, Coriolanus, are well pleased

      To crown thee Tara’s king.

      CORIOLANUS

      I do owe them still

      My life and services.

      ARCHIMANDRITE

      It then remains

      That you do speak to the people.

      CORIOLANUS

      I do beseech you,

      Let me o’erleap that custom, for I cannot –

      I cannot - not - not -

      FARRAH (Aside)

      Methinks I heard a spark. The hero has

      A wire crossed within its circuitry.

      What should we do? Old Zadek, quickly, speak.

      ZADEK

      Our hero is exhausted by his feats

      He is a man of action, not of words.

      Forgive his silence; call it eloquence.

      KURSTER

      Sir, the people

      Must have their voices; neither will they bate

      One jot of ceremony.

      ARCHIMANDRITE

      Pray you, go fit you to the custom and

      Take to you, as your predecessors have,

      Your honour with your form.

      CORIOLANUS

      It is apart

      That I shall blush in acting, and might well

      Be taken from the people.

      ZADEK

      Mark you that? How modestly he speaks.

      FARRAH

      How fit he is to lead the Taran state!

      CORIOLANUS

      To brag unto them, thus I did, and thus;

      Show them the unaching scars which I should hide,

      As if I had received them for the hire

      Of their breath only!

      FARRAH (Aside)

      His voice returns. What strategy, Zadek?

      ZADEK (Aside)

      The Doctor, ’fore he left in his blue box,

      Pressed but a little gift into my hand.

      Quoth he: “If George is fagged after the fight –

      And who could blame the old boy if he was? –

      Then place this extra battery in his pack,

      He’ll find the strength, at least, to take applause.”

      Then added he: “Zadek, I have to go;

      I pulled the Randomiser out of joint

      To bring the TARDIS back to Tara’s shores,

      And now I sense disturbance in the air –

      That old Black Guardian is on my tail.”

      And thus he went, with great celerity.

      With flashing light, and wheezing, groaning sound.

      The birds flew from the trees as he rose up.

      FARRAH

      Wise Doctor. He hath saved our country twice.

      Once from the Count of hateful memory

      And now from foes arrived from the stars.

      ZADEK

      And when Coriolanus’ strength has gone,

      There’ll be another battle lost and won.

      ALL

      To Coriolanus come all joy and honour!

      Flourish of cornets. Exeunt all.

      * * *

      Is this a Dalek I see before me?

      * * *

      MASTER FAUSTUS

      One of the more extraordinary inclusions in the Shakespeare Notebooks is this extract from a play entitled Master Faustus. On the face of it, this seems to be either an early draft or a reworking of the play Doctor Faustus – which was written, of course, by Shakespeare’s contemporary Christopher Marlowe. Or was it? Did Shakespeare include in his Notebooks material actually written by Marlowe, or is this proof that Marlowe himself derived his own work from a previous text by Shakespeare?

      Whatever the truth, this extract makes for fascinating reading – not least for the inclusion of Marlowe as a character within the drama. His death has some resonance with the actual event, though with its inclusion of ‘Daleks’ (presumably evil spirits) this is evidently intended as a ‘fantasie’.

      SCENE I – A TAVERN IN DEPTFORD

      Enter MARLOWE, a playwright. He is accosted by DOBBIN and DULLBERRY, two ruffians.

      DOBBIN

      Prithee, art thou the famous playwright?

      MARLOWE

      Ay.

      DOBBIN

      Fellows, ’tis Master William Shakespeare!

      MARLOWE

      Shakespeare?

      DOBBIN

      The greatest writer who ever did draw breath!

      DULLBERRY

      Romeo and Juliet!

      DOBBIN

      Ye Comedy of Errors!

      MARLOWE

      I wrote not them. I am Christopher Marlowe.

      DULLBERRY

      Morley?

      MARLOWE

      Marlowe.

      DOBBIN

      Who?

      MARLOWE

      Know thee not the Tragedie of Tamburlane?

      DULLBERRY

      I fear me not.

      DOBBIN

      Though, I am full sure it is most good.

      DULLBERRY

      If not as good as those of Master Will. Hast thou met him?

      MARLOWE

      I know him well.

      DOBBIN

      Then tell him how good we think him.

      MARLOWE

      I shall.

      DOBBIN

      He really is very good.

      DULLBERRY

      Truly. No hack poetaster he.

      MARLOWE

      Friends, for so I call ye, I know right well your intention.

      You art the Lord Keeper’s men, are ye not?

      Come to pay me m
    y bloody recknynge.

      But the sun is shining, and I shall not fight with you today.

      DOBBIN

      He turns down our challenge?

      DULLBERRY

      He doth. The insult shall not stand.

      They draw and fight. Enter MAGISTER.

      MAGISTER

      Put up thy bright swords noble gentlemen,

      Else the dew will rust them.

      For I am the Master and thou wilt obey me.

      DOBBIN AND DULLBERRY freeze.

      MARLOWE

      I am impressed.

      MAGISTER

      Christopher Marlowe, come with me.

      I have an offer you can not refuse.

      SCENE II – MARLOWE’S HOUSE

      MARLOWE

      What manner of man are you, sir?

      MAGISTER

      I am a man of stars, who has waited in the skies

      Long have I wished to help you, but I feared

      I should overwrack your mind.

      MARLOWE

      A spirit?

      MAGISTER

      Let’s call it that. And so to work.

      MARLOWE

      What is your business with me?

      MAGISTER

      Good Marlowe, but glance close through my tricked glass

      I have a thing to show. A vision of a scribe

      Mighty, all garlanded with poesy’s bays

      And right clapper-claw’d to infinity

      Time has no measure, nor does thy fame.

      One name shall echo cross the stars. Marlowe.

      MARLOWE

      Say you so?

      MAGISTER

      Ay. I am the Master. My word’s my power.

      And Kit, I give it thee. Say what you see?

      MARLOWE peers through MAGISTER’s magical scrying glass

      MARLOWE

      I am amazed. I but hoped my words would

      Outlive my span a little. But here I see them

      Printed, studied, acted, quoted, learned

      Quite picked apart and then repatched

      Brought to life and done to death unending.

      I see my plays acted through the ages.

      I see boys squeak my lines in endless generation,

      In dumb show processional til the crack of doom.

      I see a stage lit by dying stars, and

      On it voic’d my words, their final echo

      Cloak’d by the closing curtain of creation.

      I see only Marlowe, Marlowe, Marlow. My unending

      Line. You, Magister, you have shown me

      The book of time, and my whole life within.

      I should be a dot, a blot, the flea’s flea.

      And yet, writ large, just MARLOWE still I see.

      Do you lie?

      MAGISTER

      Lie? I never lie.

      I fear my vision has much shook thy brains.

      Good Marlowe, lay that damned book aside,

      And gaze not on it lest it tempt thy soul.

      MARLOWE

      Nay, I’ll see more. Christopher Marlowe?

      A Canterbury cobbler so oversouled?

      With nature’s pride and richest furniture

      My works do menace heaven and dare the gods!

      And yet, there is a name I thought to see

      Writ on eternity’s fair brow. I squint

      But see it not. My Will is Shaken by it.

      MAGISTER

      Oh, Master Shakespeare? Fear him not.

      His bright eyes suddenly burn so pale.

      For he is but a candle in the wind.

      And I shall snuff him out.

      MARLOWE

      I will no harm to Will. And yet –

      MAGISTER

      And yet.

      MARLOWE

      Yet. Spirit, good or bad, why help you me?

      MAGISTER

      I am one who weaves behind the rich

      Tapestry of time. I pick up threads,

      Pull colours, endeavour and much mend.

      You are one gold yarn I seek to lengthen.

      I do prepare a trap beyond a trap

      Which one day it would be a joy to spring.

      Against that day I need you, Kit.

      I can’t get you out of my head

      You work is all I think about.

      For there is a dark secret in you.

      Forsake thy king and do but join with me

      And we will triumph over all the world.

      I hold the fates fast bound in iron chains

      And with my hand turn Fortune’s wheel about

      May we become immortal like the gods.

      MARLOWE

      Had I as many souls as there be stars

      I’d give them all my Mephistophilis

      By you, I’ll be great conqueror of the world

      And make a bridge through the moving air.

      SCENE III – MAGISTER’S LIBRARY

      MARLOWE enters, much amazed

      MAGISTER

      I do nothing Marlowe, but to delight thy mind

      And let thee see what magic can perform

      Hold, take these books, peruse ’em thoroughly

      The iterating of these lines brings gold.

      Pageant: As Marlowe reads, figures dance about him in merry processional

      MAGISTER

      What think you, Kit? Have I not shown you

      All the greatest stories of the world?

      MARLOWE

      I have solved the code of great Da Vinci

      I have beheld all fifty shades of grey

      And met Dame Bridget who counts all her food

      And learned the secrets of that galaxy

      So long ago and far, far away.

      MAGISTER

      And were you struck?

      MARLOWE

      Well,

      I liked the strong magicks of young orphan

      Harry. That is a story which methinks has legs.

      And yet . . .

      MAGISTER

      And yet?

      MARLOWE

      Yet.

      MAGISTER

      Fear not. I have yet wilder skies than these.

      I call down heavens, unwrap the stars

      He must needs go that the devil drives

      There shall be no rest for the wicked

      And no sleep till Brooklyn.

      I will be Paris, and for love of thee

      Instead of Troy, shall Skaro’s towers be sacked

      Come, step into my magic cabinet.

      At MAGISTER’S invitation, MARLOWE and he enter a box

      SCENE IV – MAGISTER’S VAST CABINET

      MARLOWE

      What great reckoning in a little room!

      Is this the jakes of Ajax? This box is

      Bigger on the inside than the outside!

      MAGISTER

      You have seen nothing yet, my friend.

      MAGISTER performs a conjuration.

      Infernal trumpets sound.

      MARLOWE

      What dread noise is that?

      MAGISTER

      ’Tis the music of the spheres.

      They are the alarums of our excursion.

      See? We ride the back of time.

      From Peru to Cebu, hear the power of Babylon,

      From Bali to Cali – far beneath the Coral Sea.

      We sail away, sail away, sail away.

      MARLOWE

      I am amazed, gentle Mephistophilis.

      Our souls whose faculties can comprehend

      The wondrous architecture of the world,

      And measure every wandering planet’s course

      Still climbing after knowledge infinite

      And always moving as the restless spheres

      Will us to wear ourselves and never rest.

      MAGISTER

      We are landing. ’Tis but the gentlest bump. Come let us go.

      But Kit, beware. We voyage on a planet of total war.

      SCENE V – THE DEAD REALM OF SKARO

      Enter a pageant of DALEKS

      DALEKS

      We sing in praise of total war

    &nbs
    p; Against the Thals whom we abhor

      To free the tomb of Zeg our lord

      We’ll put all creation to the sword

      There is no greater glory than

      To burn with fire the lake of Darren

      The DALEKS espy MAGISTER and MARLOWE

      DALEKS

      Do not move! Do not move! Exterminate!

      MARLOWE

      What wild mechanicals? What dread armour!

      I will not fear bugbears and hobgoblins

      And utterly scorn both gods and monsters.

      MAGISTER

      Your boldness does you merit. Yet should we run.

      Here have I left a little work undone.

      DALEKS

      Halt! Thou are the Master! Exterminated shalt thou be!

      MAGISTER

      Run.

      MARLOWE

      Run?

      MAGISTER

      Run!

      They flee back to Magister’s Cabinet

      SCENE VI – MAGISTER’S CABINET

      Enter MARLOWE and MAGISTER at a fast pace

      MARLOWE

      If heaven were made for man, ’twas made for me

      Have I not made music with my Mephistophilis?

      MAGISTER

      I think there are many stories here for you.

      All the roads that lead you there are winding

      And all the lights that see you there are blinding

      But after all, thou shalt bow to my wonder will.

      MARLOWE

      How know you of these worlds and creatures?

      MAGISTER

      As you have Will, I have my adverse,

      A dreadful Doctor, a trickster japery

      A gallivanting gallimaufry of Gallifrey.

      He stirs these creatures up like wanton boys

      Sticking a hornet’s nest, and ’tis my job

      To clear up his mess. We are Lords Temporal

      Falling in endless fight like Lucifer and Gabriel

      Our tales entwined. My destruction eternal.

      MARLOWE

      O what a cozening Doctor was this to practice on you so!

      Where next, gentle Magister?

      MAGISTER

      We’ll chase the stars from heaven and dim their eyes

      That stand and muse at our admired arms.

      We’ll crest fair the moons of frozen Telos

      And loop the lonely tail of Mondas, quick

      We are but twenty-four hours from pulsar.

      Pageant of stars unfurled

      MAGISTER

      We cross the void beyond the mind,

      The empty space that circles time

      We see where others stumble blind

      To seek a truth they never find

      Eternal wisdom is my guide

      I am the Master.

      MARLOWE

     


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