Online Read Free Novel
  • Home
  • Romance & Love
  • Fantasy
  • Science Fiction
  • Mystery & Detective
  • Thrillers & Crime
  • Actions & Adventure
  • History & Fiction
  • Horror
  • Western
  • Humor

    Anime and Philosophy

    Page 36
    Prev Next


      Mihawk (character)

      Milgram, Stanley

      on obedience

      on suspension of morality

      Milgram Experiments

      Milton, John:

      Paradise Lost

      Mima (character)

      mimesis:

      of art and life

      and sacrifice

      mind and body, interaction of

      mindbody

      mind-body problem

      Misato (character)

      Mitchell, Robert:

      Data Made Flesh

      Miyazaki, Hayao

      on nostalgia

      on Shinto

      Mobile Suit Gundam (anime)

      and Just War Theory

      One Year War in

      and weapons of mass destruction

      Momotaro (character)

      money:

      and corruption

      as distillation of lives

      and human alchemy

      as Philosopher’s Stone

      Moore’s Law

      Moravec, Hans

      Robot

      Morgan, Michael

      Morgan, Robin

      Morpheus (character)

      Mulan (film)

      Murakami, Takashi

      mutants, as literary device

      My Neighbor Totoro (anime)

      Napier, Susan

      Anime from Akira to Princess Mononoke

      Naruto (anime)

      natural selection versus domestic selection

      Nausicaa (character)

      Nausicaa of the Valley of the Wind (anime)

      apocalyptic environment in

      consequentialism in

      ethical issues in

      warfare in

      Nemuri Kyoshiro (anime)

      Neon Genesis Evangelion (Eva)

      (anime)

      agency in

      angels in

      anxiety in

      Christianity in

      “Death and Rebirth” (episode)

      “End of Evangelion” (episode)

      EVAs in

      evolution in

      fatalism in

      SEELE in

      Night Shift Nurses (anime)

      Ninja Resurrection (anime)

      Ninja Scroll (anime)

      Nobunaga, Oda

      Nonaka, Tekuya

      Nosaka, Akiyuki

      Noumena

      objects, as standing reserve

      Ochi, Hiroyuki

      Octavius, Marcus (character)

      Ode to Kirihoto (anime)

      Ohmu (characters)

      One Piece (anime)

      One-Pound Gospel (anime)

      Original Video Animation (OVA)

      Oshii, Mamoru

      otaku

      Otomo, Katsuhiro

      outsourcing of responsibility

      Paprika (anime)

      Paranoia Agent (anime)

      Pascal, Blaise

      Pascal’s wager

      Perfect Blue (anime)

      Philosopher’s Stone

      Pigeon Blood (anime)

      Pinker, Stephen:

      How the Mind Works

      Pita-Ten (anime)

      Plato

      Cratylus

      Phaedo

      Republic

      on sensationalism

      Plutarch

      Pokemon (anime)

      Police (band):

      Ghost in the Machine

      Porco Rosso (anime)

      pornography, and sex crimes

      posthuman(ism)

      in anime

      and consciousness

      in popular culture

      and representation

      and transcendence

      “powering up,”

      Princess Mononoke (anime)

      Puppet Master (character)

      boundaries of

      as posthuman

      Purgatory Kabuki (anime)

      Puri Puri (anime)

      Rabello (character)

      religion:

      exclusivist view

      inclusivist view

      pluralist view

      Rico (character)

      robot, and moral standing, question of

      Robotech (anime)

      Roots Search (anime)

      Ryle, Gilbert

      The Concept of Mind

      Sade, Marquis de

      St. Lunatic High School (anime)

      Saint Tail (anime)

      samurai

      Samurai Champloo (anime)

      Sartre, Jean-Paul

      Sasuke (character)

      Satō (character)

      Schrödinger, Erwin

      Searle, John

      seinen

      Seita (character)

      poor choices of

      Seneca

      Serial Experiments (anime)

      Setsuko (character)

      7 Seeds (anime)

      Sexual Decisions (textbook)

      Shinji, Ikari (character)

      Shinto

      essentialist

      existential

      Folk

      Shrine

      State

      Ship of Theseus

      Shirow, Masamune

      shōjo

      Short, Sue:

      Cyborg Cinema and Contemporary Subjectivity

      shunga

      Signorielli, Nancy:

      Violence in the Media

      Singer, P.W.

      Children at War

      Sins of the Sisters (anime)

      slippery slope

      Smith, Adam

      on competition

      on specialization

      The Theory of Moral Sentiments

      Wealth of Nations

      social exclusion, in America

      Social Learning Theory

      Socrates

      Son Goku (character)

      Soul Rescue (anime)

      Spirited Away (anime)

      nostalgia in

      Shinto in

      Spriggan (anime)

      Stand Alone Complex (anime)

      Star Trek: The Next Generation (movie)

      Stellvia (anime)

      student hero

      Studio Ghibli

      Super Saiyan (character)

      Suzumiya Haruhi (anime)

      Syllabus, Ross (character)

      belief options of

      Takahata, Isao

      Takashi (character)

      Tamil Tigers

      Tarkovsky, Andrei:

      Nostalghia

      technology, concerns about

      Tenma, Dr. (character)

      Tentacle Rape erotica

      Tetsuo (character)

      identity of

      Tezuka, Osamu

      Thich Nhat Han

      Thurtle, Phillip:

      Data Made Flesh

      Tobio (character)

      Toffoletti, Kim:

      Cyborgs and Barbie Dolls

      Tokugawa Period

      Tokyo Revelations (anime)

      Tomino, Yoshiyuki

      Totoro (character)

      Transformers (anime)

      Triella

      Trinity Blood (anime)

      pluralism of

      Truman, Harry

      Tsurumaki, Kazuya

      Turing, Alan

      Turing Test

      Twelve Kingdoms (anime)

      Twin Dolls (anime)

      Ultimate Reality:

      exclusivist view

      inclusivist view

      pluralist view

      Ulysses 31 (anime)

      Urotskidoji

      US Catholic Conference:

      “Pastoral Letter on War and Peace,”

      usury

      Utilitarianism

      U2 (band)

      value, creation of

      Vampire Hunter D (anime)

      Vegeta (character)

      violent entertainment, question of role of

      Virgil:

      Aeneid

      The Virgin Mary Is Watching (anime)

      Walzer, Michael

      Just and Unjust Wars

      wandering redemption seekers

      Wegener, Paul:

      Der Gol
    em

      Wicked City (anime)

      Wilks, Jon

      Winfrey, Oprah

      Witch Hunter Robin

      Wood, Robin

      Xavier, Francisco

      X-Men

      yin and yang

      Yokoyama, Mitsuteru

      Yorita, Kenichi

      Yu-Gi-Oh! (anime)

      Yu-Gi-Oh Duel Monsters (anime)

      Yupa, Lord (character)

      Yusuke (character)

      YuYu Hakusho (anime)

      Zeh (character)

      Zeniba (character)

      08th MS Team (anime)

      Zeta Gundam (anime)

      zombies

      Zoro (character)

      1 A notable exception is the kikai ningen (literally, machine human) in Leiji Matsumoto’s Galaxy Express 999. The protagonist Tetsurō desires a machine body because he believes it will secure him eternal life, hence social status and wealth.

      2 In Japanese this is, “ .” The term “ataerareta” implies that the girls have no control over their situation. The phrase, “chiisa na shiawase” conveys that the happiness given to the girls is not total or deep happiness.

      3 This chapter is a revised version of a conference presentation given by the authors at the CERI International Conference, “Le Manga, 60 Ans Après . . .” [Manga, Sixty Years On . . .], Maison de la Culture du Japon, Paris, (15th March, 2008).

      4 This term is used in order to identify the shift between a mind-body split—following Descartes—and mindbody unification.

      5 A cyborg is a hybrid of “human” (using a minimalist, biological-organic definition) and machine, whereas an android is a wholly technological being. Motoko is a cyborg, but a figure like the Terminator is an android.

      6 I have several people—I think they’re people!—to thank for helping with this chapter: Joel Wright (Bard College ’06) for drawing my attention to Open Court’s Popular Culture and Philosophy series; Robyn Bianconi (Bard ’07) for drawing Joel’s attention to me; and especially Leah Faye Norris (Bard ’11), who gave an early draft of this chapter her full mental attention even though she was embodied on spring break.

      7 Thanks and praise to Hiroyuki Ochi, Chiaki Konaka, and their company for the Armitage franchise. If you by chance read this, please regard this as a much belated tribute from an American fan. (^o^)/

      8 In the Highlander stories, it’s against the rules of “the game” for Immortals to fight on holy ground. This is a rule that no Immortal will break, no matter how evil his opponent might be.

      9 On the difference between Japanese and Western origin myths, see Joseph Campbell, The Masks of God: Oriental Mythology (1976), pp. 9-13.

      10 The real-life maker of this candy, Sakuma, now sells candies in these tins as a Grave of the Fireflies licensed product, with Setsuko’s picture on the tin. Apparently, the fact that the tin is her cremation urn is not seen as a barrier to marketing.

      11 Studio Ghibli was only saved from financial ruin thanks to the extreme popularity of Torturo-licensed toys.

      12 A live-action version was produced for Nippon TV in 2005, based on the critical success of the anime.

      13 At least, unless I have a blood seal.

      14 All quotes from Aristotle are from his Politics, Book I, Chapters 9 and 10, Benjamin Jowett translation.

      15 Summa Theologica, I-II, Q. 84, iii. All Aquinas quotes are from the translation by the Fathers of the English Dominican Province.

      16 That’s Dennis Kozlowski. Google him! Of course, he’s only a single famous example, but the ultra-rich make similarly outrageous choices all the time.

      17 Koestler coined the term ‘holon’ to describe something which is simultaneously a whole and a part.

      18 Others include Metropolis’s robot Maria, Eve of Destruction’s Eve VIII, Terminator 3’s T-X, and on television: the Bionic Woman, Terminator: The Sarah Connor Chronicles’ Cameron, and several of Battlestar Galactica’s Cylons. Only the Bionic Woman functions as a central protagonist.

      19 The design was based on London’s nineteenth-century Crystal Palace Exhibition Hall, a museum devoted to the technology of the Industrial Revolution.

      20 Thanks to Erika Harada for her translation of parts of Ghost in the Shell and Mimi Musker for her criticism of earlier versions of this chapter.

      21 This explains the genetic similarities that Ritsuko Akagi finds between Angels and humans in Episode 5.

      22 Consider Professor Fuyutsuki in Episode 24 where he exclaims once it is discovered Kaworu is the seventeenth Angel: “SEELE has sent an Angel to us.” Gendo then says: “The Old Man wants to advance his schedule, using us as his tools.”

      23 For the sake of consistency, I will follow the story as presented in the theatrical retellings, released in the United States by Manga Entertainment under the names Death and Rebirth and End of Evangelion. I rely on Pioneer’s 2001 Special Edition of Akira. All quotations are from the subtitles of those releases.

      24 The philosopher John Leslie has argued in “Is the End of the World Nigh?” (in The Philosophical Quarterly), that, regardless of the cause, the end of the human species is more likely near to us that than not.

      25 This line of argument follows many philosophers of technology like Arnold Gehlen and Friedrich Engels. See Engels, The Dialectic of Nature, pp. 170-183.

      26 Bill Joy, “Why the Future Doesn’t Need Us” in Wired 8:4 (2000), pp. 238-246. Martin Heidegger, “The Question Concerning Technology” in Basic Writings, pp. 311-341.

      27 In case you’re wondering why a robot sprouts from a boy’s forehead, according to the interview included on the DVD release that I watched, it’s because the director likes robots. Simple! There’s also a baseball-themed episode for essentially the same reason.

      Volume 47 in the series, Popular Culture and Philosophy®, edited by George A. Reisch

      To order books from Open Court, call toll-free 1-800-815-2280, or visit our website at www.opencourtbooks.com.

      Open Court Publishing Company is a division of Carus Publishing Company.

      Copyright © 2010 by Carus Publishing Company

      First printing 2010

      All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher, Open Court Publishing Company, a division of Carus Publishing Company, 70 East Lake Street, Suite 300, Chicago, Illinois, 60601.

      Printed and bound in the United States of America.

      Library of Congress Cataloging-in-Publication Data

      Anime and philosophy : wide eyed wonder / Josef Steiff and Tristan Tamplin [editors].

      p. cm.—(Popular culture and philosophy ; v. 47)

      Includes bibliographical references and index.

      eISBN : 978-0-812-69713-1

      1. Animated films—Japan—History and criticism. 2. Animated television programs—Japan—History and criticism. 3. Steiff, Josef. II. Tamplin, Tristan D. III. Title.

      NC1766.J3A53 2010

      791.43′34—dc22

      2009050134

     

     

     



    Prev Next
Online Read Free Novel Copyright 2016 - 2026