Somehow you can tell the real crazies from the broken birds. This one was pure bird. She’d had just a little more than she could handle. She had to have somebody to hang onto, somebody who could make her see that her disaster was as much her fault as is that cyclone or flood or fire which takes all but one of a family. Her nerves were shredded, digestion shot, disposition vile. She was without hope or purpose, and she had gone a dangerous distance along the path toward despising herself. But in the end it was her sense of humor which saved her. There was a compulsive clown carefully hidden away, who had almost forgotten tricks and jokes and absurdities. When I got her weary enough and healthy enough, the clown part began to make tentative appearances, and the good mending started. After it had turned into a physical affair between us, another danger arose. She began to become too emotionally dependent on me. She was a very affectionate woman, needing and giving the casual touches and pats which to her were as necessary a part of communication as words. I felt too fatuously delighted with myself for bringing her back into reality to let her slip into another kind of fantasy. So, after helping her get a job as a dining-room hostess in a Fort Lauderdale hotel on the beach, I firmly, gently, carefully disentangled myself.
It was through her job she met Dr. Fortner Geis. He was staying alone at the hotel.
A log shifted in the fire. She sighed audibly. The music ended and she went over and punched the button to reverse it, so that it would play the other half of the tape.
“I loved this house,” she said.
I looked at a large painting on the opposite wall, the colors vividly alive, the composition very strong. A small gallery spot shone on it. I got up and went halfway to it, and then made out the artist’s signature and went back to the chair.
“An incredible old man,” I said.
“Fort and I picked that out in New York three years ago. It had just come into the gallery. Fort met Hans Hoffman once, years ago. He told me that Hoffman had such an almost childlike quality of enthusiasm, that youthfulness that comes from being eternally inquisitive. I told Fort he had exactly the same thing. He looked so startled I had to laugh at him. Golly, I’m going to miss that painting.”
“Do you have to sell it?”
“In November, two weeks after Fort died, a very polite and considerate man showed up with a perfectly legitimate bill of sale for that Hoffman. He’s a Chicago collector, and he paid Fort seven thousand five for it. He said that he had added it to his fine arts rider on his insurance policy, and he insisted on leaving it here until I decide what I’m going to do. It wasn’t a shock, Trav. Not by then. By then I knew I couldn’t consider anything mine. Not even the house.”
“I don’t understand.”
She took my empty glass and said, “The lady yelled help. Remember?”
BY JOHN D. MACDONALD
The Brass Cupcake
Murder for the Bride
Judge Me Not
Wine for the Dreamers
Ballroom of the Skies
The Damned
Dead Low Tide
The Neon Jungle
Cancel All Our Vows
All These Condemned
Area of Suspicion
Contrary Pleasure
A Bullet for Cinderella
Cry Hard, Cry Fast
You Live Once
April Evil
Border Town Girl
Murder in the Wind
Death Trap
The Price of Murder
The Empty Trap
A Man of Affairs
The Deceivers
Clemmie
Cape Fear (The Executioners)
Soft Touch
Deadly Welcome
Please Write for Details
The Crossroads
The Beach Girls
Slam the Big Door
The End of the Night
The Only Girl in the Game
Where Is Janice Gantry?
One Monday We Killed Them All
A Flash of Green
The Girl, the Gold Watch & Everything
On the Run
The Drowner
The House Guest
End of the Tiger and Other Stories
The Last One Left
S*E*V*E*N
Condominium
Other Times, Other Worlds
Nothing Can Go Wrong
The Good Old Stuff
One More Sunday
More Good Old Stuff
Barrier Island
A Friendship: The Letters of Dan Rowanand John D. MacDonald, 1967–1974
THE TRAVIS MCGEE SERIES
The Deep Blue Good-By
Nightmare in Pink
A Purple Place for Dying
The Quick Red Fox
A Deadly Shade of Gold
Bright Orange for the Shroud
Darker Than Amber
One Fearful Yellow Eye
Pale Gray for Guilt
The Girl in the Plain Brown Wrapper
Dress Her in Indigo
The Long Lavender Look
A Tan and Sandy Silence
The Scarlet Ruse
The Turquoise Lament
The Dreadful Lemon Sky
The Empty Copper Sea
The Green Ripper
Free Fall in Crimson
Cinnamon Skin
The Lonely Silver Rain
The Official Travis McGee Quizbook
About the Author
JOHN D. MACDONALD was an American novelist and short story writer. His works include the Travis McGee series and the novel The Executioners, which was adapted into the film Cape Fear. In 1962 MacDonald was named a Grand Master of the Mystery Writers of America; in 1980 he won a National Book Award. In print he delighted in smashing the bad guys, deflating the pompous, and exposing the venal. In life he was a truly empathetic man; his friends, family, and colleagues found him to be loyal, generous, and practical. In business he was fastidiously ethical. About being a writer, he once expressed with gleeful astonishment, “They pay me to do this! They don’t realise, I would pay them.” He spent the later part of his life in Florida with his wife and son. He died in 1986.