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    Springsteen on Springsteen: Interviews, Speeches, and Encounters

    Page 48
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      Robin and the Hoods, 104

      Robinson, Smokey, 280

      and the Miracles, 280

      “Rock and Read” (Percy), 246–61

      Rock and Roll Hall of Fame

      acceptance speech, 283–87

      induction of backing musicians, 279–80

      induction of Dylan, 158

      induction of Orbison, 158, 283

      induction of U2, 306

      performances at, 192, 229–30

      Springsteen’s induction, 262

      “Rock and Roll Hall of Fame Induction

      Acceptance Speech” (Springsteen), 283–87

      “Rock and Roll Is Here to Stay” (Danny and the Juniors), 386

      rock-and-roll spirit, 92

      Rock magazine article, 3–7

      rock music

      age of musicians, 350

      cathartic effect, 258

      death themes, 292

      development of, 342, 386–87

      as motivator, 92

      positive impact, 258

      power of, 240

      relationship with audience, 325–26

      Rolling Stone articles, 15, 45, 68, 71, 97, 109, 121, 153, 154, 157, 177, 396

      Rolling Stone reviews, xii, 8, 293, 384

      Rolling Stones, 11, 30, 57, 105, 123, 133, 179, 187, 198, 370, 394

      “Roll of the Dice,” 161, 167, 182

      “Rosalita (Come Out Tonight),” 17, 22, 35, 48, 73, 74, 109, 114, 131, 142, 149, 156

      Rose, Charlie, 262–80

      Rosemont Theatre, 209

      Rosito, Diane, 31, 33

      “Roulette,” xii

      Roxy concerts, 45–46

      RTE 2FM interview, 184–88

      “Running Scared” (Orbison), 390

      Russell, Leon, 7

      Sam and Dave, 77

      Sancious, David, 23, 26, 64, 286

      “Sandy.” See “Fourth of July, Asbury Park (Sandy)”

      “Santa Claus Is Coming to Town,” 186

      “Saturday Night at the Movies” (Drifters), 219

      Saturday Night Live (TV show), 161, 162

      Sausalito, California, 252

      Scaduto, Anthony, 52

      Scher, John, 99

      “School Is Out” (Bonds), 22

      Schreuers, Fred, 121

      Sciaky, Ed, 69–80

      Scialfa, Patti (wife), 179, 208, 211, 290, 342

      career, 187, 291

      in E Street Band, 132, 136, 226, 287, 323

      length of relationship, 372

      marriage, 161, 170, 174, 192, 236, 287

      performing with Springsteen, 181, 226

      Scorsese, Martin “Marty,” 348, 349, 354

      Scott, Roger, 141–54

      Scott, Toby, 285

      Sgt. Pepper’s Lonely Hearts Club Band (Beatles), 159, 306

      “Secret Garden,” 192

      security guards, 79, 94–95

      Seeger, Pete, 320, 397

      Seeger Sessions. See We Shall Overcome: The Seeger Sessions

      Seger, Bob, 111–12

      September 11

      attacks, 293, 294

      Serious Moonlight (Bowie), 141

      session musicians, 27

      Sex Pistols, xii, 111, 159, 306, 388, 392

      sexuality, 221, 227, 245

      “Shake Your Booty” (K.C. and the Sunshine Band), 100

      Sha Na Na, 113

      “Sherry Darling,” 74, 108, 114, 143, 372

      “She’s About a Mover” (Sir Douglas Quintet), 139

      Shockmobile, 80

      Simms, Tommy, 166

      Simon, Carly, 315n

      “Sinaloa Cowboys,” 215, 250–51

      Slane concerts, 188

      Slash, 166

      Sleater-Kinney, 315

      “Slim Slow Slider” (Morrison), 110

      Smith, Bessie, 9, 98

      Smith, Huey “Piano,” 96

      Smith, Patti, 75–76

      Social Distortion, 170

      social issues

      activism, 260–61

      indirect approach to, 258

      as subject matter, 227, 235–36, 276, 291

      “Something in the Night,” 114

      “Song for Adam” (Browne), 109–10

      Songs (Springsteen), 262, 277

      songwriting. See also lyrics

      band vs. solo material, 289

      channeling negative experiences, 270

      characters and lyrics, 75, 250, 253

      collaboration, 375

      compared to performing, 263

      difficulty of, 270

      Dylan’s influence, 273

      editing process, 228–29

      frequency, 275–76

      inspiration for, 61, 316, 370

      learning, 5

      as means to present moral questions, 251

      political implications, 274–75

      purpose of, 256, 263, 296

      research for, 295

      rock vs. solo material, 249–50

      speed of, 24, 295

      spirituality, 309–10

      storytelling, 25, 369

      topics of songs, 250–51, 276

      Sopranos, The (TV show), 278, 286, 291

      Soul, Jimmy, 108

      Soul Asylum, 196, 205

      “Soul Man” (Sam and Dave), 393

      soul music, 393

      South by Southwest Music Festival speech, 384–98

      Southside Johnny, 70, 87, 103, 187, 267

      “Spare Parts,” 224

      Spector, Phil, 41, 108, 123, 318, 390

      speeches

      at Barack Obama Rally, 333–35

      at John Kerry Campaign Rally, 304–5

      New Jersey Hall of Fame, 330–32

      Rock and Roll Hall of Fame, 158–60, 283–87, 306–11

      at South by Southwest Music Festival, 384–98

      Spheeris, Jimmy, 28

      Spinal Tap (film), 231

      Spin article, 320–29

      “Spirit in the Night,” 5, 23, 46–47, 181

      Springsteen, Adele Ann (mother), 90–91, 344

      on Dylan, 158–59

      guitar purchase, 283

      love of music, 57, 273, 389

      move to California, 252

      at New Jersey Hall of Fame, 330

      relationship with son, 267–69

      at Rock and Roll Hall of Fame, 283

      work attitude, 214, 274, 284

      Springsteen, Bruce

      “Boss” nickname, 66, 111, 138, 218

      education, 5, 14, 85–86, 102, 248

      importance of music, 11, 14, 18, 32, 105, 188

      influence, Dylan’s, 20, 30, 159–60, 271–73, 346, 394–95

      influence, Elvis’s, 57, 105, 123, 147, 273, 370, 388–89

      influences, 16, 22, 30–31, 77–78, 105, 196, 208, 223, 248–49, 351, 361, 370, 389–93

      interests, 99–100

      love of music, 84, 88

      musical tastes, 30–31, 170, 195, 315–16, 342

      personal values, 56–57, 74, 88–89, 239

      philosophy of life, 82–84, 88–89

      pictured, 55, 125, 301, 398

      Springsteen, Bruce, childhood daydreaming, 154

      family life, 102, 126, 214–15, 227, 268, 269, 331, 351–52

      guitar playing, 90–91, 154, 283–84

      Springsteen, Bruce, early career

      audition with Hammond, 9, 15, 98, 270–71

      background, 5–6, 11

      as backup act, 13, 113, 340

      confidence, 271, 350

      finances, 13, 14, 15, 17–18, 20, 21, 28, 33

      goals/dreams, 7, 17–18

      performing as an unknown, 313n

      reluctance to discuss songs, 17

      reputation, 98

      serious outlook, 218–19, 240

      songwriting, 11, 22–23

      touring, 7, 19

      Springsteen, Bruce, family life building relationships, 188

      California home, 179

      children, 174, 179, 184, 186–87, 342, 352–53

      desire for full life experience, 226–27

      divorce, 16
    1, 242

      extended family, 363–64, 373

      marriages, 155, 158, 161, 170, 174, 179, 242

      parenting, 171–72, 201, 244, 268, 269, 342, 373

      Springsteen, Bruce, as performer

      band relationship, 6

      changing sets, 150–51

      connecting with audience, 66–68, 152, 156, 176, 220, 300, 326

      expressive ability, 16

      guitar playing, 76–77, 90–91, 194–95

      harp playing, 46

      intensity, 126, 142–43

      judging performances, 113

      popularity, 123

      rehearsal process, 166

      responsibility to fans, 119

      stage presence, 3, 7, 47

      versatility, 26

      vocal range, 16

      Springsteen, Bruce, personal traits

      appearance, 9, 21, 26, 104, 126, 166, 221, 313, 340, 343

      artistic integrity, 143, 168–69

      attention to detail, 49, 143

      building relationships, 170–71, 173

      charisma, 10, 87, 106, 179

      introspective nature, 126, 144, 169, 193, 222, 340

      isolation, 173

      lack of vices, 142

      observative nature, 270

      perfectionism, 112, 140, 289

      personality, 23, 31, 105–6, 133

      positive attitude, 121

      satisfaction with life, 118, 137–38

      self-preservation, 352

      sense of democracy, 157

      sex appeal, 34–35

      talkative nature, 19, 111, 169

      terminal niceness, 111

      Springsteen, Bruce, work life

      career luck, 88, 176–77, 373

      changing arrangements, 26

      doing one’s best, 112, 118, 140, 146, 151, 164

      editing process, 37, 228–29, 289, 371

      finding purpose, 146, 193, 252–53, 258, 263, 296, 354

      intensity, 360

      motivation/reward, 107, 146, 152, 193, 230, 360

      promoting records, 54–55, 73

      responsibility to fans, 124–26

      work schedule, 357

      Springsteen, Douglas (father), 90–91, 250

      death of, 262, 284

      military draft, 153

      move to California, 252

      relationship with son, 243, 267–68, 284, 344

      trips to Mexico, 251

      working life, 102, 124–25, 214, 274

      writing about, 75, 108, 268

      Springsteen, Evan James (son), 161, 171–72, 186–87, 287, 290, 316, 342

      Springsteen, Jessica Rae (daughter), 161, 171–72, 179, 186–87, 287, 290, 316–17, 342

      Springsteen, Sam (son), 161, 287, 290, 342, 381

      “Springsteen … The Boss Is Back” (Hackett), 293–97

      stage presence, developing, 328

      stage show

      awareness of audience, 314

      building tension, 35

      changing sets, 150–51, 182–83, 341

      criticism of, 46–47

      goals, 257–58

      importance of playing live, 376

      indoor vs. outdoor shows, 175–76, 188

      intensity, 126, 142, 179, 225, 277

      keeping it present, 182, 290

      length of, 35–36, 108, 110, 126, 142, 179, 263–64

      mood of, 135, 142–43, 182

      narrative storytelling, 317

      older material, 156, 176, 180

      planning, 166, 340–41

      popularity, 123–24

      rehearsal process, 166

      solo appearances, 209–10, 213, 222–23, 313–14, 317–18

      stagecraft, 314–15

      stretcher routine, 100–101, 315n

      surprises, 183, 317

      thematic depth, 179

      Stardust Memories (film), 220

      Starkweather, Charlie, xviii, 132, 134

      Starr, Edwin, 175

      “State Trooper,” 325, 329

      Steel Mill, 11

      Stefanko, Frank, xx, 105

      Steve Paul’s The Scene nightclub, 104

      Stewart, Jon, 379

      Stewart, Rod, 4, 7, 16, 379

      “Stolen Car,” 202

      Stone Pony nightclub, 365

      Stone Roses, 315

      storytelling, 369

      St. Paul concerts, 142

      “Straight to Hell” (Clash), 329

      Strauss, Neil, xv–xvi, 191–208

      “Street Fighting Man” (Rolling Stones), 132, 133

      “Street Hassle” (Reed), 120

      “Streets of Fire,” 85

      “Streets of Philadelphia,” 262

      Grammy awards, 191, 192, 210

      public reaction, 235–36, 238

      subject matter, 191, 200, 276

      writing process, 223, 229, 276

      stretcher routine, 100–101

      Strummer, Joe, 316, 329

      Student Prince nightclub, 6, 47, 64

      Styler, Trudie, 204

      success

      dangers of, 230, 239–40

      effect on life vs. living, 172

      need for reflection, 368–69

      power of, 164

      society’s definition, 256

      Springsteen’s definition, 107

      Suede, 315

      Suicide (duo), 317, 317n Summer, Donna, 375

      “Sunday Bloody Sunday” (U2), 309

      “Sunday Morning Coming Down” (Kristofferson), 395

      Sunday Times (London), 122–27

      Sun Sessions, The (Presley), 306

      surfing, 103

      Sutphin, Doug, 169–70

      “Sweetheart Like You” (Dylan), 159

      Sweeting, Adam, 292

      Sydney Morning Herald, 155–57

      synthesizers, 138–39

      Taliefero, Crystal, 181

      Tallent, Garry, 23, 25, 62–63, 66, 266, 278, 286

      T.A.M.I. Show, The (film), 394

      taxes, 299, 358

      Taxi Driver (film), 348

      Taylor, James, 7, 315n, 370

      telethons, 294

      television, 197, 240, 253, 256, 388

      television appearances, 161, 185

      Teller, Al, 284

      Tempe, Arizona, concert (1980), 108

      Temple of Soul, 381

      “Tenth Avenue Freeze-Out,” 46, 114

      Their Satanic Majesties Request (Rolling Stones), 30

      Them (band), 31, 386

      therapy, 173–74, 203–4, 224, 362

      “This Land Is Your Land” (Guthrie), 351, 396–97

      Thriller (Jackson), 141

      “Thunder Road,” 46, 73, 109–10, 131, 136, 193, 195, 267, 290, 315n, 318–19

      “Ties That Bind, The,” 108

      Time cover, 41, 43–44, 123, 210, 358

      Tinker. See West, Carl “Tinker”

      “Too Much Monkey Business” (Berry), 316

      Top 40 radio, 196, 370

      Toronto International Film Festival, 345–56, 367

      “Tossin’ and Turnin’” (Lewis), 106

      “Tougher than the Rest,” 166

      tours/touring

      Amnesty International Human Rights Now tour, 289

      Australia tour, 377

      Born in the U.S.A. tour, 131, 142, 162, 164, 165, 170, 173, 176

      Chicago tour, 33, 79–80, 340

      cost of touring, 126–27

      Darkness tour, 54

      demanding pace, 13, 105

      Devils & Dust tour, 312

      downtime, 364

      early career, 7, 13, 19

      European tours, 122, 123, 126, 175, 339

      keeping it present, 182

      Nebraska tour, 212

      positive aspects, 87

      reunion tour, 278, 288–92

      River tour, 108, 110, 141, 144

      stress and fatigue, 19, 27, 122, 126

      Tom Joad tour, 209–13, 218–21, 231, 235

      Tunnel of Love tour, 369

      Working on a Dream tour, 339

      Townshend, Pete, 307

      Tracks collecti
    on, 261, 262, 263, 265, 266, 276, 277, 372, 378

      “Tramp the Dirt Down” (Costello), 172

      Travis, George, 285

      Travis Shook (jazz quartet), 79

      Tucker, Ken, 292

      “Tumbling Dice” (Rolling Stones), 30

      “Tunnel of Love,” 318

      Tunnel of Love, 169, 202

      concept, 158, 164, 171, 227

      solo vs. group material, 222, 369

      success, 163, 165

      Turner, Steve, xvi, 8–12, 339–44

      “Two Hearts,” 108

      Tyler, Andrew, 41–53

      U2, 159, 186, 306–12, 387

      “U2 Rock and Roll Hall of Fame Induction

      Speech” (Springsteen), 306–12

      “Umbrella” (Rihanna), 324

      Underworld, 317n Upstage nightclub, 6, 61–62, 104

      “Used Cars,” xviii, 172

      usefulness, 146, 189, 193, 297

      values, American, 299, 333–35, 343

      Van Zandt, Steven (aka “Miami Steve,” “Little Steven”), 47, 64, 71, 88, 95, 147, 151, 348, 386

      acting career, 278, 291

      background, 63

      in Disciples of Soul, 131

      in E Street Band, 63, 136–37, 286–87

      reaction to publicity, 322

      three-minute songs, 371

      Vega, Alan, 317

      Velvet Underground, 328

      venues

      indoor vs. outdoor, 175–76

      size of, 33–34, 175, 219

      Verges motorcycle gang, 228

      Vibratones, 25

      Victory tour (Jacksons), 141

      video

      “Atlantic City,” 150, 157

      challenges of, 149–50, 156–57, 256–57

      “Dancing in the Dark,” 149, 150, 157, 374

      of Darkness performance, 376–77

      HBO concert special, 289

      “Nebraska,” 149

      “Rosalita,” 150

      Vietnam, songs about, 145, 264–65, 318

      Vietnam Veterans of America (VVA), 247, 374

      Vincent, Gene, 280

      and the Blue Caps, 280

      Vinyard, Marion, 284

      Vinyard, Tex, 284

      Wainwright III, Loudon, 11, 370, 393

      Waits, Tom, 45

      Walker, Jerry Jeff, 103

      “Walking the Dog” (Thomas), 22

      Wall of Sound technique, 41, 390

      “Was Bob Dylan the Previous Bruce Springsteen?” (Turner), 8–12

      Wayne’s World (film), 162

      We (Zamyarin), 326–27

      “We Are the World,” 236

      “Wear My Ring” (Presley), 70

      “We Gotta Get Out of This Place” (Animals), 102, 249, 391

      Weinberg, Max, 63–64, 136, 139, 286, 291, 363

      Wellstone, Paul, 305

      Wembley Arena concert, 122, 123

      “We’re a Winner” (Impressions), 393

      We Shall Overcome: The Seeger Sessions, 319, 320

      West, Carl “Tinker,” 51–52, 103, 284

      Westcott, Mark, 110–11

      West Side Story, 109

      “What Ever Happened to Bruce?”

      (Entertainment Weekly), 180

      “What’s Goin’ On” (Gaye), 159, 273

      Wheeler, Harold, 23

     


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