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    20th Victim: (Women’s Murder Club 20) (Women's Murder Club)


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      Contents

      MEET THE WOMEN’S MURDER CLUB

      MAP

      CHAPTER 1

      CHAPTER 2

      CHAPTER 3

      CHAPTER 4

      CHAPTER 5

      CHAPTER 6

      CHAPTER 7

      CHAPTER 8

      CHAPTER 9

      CHAPTER 10

      CHAPTER 11

      CHAPTER 12

      CHAPTER 13

      CHAPTER 14

      CHAPTER 15

      CHAPTER 16

      CHAPTER 17

      CHAPTER 18

      CHAPTER 19

      CHAPTER 20

      CHAPTER 21

      CHAPTER 22

      CHAPTER 23

      CHAPTER 24

      CHAPTER 25

      CHAPTER 26

      CHAPTER 27

      CHAPTER 28

      CHAPTER 29

      CHAPTER 30

      CHAPTER 31

      CHAPTER 32

      CHAPTER 33

      CHAPTER 34

      CHAPTER 35

      CHAPTER 36

      CHAPTER 37

      CHAPTER 38

      CHAPTER 39

      CHAPTER 40

      CHAPTER 41

      CHAPTER 42

      CHAPTER 43

      CHAPTER 44

      CHAPTER 45

      CHAPTER 46

      CHAPTER 47

      CHAPTER 48

      CHAPTER 49

      CHAPTER 50

      CHAPTER 51

      CHAPTER 52

      CHAPTER 53

      CHAPTER 54

      CHAPTER 55

      CHAPTER 56

      CHAPTER 57

      CHAPTER 58

      CHAPTER 59

      CHAPTER 60

      CHAPTER 61

      CHAPTER 62

      CHAPTER 63

      CHAPTER 64

      CHAPTER 65

      CHAPTER 66

      CHAPTER 67

      CHAPTER 68

      CHAPTER 69

      CHAPTER 70

      CHAPTER 71

      CHAPTER 72

      CHAPTER 73

      CHAPTER 74

      CHAPTER 75

      CHAPTER 76

      CHAPTER 77

      CHAPTER 78

      CHAPTER 79

      CHAPTER 80

      CHAPTER 81

      CHAPTER 82

      CHAPTER 83

      CHAPTER 84

      CHAPTER 85

      CHAPTER 86

      CHAPTER 87

      CHAPTER 88

      CHAPTER 89

      CHAPTER 90

      CHAPTER 91

      CHAPTER 92

      CHAPTER 93

      CHAPTER 94

      CHAPTER 95

      CHAPTER 96

      CHAPTER 97

      CHAPTER 98

      CHAPTER 99

      CHAPTER 100

      CHAPTER 101

      CHAPTER 102

      CHAPTER 103

      CHAPTER 104

      CHAPTER 105

      CHAPTER 106

      CHAPTER 107

      CHAPTER 108

      CHAPTER 109

      CHAPTER 110

      CHAPTER 111

      CHAPTER 112

      CHAPTER 113

      CHAPTER 114

      CHAPTER 115

      CHAPTER 116

      CHAPTER 117

      CHAPTER 118

      CHAPTER 119

      CHAPTER 120

      CHAPTER 121

      CHAPTER 122

      CHAPTER 123

      ACKNOWLEDGMENTS

      About the Authors

      JAMES PATTERSON is one of the best-known and biggest-selling writers of all time. His books have sold in excess of 385 million copies worldwide. He is the author of some of the most popular series of the past two decades – the Alex Cross, Women’s Murder Club, Detective Michael Bennett and Private novels – and he has written many other number one bestsellers including romance novels and stand-alone thrillers.

      James is passionate about encouraging children to read. Inspired by his own son who was a reluctant reader, he also writes a range of books for young readers including the Middle School, I Funny, Treasure Hunters, Dog Diaries and Max Einstein series. James has donated millions in grants to independent bookshops and has been the most borrowed author of adult fiction in UK libraries for the past twelve years in a row. He lives in Florida with his wife and son.

      MAXINE PAETRO is a novelist who has collaborated with James Patterson on the bestselling Women’s Murder Club, Private, and Confessions series; Woman of God; and other stand-alone novels. She lives with her husband, John, in New York.

      Also by James Patterson

      ALEX CROSS NOVELS

      Along Came a Spider • Kiss the Girls • Jack and Jill • Cat and Mouse • Pop Goes the Weasel • Roses are Red • Violets are Blue • Four Blind Mice • The Big Bad Wolf • London Bridges • Mary, Mary • Cross • Double Cross • Cross Country • Alex Cross’s Trial (with Richard DiLallo) • I, Alex Cross • Cross Fire • Kill Alex Cross • Merry Christmas, Alex Cross • Alex Cross, Run • Cross My Heart • Hope to Die • Cross Justice • Cross the Line • The People vs. Alex Cross • Target: Alex Cross • Criss Cross

      DETECTIVE MICHAEL BENNETT SERIES

      Step on a Crack (with Michael Ledwidge) • Run for Your Life (with Michael Ledwidge) • Worst Case (with Michael Ledwidge) • Tick Tock (with Michael Ledwidge) • I, Michael Bennett (with Michael Ledwidge) • Gone (with Michael Ledwidge) • Burn (with Michael Ledwidge) • Alert (with Michael Ledwidge) • Bullseye (with Michael Ledwidge) • Haunted (with James O. Born) • Ambush (with James O. Born) • Blindside (with James O. Born)

      PRIVATE NOVELS

      Private (with Maxine Paetro) • Private London (with Mark Pearson) • Private Games (with Mark Sullivan) • Private: No. 1 Suspect (with Maxine Paetro) • Private Berlin (with Mark Sullivan) • Private Down Under (with Michael White) • Private L.A. (with Mark Sullivan) • Private India (with Ashwin Sanghi) • Private Vegas (with Maxine Paetro) • Private Sydney (with Kathryn Fox) • Private Paris (with Mark Sullivan) • The Games (with Mark Sullivan) • Private Delhi (with Ashwin Sanghi) • Private Princess (with Rees Jones)

      NYPD RED SERIES

      NYPD Red (with Marshall Karp) • NYPD Red 2 (with Marshall Karp) • NYPD Red 3 (with Marshall Karp) • NYPD Red 4 (with Marshall Karp) • NYPD Red 5 (with Marshall Karp)

      DETECTIVE HARRIET BLUE SERIES

      Never Never (with Candice Fox) • Fifty Fifty (with Candice Fox) • Liar Liar (with Candice Fox) • Hush Hush (with Candice Fox)

      INSTINCT SERIES

      Instinct (with Howard Roughan, previously published as Murder Games) • Killer Instinct (with Howard Roughan)

      STAND-ALONE THRILLERS

      The Thomas Berryman Number • Hide and Seek • Black Market • The Midnight Club • Sail (with Howard Roughan) • Swimsuit (with Maxine Paetro) • Don’t Blink (with Howard Roughan) • Postcard Killers (with Liza Marklund) • Toys (with Neil McMahon) • Now You See Her (with Michael Ledwidge) • Kill Me If You Can (with Marshall Karp) • Guilty Wives (with David Ellis) • Zoo (with Michael Ledwidge) • Second Honeymoon (with Howard Roughan) • Mistress (with David Ellis) • Invisible (with David Ellis) • Truth or Die (with Howard Roughan) • Murder House (with David Ellis) • The Black Book (with David Ellis) • The Store (with Richard DiLallo) • Texas Ranger (with Andrew Bourelle) • The President is Missing (with Bill Clinton) • Revenge (with Andrew Holmes) • Juror No. 3 (with Nancy Allen) • The First Lady (with Brendan DuBois) • The Chef (with Max DiLallo) • Out of Sight (with Brendan DuBois) • Unsolved (with David Ellis) • The Inn (with Candice Fox) • Lost (with James O. Born)

      NON-FICTION

      Torn Ap
    art (with Hal and Cory Friedman) • The Murder of King Tut (with Martin Dugard) • All-American Murder (with Alex Abramovich and Mike Harvkey)

      MURDER IS FOREVER TRUE CRIME

      Murder, Interrupted (with Alex Abramovich and Christopher Charles) • Home Sweet Murder (with Andrew Bourelle and Scott Slaven) • Murder Beyond the Grave (with Andrew Bourelle and Christopher Charles)

      COLLECTIONS

      Triple Threat (with Max DiLallo and Andrew Bourelle) • Kill or Be Killed (with Maxine Paetro, Rees Jones, Shan Serafin and Emily Raymond) • The Moores are Missing (with Loren D. Estleman, Sam Hawken and Ed Chatterton) • The Family Lawyer (with Robert Rotstein, Christopher Charles and Rachel Howzell Hall) • Murder in Paradise (with Doug Allyn, Connor Hyde and Duane Swierczynski) • The House Next Door (with Susan DiLallo, Max DiLallo and Brendan DuBois) • 13-Minute Murder (with Shan Serafin, Christopher Farnsworth and Scott Slaven) • The River Murders (with James O. Born)

      For more information about James Patterson’s novels, visit www.penguin.co.uk

      Dedicated to law enforcement officers throughout the US who put themselves in harm’s way to protect the rest of us

      CHAPTER 1

      CINDY THOMAS WAS tuned in to her police scanner as she drove through the Friday-morning rush to her job at the San Francisco Chronicle.

      For the last fifteen minutes there’d been nothing but routine calls back and forth between dispatch and patrol cars. Then something happened.

      The Whistler TRX-1 scanner went crazy with static and cross talk. It was as though a main switch had been thrown wide open. Codes in the four hundreds jammed the channel. She knew them all: 406, officer needs emergency help; 408, send ambulance; 410, requested assistance responding.

      Cindy was an investigative journalist, top dog on the crime beat. Her assistance was definitely not requested, but she was responding anyway. Tips didn’t get hotter than ones that came right off the scanner.

      The location of the reported shooting was a Taco King on Duboce Avenue. Cindy took a right off Otis Street and headed toward the Duboce Triangle, near the center of San Francisco between the Mission, the Castro, and the Lower Haight.

      With the sirens from the patrol cars ahead and the ambulance wailing and honking from behind, she sure didn’t need the street number. She pulled over to the side of the road, and once the emergency medical bus had passed her, she drafted behind it, pedal to the floor and never mind the speed limit.

      The ambulance braked at the entrance to the Taco King at the intersection of Duboce Avenue and Guerrero Street. Cruisers had blocked off three lanes of the four-lane street, and uniformed officers were already detouring traffic. People were running away from the scene, screaming, terrified.

      Cindy left her Honda at the curb and jogged a half block, reaching the Taco King in time to see two paramedics loading a stretcher into the back of the bus. She tried to get the attention of one of them, but he elbowed her out of his way.

      “Step aside, miss.”

      Cindy watched through the open rear doors. The paramedic ripped open the victim’s shirt, yelled, “Clear,” and applied the paddles. The body jumped and then doors slammed and the ambulance tore off south on Guerrero, toward Metro Hospital.

      Police tape had been stretched across three of the four lanes, keeping bystanders from entering the parking lot and the restaurant. At the tape stood a uniformed cop—Al Sawyer—a friend of Cindy’s live-in love, homicide inspector Rich Conklin.

      She walked up to Sawyer with her notebook in hand, greeted him, and said, “Al, what the hell happened here?”

      “Oh, hey, Cindy. If you hang on, someone will come out and make an announcement to the press.”

      She growled at him.

      He laughed.

      “I heard you were a pit bull, but you don’t look the part.” She wore blond curls, with a rhinestone-studded clip to discipline them, and had determination in her big blue eyes. That was how she looked, no manipulation intended. Still.

      “Al. Look. I’m only asking for what everyone inside and outside the Taco King saw and heard. Gotta be forty witnesses, right? Just confirm that and give me a detail or two, okay? I’ll write, ‘Anonymous police source told this reporter.’ Like that.”

      “I’ll tell you this much,” Sawyer said. “A guy was shot through the windshield of that SUV over there.”

      Sawyer pointed to a silver late-model Porsche Cayenne.

      “His wife was sitting next to him. I heard she’s pregnant. She wasn’t hit and didn’t see the shooter. That’s unverified, Cindy. Wife’s inside the squad car that’s moving out of the lot over there. And now you owe me. Big time. Give me a minute to think so I don’t blow my three wishes.”

      Cindy didn’t give him the minute, instead asking, “The victim’s name? Did anyone see the shooter?”

      “You’re pushing it, Cindy.”

      “Well. My pit-bull reputation is at stake.”

      He grinned at her, then said, “Can you see the SUV?”

      “I see it.”

      “Take a picture of the SUV’s back window.”

      “All right, Al, I sure will.”

      Sawyer said, “Here’s your scoop: the victim is almost famous. If he dies, it’s going to be big news.”

      CHAPTER 2

      SAWYER SHOOK HIS finger at Cindy, a friendly warning.

      Cindy mouthed, “Thank you,” and before she could get chased away, she ducked the tape, got within fifty feet of the SUV’s rear window, and snapped the picture. She was back over the line, blowing up the shot, when Jeb McGowan appeared out of the crowd and sidled up to her. McGowan looked like a young genius with his slicked-back hair and cool glasses with two-tone frames. He played the part of journo elite, having worked crime in his last job at the LA Sun Times. He had a daily column—as she had—and had done some interviews on cable news after he reported on the Marina Slasher two years ago.

      Back then McGowan had implied that San Francisco was small-time and provincial.

      “Why are you here?” she’d asked.

      “My lady friend has family in Frisco. She needs to see them more. So whaddaya gonna do?”

      Cindy had thought, For starters, don’t call it Frisco.

      Now McGowan was in her face.

      “Cindy. Hey.”

      That was another thing. McGowan was pushy. Okay, the same had been said of her. But in Cindy’s opinion, McSmarty was no team player and would love to shove her under a speeding bus and snatch the top spot. Or maybe he’d just stick around, like gum under her shoe, and simply annoy her to death.

      “Hiya, Jeb.”

      She turned away, as if shielding her phone’s screen from the morning sun, but he kept talking.

      “I had a few words with a customer before she fled. I have her name and good quotes about the mayhem after the shooting. Here’s an idea, Cindy. We should write this story together.”

      “You’ve got the name of the victim?”

      “I will have it.”

      “I’ve already got my angle,” she said. “See you, Jeb.”

      Cindy walked away from McGowan, and when she’d left him behind, she enlarged the image of the Porsche’s back window. A word had been finger-painted in the dust.

      Was it Rehearsal?

      She sucked in her breath and punched up the shot until Rehearsal was clear. It was a good image for the front page, and for a change, no friend of hers at the SFPD was saying, “That’s off the record.”

      As she walked to her car, Cindy wondered, Rehearsal for what? Was it a teaser? Whatever the shooter’s motive for shooting the victim, he was signaling that there would be another shooting to come.

      Cindy phoned Henry Tyler, the Chronicle’s publisher and editor in chief, and left him a message detailing that her anonymous source was a cop and she was still digging into the victim’s identity.

      Back in her car, she listened to the police scanner, hoping to catch the name of the victim. And she called Rich to tell him what she’d just seen.

      He might already kn
    ow the victim’s name.

      CHAPTER 3

      YUKI CASTELLANO LOCKED her bag in her desk drawer, left her office, and headed to the elevator.

      A San Francisco assistant district attorney, Yuki was prosecuting an eighteen-year-old high school dropout who’d had the bad luck to sign on as wheelman for an unidentified drug dealer.

      Two months ago there’d been a routine traffic stop.

      The vehicle in question had a busted turn-signal light and stolen plates. The cop who’d pulled over the vehicle was approaching on foot when the passenger got out of the offending vehicle and shot him.

      The cop’s partner returned fire, missed, and fired on the vehicle as it took off on Highway 1 South. The cop called for assistance and stayed with the dying man.

      A few miles and a few minutes later the squad cars in pursuit forced the getaway car off the far-right lane and road-blocked it. The police found that the passenger had ditched, leaving the teenage driver, Clay Warren, and a sizable package of fentanyl inside the car.

      The patrolman who’d been shot died at the scene.

      Clay Warren was held on a number of charges. The drugs were valued at a million, as is, and impounded. Warren and the car were identified by the dead cop’s partner, and Forensics had found hundreds of old and new prints in the vehicle, but none that matched to a known felon.

      Bastard had worn gloves or never touched the dash, or this was his first job and he wasn’t in the system.

      Yuki doubted that.

      So in lieu of the killer dealer, the wheelman was left holding the bag.

      The DA was prosecuting Clay Warren for running drugs in a stolen car and acting as accomplice to murder of a police officer, but largely for being the patsy. Yuki had hoped that Warren would give up the missing dealer, but he hadn’t done so and gave no sign that he would.

      Using the inside of the stainless-steel elevator door as a mirror, she applied her lipstick and arranged her hair, then exited on the seventh floor and approached Sergeant Bubbleen Waters at the desk.

     


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