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    Women's Murder Club [08] The 8th Confession


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      Copyright © 2009 by James Patterson

      All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

      Little, Brown and Company

      Hachette Book Group

      237 Park Avenue, New York, NY 10017

      Visit our Web site at www.HachetteBookGroup.com

      www.twitter.com/littlebrown

      First eBook Edition: April 2009

      Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc.

      The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

      ISBN: 978-0-316-05265-8

      Contents

      Cover

      Copyright Page

      Prologue: BUS STOP

      One

      Two

      Three

      Part One: BAGMAN JESUS

      Chapter 1

      Chapter 2

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

      Chapter 8

      Chapter 9

      Chapter 10

      Chapter 11

      Chapter 12

      Chapter 13

      Chapter 14

      Chapter 15

      Chapter 16

      Chapter 17

      Chapter 18

      Chapter 19

      Chapter 20

      Chapter 21

      Chapter 22

      Chapter 23

      Part Two: THE UPPER CRUST

      Chapter 24

      Chapter 25

      Chapter 26

      Chapter 27

      Chapter 28

      Chapter 29

      Chapter 30

      Chapter 31

      Chapter 32

      Chapter 33

      Chapter 34

      Chapter 35

      Chapter 36

      Chapter 37

      Chapter 38

      Chapter 39

      Chapter 40

      Chapter 41

      Chapter 42

      Chapter 43

      Chapter 44

      Chapter 45

      Chapter 46

      Chapter 47

      Chapter 48

      Chapter 49

      Part Three: PARTY ALL THE TIME

      Chapter 50

      Chapter 51

      Chapter 52

      Chapter 53

      Chapter 54

      Chapter 55

      Chapter 56

      Chapter 57

      Chapter 58

      Chapter 59

      Chapter 60

      Chapter 61

      Chapter 62

      Chapter 63

      Chapter 64

      Chapter 65

      Chapter 66

      Chapter 67

      Chapter 68

      Chapter 69

      Chapter 70

      Chapter 71

      Chapter 72

      Chapter 73

      Chapter 74

      Chapter 75

      Part Four: DOC

      Chapter 76

      Chapter 77

      Chapter 78

      Chapter 79

      Chapter 80

      Chapter 81

      Chapter 82

      Chapter 83

      Chapter 84

      Chapter 85

      Chapter 86

      Chapter 87

      Chapter 88

      Chapter 89

      Chapter 90

      Chapter 91

      Chapter 92

      Chapter 93

      Chapter 94

      Chapter 95

      Chapter 96

      Chapter 97

      Chapter 98

      Chapter 99

      Chapter 100

      Chapter 101

      Chapter 102

      Chapter 103

      Chapter 104

      Chapter 105

      Chapter 106

      Chapter 107

      Chapter 108

      Chapter 109

      Chapter 110

      Epilogue: HAPPY AT LAST

      Chapter 111

      Chapter 112

      Acknowledgments

      About the Authors

      The Women’s Murder Club

      The 8th Confession (with Maxine Paetro)

      7th Heaven (with Maxine Paetro)

      The 6th Target (with Maxine Paetro)

      The 5th Horseman (with Maxine Paetro)

      4th of July (with Maxine Paetro)

      3rd Degree (with Andrew Gross)

      2nd Chance (with Andrew Gross)

      1st to Die

      A complete list of books by James Patterson can be found here.

      For previews of upcoming books by James Patterson and more information about the author, visit www.JamesPatterson.com.

      To Suzie and Jack And to John, Brendan, and Alex

      Prologue

      BUS STOP

      One

      THE OLD CHROME-YELLOW school bus crawled south on Market Street at half past seven that May morning. Its side and back windows were blacked out, and a hip-hop hit throbbed into the low- lying mist that floated like a silk veil between the sun and San Francisco.

      Got my ice

      Got my smoke

      Got my ride

      Ain’t got no hope

      Hold ya heads up high

      Don’t know when

      Ya gonna die….

      The traffic light changed to yellow at the intersection of Fourth and Market. The stop-sign arm at the driver’s side of the school bus swung out, the four-way hazard lights burned amber, and the vehicle came to a halt.

      To the right of the bus was a shopping mall, a huge one: Bloomingdale’s, Nordstrom, the windows papered with large Abercrombie posters of provocative half- naked teens in black and white.

      To the left of the bus was a blue Ford van and then one of two islands splitting the road — a staging area for bus passengers and tourists.

      Two cars behind the school bus, Louise Lindenmeyer, office manager, late for work, braked her old gray Volvo. She buzzed down her window and glared at that goddamned school bus.

      She’d been stuck on its tailpipe since Buena Vista Park, then watched it pull away from her at the light at Fifth and Market as a stream of traffic took the turn and pulled in front of her.

      And now that bus had stuck her at a light… again.

      Louise heard a shout. “Hey, asshole!”

      A man in his shirtsleeves, tie flapping, face bunched up, dried shaving cream under his left ear, walked past her car to give the bus driver hell.

      A horn honked, and another, and then a cacophony of horns.

      The light was green.

      Louise took her foot off the brake and at that instant felt a concussive shock, her ears ringing as she saw the roof of the school bus explode violently upward.

      Chunks of burning metal, steel-and-glass shrapnel, shot out in all directions faster than gunfire. A mushroom cloud like that of a small A-bomb formed above the bus, and the box-shaped vehicle became a fireball. Oily smoke colored the air.

      Louise saw the blue van in the lane to the left of the bus bloom with flame, then blacken in front of her eyes.

      No one got out of the van!

      And now the blaze rushed at the silver Camry directly in front of her. The gas tank blew, and fire danced over the car, consuming it in vivid, leaping flames.

      The bunch-faced man pulled himself up off the pavement to the hole where her passenger-side window had been. His shirt was gone. His hair was black fr
    izz. The skin of his face was draped over his collarbone like tissue paper.

      Louise recoiled in horror, grappled with her door handle as fire lapped at the hood of her Volvo. The car door opened and the heat rushed in.

      That’s when she saw the skin of her own arm still on the steering wheel, as if it were a glove turned inside out. Louise couldn’t hear the businessman’s horrified screams or her own. It was as though her ears had been plugged with wax. Her vision was all dancing spots and blurry shapes.

      And then she was sucked down into a well of black.

      Two

      MY PARTNER, RICH CONKLIN, was at the wheel of our unmarked car and I was sugaring my coffee when I felt the concussion.

      The dashboard shook. Hot coffee slopped over my hand. I shouted, “What the hell?” A few moments later the radio sputtered, the dispatcher calling out, “Reports of an explosion at Market and Fourth. Nearby units identify and respond.”

      I dumped my coffee out the window, grabbed the mic, and told Dispatch we were two blocks away as Conklin accelerated up the hill, then braked so that our car slewed across Fourth Street, blocking traffic.

      We bolted from the car, Conklin yelling, “Lindsay, watch out. There could be secondary explosions!”

      The air was opaque with roiling smoke, rank with burning rubber, plastic, and human flesh. I stopped running, wiped my sleeve across my stinging eyes, and fought against my gag reflex. I took in the hellish scene — and my hair literally lifted away from the back of my neck.

      Market Street is a major artery. It should have been pulsing with commuter traffic, but instead it looked like Baghdad after a suicide bomb. People were screaming, running in circles, blinded by panic and a screen of smoky haze.

      I called Chief Tracchio, reported that I was the first officer on the scene.

      “What’s happening, Sergeant?”

      I told him what I saw: five dead on the street, two more at the bus stop. “Unknown number of victims alive or dead, still in their cars,” I coughed into the phone.

      “You okay, Boxer?”

      “Yes, sir.”

      I signed off as cruisers, fire rigs, and EMS units, their sirens whooping, streamed onto Market and formed a perimeter at Third and at Fifth, blocking off oncoming traffic. Moments later, the command vehicle rolled up, and the bomb squad, covered top to toe in gray protective suits, poured onto the debris field.

      A bloodied woman of indeterminate age and race staggered toward me. I caught her as her knees buckled, and Conklin and I helped her to a gurney.

      “I saw it,” the victim whispered. She pointed to a blackened hulk at the intersection. “That school bus was a bomb.”

      “A school bus? Please, God, not kids!”

      I looked everywhere but saw no children.

      Had they all been burned alive?

      Three

      WATER STREAMED from fire hoses, dousing flame. Metal sizzled and the air turned rancid.

      I found Chuck Hanni, arson investigator and explosion expert, stooping outside the school bus’s side door. He had his hair slicked back, and he wore khakis and a denim shirt, sleeves rolled up, showing the old burn scar that ran from the base of his right thumb to his elbow.

      Hanni looked up, said, “God-awful disaster, Lindsay.”

      He walked me through what he called a “catastrophic explosion,” showed me the two adult-size “crispy critters” curled between the double row of seats near the driver’s side. Pointed out that the bus’s front tires were full of air, the back tires, flat.

      “The explosion started in the rear, not the engine compartment. And I found this.”

      Hanni indicated rounded pieces of glass, conduction tubes, and blue plastic shards melted into a mass behind the bus door.

      “Imagine the explosive force,” he said, pointing to a metal projectile embedded in the wall. “That’s a triple beam balance,” he said, “and I’m guessing the blue plastic is from a cooler. Only took a few gallons of ether and a spark to do all this…”

      A wave of his hand to indicate the three blocks of utter destruction.

      I heard hacking coughs and boots crunching on glass. Conklin, his six-foot-two frame materializing out of the haze. “There’s something you guys should see before the bomb squad throws us outta here.”

      Hanni and I followed Conklin across the intersection to where a man’s body lay folded up against a lamppost.

      Conklin said, “A witness saw this guy fly out of the bus’s windshield when it blew.”

      The dead man was Hispanic, his face sliced up, his hair in dyed-red twists matted with blood, his body barely covered in the remnants of an electric-blue sweatshirt and jeans, his skull bashed in from his collision with the lamppost. From the age lines in his face, I guessed this man had lived a hard forty years. I dug his wallet out of his hip pocket, opened it to his driver’s license.

      “His name is Juan Gomez. According to this, he’s only twenty-three.”

      Hanni bent down, peeled back the dead man’s lips. I saw two broken rows of decayed stubs where his teeth had once been.

      “A tweaker,” Hanni said. “He was probably the cook. Lindsay, this case belongs to Narcotics, maybe the DEA.”

      Hanni punched buttons on his cell phone as I stared down at Juan Gomez’s body. First visible sign of methamphetamine use is rotten teeth. It takes a couple of years of food- and sleep-deprivation to age a meth head twenty years. By then, the drug would have eaten away big hunks of his brain.

      Gomez was on his way out before the explosion.

      “So the bus was a mobile meth lab?” said Conklin.

      Hanni was on hold for Narcotics.

      “Yep,” he said. “Until it blew all to hell.”

      Part One

      BAGMAN JESUS

      Chapter 1

      CINDY THOMAS BUTTONED her lightweight Burberry trench coat, said, “Morning, Pinky,” as the doorman held open the front doors of the Blakely Arms. He touched his hat brim and searched Cindy’s eyes, saying, “Have a good day, Ms. Thomas. You take care.”

      Cindy couldn’t say that she never looked for trouble. She worked the crime desk at the Chronicle and liked to say, “Bad news is good news to me.”

      But a year and a half ago a psycho with an illegal sublet and an anger-management problem, living two floors above her, had sneaked into apartments and gone on a brutal killing spree.

      The killer had been caught and convicted, and was currently quarantined on death row at the “Q.”

      But still, there were aftershocks at the Blakely Arms. The residents triple-locked their doors every night, flinched at sudden noises, felt the loss of common, everyday security.

      Cindy was determined not to live with this kind of fear.

      She smiled at the doorman, said, “I’m a badass, Pinky. Thugs had better watch out for me.”

      Then she breezed outside into the early May morning.

      Striding down Townsend from Third to Fifth — two very long blocks — Cindy traveled between the old and new San Francisco. She passed the liquor store next to her building, the drive-through McDonald’s across the street, the Starbucks and the Borders on the ground floor of a new residential high-rise, using the time to return calls, book appointments, set up her day.

      She paused near the recently rejuvenated Caltrain station that used to be a hell pit of homeless druggies, now much improved as the neighborhood gentrification took hold.

      But behind the Caltrain station was a fenced-off and buckled stretch of sidewalk that ran along the train yard. Rusted junkers and vans from the Jimi Hendrix era parked on the street. The vehicles were crash pads for the homeless.

      As Cindy mentally geared up for her power walk through that “ no-fly zone,” she noticed a clump of street people ahead — and some of them seemed to be crying.

      Cindy hesitated.

      Then she drew her laminated ID card out of her coat, held it in front of her like a badge, pushed her way into the crowd — and it parted for her.

      The ailanthus trees shooting up thr
    ough cracks in the pavement cast a netted shade on a pile of rags, old newspapers, and fast-food trash that was lying at the base of the chain-link fence.

      Cindy felt a wave of nausea, sucked in her breath.

      The pile of rags was, in fact, a dead man. His clothes were blood-soaked and his face so beaten to mush, Cindy couldn’t make out his features.

      She asked a bystander, “What happened? Who is this man?”

      The bystander was a heavyset woman, toothless, wearing many layers and textures of clothes. Her legs were bandaged to the knees and her nose was pink from crying.

      She gave Cindy a sidelong look.

      “It’s B-B-Bagman Jesus. Someone killed him!”

      Cindy thumbed 911 on her Treo, reported what had clearly been a murder, and waited for the police to arrive.

      As she waited, street people gathered around her.

      These were the unwashed, the uncounted, the unnoticed, fringe people who slipped through the cracks, lived where the Census Bureau feared to tread.

      They stank and they twitched, they stammered and scratched, and they jockeyed to get closer to Cindy. They reached out to touch her, talked over and corrected one another.

      They wanted to be heard.

      And although a half hour ago Cindy would have avoided all contact with them, she now wanted very much to hear them. As time passed and the police didn’t come, Cindy felt a story budding, getting ready to bloom.

      She used her cell again, called her friend Lindsay at home.

      The phone rang six times before a masculine voice rasped, “Hello?” Sounded to Cindy like maybe she’d interrupted Lindsay and Joe at an inopportune moment.

      “Beautiful timing, Cindy,” Joe panted.

      “Sorry, Joe, really,” said Cindy. “But I’ve got to speak to Lindsay.”

     


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