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    A Marriage Book

    Page 5
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      You’ll finally sleep easily

      on your side of the plot,

      all ash and wind and water,

      a line of polished wisdom on your self-effacing stone.

      On my side the heavy, messy snore

      of fungus and tree roots and moles’ nests,

      a granite animal howling and scratching above me.

      Once before that, I’d love

      to take the woman in the mirror to Rome.

      To sit at a sidewalk café sipping

      cappuccino and grappa

      in the roar of Roman traffic

      through the lovely rubble of time,

      the Rome Piranesi etched,

      the Rome Antonioni filmed,

      the Rome Shelley praised in poems

      “like flame transformed to marble.”

      And hold, for only the moment you

      will allow me before shyly pulling away

      both your hands in both of mine,

      and thank you, from the boy I was before

      to the man bent before you,

      for all the life blossoming around me,

      storied, sunlit, timelessly beautiful.

      HERE IS MY PROMISE TO YOU, OR MARCO POLO LEAVES THE KITCHEN FOR THE PROVINCES

      Every morning battered knees and ankles allow

      I will rise in the dark and empty the dishwasher,

      quietly setting away plates and spoons

      so we begin the trek of day uncluttered.

      Every morning I will read the dispatches from

      the outer world and leave those facts arranged

      on the kitchen table for you to plot

      our escape well-armed.

      Every morning when the sun breaks

      over the neighbor’s ragged shingles

      I will worry with you about the children and the babies,

      how they are faring on the long trail we have blazed.

      And every morning when black coffee charges me

      like Marco Polo onto the Silk Road toward distant

      China I will set out to write the wonders

      my wanderings discover.

      So that when you appear in the doorway,

      companion still swaddled in the royal blue of night,

      my body will swiftly clear the tent

      for you to rule as you do so well in silver light.

      Between sunrise and sunset I will be away

      from your mysteries into the extremities of mine.

      Otherwise you can count on me to execute my tasks.

      Just as, after dark, I am certain to settle under the sheets

      of evening like a blowing, hibernating bear.

      Wake me if need be, but know I will be

      useless as you address the riddles

      of the day, the calamities of night.

      But let me tell you as the sun sets what I learned

      today. Ahead lies a golden city. Below its parapets

      white horses graze. Inside waits a robe embroidered

      with a million golden threads.

      It lies in the hollow of the valley

      over the mountains of your shoulders.

      There an emperor, barely a child, slew all his slaves

      to banish death. And left behind for us a monument

      in the earth, filled, it is said, with rivers of mercury,

      stars of diamonds, crossbows set to foil intruders.

      Take my hand and let us brave that sight.

      Together we have once again survived

      the murderous robberies of the night.

      WHEN I AM EIGHTY

      When I am eighty

      I am going to throw a big party

      for myself.

      When I am eighty

      I am going to dress up

      in white pants

      and a white shirt

      with black suspenders

      and let a white horse

      eat out of my hand.

      When I am eighty

      I am going to get up

      at three in the morning

      and pace and think

      in the quiet.

      When I am eighty

      I am going to tell story after story

      and laugh and laugh

      and think all my ideas

      are good ones.

      When I am eighty

      I’m going to be mad as hell

      if you don’t do it my way.

      When I am eighty

      I am going to send grandchildren

      on treks along backcountry streams

      and go home and read the newspaper.

      Because I will know it is younger people

      who now must find the lost.

      But without me

      no one would have any

      good stories to tell.

      When I am eighty

      I will hold the fine silk goblet

      of my wife in both my hands.

      That will be all the life

      I can handle.

      EPILOGUE

      WEDDING POEM

      Marriage is attached

      to the center of earth.

      Its weight is incalculable.

      Before,

      it swirls around you

      like a gas,

      like a collection of stuffed animals,

      like a forest fire.

      But after the ritual

      under the arbor,

      the sharing of tea,

      the grin of the justice,

      the white train floating like a glacier

      down the red aisle,

      the looping of rings,

      the moon dance . . .

      it attaches to the feet.

      It weighs them down

      and supports them

      at once.

      It is gravity,

      which limits us totally,

      which makes all life possible.

      Acknowledgments

      Many of these poems originally appeared in the following periodicals:

      Amaranth Review, Art Word Quarterly, Askew, Aurorean, Black Buzzard Review, Borealis, Chronicle Alternative, Concrete Wolf, Echoes, Free Verse, Goodrichie, Ha!, Journal of Family Life, Lilliput Review, Minnesota Monthly, Mojo Risin’, North American Review, North Central Review, Ophelia’s Pale Lilies, Poetry Calendar 1999, Poets On: Refusing, Rag Mag, Recycled Quarterly, Rosebud, Sidewalks, Urthona (UK), Verse Wisconsin, Water-Stone, Whistling Shade.

      The following poems were published in anthologies:

      “Backscratch Boy” in Essential Love: Poems about Mothers and Fathers, Daughters and Sons, ed. Ginny Lowe Connors, and in The Well-Versed Parent: Poetic Prescriptions for Parenthood, ed. Jane E. Hunter, MD; “My Wife Sleeping beside Me” in Proposing on the Brooklyn Bridge: Poems on Marriage, ed. Ginny Lowe Connors; “An Engineering Problem” in Poets On: 20th Anniversary Reprise, ed. Ruth Daigon; “When You Are Ready, Climb” and “The Morning of the Wedding” in My Heart’s First Steps; “To Make a Baby” in Family Matters: Poems of Our Families; “A Mirror in Rome” in 25 Minnesota Poets/2014.

      Thanks to the editors for permission to reprint.

      Special gratitude to the Anderson Center for residencies which allowed me to organize and revise this manuscript. And to poet, teacher, editor, and friend Thomas R. Smith, always the first reader of my poems.

      “Wedding Poem” may be reproduced free forever.

      Credit: Larry Marcus

      JAMES P. LENFESTEY is a former college English instructor, alternative school administrator, marketing communications consultant, and editorial writer for the Minneapolis Star Tribune, where he won several Page One awards for excellence. Since 2000, he has published a memoir, Seeking the Cave: A Pilgrimage to Cold Mountain, a collection of personal essays and five collections of poems. He edited two poetry anthologies and coedited Robert Bly in This World. As a journalist, he has covered education, energy policy, and climate science. He lives in Minneapolis with his wife of fifty years. They have four children and eight grandchildren.

      Founded as a nonprofit organization i
    n 1980, Milkweed Editions is an independent publisher. Our mission is to identify, nurture and publish transformative literature, and build an engaged community around it.

      milkweed.org

      Interior design by Mary Austin Speaker

      Typeset in Caslon by Mary Austin Speaker

      Adobe Caslon Pro was created by Carol Twombly for Adobe Systems in 1990. Her design was inspired by the family of typefaces cut by the celebrated engraver William Caslon I, whose family foundry served England with clean, elegant type from the early Enlightenment through the turn of the twentieth century.

     

     

     



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