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    A YIDDISH HAMLET

    Page 3
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    You don't take your call yet.

      PINCHAS

      (in a fury)

      Let me go. I must speak to the people. They think me, Melchitzedek Pinchas, guilty of this drek. My star will set. I'll be laughed at from the Hudson to the Jordan.

      (struggling)

      KLOOT

      (impudently)

      Hush, hush, you're interrupting the poesy.

      PINCHAS

      Who has drawn and quartered my play? Speak.

      KLOOT

      I've only arranged it for the stage.

      PINCHAS

      (flabbergasted)

      You!

      KLOOT

      (with great assurance)

      You said you and I are the only two men who understand how to treat poesy.

      PINCHAS

      You understand drek not poesy. You conspire to keep me out of the theatre. . . . I will summons you.

      KLOOT

      (imperturbably)

      We had to keep all the authors out. Suppose Shakespeare had complained of you?

      PINCHAS

      (modestly)

      Shakespeare would have been only too grateful.

      KLOOT

      Hush, the boss is on.

      POLONIUS "He's coming. Now give it to him good."

      QUEEN

      "Will I ever?"

      HAMLET

      "Mother, mother, mother."

      QUEEN

      "Leave it to me."

      POLONIUS "I'll hide behind the curtain."

      HAMLET

      "Something wrong, Mom?"

      QUEEN

      "Hamlet, thou hast thy father much offended."

      HAMLET

      "Mother, you have my father much offended."

      QUEEN

      "Don't get fresh with your mother."

      HAMLET

      "Will you ever stop nagging?"

      QUEEN

      "Nagging. Now let me tell you . . . "

      HAMLET

      "I'm in no mood for fooling. You're going to listen."

      QUEEN

      "Let me go."

      HAMLET

      "Sit down. You shall not budge."

      QUEEN

      "Is this the way to treat your mother? I should die I have a son like this. Murder. Help. Help."

      (Polonius stirs behind the curtain.)

      HAMLET

      "How, now, a rat?"

      (Hamlet pulls his sword and runs Polonius through.)

      POLONIUS

      "Oi Vay!"

      PINCHAS

      (thunderstruck)

      OI VAY!

      (Pinchas makes a wild lunge, and is barely restrained by Kloot.)

      KLOOT

      Who's mutilating the poesy now? You'll spoil the scene.

      PINCHAS

      Liar, murderer. Word butcher. You promised me your wife as Ophelia.

      KLOOT

      Sure. The first wife I get, you shall have.

      (Pinchas gnashes his teeth.)

      KLOOT

      I think you owe me a carfare.

      PINCHAS

      (icily)

      Why is there singing in Hamlet?

      KLOOT

      Because it's Passover. You're a greenhorn. In New York it's a tradition to have musical plays on Passover. We only took your play as a Passover play.

      PINCHAS

      But Hamlet is not a musical play.

      KLOOT

      Yes it is. What about Ophelia's songs? That was what decided us. It only needed a little touching up by an experienced theatre person such as myself.

      PINCHAS

      But Hamlet is a tragedy!

      KLOOT

      Sure! They all die at the end. Our audiences are very compassionate. They'd be miserable if they didn't all die. Wait till they're dead, then you shall take your bow.

      PINCHAS

      Take my bow for your play!

      KLOOT

      There's quite a lot of your lines left, if you listen carefully. Only you're a poet and you don't understand stage technique. The idea was yours and was worth every cent we paid for it. Really, you're a genius.

      (A storm of applause from the audience. The ghost cakewalks on stage and is confronted by Hamlet in mime.)

      QUEEN

      "I will not speak with her."

      HORATIO

      "Ophelia has gone meshugenah."

      QUEEN

      "Let her in."

      OPHELIA

      (tripping in)

      I'm meshugenah,

      Da, da, da,

      I'm meshugenah,

      Da, da, da,

      Daddy's dead,

      I'm out of my head. . . .

      (Ophelia's song is accompanied by incongruous music. The play continues in mime. Pinchas continues to struggle with Kloot.)

      QUEEN

      (to Hamlet)

      "That Ophelia's a pain. I always told you you'd have trouble with shikses."

      (The play continues in mime, to roars of approval.)

      HAMLET

      (with a skull)

      "Oi Vay. Poor Yorick, I knew him well, Horatio. A real joker. An unemployed comedian. . . .

      (Finally Pinchas escapes from Kloot and runs on stage brandishing his cane.)

      PINCHAS

      Cutter of lines.

      (whacking Hamlet with his cane)

      Perverter of poesy.

      (whacking Hamlet again)

      (The audience loves it; cheers as Hamlet runs off.)

      PINCHAS

      Good people. I am the world famous poet, Melchitzedek Pinchas. This is not my play. This is not Shakespeare. This is drek! Drek!

      (Kloot and other members of the cast drag off Pinchas.)

      BLACKOUT

      V. THE CAFE, NIGHT

      It is later that night. Pinchas is sitting by himself in the deserted cafe. The bartender is polishing his glasses. Pinchas is sitting at a table.

      (Enter the Heathen Reporter.)

      REPORTER

      Congratulations on your great success.

      PINCHAS

      (turning away)

      Do not mock me!

      REPORTER

      But your Hamlet is a great hit. It's a sensation.

      PINCHAS

      It's a disgrace; a travesty! Poetry lies bleeding.

      REPORTER

      Well, you European intellectuals certainly take an odd view of things. I never laughed so hard in my life.

      PINCHAS

      You were not supposed to laugh. The play is a tragedy!

      REPORTER

      Maybe so, but I'd like to have a nickel for every ticket dollar that play will make.

      PINCHAS

      Bah! You're crazy. I'm going to stop them, no matter what. In the morning I will see Mendelsohn, the lawyer, and withdraw the right to produce my play.

      (Enter Kloot.)

      PINCHAS

      You!

      (rises and raises his cane)

      Man of the Earth! Swindler! Enemy of Poetry!

      KLOOT

      Now you just hold on, there Pinchas--I've been looking for you all over the place.

      PINCHAS

      What do you want?

      KLOOT

      I came to give you your share of the box office.

      PINCHAS

      I don't want it.

      KLOOT

      The play's a hit. It will run for years. It's the greatest thing since sliced bread. You're a hero Pinchas! You're famous.

      PINCHAS

      I'm a laughingstock. And because of you.

      KLOOT

      Now, that's what I want to talk to you about. You've got to do that thing again.

      PINCHAS

      What thing? What are you talking about?

      KLOOT

      You've got to run on stage and fight with everybody. Just like you did tonight. That was the showstopper.

      PINCHAS

      Are you mad?

      KLOOT

      Crazy like a fox, my boy. People almost pissed their pants.

      PINCHAS

      I will do no such thing!

      KLOOT

      That's O.K. we can have an
    actor playing you do it.

      PINCHAS

      I will not allow it! This whole travesty will stop tomorrow. I am going to Mendelsohn and he will put an end to this murder of art.

      KLOOT

      Say now Pinchas, don't kill the goose that laid the golden egg.

      PINCHAS

      It will stop, I say.

      KLOOT

      Look here, Pinchas, here's $163.25-

      PINCHAS

      (turning)

      I don't take bribes!

      KLOOT

      Bribes! Hain't no bribe. It's the author's share of the box office.

      PINCHAS

      For one night?

      KLOOT

      That's right. And, this play of yours, with a little help from yours truly, is likely to run a thousand and one nights as the saying goes.

      PINCHAS

      (musing)

      A hundred and sixty-three dollars!

      KLOOT

      And twenty-five cents.

      PINCHAS

      It's more than I made in the last year.

      KLOOT

      And there's more where that come from. You are already being hailed as the comic genius from Warsaw.

      PINCHAS

      (unbelieving but flattered)

      I am?

      KLOOT

      Damned right. What I want, what Goldwater wants, is another tragedy from you. He's ready to pay $200.00 in advance.

      PINCHAS

      Two hundred dollars!

      (controlling himself)

      No-I will not do it! I will not debase my art for any amount of money.

      KLOOT

      But . . .

      REPORTER

      But Mr. Pinchas, you're throwing away the opportunity of a lifetime. Not only will you get rich, but your fame, as the comic genius from Warsaw, will be jeopardized.

      (Pinchas scowls. Putting his hands behind his back, he walks around in a circle considering--he waves his right hand muttering "On the one hand" then his left--"on the other hand" in considerable uncertainty. Finally, nodding to himself, he decides.)

      PINCHAS

      All right. But on one condition.

      KLOOT

      What's that?

      PINCHAS

      I will give you my Yiddish Caesar. I will let you butcher it to your heart's content. I will let you produce my Hamlet.

      KLOOT

      I'll treat it with the greatest respect. But what's your condition?

      PINCHAS

      My condition is that you don't try to stop me when I run on stage and beat Goldwater to death!

      KLOOT

      (thinking hard)

      Well, you've got a deal.

      (winking at the audience)

      PINCHAS

      Action is greater than thought.

      KLOOT

      (aside)

      What do I care what happens to Goldwater?

      CURTAIN

      FB2 document info

      Document ID: ae422962-695d-4d1f-96fa-c2a8c3e4466a

      Document version: 1

      Document creation date: 2009-06-24

      Created using: EmEditor 8.05 software

      Document authors :

      Ghost mail

      Source URLs :

      http://www.munseys.com/book/03545/

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