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    Michael Graves

    Page 38
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      Washington Square 62–63

      Watchung Mountains 98–99

      Watkin, David 48

      We Have Never Been Modern (Latour) ix

      Wesselmann, Tom 64

      Wexner Center for the Arts 172–73

      White, Robert Carey 100

      White City 68–69

      Whites 108, 225 note 104

      Four Days in May and, 225 note 91

      Krier and, 134

      Le Corbusier and, 118

      UCLA School of Architecture and Design and, 154–55

      Whitney, David 167–68

      Whitney Museum of American Art plate 45, 172, 190

      Ad Hoc Committee to Save the Whitney and, 165

      aging structure of, 158

      Community Board and, 175

      Armstrong and, 158–59

      Breuer and, 158–59, 164–65, 175, 179–80, 189

      controversy over, 165–66

      design competition for, 158

      diptychs and, 164–65, 175

      Gwathmey Siegel and, 158

      importance of as client, 158–59, 175

      Koolhaas and, 183

      Landmarks Commission and, 165–66, 175

      long schedule for, 159

      as Metropolitan Museum of Art annex, 180

      new scheme for, plate 44, 175

      project cancellation of, 179–80

      proposal presentation of, plate 43, 164–65

      Scott Brown and, 158

      Scully and, 165

      third proposal for, 175, 179

      Venturi and, 158

      Wigley, Mark 183

      Williams, Ted 173

      Winckelmann, Johann Joachim 73–74

      Wiseman, Carter 147

      Wittenborn, George 106

      Wolfe, Tom 154, 205

      Woman with a Blue Hat (Picasso) 175

      World’s Columbian Exposition 68, 178

      World War I 54, 74

      World War II 29, 36–37, 43, 47, 74

      World War Memorial 29, 37

      Wounded Warrior Project plate 63, 203

      Wright, Frank Lloyd xii, 105, 139

      background of, 39

      furniture and, 62, 150

      horizontal volumes and, 47

      Jencks and, 185

      Johnson Wax Headquarters and, 46, 62

      Meier and, 64

      midwestern roots of, 39

      Mies and, 65

      Modernist interiors and, 105

      original ornament of, 47

      as philosopher-king, 39

      popularity of, 148

      SOM and, 65

      Wundram, Edward 140, 145, 227 note 74

      XV Triennale di Milano 108

      Zurich 77

      IMAGES ARE COURTESY OF MICHAEL GRAVES ARCHITECTURE & DESIGN (MGA&D), UNLESS OTHERWISE NOTED

      Peter Aaron © OTTO Archive: plates 21, 22, 42 Steven Brooke Studios for MGA&D (printed with the permission of the Walt Disney World Swan and Dolphin Resort): plate 47 Steven Brooke Studios for MGA&D: plate 48 Peter Carl: page 114 Eisenman Architects: pages vii–viii, 107 © Fondation Le Corbusier / ARS: page 55 Scott Frances © OTTO Archive: page 87 (bottom) Coroson Hirschfeld, from Jayne Merkel, In Its Place: The Architecture of Carl Strauss and Ray Roush (Cincinnati, OH: The Contemporary Arts Center, 1984): page 43 Coroson Hirschfeld, from Jayne Merkel, Michael Graves & Riverbend: A Summer Pavilion for the Cincinnati Orchestra (Cincinnati, OH: The Contemporary Arts Center, 1987): page 50 Illinois Institute of Technology’s University Archives: page 45 Indianapolis Star (originally published on February 17, 1924): page 16 Indianapolis Star (originally published on November 11, 1927): page 19 Indianapolis Star (originally published on March 2, 1931): page 21 Indiana Historical Society: pages 17, 28 Timothy Hursley: plate 51 Scott Hyde for MGA&D: plate 33 T. Kitajima © GA Photographers: plate 18 Léon Krier: page 131 Robert Lautman for MGA&D: plate 55 Laurin McCracken © MGA&D: plate 15 Norman McGrath: plate 26 Metropolitan Home © Meredith Corporation: page 156 Richard Meier & Partners Architects: page 87 (top) MGA&D, printed with the permission of the Walt Disney World Swan and Dolphin Resort: plate 46 David Mohney for MGA&D: page 83 Douglass Paschall and William Taylor for MGA&D: plates 38, 39, 41 Tim Street-Porter for MGA&D: plate 32 Stryker: plates 57–59 Tigerman McCurry Architects: page 141 Leandro Viana: page 206 Ian Volner: page 169 Tom Yee / House & Garden, April 1973 © Condé Nast: plate 14

      photo credit: Éva Calon

      IAN VOLNER has contributed articles on architecture, design, and urbanism to the Wall Street Journal, the New Republic, Harper’s, Architectural Digest, and the New Yorker online, and is a contributing editor at Architect and Surface. He is the author of This Is Frank Lloyd Wright.

     

     

     



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