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    Michael Graves

    Page 36
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    Gwathmey Siegel 117, 158

      Hackemeyer, Eleanor 35

      Hadid, Zaha x, xii, 184

      Hanselmann, Jay 35–36, 41, 94–96, 102

      Hanselmann, Jennifer 95

      Hanselmann, Julie See Davies, Julie Hanselmann

      Hanselmann, Lois See Rothert, Lois Hickman Hanselmann

      Hanselmann House plate 11, plate 12, plate 13, plate 14, 94–99, 102–6, 109, 113, 118–19, 126

      Hansen, C. F. 185

      Hardy Holzman Pfeiffer 135

      Harper’s Bazaar magazine 52

      Harries, Karsten 162

      Harris, Steven 85, 118, 123, 158, 181–82, 189, 209

      Harrison, Wallace K. 74, 160

      Harvard 183, 189

      elitism of, 61, 66, 70, 78, 88

      Graduate School of Design (GSD) and, 53–54, 56, 58–60, 62, 64–65, 84, 115, 221 note 28

      Graves’s contempt for, 60

      Gropius and, 47

      lack of history at, 73

      Le Corbusier and, 54, 58–59, 82, 120

      Sert and, 71

      Strauss and, 53–54

      Harvard Club, Manhattan 167

      Harvard Design Magazine 193

      Hauserman Inc. 149

      Hawks, Howard 155

      Hawks, Kitty 10, 155, 161, 163, 167

      Hejduk, John

      background of, 106

      CASE and, 89, 105

      death of, 201

      as marginal figure, 106, 117

      Modernist box and, 86

      New York Five and, 2–3, 106–11, 115, 117, 119, 201

      paper architects and, 105

      Wall House and, 125

      White faction and, 108

      Hillier, Robert 81

      Hitchcock, Henry-Russell 139

      Hjemkomst Center 227 note 64

      Hockenberry, John 202

      Hoffmann, Josef 151–52, 161, 185

      Holloway, R. Ross 71

      Holmes, J. L. 16

      Hoover Berg Desmond 186

      Hopper, Edward 26

      Hotel New York 178

      Howard, Susan 7

      Humana Building plate 41, plate 42, 170, 187

      Johnson and, 162

      Mies and, 160–62

      Modernism and, 160–67

      poor academic response to, 162–63

      Postmodernism and, 160–67

      Scully on, 162

      Huxtable, Ada Louise 24, 137, 178

      Hyman, Isabelle 146

      hypermodernism xii

      iBOT 197, 202–3

      Illinois Institute of Technology 45–47

      Imaginary Prisons (Piranesi) 30, 31

      Independent Group 59, 181

      Indiana Livestock Exchange 19–20

      Indianapolis Art Center 186

      Institute for Architecture and Urban Studies (IAUS) 94, 105, 146–47, 171, 226 note 37

      Interiors magazine 150–51

      International Architecture Exhibition 151

      International Finance Corporation 181

      International Style xi, 47–48, 84, 138–39, 167, 207

      Ionic style 73

      Italian Futurism xi

      Ivancie, Frank 145–47, 227 note 8

      Izenour, Steven 115

      Jacobs, Donald 49–51

      Jacobs, Jane 138, 140

      Jacobs, Karrie 90

      Jahn, Helmut 160, 167

      James, Frank 18

      James, Jesse 18

      Japan 157, 182–83, 186–87

      JCPenney 200

      Jean-Claude 192

      Jeanneret-Gris, Charles Édouard See Le Corbusier

      Jefferson, Thomas 127

      Jencks, Charles x, 218 note 5, 218 note 6

      consumerism and, 193

      CUNY symposium and, 205

      Disney and, 178–79

      Hawks and, 155

      home of, plate 40, 157

      Kings of Infinite Space and, 184–85

      The Language of Post-Modern Architecture and, 137–38

      Portland Building and, 146

      Portoghesi and, 151

      Postmodernism and, 154

      Venice Architecture Biennale and, 151

      Whitney Museum and, 165

      “Winter” fireplace and, plate 40

      Jersey Corridor Project plate 9, 90–91, 113

      Joffrey Ballet plate 36, 155

      Johnson, Philip x, xii, 2, 141, 225 note 104

      AT&T Building and, 139, 142

      Belluschi and, 143

      competition from, 167

      as dean of American architecture and, 139

      Deconstructivist Architecture show and, 183

      Eisenman and, 139–40

      Eisner and, 167–68

      Glass House and, 139, 224 note 61

      Humana Building and, 160, 162

      International Style and, 139

      Modernism and, 139

      Portland Building and, 140, 142–43, 147

      Postmodernism and, 139–40, 176, 185

      Rockefeller family and, 100

      Time cover of, 139

      wealth of, 139

      Whitney Museum and, 165

      Wolfe and, 154

      Johnson, Ron 9, 11, 191–92, 200

      Johnson Wax Headquarters 46, 62

      Jones, David A. 159–61

      Kahn, Louis 59, 74, 221 note 32

      Kamen, Dean 197

      Kandinsky, Wassily 54

      Kaskey, Raymond 147

      Kasumi Research and Training Center 182

      Katz, Alex 64

      Kean University 205

      Keeley House 103

      Keith, Slim 155

      Kelty, Matt 103

      Kessler Institute 8–12, 199–200

      Kevin Roche John Dinkeloo 167

      Keystone House 134

      Kiley, Dan 45

      Kings of Infinite Space 184–85

      Kinsey, Linda 180

      kitsch 2, 179, 181

      Klee, Paul 54

      Klinkhammer, Barbara 97

      Klipp, Brian 186–87

      Kmart 192

      Knoll 148–50

      Koch, Carl 60–61, 228 note 48

      Koch, Kenneth 158

      Kohn Pedersen Fox (KPF) 167, 183

      Koolhaas, Rem plate 40, 171, 180, 183–84, 190

      Kramer, Hilton 165

      Krauss, Rosalind 126

      Krier, Léon

      Ando and, 170–71

      Blundell’s Corner and, 131

      drawing capabilities of, 133

      Fargo-Moorhead Bridge and, 135

      Le Corbusier and, 133

      Modernism and, 130–31, 133

      as outsider, 130

      Postmodernism and, 151

      Princeton lectures and, 133

      Rowe and, 133–34

      teaching and, 133

      Whites and, 134

      Year of, 132, 134

      Krier, Robert 133

      Labatut, Jean 81–82, 117, 176

      Lady Commerce (Kaskey statue) 142, 147

      Lambert House 86, 87

      La Montaine, John 70

      Landmarks Commission 165–66, 175

      Language of Post-Modern Architecture, The (Jencks) 137–38

      Lapidus, Alan 177, 186

      Lapidus, Morris 177

      La Riche, William 107

      Latour, Bruno ix

      Lauder, Leonard A. 166

      Learning from Las Vegas (Venturi, Scott Brown, and Izenour) 115

      Lebowitz, Fran 9–10, 12, 155, 161, 163–64, 188, 201, 209

      Le Corbusier ix, 37, 39, 65

      Asplund Problem and, 124

      car-centric planning of, 119

      CIAM and, 55–59, 90

      color and, 97

      Constant and, 90

      Cubism and, 97–98, 100, 104, 118, 120

      Eisenman and, 172

      “Five Points of Architecture” and, 55

      flat whites of, 97

      furniture and, 62, 150

      geometric order and, 78, 95

      Giedion and, 56

      Grand Tour and, 74

      Grays and, 119

    &nbs
    p; Gwathmey and, 88

      Hanselmann House and, 95

      Harvard and, 54, 58–59, 82, 120

      influence of, 57–59, 62, 104, 109, 118–20

      Krier and, 133

      light and, 98, 169

      machine-like forms of, 58

      Meier and, 86

      minimalism and, 118

      Modernism and, 55, 58–59, 62, 84, 105, 115

      New York Five and, 107

      Notre Dame du Haut and, 59

      painting and, 58

      plan as generator approach of, 58

      plasticity and, 86

      poetics of, 203–4

      Schroeder and, 135

      Sert and, 54–59, 65

      style of, 54–55, 57, 103, 203–4

      symmetry and, 57

      translation of, 90

      travels of, 74

      Unité d’habitation and, plate 8, 76

      villas of, 55, 99, 116

      Whites and, 118

      Ledoux, Claude-Nicolas 29, 134, 153, 178

      L’Enfant, Pierre 29

      Lequeu, Jean-Jacques plate 25

      Letterman, David 34

      Levinson, Nancy 183

      Libera, Adalberto 67

      Libeskind, Daniel 184, 186, 190

      Life magazine 91

      Lincoln Center 167

      Lin, Min 196–97, 201–4

      “Little of the Old In and Out, A” (Graves) 116

      Longo, Robert 158

      Louisville Courier-Journal newspaper 162

      Louvre Abu Dhabi 206

      Loyola Law School 171

      Lucas, George 176

      Luxembourg Gardens 136

      McCready, Connie 145–46

      McKim, Charles Follen 69

      McKim, Mead & White 69

      McLaughlin, Robert 81, 89, 93

      McLeod, Mary 109, 113, 168, 183–84, 189, 209, 225 note 8

      Maddow, Rachel 195–96

      Madonna Rehabilitation Hospital 200

      Malcolm Wells Architect 135

      Marienkapelle Church 77

      Marimekko 200

      Martin, Reinhold 169

      Marx, Leo 120

      Matisse, Henri 126

      Max Protetch Gallery plate 37, 148, 173

      Medici Fountain 136

      Meier, Carolyn 86

      Meier, Jerome 86

      Meier, Richard 66, 71, 107, 113, 120

      art enthusiasm of, 63–64

      on awards juries, 201

      Breuer and, 64

      CASE and, 89, 105

      as easily influenced, 84

      Eisenman and, 60, 63

      Essex Fells and, 88

      on European influence, 77–78

      Five Architects and, 106

      glass and, 64

      Graves’s memorial and, 209

      Hawks and, 155

      Lambert House and, 86, 87

      Le Corbusier and, 86

      low teaching interest of, 84–85

      New York Five and, 2–3, 106, 111, 115, 117, 119, 201

      painting and, 9

      parents’ home by, 86

      Princeton and, 84, 86

      Pritzker Prize and, 190

      Stella and, 64

      White faction and, 108

      Wright and, 64

      XV Triennale di Milano and, 108

      Memphis Group 151

      Mendini, Alessandro 152

      Merkel, Jayne 44, 49

      Mezzo House 103

      Miami Beach condominiums 173, 174

      Michael C. Carlos Museum 182

      Michael Graves & Associates 2, 5, 9, 187, 193, 198, 205–6

      Michael Graves Architect plate 32, 227 note 64

      Denver Public Library and, plate 50, plate 51, 186–88

      Disney and, 168, 172, 176–78

      Fargo-Moorhead Bridge and, 135

      Japan work of, 182

      launching of, 93

      marketing department for, 166

      office pets and, 163

      Portland Building and, 142–43

      standard procedure of, 124

      Strada Novissima and, 150

      Washington Monument and, 191

      Whitney Museum and, 158, 175

      Michael Graves Architecture & Design 206

      Michael Graves College plate 64, 205

      Michael Graves Design Group 3, 5, 198–99, 204

      Michelangelo 68, 109

      Mies van der Rohe, Ludwig

      Abramovitz and, 160

      American Life Building and, plate 42, 160

      Barcelona chair and, 199

      Barcelona Pavilion and, 44

      Breuer and, 54

      car-centric planning of, 119

      First National Bank Tower and, 160

      furniture and, 62, 199

      Glass House and, 139

      Harrison and, 160

      Harvard and, 82

      Humana Building and, 160–62

      icy monumentality of, 119

      Illinois Institute of Technology and, 45, 207

      on improvisation, 111

      influence of, 47

      Meier and, 86

      Modernism and, 51, 54, 84, 160–62

      Nelson and, 61–62, 65

      reductivism and, 47

      Robert F. Carr Memorial Chapel and, 45, 47

      Roush and, 45–47

      SOM and, 65

      spatiality of, 78

      stern rigor of, 203

      symmetry and, 64

      transformation of, 39

      Wright on, 65

      Miller, J. Irwin 45

      Miller, Sam 99

      Millstone Coffee 173

      Min, Lynn 3, 12, 194, 196

      Miró, Joan 57–58

      MIT 89–91, 123

      Mitchell/Giurgola Architects 140

      Miyake, Issey 157

      Mizrahi, Isaac 200

      Modernism

      American, 61, 167

      apostasy from, 138–42

      Asplund Problem and, 113–16, 124, 225 note 8

      Bauhaus and, 44, 54, 56, 80, 84, 150, 154, 193

      Belluschi and, 143

      Breuer and, 54, 159, 165

      California, 111

      CASE and, 89–92, 94, 99, 105–8, 130

      CIAM and, 55–59, 90

      CUNY symposium and, 205

      Deconstructivist Architecture and, 183

      Denver library and, 186

      design tourism and, 46

      Eisenman and, 138

      Erickson and, 145

      Europe and, 151

      functionalism and, 203

      furniture and, 149–51

      Giedion and, 55–57, 222 note 49

      Giurgola and, 140

      good-life, 42

      Grays and, 119

      heroic, 47

      high seriousness of, 181

      Humana Building and, 160–67

      hypermodernism and, xii

      Jencks and, 138

      Johnson and, 139–40

      Koolhaas and, 183

      Krier and, 130, 133

      Le Corbusier and, 55, 58–59, 62, 84, 105, 115

      Mies and, 51, 54, 84, 160–62

      minimalism and, 170

      Nelson and, 61–65, 80, 88, 150, 181

      New York Five and, 2–3, 106–11, 115, 117, 119, 201

      Nordic, 113

      Portland and, 141, 143, 145, 206

      Princeton and, 81, 83–84, 86, 89–92, 98, 104, 108–9, 185

      Rossi and, 168

      Roush and, 44, 46–47, 52, 54, 65

      Rowe and, 130, 181

      Rudofsky and, 52

      SOM and, 167

      space value and, 78

      Swifton Village Apartments and, 48

      teaching, 56, 118–20

      Team X and, 59, 83–84, 89

      utopianism and, 92, 207

      Wolfe on, 154

      zone of silence and, xi

      Mohney, David 205

      monographs 157, 165, 183, 187, 224 note 42, 226 note 21

      Moore, Charles x, 108–10, 119, 138, 141, 155

      Moore, Henry 50

      Moore Lyndon Turnbull Whita
    ker 135

      Moore-Rogger-Hofflander condominium x

      Morandi, Giorgio 79, 126, 197, 202

      Morelli, Giovanni 73

      Moretti, Luigi 67

      Moss, Eric Owen 111, 155

      Mr. Chas and Lisa Sue Meet the Pandas (Lebowitz) 188

      Mrs. Gates’s Dancing School 31–32

      M. Sells & Company 17

      Muschamp, Herbert 2, 184, 187

      Museum of Modern Art, New York x, 2, 52, 90–94, 99, 105–6, 139, 148, 158, 183, 194

      Musho, Ted 64, 67–68, 204, 223 note 13

      Naegele, Daniel 193

      National City Tower plate 42

      National Governors Association 188

      National Livestock Exchange 17, 19

      National Mall 29

      Nave, George 19

      Nazis 29, 48, 76, 92, 130, 227 note 71

      Neilson, Peter Hague 161

      Neiman Marcus 173

      Nelson, George 61–65, 80, 88, 150, 181

      neoclassicism 69, 128

      Nervi, Pier Luigi 67

      Newark Museum 99, 158, 167, 182

      New City show 91, 93

      New Urbanism 10, 205

      New York Coliseum 167

      New York Five 2–3, 106–11, 115, 117, 119, 201, 225 note 104

      New York School 50, 225 note 104, 228 note 48

      Niccolini, Julian 149

      Nichols, Karen Wheeler 7, 154, 220 note 33, 220 note 36, 227 note 74

      Claghorn House and, 123–24, 126–27

      Fargo-Moorhead Bridge and, 135–36

      Graves’s memorial and, 209

      increased projects of, 187

      office procedures and, 166

      Portland’s fiscal conservatism and, 141

      Whitney Museum and, 158, 180

      Noguchi, Isamu 50

      Nolli, Giambattista 116

      Notre Dame du Haut 59

      Nouvel, Jean 206

      Obama, Barack 203, 223 note 16

      O’Brien, Thomas 192

      Ockman, Joan 190

      O’Hara, Frank 62

      Owings, Nathaniel 65

      Oyster Bay, New York 98

      Padua 75

      painting

      abstract, plate 2

      Alessi teakettle and, 14

      Archaic Landscape and, plate 65

      Botticelli and, 116

      Brilliant and, 70

      Corot and, 104

      Cubism and, 26 (see also Cubism)

      de Kooning and, 50, 77, 94, 197

      Graves and, plate 65, 9, 14, 24, 26, 38, 50–51, 66, 71, 94, 97–98, 124, 170, 185–86, 188, 197, 202

      Indianapolis Museum of Art and, 24

      Le Corbusier and, 58

      Meier and, 9

      murals and, plate 19, 94, 97–98, 103, 108, 113, 117, 149, 194, 197, 226 note 21

      Nelson and, 62

      The Painting and, 202

      Picasso and, 24, 26, 58, 79, 94–95, 126, 175

      Pollock and, 50

      Postmodernism and, 143

      Poussin and, 57–58, 139, 188

      Rome and, 70–71, 79

      Transammonia and, plate 19, 117, 226 note 21

      watercolors and, 49, 71

      Palais Garnier 56

      Paley, Babe 155

      Palladio, Andrea 83

      Pantheon plate 6, 68, 79

      Pappagallo’s 74–75

      Parth, Wolfgang 130

      Parthenon 37–38, 75, 95

      Peeps 201

      Pei, I. M. 148, 165, 167

     


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