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    All Our Summers


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      Outstanding praise for the novels of Holly Chamberlin!

      THE SUMMER NANNY

      “A satisfying and multifaceted story that keeps readers guessing. For fans of similar works by authors such as Shelley Noble and

      Nancy Thayer.”—Library Journal

      THE SEASON OF US

      “A warm and witty tale. This heartfelt and emotional story will appeal to members of the Sandwich Generation or anyone who has had to set aside long-buried childhood resentments for the well-being of an aging parent. Fans of Elin Hilderbrand and Wendy Wax will adore this genuine exploration of family bonds, personal growth, and acceptance.”—Booklist

      THE BEACH QUILT

      “Particularly compelling.”—The Pilot

      SUMMER FRIENDS

      “A thoughtful novel.”—Shelf Awareness

      “A great summer read.”—Fresh Fiction

      “A novel rich in drama and insights into what factors bring people together and, just as fatefully, tear them apart.”

      —The Portland Press Herald

      THE FAMILY BEACH HOUSE

      “Explores questions about the meaning of home, family dynamics and tolerance.”—The Bangor Daily News

      “An enjoyable summer read, but it’s more. It is a novel for all seasons that adds to the enduring excitement of Ogunquit.”

      —The Maine Sunday Telegram

      “It does the trick as a beach book and provides a touristy taste of

      Maine’s seasonal attractions.”—Publishers Weekly

      Books by Holly Chamberlin

      LIVING SINGLE

      THE SUMMER OF US

      BABYLAND

      BACK IN THE GAME

      THE FRIENDS WE KEEP

      TUSCAN HOLIDAY

      ONE WEEK IN DECEMBER

      THE FAMILY BEACH HOUSE

      SUMMER FRIENDS

      LAST SUMMER

      THE SUMMER EVERYTHING CHANGED

      THE BEACH QUILT

      SUMMER WITH MY SISTERS

      SEASHELL SEASON

      THE SEASON OF US

      HOME FOR THE SUMMER

      HOME FOR CHRISTMAS

      THE SUMMER NANNY

      A WEDDING ON THE BEACH

      ALL OUR SUMMERS

      Published by Kensington Publishing Corporation

      all our summers

      holly chamberlin

      KENSINGTON BOOKS

      www.kensingtonbooks.com

      All copyrighted material within is Attributor Protected.

      Table of Contents

      Praise

      Also by

      Title Page

      Copyright Page

      Dedication

      Acknowledgments

      Epigraph

      Chapter 1

      Chapter 2

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

      Chapter 8

      Chapter 9

      Chapter 10

      Chapter 11

      Chapter 12

      Chapter 13

      Chapter 14

      Chapter 15

      Chapter 16

      Chapter 17

      Chapter 18

      Chapter 19

      Chapter 20

      Chapter 21

      Chapter 22

      Chapter 23

      Chapter 24

      Chapter 25

      Chapter 26

      Chapter 27

      Chapter 28

      Chapter 29

      Chapter 30

      Chapter 31

      Chapter 32

      Chapter 33

      Chapter 34

      Chapter 35

      Chapter 36

      Chapter 37

      Chapter 38

      Chapter 39

      Chapter 40

      Chapter 41

      Chapter 42

      Chapter 43

      Chapter 44

      Chapter 45

      Chapter 46

      Chapter 47

      Chapter 48

      Chapter 49

      Chapter 50

      Chapter 51

      Chapter 52

      Chapter 53

      Chapter 54

      Chapter 55

      Chapter 56

      Chapter 57

      Chapter 58

      Chapter 59

      Chapter 60

      Chapter 61

      Chapter 62

      Chapter 63

      Chapter 64

      Chapter 65

      Chapter 66

      Chapter 67

      Chapter 68

      Chapter 69

      Chapter 70

      Chapter 71

      Chapter 72

      Chapter 73

      Chapter 74

      Chapter 75

      Chapter 76

      Chapter 77

      Chapter 78

      Chapter 79

      Chapter 80

      Chapter 81

      Chapter 82

      Chapter 83

      Chapter 84

      Chapter 85

      Chapter 86

      Chapter 87

      Chapter 88

      Chapter 89

      Chapter 90

      Chapter 91

      Chapter 92

      Chapter 93

      Chapter 94

      Chapter 95

      Chapter 96

      Chapter 97

      Chapter 98

      Chapter 99

      Chapter 100

      Chapter 101

      Chapter 102

      Chapter 103

      Chapter 104

      Chapter 105

      Chapter 106

      Chapter 107

      Chapter 108

      Chapter 109

      Chapter 110

      Chapter 111

      Chapter 112

      Chapter 113

      Chapter 114

      Chapter 115

      Chapter 116

      Chapter 117

      Chapter 118

      Chapter 119

      Chapter 120

      Chapter 121

      Chapter 122

      Chapter 123

      Chapter 124

      Chapter 125

      Chapter 126

      Chapter 127

      Chapter 128

      Chapter 129

      Chapter 130

      Chapter 131

      Chapter 132

      Chapter 133

      Chapter 134

      Chapter 135

      Chapter 136

      Chapter 137

      Chapter 138

      Chapter 139

      Chapter 140

      Chapter 141

      Teaser chapter

      DISCUSSION QUESTIONS

      This book is a work of fiction. Names, characters, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual persons living or dead, or events, is entirely coincidental.

      KENSINGTON BOOKS are published by

      Kensington Publishing Corp.

      119 West 40th Street

      New York, NY 10018

      Copyright © 2020 by Elise Smith

      All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the Publisher, excepting brief quotes used in reviews.

      To the extent that the image or images on the cover of this book depict a person or persons, such person or persons are merely models, and are not intended to portray any character or characters featured in the book.

      Kensington and the K logo Reg. U.S. Pat. & TM Off.

      ISBN: 978-1-4967-1922-5

      ISBN-13: 978-1-4967-1922-5

      ISBN-10: 1-4967-1922-0

      First Kensington Trade Paperback Printing: July 2020

      As always, for Stephen

      And this time, also for Veronica Donner

      Acknowledgments

      Thanks once again to the best
    editor I could ever hope to have, John Scognamiglio.

      Thanks also to Kathryn and GG for bringing light into my life, all the way from Nebraska.

      This book is in memory of Joe Riillo, friend and musician extraordinaire, taken from us too soon.

      For age is opportunity no less

      Than youth itself, though in another dress,

      And as the evening twilight fades away

      The sky is filled with stars, invisible by day.

      —Henry Wadsworth Longfellow

      Chapter 1

      It was a beautiful, early summer day in the town of Yorktide, Maine. The temperature was politely hovering around seventy-five, the humidity was low, and the pink and white peonies were in magnificent bloom.

      Summer was Bonnie Ascher Elgort’s favorite time of the year. It didn’t matter that she was spending the day at Ferndean House, her family’s homestead, dusting and polishing furniture, vacuuming rugs and draperies, keeping an eye out for spiders, and checking for burned-out lightbulbs. The windows were open and the cooing of a pair of mourning doves filled the air. Life was good.

      Bonnie leaned over the deep kitchen sink to scrub at a mark on the backsplash. The motion caused an ache in her shoulder. At sixty-two, Bonnie was heavier than she had ever been. She knew she had lost about half an inch in height; she could see how her shoulders were slightly hunched. It didn’t bother her; she still felt strong, and that was what mattered. Her medium-brown hair had dulled a bit over time, and since her husband Ken’s illness and death it had become threaded with gray. This didn’t trouble Bonnie. She had been told by friends that she had a youthful air about her, though she wasn’t really sure what that meant or if it was important. Probably not.

      What really mattered in life was on the inside. Unlike her sister, Carol, Bonnie had never been particularly interested in clothes. It had been years since she had worn a pretty dress and carried a fancy bag, and that had been at the wedding of a friend’s grandson. And, of course, there had been Ken’s funeral a year ago come September. As the grieving widow, form had required her to make a certain appearance and she had, in the only skirt, blouse, and jacket that still fit her. Shoes had been a problem. Her daughter, Julie, had taken her to one of the outlets in Kittery, where after a grueling hour or two they had finally found a pair of tan low-heeled pumps. Bonnie had not worn them since the funeral. Maybe she would wear them to her granddaughter’s high school graduation in a few years.

      Bonnie moved from the kitchen into the dining room, where she ran a dustcloth over the carved bits of the massive oak sideboard that held pride of place. It was one of Bonnie’s favorite pieces in the house. No one was quite sure who had brought it to Ferndean or when, but the sideboard had been there as long as Bonnie could remember. Truth be told, almost every single piece of heavy furniture, every knickknack no matter how cracked or otherwise damaged, every painting darkened with age and lack of professional care, every plate and saucer decorated with a pattern long out of fashion, held special meaning for Bonnie.

      Which was why it had not been difficult for her to come to a decision about her future. She would sell the cottage in Yorktide in which she and Ken had lived for all of their married lives and move permanently into her family home. Ferndean House had been left equally to Bonnie and Carol by their parents, Shirley and Ronald Ascher, but Carol lived in New York City and had done since she was nineteen. Ferndean meant nothing to Carol Ascher. It meant the world to Bonnie. It was a member of the family. It was alive.

      Ferndean House, located at 23 Wolf Lane, was situated on twenty acres of land that boasted a good-size pond (a stop-off for migrating birds in autumn and home to peepers in early spring); monumental oak, pine, and maple trees; and a profusion of native ferns, high and lowbush blueberry bushes, and flowering shrubs such as azalea and rhododendron. The house itself was about three thousand square feet with two floors of rooms and an attic that had formerly served as servants’ quarters. There was a big stone fireplace in the living room; a charming front porch that ran the entire length of the house; a back deck that had been added at some point in the 1940s; a large flower and kitchen garden; and the puzzling remains of a stone structure set at one end of the large lawn that stretched behind the house.

      Ferndean had been built by Carol and Bonnie’s great-grandfather for his much younger third wife. He had named the structure after the house in Jane Eyre where Jane and the blind and crippled Mr. Rochester were reunited. The novel—only recently published—had been his wife’s favorite; indeed, it was Bonnie’s favorite novel, too. Marcus and Rosemary’s wedding portrait, taken in June of 1848, still hung in Ferndean’s living room, in what Bonnie had been told was its original frame.

      After Shirley Ascher’s death some thirty years earlier, Bonnie and her sister, in a rare instance of accord, had decided to rent the big house during part of the summer season. It would be a good source of income, most of which would go toward the upkeep of the old place. What was left over was pure profit; that profit benefited Bonnie and her family enormously, but Carol, who didn’t need an additional source of income, routinely put her share back into the fund kept for the maintenance of the building and grounds.

      Taking up full-time residency at Ferndean House would eliminate the income from seasonal renters, but Bonnie wasn’t concerned. She would have cash from the sale of the cottage. Besides, she was not an extravagant person. Her needs were small, and she was used to living on a tight budget. All would be well going forward.

      It would have to be well, Bonnie thought as she left the dining room, because she thoroughly believed that she was entitled to full possession of Ferndean. She was the one who had cared for Shirley Ascher in her dying years. She was the one who had helped to raise Carol’s troubled daughter, Nicola. She was the one who had handled the management and maintenance of the family homestead for the past thirty years.

      Who had changed Shirley Ascher’s soiled sheets, prepared her meals, and taken charge of administering her medicines? Who had attended Nicola’s school events from the time she came to live with her aunt in Yorktide? Who had cleaned up when Ferndean’s pipes had burst? Who had mowed the lawn, planted the flowers, harvested the herbs and vegetables? Who had repainted the kitchen and bathrooms every ten years? Who had dealt with the summer tenants—finding them, vetting them, cleaning up after them?

      Bonnie fondly patted the curved wooden banister of the grand staircase that led to the second floor. Yes, after all these years as full-time caretaker of her family homestead, Bonnie Ascher Elgort was entitled to be Mistress of Ferndean. It was something she had been dreaming about for a long time, pushing aside Carol’s claim to the house and reigning supreme. But Ken had always held her back from making waves with her sister. Ken, the calm and reasonable husband, the broker of peace, the man who had wholeheartedly accepted Carol’s troubled child into his home. And Carol Ascher hadn’t even had enough respect for such a wonderful man to attend his funeral.

      But now that Ken was gone, there was no one to keep Bonnie from achieving her dream. That the dream was largely fueled by ancient sibling rivalry didn’t make it any less desirable. On the contrary, ancient sibling rivalry gave Bonnie’s dream its incredible power.

      In the living room now, Bonnie straightened the framed photos that were grouped on a table draped with a yellowed lace cloth. The entire family was represented, from Marcus and Rosemary to Bonnie’s granddaughter, Sophie. Bonnie was especially fond of her parents’ wedding portrait. Both looked so young and so solemn! And here was a photograph of Bonnie and Carol taken when they were quite young, three and six, Bonnie guessed. The girls were wearing bulky snow suits; behind them, Ferndean House, laced with snow, rose in its classic New England majesty. The image was a bittersweet reminder of the happy, almost idyllic childhood the sisters had shared at Ferndean, long before Carol had abandoned her home and her family for fame and fortune in New York City.

      The distinct sound of a key in the front door caused Bonnie to turn from the table of p
    hotographs. It was probably Nicola, Bonnie thought, though her niece usually knocked before entering when she saw her aunt’s car in the drive.

      “Hello!” Bonnie called out as she made her way to the door. She felt a smile come to her face. She always felt like smiling when Nicola was around.

      The door creaked loudly as it opened inward and a woman’s figure stepped inside. The dustcloth Bonnie had been holding fell to the floor. She felt her stomach drop along with it. Her right hand went to her heart.

      “What are you doing here?” she gasped.

      Chapter 2

      New York City

      Two weeks earlier

      The past few days had been unseasonably warm; heat seemed to rise visibly from the concrete sidewalks and to shimmer in waves above the busy streets. Even though she would be comfortably seated in an air-conditioned, chauffeur-driven town car, Carol was glad she didn’t have to commute from her home on the Upper West Side to her office in Chelsea and back again.

      The reason that Carol Ascher was able to avoid the steamy streets of Manhattan was because a month earlier she had sold her business—Ascher Interior Design—to her long-time, dedicated, and very talented junior partner. There was no doubt in Carol’s mind that the company she had birthed and raised would find as much success in the future as it had found in the past. Still, there were several moments each day when Carol effectively forgot that she was no longer at the helm. When she realized with a start that she was no longer needed. When she found herself worrying about things for which she was no longer required to worry.

      Carol passed through the hallway that led from her bedroom at one end of the apartment. As was her habit, she glanced at her image in the Art Deco mirror that hung over a black lacquer occasional table just outside the living room. She was pleased with what she saw. She hated that awful term sometimes used to describe a woman who appeared younger than her biological age. Well-preserved. Like a bit of dinosaur bone at the Museum of Natural History. What Carol was, in fact, was well taken care of. She got regular therapeutic massages; attended Pilates and yoga classes; had her hair professionally cut and colored every five weeks; and took her vitamin, calcium, blood pressure, and cholesterol pills as recommended by her doctor. At sixty-five, she was as tall and straight as she had been at nineteen, when she first arrived in New York City.

     


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