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    Herman Melville- Complete Poems

    Page 82
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      The yearning in a patriot ode

      Construed as treason; trial none;

      Prolonged captivity profound;

      Vain liberation late. All this,

      With pity for impoverishment

      And blight forestalling age’s wane.

      Hillward the quelled enthusiast turned,

      Unmanned, made meek through strenuous wrong,

      Preluding, faltering; then began,

      But only thrilled the wire—no more,

      The constant maid supplying voice,

      Hinting by no ineloquent sign

      That she was but his mouth-piece mere,

      Himself too spiritless and spent.

      “Pausilippo, Pausilippo,

      Pledging easement unto pain,

      Shall your beauty even solace

      If one’s sense of beauty wane?

      “Could light airs that round ye play

      Waft heart-heaviness away

      Or memory lull to sleep,

      Then, then indeed your balm

      Might Silvio becharm,

      And life in fount would leap,

      Pausilippo!

      “Did not your spell invite,

      In moods that slip between,

      A dream of years serene,

      And wake, to dash, delight—

      Evoking here in vision

      Fulfillment and fruition—

      Nor mine, nor meant for man!

      Did hope not frequent share

      The mirage when despair

      Overtakes the caravan,

      Me then your scene might move

      To break from sorrow’s snare,

      And apt your name would prove,

      Pausilippo!

      “But I’ve looked upon your revel—

      It unravels not the pain:

      Pausilippo, Pausilippo,

      Named benignly if in vain!”

      It ceased. In low and languid tone

      The tideless ripple lapped the passive shore.

      As listlessly the bland untroubled heaven

      Looked down, as silver doled was silent given

      In pity—futile as the ore!

      VI

      GIVING way to thoughts less cheerful than archaic, he is checked by a sportive sally from the Rose. But is anew troubled, catching sight of an object attesting a Power even more nitrous and menacing than the Bomb-King himself. In short, another and greater crowned artilleryman, a capricious dominator, impossible to dethrone, and reigning by right incontestably divine. Pondering which discouraging fact, once more our genial friend is twitted by the revelling Mentor.

      “Signor, turn here?” And turn we did,

      Repassing scenes that charmed erewhile

      Nor less could charm reviewed even now.

      What blandishment in clime, or else

      What subtler influence, my Rose,

      From thee exhaled, thou Lydian one,

      Seductive here could flatter me

      Even in emotion not unfelt

      While fleeting from that warmish pair!

      If, taking tone indeed from them,

      No lightsome thought awhile prevailed,

      Devious it wandered like a dream.

      I mused on Virgil, here inurned

      On Pausilippo, legend tells—

      Here on the slope that pledges ease to pain,

      For him a pledge assuredly true

      If here indeed his ashes be—

      Rome’s minstrel in Rome’s palmy time;

      Nor less whose epic’s undertone

      In volumed numbers rolling bland,

      Chafing against the metric bound,

      Plains like the South Sea ground-swell heaved

      Against the palm-isle’s halcyon strand.

      O world, to Rome’s wreathed laureat known

      Even as to England’s now;

      Melancholy sphere,

      Ruled by the primary impulse given—

      Forever revolving on;

      Whose shade brings light, whose light brings shade;

      And naught can stand, against the eternal round,

      Opinion and vogue recurring still,

      Though life’s too brief to note some long returns;

      Where never innocence is lord;

      Where reason, that gladdens not the wise,

      The innocent Alarms;

      Where more’s to fear from life than death;

      When truth takes falsehood graft,——and hence

      Equivocal fruit——

      But here came check.

      For brooding thus, I bowed the head,

      Downcast in mood that comes to mortals all

      And ah the flower on my lapelle

      So saucy looked, gay Belle-et-Bonne—

      So wise, sad Sir? she cut me short

      And archly laughed me down.

      And slopes of Paradise rolled between,

      Till the Great Mountain seemed a Claude,

      His world a picture born of Art serene;

      When, lo, across the blue sunned bay—

      Is it the Fiend at Eden’s gate?—

      What Mohawk of a mountain lours!

      A scalp-lock of Tartarian smoke

      Thin streaming forth from tawny brow,

      One heel on painted Pompeii set,

      And one on Hercules’ whelmed town!

      The Siren’s seat for pleasurists lies

      Betwixt two threatning bombardiers,

      Their mortars loaded, linstocks lit—

      Vesuvius yonder—Bomba here.

      Events may Bomba’s batteries spike:

      But how with thee, sulphurious Hill

      Whose vent far hellward reaches down!

      Ah, funeral urns of time antique

      Inwrought with flowers in gala play

      Where faun and bacchanal dance in freak,

      Even as of pagan time ye speak,

      Type ye what Naples is alway?

      Yes, round these curved volcanic shores,

      Vined urn of ashes, bed on bed,

      Abandonment as thoughtless pours

      As when the revelling pagan led.

      And here again I droopt the brow,

      And, lo, again I saw the Rose,

      The red red ruddy and royal Rose!

      Expanded more from bud but late

      Sensuous it lured, and took the tone

      Of some light taunting Cyprian gay

      In shadow deep of college-wall

      Startling some museful youth afoot—

      “Mooning in mind? Ah, well-a-day!”

      I turned me short; and, timely now,

      Beheld this scene: damsels sun-burnt,

      In holiday garb with tinsel trimmed;

      And men and lads behind them ranged

      About a carpet on the beach

      Whereon a juggler in brocade

      Made rainbows of his glittering balls,

      Cascading them with dexterous sleight;

      And as from hand to hand they flew

      With jinglings of interior din,

      He trilled a ditty deftly timed

      To every lilted motion light:—

      “The balls, hey! The balls,

      Cascatella of balls—

      Baseless arches I toss up in air!

      Spinning we go,—

      Now over, now under;

      High Jack is Jack low,

      And never a blunder!

      Come hither—go thither:

      But wherefore nowhither?

      I lose them—I win them,

      From hand to hand spin them,

      Reject them, and seize them,

      And toss t
    hem, and tease them,

      And keep them forever in air,

      All to serve but a freak of my glee!

      “Sport ye thus with your spoonies, ye fair,

      For your mirth? nor even forbear

      To juggle with Nestors your thralls?

      Do ye keep them in play with your smiling and

      frowning,

      Your flirting, your fooling, abasing and crowning,

      And dance them as Fortune her balls?”—

      With that, and hurrying his two hands,

      Arching he made his meteors play;

      When, lo, like Mercury dropped from heaven,

      Precipitate there a tumbler flew,

      Alighting on winged feet; then sang,

      Dancing at whiles, and beating time,

      Clicking his nimble heels together

      In hornpipe of the gamesome kid:

      “Over mines, by vines

      That take hot flavor

      From Vesuvius—

      Hark, in vintage

      Sounds the tabor!

      “In brimstone-colored

      Tights or breeches

      There the Wag-Fiend

      Dancing teaches;

      “High in wine-press

      Hoop elastic

      Pigeon-wings cut

      In rite fantastic;

      “While the black grape,

      Spirting, gushing,

      Into red wine

      Foameth rushing!

      “Which wine drinking,

      Drowning, thinking,

      Every night-fall,

      Heard in Strada,

      Hiss the doves

      And coos the adder!”

      VII

      UNINFLUENCED by the pranks and rhymes of certain Merry Andrews of the beach, he unaccountably falls into an untimely fit of historic reminiscences. For which dereliction, the Rose, now in a pleading mood, touchingly upbraids him. But again he relapses, notwithstanding an animated call, subsequently heard, to regale himself with ruddy apples and sweet oranges.

      While yet I listened, vivid came

      A flash of thought that carried me

      Back to five hundred years ago.

      I saw the panoramic bay

      In afternoon beneath me spread—

      All Naples from siesta risen

      Peopling the beaches, barges, moles.

      Cooled over blue waves tinkling bland

      Came waftures from Sorrento’s vines,

      And Queen Joanna, queen and bride,

      Sat in her casement by the sea

      Twining three strands of silk and gold

      Into a cord how softly strong.

      “For what this dainty rope, sweet wife”?

      It was the bridegroom who had stolen

      Behind her chair, and now first spoke.

      “To hang you with, Andrea,” she said

      Smiling. He shrugged his shoulders; “Nay,

      What needs? I’ll hang but on your neck.”

      And straight caressed her there; and when she

      Sat mutely passive, smiling still.

      For jest he took it? But that night

      A rope of twisted silk and gold

      Droopt from a balcony where vines

      In flower showed violently torn;

      And, starlit, thence what tassel swung!

      For offset to Eve’s serpent twined

      In that same sleek and shimmering cord,

      Quite other scene recurred. In hall

      Of Naples here, methought I stood

      Before the pale mute-speaking stone

      Of seated Agrippina—she

      The truest woman that ever wed

      In tragic widowhood transfixed;

      In cruel craft exiled from Rome

      To gaze on Naples’ sunny bay,

      More sharp to feel her sunless doom.

      O ageing face, O youthful form,

      O listless hand in idle lap,

      And, ah, what thoughts of God and man!

      But, intervening here, my Flower,

      Opening yet more in bloom the less,

      Maturing toward the wane,—low breathed,

      “Again? and quite forgotten me?

      You wear an Order, me, the Rose,

      To whom the favoring fates allot

      A term that shall not bloom outlast;

      No future’s mine, nor mine a past.

      Yet I’m the Rose, the flower of flowers.

      Ah, let time’s present time suffice,

      No Past pertains to Paradise.”

      Time present. Well, in present time

      It chanced a lilting note I heard—

      A fruit-girl’s, and her cry was this:

      “Love-apples, love-apples!

      All dew, honey-dew,

      From orchards of Cyprus—

      Blood-oranges too!

      “Will you buy? prithee, try!

      They grew facing south;

      See, mutely they languish

      To melt in your mouth!

      “’Tis now, take them now

      In the hey-day of flush,

      While the crisis is on

      And the juices can gush!

      “Love-apples, love-apples,

      All dew, honey-dew

      From orchards of Cyprus—

      Blood-oranges too!”

      Warbling and proffering them she went,

      And passed, and left me as erewhile,

      For the dun annals would not down.

      Murky along the sunny strand

      New spectres streamed from shades below,

      Spectres of Naples under Spain,

      Phantoms of that incensed Revolt

      With whose return Wrath threatens still

      Bomba engirt with guards.—Lo, there,

      A throng confused, in arms they pass,

      Arms snatched from smithy, forge and shop:

      Craftsmen and sailors, peasants, boys,

      And swarthier faces dusked between—

      Brigands and outlaws; linked with these

      Salvator Rosa, and the fierce

      Falcone with his fiery school;

      Pell-mell with riff-raff, banded all

      In league as violent as the sway

      Of feudal claims and foreign lords

      Whose grinding heel provoked the spark

      That fired the populace into flame.

      And, see, dark eyes and sunny locks

      Of Masaniello, bridegroom young,

      Tanned marigold-cheek and tasseled cap;

      The darling of the mob; nine days

      Their great Apollo; then, in pomp

      Of Pandemonium’s red parade,

      His curled head Gorgoned on the pike,

      And jerked aloft for God to see.

      A portent. Yes, and typed the years,

      Red after-years, and whirl of error

      When Freedom linkt with Furies raved

      In Carmagnole and cannibal hymn,

      Mad song and dance before the ark

      From France imported with The Terror!

      To match the foison, mock the clime,

      Hell’s cornucopia crammed with crime!

      Scarce cheerful here the revery ran.

      Nor did my Rose now intervene,

      Full opening out in dust and sun

      Which hurried along that given term,

      She said would never bloom outlast.

      VIII

      HE encounters a prepossessing little tatterdemalion Triton, shell in hand, dewy in luminous spray of a rainbowed fountain.

      By marbles where a fountain rose

     
    ; In jubilant waters skurrying high

      To break in sleet against the blue,

      I saw a thing as freshly bright—

      A boy, who holding up a shell

      Enameled part, with pinkish valve

      New dipped in rainbows of the spray,

      By mute appeal, with deference touched

      As if invoking Naples’ monarch

      Not her mob, attention craved.

      A weed of life, a sea-weed he

      From the Levant adventuring out;

      A cruiser light, like all his clan

      Who, in repletion’s lust for more,

      And penury’s strife for daily bread,

      As licensed by compassionate heaven

      To privateer it on their wits,

      The Mid Sea rove from quay to quay,

      At home with Turban, Fez, or Hat;

      Ready in French, Italian, Greek—

      Linguists at large; alert to serve

      As chance interpreters or guides;

      Suave in address, with winning ways—

      Arch imps of Pandarus, a few;

      Others with improvising gift

      Of voweled rhyme in antic sort,

      Or passionate, spirited by their sun

      That ripens them in early teens;

      And some with small brown fingers slim

      Busier than the jackdaw’s bill.

      But he, what gravity is his!

      Precociously sedate indeed

      In beauty sensuously serene.

      White-draped, and ranked aloft in choir,

      A treble clear in rolling laud,

      Meet would he look on Easter Morn.

      The muster round him closing more,

      How circumspect he plays his part;

      His glance intelligent taking in

      The motley miscellaneous groups:

      Large-chested porters, swarthy dames

      In dress provincial that beseems;

      Fishermen bronzed, and barbers curled;

      Fat monk with paunched umbrella blue;

      The quack, magnific in brocade

      Chapeau and aigulets; the wight

      That cobbles shoes in public way;

      Mariners in red Phrygian caps.

      But, twinkling brief, his liquid glance

      Skims one poor figure limp that leans

     


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