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    Salt

    Page 3
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      Waapanswa, I say, and he repeats, Waapanswa, smiling because

      he’s learned another word. But then, not far down the trail,

      he points to raccoon droppings and says, Waapanswa.

      Now, that’s funny. I put my hands on my head

      to look like rabbit ears, and say again:

      Waapanswa. James grins. Oh,

      you mean “rabbit”!

      He hops

      down the trail to show he knows

      what waapanswa means. We start laughing.

      Then we look up and there’s a man I’ve never seen before,

      standing in the shadow of a tree,

      watching us.

      JAMES

      Who is this man? If he was from Kekionga, Anikwa would know him, and

      I would’ve seen him in the trading post. When he sees us looking at him,

      he turns and walks away. I stand here with Anikwa and Toontwa—not

      laughing anymore. We follow the trail to where it curves around the pond.

      I pick up a flat stone and toss it. One, two, three … four skips! I say, holding

      up four fingers. Anikwa finds a stone and throws it, holding up one finger

      for each skip. His stone sinks after three skips, but he holds up four fingers.

      I shake my head: No, three! I say, holding up three fingers. He doesn’t

      argue back; he picks up another stone and skips it five times—good ones, too,

      you can see the ripples from each bounce. I try again, but I can’t get past four.

      We head down the river trail. I set my last snare. Then Toontwa and Anikwa

      walk toward Kekionga, and I head home, thinking about that man we saw.

      Is this what Ma means by “unusual”? Naw. I have to come back tomorrow

      to check my snares. What’s so unusual about someone standing by a tree?

      ANIKWA

      The person we saw

      behind the tree has come to Kekionga. He’s

      an Ottawa man, named Wedaase. We’ve eaten together,

      and now we’re sitting by the fire playing music.

      Father on his fiddle, Wedaase on a flute,

      Kwaahkwa with the drummers.

      Rain Bird and her friends

      start dancing, and later, when the music

      ends, Kwaahkwa’s father starts a conversation:

      This war that’s coming could make those other wars look easy.

      The Americans are marching from the east, the British from the north—

      from what I hear, they’re in Detroit right now. The two armies could be here soon,

      fighting each other—for our land. Father looks serious. Wedaase goes on,

      The British will give guns and ammunition to anyone who helps

      fight the Americans. A lot of warriors, from many places,

      plan to join the British because after we defeat

      the Americans, the British will leave this

      part of the country for all the tribes

      to share. Would there be

      room here—for everyone? If the British win,

      won’t they want to live here, too? No matter who wins,

      the soldiers will be hungry when they’re fighting. They’ll take our food.

      Grandma must be thinking the same thing. We should hide

      our dried meat and corn, she says.

      JAMES

      Isaac’s ma comes to our house with Mrs. Graves and Mrs. Carlson.

      Ma invites them in but gives them the same look she’s been giving Pa,

      meaning, Don’t talk about it in front of the children. They lower their voices.

      I go to the washbasin and act like I don’t even know they’re here,

      scrubbing a spot of pine pitch off the back of my hand. Isaac’s ma says,

      For heaven’s sake, Lydia, move into the fort until this is over. The stockade

      might protect you from wild animals, but you need soldiers to protect you

      from— Ma interrupts: We will stay in our own home. I have never been

      afraid of any of our neighbors. I glance at the provisions we’ve stored up

      for the winter. If there is a siege like Isaac said, how long will they last?

      Mrs. Briggs spits out her next words: You’re brave now, but how brave

      will you be when your house is burning? What if they capture James or Molly?

      Ma picks Molly up and squeezes her, like she does when she gets mad

      at me or Pa. But this time, it’s her lady friends she pushes out the door.

      DEER COME TO THE SALT

      Heart-shaped

      tracks in soft mud

      point to salty places

      where deer come to lick

      the earth. Something here

      they need, something

      they like. Heads down,

      they lick and lick this

      place that tastes

      so good to them.

      ANIKWA

      Last winter

      an ice storm coated each branch

      of the trees by the river trail. Rain started

      one evening and froze in the night,

      bending tall trees to the ground.

      Some branches broke—

      they hang high

      in the trees—and now the wind

      is rising. I’m walking with Kwaahkwa,

      not far from home. We hear a branch crash down.

      Dangerous-sounding. Where is it? Then a sharp cry:

      Watch out! A boy’s voice—is it James? Who’s with him?

      He might be hunting deer with his father, or maybe

      checking his snares. We walk toward the sound,

      staying hidden, watching what lies ahead.

      Over there—yes, it is James—Isaac

      is with him, crying, his leg

      pinned under a branch.

      That boy is mean.

      We don’t like him. But we can’t

      leave them out here alone. I call out, Aya, niihka.

      James answers, Aya, Anikwa! Isaac looks scared. Of us?

      Don’t worry, James says to him, “Aya, niihka”

      means “Hello, friend.”

      JAMES

      I’ve never been so glad to see Anikwa. Isaac is crying. I can’t lift the branch.

      I don’t have a saw to cut it. Maybe Anikwa and Kwaahkwa can help us.

      But what does Isaac do? He stops crying, pulls his knife out of its sheath,

      holds it up, and starts yelling, Stay away! I’m warning you! I grab the knife

      out of his hand. What are you doing? I ask him. Kwaahkwa and Anikwa

      stop, step back, and watch. I can’t make Isaac stop talking. He whispers,

      too loud, My ma and pa warned me not to talk to Indians. What if they try to

      capture us? He struggles to lift the branch, gives up, and cries out in pain.

      His pants are ripped, there’s a bruise on his leg, a bloody scratch on his face.

      Isaac, I say, it will take too long to go to the fort for help. We’re closer to Kekionga.

      These friends could help us lift the branch. From the look on his face, you’d think

      I told him to crawl right into a bear’s den. Listen to me, I beg, don’t act like this.

      I can’t lift the branch by myself. And I can’t leave you here all alone. He sniffles.

      All right, he finally agrees. But when I look up, Anikwa and Kwaahkwa are gone.

      ANIKWA

      What would

      he do if we got close enough

      to help him? What will happen if we

      leave them alone out here?

      All the way back

      to Kekionga

      we talk

      about what to do.

      Leave him there, Kwaahkwa argues.

      He deserves whatever happens. I’m not going back—

      let him protect himself with his puny maalhseenhsi. I can’t help

      laughing about how Isaac waved that knife around like he thought

    &
    nbsp; we were dangerous. Let’s sneak up behind him and growl,

      I say. Kwaahkwa laughs. I growl at him,

      and he pretends to be scared.

      We’re almost home—

      who’s behind us?

      James calls out,

      Aya, niihka.

      I look at Kwaahkwa. We stop

      and wait for James to catch up. He points

      and motions for us to follow him back to Isaac, but Kwaahkwa

      points to Kekionga. Moohci, he says. No.

      You follow us.

      JAMES

      Kekionga smells good: smoke rising up from the houses, deer meat

      roasting … and something else, maybe hot corn? Makes me hungry!

      Old Raccoon comes out to meet us, and Kwaahkwa starts talking,

      pointing—must be telling him what happened. Old Raccoon looks at me

      long and hard. I’ll take you home, he says. (But … Isaac? We can’t leave

      him stuck under that branch!) Old Raccoon says something that makes

      Kwaahkwa mad. Then he switches to English and tells me, They’ll stay

      with your friend. We’ll go get help. Wiinicia gives us each a handful

      of corn, still warm, and a piece of hot deer meat. Anikwa and Kwaahkwa

      start down the trail while Old Raccoon gets his horse. He boosts me up on it

      and gets on behind me. We ride fast, but he takes the long trail that doesn’t

      go past the fort—maybe he doesn’t want any soldiers to see us. He stops

      outside the trading post. I get Pa, and explain everything as fast as I can.

      Thank y— Pa starts to say, but Old Raccoon has already turned to go home.

      ANIKWA

      We have our

      bows and arrows. If we see

      a wolf or bobcat come close to Isaac, we know

      what to do. Otherwise, we won’t

      go near him. Does he even

      know we’re here?

      We stand

      in the shadows watching.

      Doesn’t he know he shouldn’t cry

      like that when he’s out in the forest, hurt?

      We have to stay here and make sure nothing happens

      until James brings someone to help. I wish Isaac would keep

      quiet—if the animals hear him, they’ll know he’s

      injured. What’s that in the trees, moving

      toward him? Coming closer—bobcat!

      Big one. Kwaahkwa aims

      and his arrow flies

      straight past

      Isaac,

      hitting the bobcat

      right above the eyes. It takes

      a few steps back, then drops to the ground.

      Isaac whips his head around—

      what just happened?

      JAMES

      I tell Ma exactly where Isaac is. Then Pa grabs his saw, and we ride out

      to Isaac, while Ma takes Molly and runs to the fort for his parents.

      We bring a blanket, a clean white cloth for a bandage, a bottle of water.

      When we reach him, Isaac’s face is streaked with dirt and tears, and he’s

      gasping: They tried to shoot me! I saw them! He’s pointing at Kwaahkwa

      and Anikwa, as they walk slowly into the woods. Watch out, Isaac yells,

      they have bows and arrows! Bows at their sides, arrows on their backs.

      Isaac—be quiet, I say. While Pa tries to calm him, I walk to meet Anikwa

      and Kwaahkwa. They circle away from Isaac, into the forest behind him,

      and Kwaahkwa pulls an arrow out of a dead bobcat’s head. I piece together

      the story, and go back to tell Isaac. No, he insists, that big boy shot at me

      and he missed! Pa shakes his head. Never mind, he says. Help me saw through

      this branch. Easy now. Isaac’s parents arrive. What happened? they ask.

      Isaac has a whole different story from mine—and they only listen to his.

      THIS GAZE, THESE DEEP BROWN EYES

      People follow deer

      through the forest,

      watching where they lick the ground.

      The people scrape salt

      into their hands, their baskets. They taste

      the salt, bring it home.

      Again and again, does and bucks and fawns,

      porcupines and people,

      meet at the salt place.

      ANIKWA

      Wedaase has been

      to his home and back. He’s talked

      to Shawnee, Potawatomi, Wyandot, and Ojibwe people,

      and come to sit with us beside our fire again.

      Father has said many times, We’ll do all

      we can to keep this war away

      from our home.

      But Wedaase speaks six languages.

      He has come a long distance, and everyone

      listens with respect. Brothers and sisters, he says, it’s time

      for us to choose sides. The Americans won’t stop until we stop them.

      They’re determined to have all the land. Yours, ours—everyone’s. That much

      is clear to anyone with eyes. If we join the British, and they help us win,

      all our nations could live together on the land we still have.

      Father is quiet for a long time. He looks around

      the fire at everyone, sweeps his gaze

      across the sky, over the trees,

      to three cardinals,

      bright red

      against the sycamore’s white bark.

      A chipmunk pokes its head up from a hole beside

      a maple tree. Father rests his eyes on me. We want our children’s

      children’s children, he says quietly, to grow old

      in their own home.

      JAMES

      Is that cranes I hear? It makes no sense—it’s the middle of the morning,

      and it sounds like five or six of them. They usually fly in at sunset.

      I watch the sky for a long time and I don’t see any cranes come in,

      but there it is again, same sound. Maybe Anikwa, mimicking again?

      I climb a tree near the stockade gate and look around. Yes, there he is,

      hands to his mouth, making crane calls. I play a blackbird song on my

      whistle, and he looks up, like he’s trying to see if there are blackbirds

      in this tree. When he sees me up here, I wave to him, jump down

      and head for the gate to go say, Aya. But then Pa calls: James, I need your

      help in the trading post. Strange thing, though—when I go to help him,

      he can’t think of anything for me to do. No one’s here to trade. The floor

      is clean. No spiderwebs to sweep away. Pa sees the question on my face

      and says, I might get busy a little later on. Stay around in case I need you.

      He wants me to stay inside the stockade, but he doesn’t want to say so.

      ANIKWA

      Toontwa

      heard it, too—not

      blackbirds, exactly, but someone

      trying to sound like them.

      I told him it was James,

      and then we saw

      James

      wave his hand—he

      was coming down to see us.

      But he just disappeared—we didn’t

      hear him whistling like blackbirds anymore;

      he didn’t come out through the stockade gate, or

      through the place we know, where a board

      is loose, and he can push it back

      and squeeze through. Some

      people are saying we

      should stay away

      from here.

      Mink

      heard someone say

      they might close the trading post.

      She thinks we should get everything we need

      while we still can. Come on, Toontwa,

      let’s go home, I say.

      JAMES

      Ma’s face is like the sky on a day the weather changes. Smiling like the sun


      came out, because she received a parcel from her family in Philadelphia.

      Crying when she reads that her sister’s baby, Lucy, only lived for seven days.

      Aunt Amanda made a quilt for Lucy, and she’s giving it to Ma for Molly.

      Ma says it’s the color of the ocean she remembers from before she came here,

      when she was seventeen. I hear the seagulls crying when I look at it, she says.

      I hold up the quilt for Ma to step back and admire. She lays it down, sets Molly

      on it—we smile when Molly tries to pick one of the stitched-on flowers.

      Pa comes in and eats his lunch without saying anything to Ma or me.

      Something’s wrong. Finally, he puts down his mug, looks up at Ma,

      and tells her, The soldiers are worried. They’ve asked me to stop selling essential

      provisions to anyone outside the fort. A hundred questions fly across Ma’s face,

      but she doesn’t ask them. Just in case, Pa adds. Ma looks out the window, silent.

      Just in case—what? In case Isaac’s right, and there’s a siege. Starting when?

      ANIKWA

      Mink

      lays a pack of beaver pelts across

      Rain Bird’s arms and gives the berry basket to Toontwa.

      Grandma says, Remember, we need wiihkapaakani.

      Do you know what they call it?

      Father scowls.

      “Salt,”

      he says. They take it

      from our land, then sell it back to us.

      He needs a beaver trap, ammunition for his rifle.

      When we start off down the river trail, the sky is streaked

      bright orange-red above the water. We’ll have rain sometime today.

      I tell Father where I saw a pair of coyotes, but he barely listens.

      His steps are long, and I run to keep up. (He’s been angry

      ever since Grandma mentioned salt.) A hard

      rain starts to fall just as we arrive

      at the trading post. We walk in

      and lay our furs out

      on the counter.

      Aya, Father says. James smiles.

      Mr. Gray says, Hello. But he’s looking at the floor.

      He isn’t smiling, and he doesn’t touch the furs. James looks

     


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