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    The Great Weaver From Kashmir


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      HALLDÓR LAXNESS

      The Great Weaver

      from Kashmir

      Translated from the Icelandic by Philip Roughton

      archipelago books

      First published as Vefarinn mikli frá Kasmír by Forlagið, Reykjavík, 1927

      English translation copyright © Philip Roughton, 2008

      First Archipelago Books Edition

      Published by agreement with Licht and Burr Literary Agency, Denmark.

      All Rights Reserved, No part of this book may be reproduced or transmitted in any form without the prior written permission of the publisher.

      Archipelago Books

      232 Third Street #A111

      Brooklyn, NY 11215

      www.archipelagobooks.org

      Library of Congress Cataloging-in-Publication Data

      Halldór Laxness, 1902–1998.

      [Vefarinn mikli frá Kasmír. English]

      The great weaver from Kashmir / by Halldór Laxness ;

      translated from the Icelandic by Philip Roughton.

      p. cm.

      ISBN 978-0-9793330-8-8

      I. Roughton, Philip. II. Title.

      PT7511.L3V3713 2007

      839'.6934–dc22

      2008015345

      Distributed by Consortium Book Sales and Distribution

      www.cbsd.com

      Cover art: Svanasöngur (Swansong), 1966, Jóhannes S. Kjarral (1885–1972)

      This publication was made possible with support from Lannan Foundation, Bókmenntasjóður / the Icelandic Literary Fund, the National Endowment for the Arts, and the New York State Council on the Arts, a state agency.

      CONTENTS

      Book One

      Chapter 1

      Chapter 2

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

      Chapter 8

      Chapter 9

      Chapter 10

      Book Two

      Chapter 11

      Chapter 12

      Chapter 13

      Chapter 14

      Chapter 15

      Chapter 16

      Chapter 17

      Chapter 18

      Chapter 19

      Chapter 20

      Chapter 21

      Chapter 22

      Chapter 23

      Chapter 24

      Chapter 25

      Chapter 26

      Chapter 27

      Chapter 28

      Chapter 29

      Book Three

      Chapter 30

      Chapter 31

      Chapter 32

      Chapter 33

      Chapter 34

      Chapter 35

      Chapter 36

      Chapter 37

      Chapter 38

      Chapter 39

      Chapter 40

      Chapter 41

      Chapter 42

      Chapter 43

      Chapter 44

      Chapter 45

      Chapter 46

      Book Four

      Chapter 47

      Chapter 48

      Chapter 49

      Chapter 50

      Chapter 51

      Chapter 52

      Book Five

      Chapter 53

      Chapter 54

      Chapter 55

      Chapter 56

      Chapter 57

      Chapter 58

      Chapter 59

      Chapter 60

      Chapter 61

      Book Six

      Chapter 62

      Chapter 63

      Chapter 64

      Chapter 65

      Chapter 66

      Chapter 67

      Chapter 68

      Chapter 69

      Chapter 70

      Chapter 71

      Chapter 72

      Chapter 73

      Chapter 74

      Book Seven

      Chapter 75

      Chapter 76

      Chapter 77

      Chapter 78

      Chapter 79

      Chapter 80

      Chapter 81

      Chapter 82

      Chapter 83

      Chapter 84

      Chapter 85

      Chapter 86

      Chapter 87

      Chapter 88

      Chapter 89

      Book Eight

      Chapter 90

      Chapter 91

      Chapter 92

      Chapter 93

      Chapter 94

      Chapter 95

      Chapter 96

      Chapter 97

      Chapter 98

      Chapter 99

      Chapter 100

      End Notes

      Acknowledgments

      Ma nondimen, rimossa ogne menzogna,

      tutta tua visïon fa manifesta;

      e lascia pur grattar dov’ è la rogna.

      Ché se la voce tua sarà molesta

      nel primo gusto, vital nodrimento

      lascerà poi, quando sarà digesta.

      DANTE ALIGHIERI

      (Par. XVII. 127–132)1

      Book One

      1.

      Once two swans flew overhead, eastward.

      The world is like a stage where everything has been set up for an extravagant musical: the fragrance of birchwood in the lava fields at Þingvellir,2 cold gusts of wind from Súlur, violet light in the Esja sky, the azure deep and cold over Skjaldbreiður, but darkness no longer descends. Nightlessness and insomnia in all directions.

      The basalt Ylfingabúð 3 stands on a grassy strip of land between crevices in the surrounding lava rocks. The wild birch is shaken by the gusts and scrawls invisible signs on the evening sky, and a young girl comes out from the house onto the veranda on the south side. She looks westward beyond the path leading through the copse and leans out upon the railing. She stretches her neck like a mountain grouse, tilts her ear to the west and listens, innocent and bright like a mythic character who has grown up alongside white, wild lambs. The clock inside the house strikes ten.

      An old woman wearing a long, dark dress, her hair beginning to gray and her appearance imposing and distinguished, steps out onto the veranda.

      “Diljá,” she says, “I simply can’t understand why they haven’t arrived yet. I mean, it was nearly eight when Örnólfur called to say that they were leaving. God help Jófríður, to have to board ship tomorrow – didn’t you just hear a clatter?”

      “No, Grandma, not a single clank,” answered the young girl ruefully.

      “Who knows? Maybe something went wrong. Haven’t I always said that those automobiles aren’t very reliable? They’ll probably end up watching the ship sail away from shore from somewhere up on Mosfellsheiði! Run inside, Diljá dear, and fetch my knitting and bring me my shawl. I’m going to sit out here on the veranda for a bit, since the weather’s decent.”

      The girl came back out onto the veranda after a few moments, chewing. She had put on a white flannel jacket, and was holding a half-eaten cookie.

      Although her eyes were young and clear, they were not devoid of a kind of heavy miragelike grayness that is often a sign of hysteria, her lips damp with youth and purity, spongy and red, with lines slightly drawn around her mouth, as if a sculptor used his scraper to shape her head in outline only. The rest of her body was much the same: a seedling, fresh and tender, like an ear of grain in the spring, when the new moon watches over the fields, burnished white and slender. Her hair was the only part of her young body that had volume: it was thick, glossy, and bright, twisted into one braid, with crisp curls hanging down around her cheeks.

      “Imagine it, Grandma,” said the girl, after she’d handed the old woman her things and munched down the rest of the cookie. “It wasn’t until I read about it in Morgunblaðið4 yesterday that I found out the Grímúlfur family was planning to sail away! And Steinn Elliði, who tell
    s me everything, didn’t say a single word about it a week ago when we were together in Reykjavík. We walked out to Laugarnes. Why are they leaving so suddenly like that?”

      “They’d been planning it for a long time,” answered the old woman, as she made the first of her stitches. “But folk hardly know about the brothers’ plans until they’re well under way. The last time Örnólfur was abroad he opened a new market, as they’re called. He was in Portugal and southern Italy. One of them’s got to stay down there in the south pretty much all of the time in order to manage the market. One can’t trust foreign office workers to keep things running when so much is at stake. But they kept it fairly quiet that it was Grímúlfur who was going to be moving, until the last minute.”

      “As if Jófríður wouldn’t die of anxiety down there in the south just like anywhere else!” said the girl. “She can’t put up with much for long, what with her consumption and her nerves – I predict that she won’t be able to stick it out very long down there! And what business does Steinn Elliði have down there, when he’s all wrapped up in his art and literature?! And hardly anyone down south can read! As if Steinn wouldn’t miss home, as if he wouldn’t turn right around and come back to see Iceland, that Steinn of ours! Our Steinn, who worships the mountains! I couldn’t see myself going to Italy even if someone invited me. What’s so great about Italy anyway?”

      “The Ylfingur Company doesn’t really concern itself with whatever’s great about Italy, Diljá my dear,” said the foster mother. “Ylfingur isn’t interested in anything but the market. And you should know that the pope can read. But as far as Jófí is concerned, she’s never more contented then when she’s out and about, and I couldn’t wish anything better for little Steinn than for him to leave Reykjavík, so that he can get away for a while from that gang of boys that’s always hanging around him because of his father’s money, not to mention those damned dreams of his of being a poet, which are sure to end up ruining him.”

      Although it was evening, the breeze could not be called cold; in fact it was wholesome and peaceful, and the girl regarded her foster mother, Valgerður Ylfingamóðir. 5 This woman was a superior power: she respected neither youth nor talent, misunderstood Steinn Elliði, and put no stock in poets. She was from an old plutocratic family and thought about things as if she were a bailiff from the days when regents governed Iceland. But tonight the girl was in no mood for submission, and she shook her index finger haughtily at her foster mother as she spoke.

      “No, Grandma, I really must inform you that Steinn Elliði doesn’t have friends just because of Grímúlfur’s money. Steinn has friends for completely different reasons than the fact that Ylfingur sells salt-fish. Because Steinn Elliði is far richer than his father, Grímúlfur, let me tell you, yes, even richer than the Ylfingur Company itself. You’ll see later, when Steinn becomes famous. Yes, just wait a few years, although you might smirk at the thought now. What did his lyceum teachers say? Didn’t they say something along these lines: that Steinn was the most incredibly gifted boy who’d graduated from there in years? Didn’t he graduate with honors in philosophy in the spring, eighteen years old? And what did the German professor say, the one Steinn traveled with up north last year? Weren’t these his exact words: that he’d never encountered such fiery talent in all of Germany? ‘Eine feurige Begabung,’ 6 that’s what he said to Örnólfur, Grandma! And what do his friends say, many of whom are both famous and cultured? They adore him and worship him, because he’s such a great poet, so inspired, so innovative, so astute–”

      The girl was so ardent that from her lips flew words one never sees except in Eimreiðin and Skírnir.7 She was clearly determined to convince her grandmother.

      But Valgerður Ylfingamóðir’s only reply was “Well now.” She glanced sharply at her foster daughter and smiled faintly at her simplistic enthusiasm for the words “innovative” and “astute,” but could not be bothered to make any further reply.

      As she peered down at her knitting her mind was drawn away from her grandson to her sons, those steady, tight-lipped men who had known better how to follow their own lead than even those Icelanders most renowned for innovation and astuteness. The control that they had over the management of the national household determined to a significant extent what might be called the order, the security, or the welfare of Icelandic national prosperity. She was the mother of kings.

      2.

      One of the Ylfingurs’ personal cars, a bulky brownish yellow vehicle, came driving quietly up to the veranda two minutes later, and the fragrance of the copse was blended with the stench of grease and gasoline.

      The director of the fishing company, Örnólfur, sat behind the wheel. He tipped his thin felt hat courteously toward Diljá and his mother, who had come down the veranda steps to smile at the new arrivals. Steinn Elliði was sitting next to Örnólfur and didn’t wait for the vehicle to stop, but instead threw open the car door and leaped out in order to be the first one to greet the women, extending one hand to his grandmother and one to Diljá. Grímúlfur pulled down the handle of the rear door with thin bluish fingers and helped his wife step out. They all kissed each other, except for Örnólfur, who circled the house in order to turn the car around, and then began checking it over like a true chauffeur before going inside.

      Steinn Elliði acted as spokesman for the new arrivals. “Well, old toughie!” he said to his grandmother. “It’s an old custom that those who go to sea receive the blessing of their matron, and you’ve hopefully remembered to cook some pancakes for us. Twenty-four hours from now we’ll have lost sight of land, heading south, Grandma, south, toward warmer regions. Imagine Leith, that great city on the other side of the sea, where the cargo cranes howl like the elements and giant Belgian hacks thrust out their tongues and snort in the coal dust!”

      And without giving a second thought as to whether his grandmother had heard him or not, he turned to Diljá and continued to speak in the same tone of cavalierish nonchalance:

      “Now then, Diljá! It hasn’t been more than, say, three or four days since I learned what the fates had up their sleeves. Father told us about it at the breakfast table two days before yesterday, almost as an afterthought, just as if it had nothing to do with anything. He said that I could actually decide for myself whether I stayed or went, and I thought about it for two days. Finally I came to the conclusion that I must go. Who else was going to read out loud for Mother from nonsensical theosophical essays and English half-crown novels written for ‘benevolent readers’ with crazy hair and bad teeth, wearing boots with lopsided heels and artsy bow ties? And who was going to lead the missus through the museums in Firenze and show her the masterpieces by Cranach and Michelangelo in the Galeria Pitti? Who, if not me? Isn’t the son born into this world to support and pamper his mother? Diljá, damn it, you should have said you’d come with us! And just look at you! Are you angry?”

      He grabbed her quickly by the shoulder and spun her around like a top; suddenly they were staring straight at each other. Usually they laughed at everything whenever they met, but this time no joy shone in her eyes. And this caught him off guard. Neither of them could manage a laugh. He took his cigarette case out of his trouser pocket and fingered it nimbly for a moment, then stuck it back in again.

      “I need to talk to you,” he said, and they went into the house.

      3.

      He was about eighteen years old, but full grown, big and strong, his body agile and svelte. His disposition revealed itself passionate at times, bearing witness to the intractable power of his soul. He was a stately man no matter how one looked at him: neither timidity nor bashfulness obscured his splendid deportment. His bearing, freewheeling and blustery, had effects similar to sunshine hues: the dashing youngster’s look captivated others like an apparition in the sweltering banality of everyday life. His forehead was particularly high, although not quite as wide, and oddly rounded on top. His hair was reddish blond, dense and firm. It was combed back and swept in long locks down the back of his
    head: this splendid mane lent his face a magnificent and imposing quality. Nothing in his person was, however, as charming as his eyes; they had a deviant gleam; they were jewels; it was tempting to stare into their radiant azure; they were deep-set, and their beauty revealed itself best when he glanced upward; they were protected by long eyelashes. His eyebrows were thick and strong; sometimes he knitted them tightly into a ball and looked quickly upward, reminding one of the commander of an army. These eyes either radiated the wild joy of his multifaceted genius’ soul or reflected tranquil refulgence, as if his consciousness were raised in an instant over all visible things and shed light on a hidden world; he had been granted an extra personality that had its home on the other side of everyday life. If one looked, however, from his eyes to his mouth, one noticed something imbalanced in his features. The irregular shape of his mouth drew attention; his upper gums jutted out a little, and his two front teeth were always visible, except when he closed his lips; his mouth seemed fixed in a sneer. At a glance this sneer seemed only to lend a manly look of discontentedness to his face, bearing witness to the easily forgiven complacency of a youth who has the whole world at his feet. On closer inspection, one could read in this look a cold refusal to acquiesce: impudence, even shamelessness. And finally, this sneer could be taken as an outspoken witness to the fact that this man was forever prepared to oppose, to respond mercilessly, savagely. It was just as detrimental to stare too long at his smile as it was comforting to gaze at the psychic beauty of his eyes.

      His hands were small, with thick palms, his fingers short and slender at the tips, the backs of his hands and wrists covered with blond hair all the way up under the cuffs of his sleeves. He appeared to have come directly from a social gathering, clad in a dinner jacket, potato yellow socks and broad-heeled but slender-cut patent-leather shoes, a long muddy-gray overcoat covering the rest of his clothing, a bright hat upon his head. He held snow-white gloves in one hand.

      4.

      The old woman took one of her daughter-in-law’s hands in both of hers and listened compassionately to her despondent complaints about the pressing concerns of the last few days and various other afflictions. She had been struggling to decide on what she did not want to bring with her, to put things in order in trunks and cabinets, and finally to sort out her luggage: pack, pack. No one but God could imagine what a bother all of this had been. Three of the maids had been up to their ears in the work for four days. Finally, however, an end to it had come into sight, thank goodness. But who knows, maybe the girls had skimped on the packing material, and everything would be smashed and shattered to smithereens if the trunks were overturned!

     


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