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    Dad's Army

    Page 29
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      Films and British National Identity (Manchester: Manchester University Press, 1997).

      Santayana, George, Soliloquies in England (New York: Charles Scribner’s & Sons, 1922).

      Seinfeld, Jerry, Sein Off (London: Boxtree, 1999).

      Seymour-Ure, Colin and Jim Schoff, David Low (London: Secker, 1985).

      Silvers, Phil, The Man Who Was Bilko (London: W. H. Allen, 1974).

      Silvey, Roger, Who’s Listening?: The Story of BBC Audience Research (London: Allen & Unwin, 1974).

      Sloan, Tom, Television Light Entertainment (London: BBC, 1969).

      Smith, Anthony, British Broadcasting (Newton Abbot: David & Charles, 1974).

      Smith, Keith, ‘Viewings: which, to whom, and for what?’ Journal of the Society of Film and Television, vol. 12, no. 7 (1973), pp. 10–12.

      Smith, Ronald L., Who’s Who in Comedy (New York: Facts On File, 1992). Snoad, Harold, Directing Situation Comedy (Borehamwood: BBC Television Training, 1988).

      Stone, Richard, You Should Have Been In Last Night (Sussex: The Book Guild, 2000).

      Street, A. G., From Dusk Till Dawn (London: Blandford Press, 1945).

      Summerfield, Penny and Corinna Peniston-Bird, ‘Women in the firing line: the Home Guard and the defence of gender boundaries in Britain in the Second World War’, Women’s History Review, vol. 9, no. 2 (2000), pp. 231–55.

      Thurber, James, Collecting Himself, ed. Michael Rosen (London: Hamish Hamilton, 1989).

      Took, Barry, Laughter in the Air (London: Robson/BBC, 1976).

      ‘Whatever Happened to TV Comedy?’, The Listener, 5 January 1984, pp. 7–8 and 12 January 1984, pp. 8–9.

      Tracey, Michael, A Variety of Lives (London: Bodley Head, 1983).

      Trethowan, Ian, Split Screen (London: Hamish Hamilton, 1984).

      Waldron, Vince, Classic Sitcoms, 2nd edn (Los Angeles: Silman-James Press, 1997).

      Wheeler-Bennett, J. W., King George VI: His Life and Reign (London: Macmillan, 1958).

      Wheldon, Huw, British Traditions in a World-Wide Medium (London: BBC, 1973).

      The Achievement of Television (London: BBC, 1975).

      The British Experience in Television (London: BBC, 1976).

      Whitehouse, Mary, A Most Dangerous Woman? (London: Lion, 1982).

      Williams, Kenneth, The Kenneth Williams Diaries, ed. Russell Davies (London: Harper-Collins, 1993).

      Wilmut, Roger, Tony Hancock: Artiste (London: Methuen, 1978).

      Kindly Leave the Stage: The Story of Variety, 1918–1960 (London: Methuen, 1985).

      Wintringham, Tom, ‘The Home Guard can fight’, Picture Post, 21 September 1940, pp. 9–17.

      Wittgenstein, Ludwig, Culture and Value, ed. G. H. von Wright with Heikki Nyman (Oxford: Basil Blackwell, 1980).

      Wyndham Goldie, Grace, Facing the Nation: Broadcasting and Politics 1936–1976 (London: Bodley Head, 1977).

      Yelton, D. K., ‘British public opinion, the Home Guard, and the defence of Great Britain, 1940–1944’, Journal of Military History, no. 58 (1994), pp. 461–80.

      Index

      The pagination of this electronic edition does not match the edition from which it was created. To locate a specific passage, please use the search feature of your e-book reader’s tools.

      ‘A. Wilson (Manager)?’ episode (Series Four) 115–18, 239

      ‘Absent Friends’ episode (Series Four) 238

      ACTT (Association of Cinematography, Television and Allied Technicians Union) 83, 91, 96

      A.J. Wentworth, B.A. 217

      ‘All is Safely Gathered In’ episode (Series Five) 120, 161, 241

      Allen, Chesney 72, 182

      Ammonds, John 38, 41

      Anchor Hotel (Thetford) 157

      Anderson, Lindsay 216

      Archard, Bernard 173, 174

      Are You Being Served? 102, 204

      ‘Armoured Might of Lance Corporal

      Jones, The’ episode (Series Three) 234

      Army Game, The 46, 58

      ‘Asleep in the Deep’ episode (Series Five) 119, 240

      Association of Cinematography, Television and Allied Technicians Union see ACTT audience figures ‘Battle of the Giants’ special 118

      pilot episode 86

      Series One 91, 95–6, 97, 98

      Series Two 111

      Series Three 112

      Series Five 120

      Series Six 192–3, 194

      Series Seven 195, 196

      Series Eight 199

      Series Nine 210

      final episode 213

      repeats 222, 223

      Audience Research Department 82, 89

      awards 100, 112

      BAFTA awards 100, 112

      Bailey, Bush 61

      Banks-Smith, Nancy 87

      Bardon, John 179, 180

      ‘Battle of the Giants’ (Christmas episode) 118, 239

      ‘Battle of Godfrey’s Cottage, The’ episode (Series Two) 232–3

      ‘Battle School’ episode (Series Three) 234

      Baverstock, Donald 43 BBC (British Broadcasting Corporation) 38–9, 40, 46, 91

      attitude to Croft 40–1

      attitude towards Croft-Perry partnership 102

      Audience Research Department 82, 89

      failure to arrange farewell celebration for Dad’s Army cast 214

      Light Entertainment department 44–5

      situation-comedies with military themes 46

      top producers at 38

      wiping over programmes for videotape reuse 110

      Bean, Colin 64, 170–1, 184

      Beck, James 52, 69, 102, 189–90, 192

      absence of felt by cast 194–5

      acting career 61–2, 190

      casting for Walker 612

      death 120, 189, 191–2, 193, 227

      and drinking 190

      in Thetford for filming 158

      and Walker character 75, 104

      Beck, Kay 190

      Beggar My Neighbour 38, 39, 52, 55, 64

      Bell Hotel (Thetford) 157

      Bennett, Arnold 8

      Bennett, Harold 52

      Bernard, Jeffrey 128

      ‘Big Guns’ episode (Series Three) 235

      ‘Big Parade, The’ episode (Series Four) 237

      Billington, Michael 87

      Black, Peter 87, 193, 200

      Bless Me, Father 216

      Blimp, Colonel 24

      ‘Boots, Boots, Boots’ episode (Series Four) 237

      Born Every Minute 102

      Bowness, Felix 52 Boyle, Ron 88

      Bracewell character 49, 63, 75

      ‘Brain Versus Brawn’ episode (Series Five) 120, 241

      ‘Branded’ episode (Series Three) 113, 236

      Bressingham Steam Museum 223

      British Film Institute 223

      ‘Brush With the Law, A’ episode (Series Five) 120, 242

      ‘Bullet Is Not for Firing, The’ episode (Series Three) 234

      Bunclarke With an ‘E’ 190

      Burke, Edmund 33, 139

      Burton, Sir Montague 19

      Callender, Ann 38, 62, 63

      Campbell, Peter 217

      ‘Captain’s Car, The’ episode (Series Seven) 245

      casting 51–65

      Frazer character 60–1

      Godfrey character 59–60

      Hodges character 64–5

      Jones character 57–9

      Mainwaring character 54–6

      Pike character 62–3

      supporting players 63–4

      Walker character 61–2

      Wilson character 56–7

      Cecil, Hugh 64

      Chalfont St Giles 168

      Chamberlain, Neville 21, 185

      characters 5–6, 47, 123–53 casting of see casting

      providing with plausible past 71

      response to by general public 92

      see also individual names

      Cheeseman character 194, 195–7

      Christie, Ian 176

      Christmas Night with the Stars 101

      Churchill, Winston 14–15, 21, 22–3, 27, 28, 31–3


      Clarke, Roy 216

      class consciousness 7–8, 84–5

      Classic Television magazine top three funniest moments 249

      Cleasby-Thompson, Colonel 162

      Clive, Connie 58

      Cohen, Norman 167–8, 169, 170, 171, 173–4, 175

      Coleman, Ed 179

      Columbia Pictures 168, 176

      ‘Come In, Your Time Is Up’ episode (Series Eight) 198, 246

      ‘Command Decision’ episode (Series One) 92–4, 231–2

      Coombs, Pat 39

      Cooper, Duff 22

      Cooper, Hal 203

      Cooper, Joan 128, 179, 212, 214, 216, 220

      Coronation Street 130

      Cotton, Bill 40–1, 42, 59, 78, 79, 82, 91, 111, 189, 204

      Croft, Ann 48

      Croft, David 46, 92, 118, 158, 160

      on art of direction 108–9

      BAFTA award 100

      awarded OBE 216

      background and career 38, 48

      BBC’s attitude towards 40–1

      and casting of Dad’s Army 51, 55, 56, 58–9, 60, 61, 62–3, 64–5

      casting in other situation – comedies 51–2

      on Cheeseman character 196–7

      and choice of studio 108

      dropping of Bracewell character 75

      at farewell dinner 214

      and film version of Dad’s Army 105, 167, 169, 173, 177

      Croft, David – contd.

      and final episode 212

      and first series 91

      on Le Mesurier’s ill-health 206

      and location filming 160, 164

      on Lowe’s narcolepsy 207

      on Lowe’s problem in learning lines 107

      meeting with Perry 39

      on Mills 42

      not wanting interference 102

      other projects 102, 204, 216, 222

      and pilot episode 69, 78, 81–2, 86–7

      showing of Dad’s Army script idea by Perry and reaction 40

      and Snoad 160

      and stage version of Dad’s Army 180, 184

      talents 41

      and time-slot for Dad’s Army 193

      and title sequence of pilot episode 78, 79, 80, 81

      on working for BBC 38–9

      working with Perry on second script 47–9

      working with and relationship with Perry 103–4

      Crossman, Richard 46

      Cullum-Jones, Desmond 64

      Cundell, Pamela 211

      Dad’s Army

      adaptation for American market see Rear Guard, The

      appeal and popularity 4–5, 120, 199–200, 228, 249 see also audience figures

      broadcasting of in other countries 222

      camaraderie between cast 200–1

      commissioning of initial series 50

      devising basic storyline and script by Perry 37–8

      Englishness of 8, 250

      final episode 7–8, 211–13, 248

      getting off ground 40–7

      and nostalgia 5, 250

      origin of idea 35, 36–7

      pilot script 47–50

      post-war sequel project 219–20

      repeat screenings 222–3

      success 100–1, 183

      tales of trapped relationships 118

      themes 6–7

      time slot 193, 195

      tributes to 223

      Dad’s Army Appreciation Society 222, 276

      ‘Dad’s Army Collection, The’ 223

      ‘Dad’s Army Day’ 223

      Dad’s Army: The Movie 167–77

      changes made by Columbia 168–9

      horse on raft scene 174–5

      locations 168, 170

      premiere and reviews 175–6

      screenplay 171–3

      shooting schedules 169–70

      treatment of cast and ‘extra – specials’ 170–1

      ‘Dad’s Army: A Nostalgic Music and Laughter Show of Britain’s Finest Hour’ see Dad’s Army (stage show)

      Dad’s Army – Original Cast Recording 183

      Dad’s Army (radio version) 189, 194

      ‘Dad’s Army and the Secret U – boat Base’ 177

      Dad’s Army (stage show) 178–85

      ending of 185

      rehearsals 180

      reviews 182–3

      team on 179

      tour of 184–5

      West End opening 181–2

      Daily Express 88, 176

      Daily Mail 87

      Daily Mirror 87, 95, 175–6, 214, 219

      Daily Telegraph 87

      David Copperfield 130

      Davies, Janet 63–4, 221, 228

      ‘Day the Balloon Went Up’ episode (Series Three) 112, 235

      Day Lewis, C. 23

      Day-Lewis, Sean 87

      ‘Deadly Attachment, The’ episode (Series Six) 4, 13, 192, 201, 242

      Delfont, Bernard 179, 180–1

      Desert Islands Discs 101, 127–8

      ‘Desperate Drive of Corporal Jones, The’ (Series Five) 119, 240

      Diary of a Nobody 130–2

      ‘Don’t Fence Me In’ episode (Series Four) 237

      ‘Don’t Forget the Diver’ episode (Series Four) 237

      ‘Don’t tell him Pike’ scene 3–4, 4–5, 8

      Dorning, Robert 56, 258

      Dowdeswell, Caroline 64

      Drake, Vernon 64 Dunn, Bobby 58

      Dunn, Clive 69, 109, 158, 164, 197, 223

      acting career 58, 101

      awarded OBE 200

      career and life after Dad’s Army 218, 222

      casting for Jones 57–9

      character 104

      and death of Beck 191–2

      and death of Lowe 219

      at farewell function 214, 215

      and film version of Dad’s Army 169, 174

      and Jones character 104, 148–9 on Lowe 105

      memories of being a prisoner of war 148

      performance in episode 5 (Series One) 96

      and pilot episode 72, 73

      and stage version of Dad’s Army 179, 180, 181, 184, 185

      and stunts 164

      Eastwood, Lieutenant-General Sir Ralph 27

      Eden, Anthony 13–14, 16, 18, 19, 22, 23, 49

      Elsom, John 182 Emmett, E.V.H. 70, 84

      ‘Enemy Within the Gates, The’ episode (Series One) 95–6, 232

      English, Arthur 52

      episode guide 231–48

      Ernst, Kathryn 81

      ‘Everybody’s Trucking’ episode (Series Seven) 106, 195, 244

      Exelby, Sandra 70

      ‘Face on the Poster, The’ episode (Series Eight) 199, 246

      ‘Fallen Idol’ episode (Series Four) 239

      Fiddick, Peter 213–14

      Fighting Tigers, The (original script) 38, 39, 45–6

      Financial Times 183

      Flanagan, Bud 72

      Fox, Mrs 211–12

      Fox, Paul 43, 77–8, 78–9, 80, 113–14

      Foy, Jr, Eddie 203

      Fraser, Liz 168

      Fraser, Ronald 102

      Frazer character 6, 49, 53, 141–3

      casting 60–1

      and Jones 150

      and Mainwaring 141, 142–3

      and pilot episode 85

      potted biography 139–40

      and Series Three 111

      see also Laurie, John

      Galton, Ray 102–3, 190

      Gardiner, Jeffrey 52

      George VI, King 27, 31, 33

      ‘Getting the Bird’ episode (Series Five) 119, 240

      Gilbert, James 38, 41

      Gillespie, Robert 52

      Gnomes of Dulwich, The 102

      Godfrey character 6, 49, 53, 149, 151–2

      casting 59–60

      and Mainwaring 151

      and pilot episode 85

      potted biography 147–8

      and Series Two 110

      and Series Three 111

      see also Ridley, Arnold

      Godfrey, Frank 64

      ‘Godiva Affair, The’ episode (Series Seven) 181, 244


      Goldie, Grace Wyndham 79

      ‘Gorilla Warfare’ episode (Series Seven) 196, 244

      Grade, Michael 59

      Greene, Hugh Carleton 38, 46

      Grigg, Sir Edward 18–19, 25–6

      Guardian 97, 176, 213

      Guinness, Alec 126

      Haig, Jack 57–8, 184

      Hancock, George 64, 170

      Hancock, Tony 128

      Hancock’s Half Hour 89

      Hastings, Hugh 64, 170

      Hawks, Howard 169

      Hay, Will 38

      Hayfield Cricket Club 185

      Hi-de-Hi! 216, 218

      ‘High Finance’ episode (Series Eight) 198–9, 246

      Hill, Charles 46

      Hoare, Sir Samuel 14

      Hobson, Harold 182

      Hodges character 6, 74

      casting 64–5

      greengrocer’s lorry 164–5

      more prominence given to in third series 111–12

      see also Pertwee, Bill

      Hogan’s Heroes 46

      Holland, Jeffrey 179–80, 184–5

      Home Guard 5, 8, 13–34

      administrative structure 18, 252

      age range 24

      anniversary celebrations 30–2

      attempt to improve by Pownall 21

      broadcast on by Eden 13–14, 16, 18

      bureaucracy of 29–30

      change of name from LDV to 21–3

      and Churchill 14–15, 21, 22–3, 27, 28, 31–2

      and conscription 27

      decline and disbanding of 32–3

      difference made and value of 30

      early problems 20–1

      enrolling of volunteers for 16–18

      eulogising and romanticising of by writers 23–4

      formation 13–14, 16

      gallantry 34

      given a firmer and more permanent shape 26

      grousing 26–7

      growth of membership 18

      Perry in 36–7, 48

      problems 27–30

      proposals for 16, 251–2

      and retired officers 24–5

      role and function 18–19

      tightening up of organisation by Eastwood 27

      uniform 19–20, 26

      and weapons 20, 26, 28–9

      and women 28

      ‘Honourable Man, The’ episode (Series Six) 193, 243

      Howerd, Frankie 42

      Hugh and I 38, 39, 40, 52, 56, 61, 64

      Hunter-Craig, Alan 70

      Husband, Mary 179

      ‘If the Cap Fits …’ episode (Series Five) 119, 241

      ‘Is There Honey Still for Tea?’ episode (Series Eight) 198, 245–6

      It Ain’t Half Hot Mum 204

      It Sticks Out Half a Mile 219–20

      ITA 46 ITV 46, 83

      Ivor Novello award 100

     


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