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    Scenes of Clerical Life

    Page 22
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    was not really dead�only in a trance; people did fall into trances sometimes.

      While Mr Gilfil was telling Warren how it would be best to break the news to

      Lady Cheverel and Miss Assher, anxious himself to return to Caterina, the poor

      child had made her way feebly to the great entrance-door, which stood open. Her

      strength increased as she moved and breathed the fresh air, and with every

      increase of strength came increased vividness of emotion, increased yearing to

      be where her thought was�in the Rookery with Anthony. She walked more and more

      swiftly, and at last, gathering the artificial strength of passionate

      excitement, began to run.

      But soon she hears the tread of heavy steps, and under the yellow shade near the

      wooden bridge, she sees men slowly carrying something. Now she is face to face

      with them. Anthony is no longer in the Rookery: they are carrying him stretched

      on a door, and there behind him is Sir Christopher, with the firmly-set mouth,

      the deathly paleness, and the concentrated expression of suffering in the eye,

      which mark the suppressed grief of the strong man. The sight of this face, on

      which Caterina had never before beheld the signs of anguish, caused a rush of

      new feeling which for the moment submerged all the rest. She went gently up to

      him, put her little hand in his, and walked in silence by his side. Sir

      Christopher could not tell her to leave him, and so she went on with that sad

      procession to Mr Bates's cottage in the Mosslands, and sat there in silence,

      waiting and watching to know if Anthony were really dead.

      She had not yet missed the dagger from her pocket; she had not yet even thought

      of it. At the sight of Anthony lying dead, her nature had rebounded from its new

      bias of resentment and hatred to the old sweet habit of love. The earliest and

      the longest has still the mastery over us; and the only past that linked itself

      with those glazed unconscious eyes, was the past when they beamed on her with

      tenderness. She forgot the interval of wrong and jealousy and hatred�all his

      cruelty, and all her thoughts of revenge�as the exile forgets the stormy passage

      that lay between home and happiness, and the dreary land in which he finds

      himself desolate.

      CHAPTER XVI.

      Before night all hope was gone. Dr Hart had said it was death; Anthony's body

      had been carried to the house, and every one there knew the calamity that had

      fallen on them.

      Caterina had been questioned by Dr Hart, and had answered briefly that she found

      Anthony lying in the Rookery. That she should have been walking there just at

      that time was not a coincidence to raise conjectures in any one besides Mr

      Gilfil. Except in answering this question, she had not broken her silence. She

      sat mute in a corner of the gardener's kitchen, shaking her head when Maynard

      entreated her to return with him, and apparently unable to think of anything but

      the possibility that Anthony might revive, until she saw them carrying away the

      body to the house. Then she followed by Sir Christopher's side again, so

      quietly, that even Dr Hart did not object to her presence.

      It was decided to lay the body in the library until after the coroner's inquest

      to-morrow; and when Caterina saw the door finally closed, she turned up the

      gallery stairs on her way to her own room, the place where she felt at home with

      her sorrows. It was the first time she had been in the gallery since that

      terrible moment in the morning, and now the spot and the objects around began to

      reawaken her half-stunned memory. The armour was no longer glittering in the

      sunlight, but there it hung dead and sombre above the cabinet from which she had

      taken the dagger. Yes! now it all came back to her�all the wretchedness and all

      the sin. But where was the dagger now? She felt in her pocket; it was not there.

      Could it have been her fancy�all that about the dagger? She looked in the

      cabinet; it was not there. Alas! no; it could not have been her fancy, and she

      was guilty of that wickedness. But where could the dagger be now? Could it have

      fallen out of her pocket? She heard steps ascending the stairs, and hurried on

      to her room, where, kneeling by the bed, and burying her face to shut out the

      hateful light, she tried to recall every feeling and incident of the morning.

      It all came back; everything Anthony had done, and everything she had felt for

      the last month� for many months�ever since that June evening when he had last

      spoken to her in the gallery. She looked back on her storms of passion, her

      jealously and hatred of Miss Assher, her thoughts of revenge on Anthony. O how

      wicked she had been! It was she who had been sinning; it was she who had driven

      him to do and say those things that had made her so angry. And if he had wronged

      her, what had she been on the verge of doing to him? She was too wicked ever to

      be pardoned. She would like to confess how wicked she had been, that they might

      punish her; she would like to humble herself to the dust before every one�before

      Miss Assher even. Sir Christopher would send her away�would never see her again,

      if he knew all; and she would be happier to be punished and frowned on, than to

      be treated tenderly while she had that guilty secret in her breast. But then, if

      Sir Christopher were to know all, it would add to his sorrow, and make him more

      wretched than ever. No! she could not confess it �she should have to tell about

      Anthony. But she could not stay at the Manor; she must go away; she could not

      bear Sir Christopher's eye, could not bear the sight of all these things that

      reminded her of Anthony and of her sin. Perhaps she should die soon; she felt

      very feeble; there could not be much life in her. She would go away and live

      humbly, and pray to God to pardon her, and let her die.

      The poor child never thought of suicide. No sooner was the storm of anger passed

      than the tenderness and timidity of her nature returned, and she could do

      nothing but love and mourn. Her inexperience prevented her from imagining the

      consequences of her disappearance from the Manor; she foresaw none of the

      terrible details of alarm and distress and search that must ensue. "They will

      think I am dead," she said to herself, "and by-and-by they will forget me, and

      Maynard will get happy again, and love some one else."

      She was roused from her absorption by a knock at the door. Mrs Bellamy was

      there. She had come by Mr Gilfil's request to see how Miss Sarti was, and to

      bring her some food and wine.

      "You look sadly, my dear," said the old housekeeper, "an' you're all of a quake

      wi' cold. Get you to bed, now do. Martha shall come an' warm it, an' light your

      fire. See now, here's some nice arrowroot, wi' a drop o' wine in it. Tek that,

      an' it'll warm you. I must go down again, for I can't awhile to stay. There's so

      many things to see to; an' Miss Assher's in hysterics constant, an' her maid's

      ill i' bed�a poor creachy thing�an' Mrs Sharp's wanted every minute. But I'll

      send Martha up, an' do you get ready to go to bed, there's a dear child, an' tek

      care o' yourself."

      "Thank you, dear mammy," said Tina, kissing the little old woman's wrinkled

    &n
    bsp; cheek; "I shall eat the arrowroot, and don't trouble about me any more to-night.

      I shall do very well when Martha has lighted my fire. Tell Mr Gilfil I'm better.

      I shall go to bed by-and-by, so don't you come up again, because you may only

      disturb me."

      "Well, well, tek care o' yourself, there's a good child, an' God send you may

      sleep."

      Caterina took the arrowroot quite eagerly, while Martha was lighting her fire.

      She wanted to get strength for her journey, and she kept the plate of biscuits

      by her that she might put some in her pocket. Her whole mind was now bent on

      going away from the Manor, and she was thinking of all the ways and means her

      little life's experience could suggest.

      It was dusk now; she must wait till early dawn, for she was too timid to go away

      in the dark, but she must make her escape before any one was up in the house.

      There would be people watching Anthony in the library, but she could make her

      way out of a small door leading into the garden, against the drawing-room on the

      other side of the house.

      She laid her cloak, bonnet, and veil ready; then she lighted a candle, opened

      her desk, and took out the broken portrait wrapped in paper. She folded it again

      in two little notes of Anthony's, written in pencil, and placed it in her bosom.

      There was the little china box, too�Dorcas's present, the pearl earrings, and a

      silk purse, with fifteen seven-shilling pieces in it, the presents Sir

      Christopher had made her on her birthday, ever since she had been at the Manor.

      Should she take the earrings and the seven-shilling pieces? She could not bear

      to part with them; it seemed as if they had some of Sir Christopher's love in

      them. She would like them to be buried with her. She fastened the little round

      earrings in her ears, and put the purse with Dorcas's box in her pocket. She had

      another purse there, and she took it out to count her money, for she would never

      spend her seven-shilling pieces. She had a guinea and eight shillings; that

      would be plenty.

      So now she sat down to wait for the morning, afraid to lay herself on the bed

      lest she should sleep too long. If she could but see Anthony once more, and kiss

      his cold forehead! But that could not be. She did not deserve it. She must go

      away from him, away from Sir Christopher, and Lady Cheverel, and Maynard, and

      everybody who had been kind to her, and thought her good while she was so

      wicked.

      CHAPTER XVII.

      Some of Mrs Sharp's earliest thoughts, the next morning, were given to Caterina,

      whom she had not been able to visit the evening before, and whom, from a nearly

      equal mixture of affection and self-importance, she did not at all like

      resigning to Mrs Bellamy's care. At half-past eight o'clock she went up to

      Tina's room, bent on benevolent dictation as to doses and diet and lying in bed.

      But on opening the door she found the bed smooth and empty. Evidently it had not

      been slept in. What could this mean? Had she sat up all night, and was she gone

      out to walk? The poor thing's head might be touched by what had happened

      yesterday; it was such a shock�finding Captain Wybrow in that way; she was

      perhaps gone out of her mind. Mrs Sharp looked anxiously in the place where Tina

      kept her hat and clock; they were not there, so that she had had at least the

      presence of mind to put them on. Still the good woman felt greatly alarmed, and

      hastened away to tell Mr Gilfil, who, she knew, was in his study.

      "Mr Gilfil," she said, as soon as she had closed the door behind her, "my mind

      misgives me dreadful about Miss Sarti."

      "What is it?" said poor Maynard, with a horrible fear that Caterina had betrayed

      something about the dagger.

      "She's not in her room, an'her bed's not been slept in this night, an' her hat

      an' cloak's gone."

      For a minute or two Mr Gilfil was unable to speak. He felt sure the worst had

      come: Caterina had destroyed herself. The strong man suddenly looked so ill and

      helpless that Mrs Sharp began to be frightened at the effect of her abruptness.

      "O, sir, I'm grieved to my heart to shock you so; but I didn't know who else to

      go to."

      "No, no, you were quite right."

      He gathered some strength from his very despair. It was all over, and he had

      nothing now to do but to suffer and to help the suffering. He went on in a

      firmer voice:

      "Be sure not to breathe a word about it to any one. We must not alarm Lady

      Cheverel and Sir Christopher. Miss Sarti may be only walking in the garden. She

      was terribly excited by what she saw yesterday, and perhaps was unable to lie

      down from restlessness. Just go quietly through the empty rooms, and see whether

      she is in the house. I will go and look for her in the grounds."

      He went down, and, to avoid giving any alarm in the house, walked at once

      towards the Mosslands in search of Mr Bates, whom he met returning from his

      breakfast. To the gardener he confided his fear about Caterina, assigning as a

      reason for this fear the probability that the shock she had undergone yesterday

      had unhinged her mind, and begging him to send men in search of her through the

      gardens and park, and inquire if she had been seen at the lodges; and if she

      were not found or heard of in this way, to lose no time in dragging the waters

      round the Manor.

      "God forbid it should be so, Bates, but we shall be the easier for having

      searched everywhere."

      "Troost to mae, troost to mae, Mr Gilfil. Eh! but I'd ha' worked for day-wage

      all the rest o' my life, rether than anythin' should ha' happened to her."

      The good gardener, in deep distress, strode away to the stables that he might

      send the grooms on horseback through the park.

      Mr Gilfil's next thought was to search the Rookery: she might be haunting the

      scene of Captain Wybrow's death. He went hastily over every mound, looked round

      every large tree, and followed every winding of the walks. In reality he had

      little hope of finding her there; but the bare possibility fenced off for a time

      the fatal conviction that Caterina's body would be found in the water. When the

      Rookery had been searched in vain, he walked fast to the border of the little

      stream that bounded one side of the grounds. The stream was almost everywhere

      hidden among trees, and there was one place where it was broader and deeper than

      elsewhere�she would be more likely to come to that spot than to the pool. He

      hurried along with strained eyes, his imagination continually creating what he

      dreaded to see.

      There is something white behind that overhanging bough. His knees tremble under

      him. He seems to see part of her dress caught on a branch, and her dear dead

      face upturned. O God, give strength to thy creature, on whom thou hast laid this

      great agony! He is nearly up to the bough, and the white object is moving. It is

      a waterfowl, that spreads its wings and flies away screaming. He hardly knows

      whether it is a relief or a disappointment that she is not there. The conviction

      that she is dead presses its cold weight upon him none the less heavily.

      As he reached the great pool in front of the Manor, he saw Mr Ba
    tes, with a

      group of men already there, preparing for the dreadful search which could only

      displace his vague despair by a definite horror; for the gardener, in his

      restless anxiety, had been unable to defer this until other means of search had

      proved vain. The pool was not now laughing with sparkles among the waterlilies.

      It looked black and cruel under the sombre sky, as if its cold depths held

      relentlessly all the murdered hope and joy of Maynard Gilfil's life.

      Thoughts of the sad consequences for others as well as himself were crowding on

      his mind. The blinds and shutters were all closed in front of the Manor, and it

      was not likely that Sir Christopher would be aware of anything that was passing

      outside; but Mr Gilfil felt that Caterina's disappearance could not long be

      concealed from him. The coroner's inquest would be held shortly; she would be

      inquired for, and then it would be inevitable that the Baronet should know all.

      END OF VOL. I.

      VOL. II. MR GILFIL'S LOVE-STORY

      CHAPTER XVIII.

      At twelve o'clock, when all search and inquiry had been in vain, and the coroner

      was expected every moment, Mr Gilfil could no longer defer the hard duty of

      revealing this fresh calamity to Sir Christopher, who must otherwise have it

      discovered to him abruptly.

      The Baronet was seated in his dressing-room, where the dark window-curtains were

      drawn so as to admit only a sombre light. It was the first time Mr Gilfil had

      had an interview with him this morning, and he was struck to see how a single

      day and night of grief had aged the fine old man. The lines in his brow and

      about his mouth were deepened; his complexion looked dull and withered; there

      was a swollen ridge under his eyes; and the eyes themselves, which used to cast

      so keen a glance on the present, had the vacant expression which tells that

      vision is no longer a sense, but a memory.

      He held out his hand to Maynard, who pressed it, and sat down beside him in

      silence. Sir Christopher's heart began to swell at this unspoken sympathy; the

      tears would rise, would roll in great drops down his cheeks. The first tears he

      had shed since boyhood were for Anthony.

      Maynard felt as if his tongue were glued to the roof of his mouth. He could not

      speak first: he must wait until Sir Christopher said something which might lead

      on to the cruel words that must be spoken.

      At last the Baronet mastered himself enough to say, "I'm very weak, Maynard�God

      help me! I didn't think anything would unman me in this way; but I'd built

      everything on that lad. Perhaps I've been wrong in not forgiving my sister. She

      lost one of her sons a little while ago. I've been too proud and obstinate."

      "We can hardly learn humility and tenderness enough except by suffering," said

      Maynard; "and God sees we are in need of suffering, for it is falling more and

      more heavily on us. We have a new trouble this morning."

      "Tina?" said Sir Christopher, looking up anxiously�"is Tina ill?"

      "I am in dreadful uncertainty about her. She was very much agitated

      yesterday�and with her delicate health�I am afraid to think what turn the

      agitation may have taken."

      "Is she delirious, poor dear little one?"

      "God only knows how she is. We are unable to find her. When Mrs Sharp went up to

      her room this morning, it was empty. She had not been in bed. Her hat and cloak

      were gone. I have had search made for her everywhere�in the house and garden, in

      the park, and�in the water. No one has seen her since Martha went up to light

      her fire at seven o'clock in the evening."

      While Mr Gilfil was speaking, Sir Christopher's eyes, which were eagerly turned

      on him, recovered some of their old keenness, and some sudden painful emotion,

      as at a new thought, flitted rapidly across his already agitated face, like the

      shadow of a dark cloud over the waves. When the pause came, he laid his hand on

      Mr Gilfil's arm, and said in a lower voice,�

      "Maynard, did that poor thing love Anthony?"

     


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