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    The Buddha's Return

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      * I’m sorry to bother you. You couldn’t lend me a little money, could you?

      † There was a time when I would laugh at love.

      ‡ The Flower Basket.

      § I never knew my parents, that is, if they ever existed at all. You wouldn’t think it to look at me, but I was found in a bin, at 24 Rue Caulaincourt. I’m a real Parisian, I am.

      ¶ …until the day I croak, because I’m consumptive.

      || It looks like an orgy.

      ** I haven’t had much luck in life.

      †† Do you understand me? Tell me that you understand me.

      ‡‡ Sir, the show is over.

      §§ My apologies… Thank you for waking me up, mademoiselle.

      ¶¶ Sir, d’you know where her wealth came from?

      |||| Because, you see, you’re a man.

      *** Perhaps because I’m the wrong sex.

      ††† My whole life I’ve been dragged through the mud.

      ‡‡‡ Well I never!

      §§§ Child of Misfortune.

      ¶¶¶ Courage!

      |||||| Mercy!

      **** It is in so doing that he has paid his debt to society.

      †††† And these same furies you describe to me, / These arms you have seen bathed in blood…

      PUSHKIN PRESS

      Pushkin Press was founded in 1997, and publishes novels, essays, memoirs, children’s books—everything from timeless classics to the urgent and contemporary.

      Our books represent exciting, high-quality writing from around the world: we publish some of the twentieth century’s most widely acclaimed, brilliant authors such as Stefan Zweig, Marcel Aymé, Antal Szerb, Paul Morand and Yasushi Inoue, as well as compelling and award-winning contemporary writers, including Andrés Neuman, Edith Pearlman and Ryu Murakami.

      Pushkin Press publishes the world’s best stories, to be read and read again. Here are just some of the titles from our long and varied list. For more amazing stories, visit www.pushkinpress.com.

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      ‘Zweig’s fictional masterpiece’ Guardian

      THE WORLD OF YESTERDAY

      STEFAN ZWEIG

      ‘The World of Yesterday is one of the greatest memoirs of the twentieth century, as perfect in its evocation of the world Zweig loved, as it is in its portrayal of how that world was destroyed’ David Hare

      JOURNEY BY MOONLIGHT

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      I WAS JACK MORTIMER

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      SONG FOR AN APPROACHING STORM

      PETER FRÖBERG IDLING

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      THE RABBIT BACK LITERATURE SOCIETY

      PASI ILMARI JÄÄSKELÄINEN

      ‘Wonderfully knotty… a very grown-up fantasy masquerading as quirky fable. Unexpected, thrilling and absurd’ Sunday Telegraph

      RED LOVE: THE STORY OF AN EAST GERMAN FAMILY

      MAXIM LEO

      ‘Beautiful and supremely touching… an unbearably poignant description of a world that no longer exists’ Sunday Telegraph

      THE BREAK

      PIETRO GROSSI

      ‘Small and perfectly formed… reaching its end leaves the reader desirous to start all over again’ Independent

      FROM THE FATHERLAND, WITH LOVE

      RYU MURAKAMI

      ‘If Haruki is The Beatles of Japanese literature, Ryu is its Rolling Stones’ David Pilling

      BUTTERFLIES IN NOVEMBER

      AUÐUR AVA ÓLAFSDÓTTIR

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      BARCELONA SHADOWS

      MARC PASTOR

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      THE LAST DAYS

      LAURENT SEKSIK

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      BY BLOOD

      ELLEN ULLMAN

      ‘Delicious and intriguing’ Daily Telegraph

      WHILE THE GODS WERE SLEEPING

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      THE BRETHREN

      ROBERT MERLE

      ‘A master of the historical novel’ Guardian

      Copyright

      Pushkin Press

      71–75 Shelton Street, London WC2H 9JQ

      Despite all efforts, the publisher has been unable to ascertain the owner of the rights to the original Russian text. We welcome any further information on the matter.

      English translation © Bryan Karetnyk 2014

      The Buddha’s Return was originally published in 1949–50

      as Vozvrashchenie Buddy in the Russian-language journal

      Novyi Zhurnal (The New Review), New York

      This translation first published by Pushkin Press in 2014

      ISBN 978 1 782271 10 9

      All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission in writing from Pushkin Press

      The publication was effected under the auspices of the Mikhail Prokhorov Foundation TRANSCRIPT Programme to Support Translations of Russian Literature

      www.pushkinpress.com

     

     

     



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