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    Poems

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    andmadeithomelierthanitwas.

      “Whydidyoubringmeheretoseeit?

      Atempleofcratesincrampedandcratedscenery,

      whatcanitprove?

      Iamtiredofbreathingthiserodedair,

      thisdrynessinwhichthemonumentiscracking.”

      Itisanartifact

      ofwood.Woodholdstogetherbetter

      thanseaorcloudorsandcouldbyitself,

      muchbetterthanrealseaorsandorcloud.

      Itchosethatwaytogrowandnottomove.

      Themonument’sanobject,yetthosedecorations,

      carelesslynailed,lookinglikenothingatall,

      giveitawayashavinglife,andwishing;

      wantingtobeamonument,tocherishsomething.

      Thecrudestscroll-worksays“commemorate,”

      whileonceeachdaythelightgoesaroundit

      likeaprowlinganimal,

      ortherainfallsonit,orthewindblowsintoit.

      Itmaybesolid,maybehollow.

      Thebonesoftheartist-princemaybeinside

      orfarawayonevendriersoil.

      Butroughlybutadequatelyitcanshelter

      whatiswithin(whichafterall

      cannothavebeenintendedtobeseen).

      Itisthebeginningofapainting,

      apieceofsculpture,orpoem,ormonument,

      andallofwood.Watchitclosely.

      Paris,7A.M.

      Imakeatriptoeachclockintheapartment:

      somehandspointhistrionicallyoneway

      andsomepointothers,fromtheignorantfaces.

      TimeisanEtoile;thehoursdiverge

      somuchthatdaysarejourneysroundthesuburbs,

      circlessurroundingstars,overlappingcircles.

      Theshort,half-tonescaleofwinterweathers

      isaspreadpigeon’swing.

      Winterlivesunderapigeon’swing,adeadwingwithdampfeathers.

      Lookdownintothecourtyard.Allthehouses

      arebuiltthatway,withornamentalurns

      setonthemansardroof-topswherethepigeons

      taketheirwalks.Itislikeintrospection

      tostareinside,orretrospection,

      astarinsidearectangle,arecollection:

      thishollowsquarecouldeasilyhavebeenthere.

      —Thechildishsnow-forts,builtinflashierwinters,

      couldhavereachedtheseproportionsandbeenhouses;

      themightysnow-forts,four,five,storieshigh,

      withstandingspringassand-fortsdothetide,

      theirwalls,theirshape,couldnotdissolveanddie,

      onlybeoverlappinginastrongchain,turnedtostone,

      andgrayedandyellowednowlikethese.

      Whereistheammunition,thepiled-upballs

      withthestar-splinteredheartsofice?

      Thisskyisnocarrier-warrior-pigeon

      escapingendlessintersectingcircles.

      Itisadeadone,ortheskyfromwhichadeadonefell.

      Theurnshavecaughthisashesorhisfeathers.

      Whendidthestardissolve,orwasitcaptured

      bythesequenceofsquaresandsquaresandcircles,circles?

      Cantheclockssay;isittherebelow,

      abouttotumbleinsnow?

      Quaid’Orléans

      forMargaretMiller

      Eachbargeontherivereasilytows

      amightywake,

      agiantoak-leafofgraylights

      ondullergray;

      andbehinditrealleavesarefloatingby,

      downtothesea.

      Mercury-veinsonthegiantleaves,

      theripples,make

      forthesidesofthequai,toextinguishthemselves

      againstthewalls

      assoftlyasfalling-starscometotheirends

      atapointinthesky.

      Andthrongsofsmallleaves,realleaves,trailingthem,

      godriftingby

      todisappearasmodestly,downthesea’s

      dissolvinghalls.

      Westandasstillasstonestowatch

      theleavesandripples

      whilelightandnervouswaterhold

      theirinterview.

      “Ifwhatweseecouldforgetushalfaseasily,”

      Iwanttotellyou,

      “asitdoesitself—butforlifewe’llnotberid

      oftheleaves’fossils.”

      SleepingontheCeiling

      Itissopeacefulontheceiling!

      ItisthePlacedelaConcorde.

      Thelittlecrystalchandelier

      isoff,thefountainisinthedark.

      Notasoulisinthepark.

      Below,wherethewallpaperispeeling,

      theJardindesPlanteshaslockeditsgates.

      Thosephotographsareanimals.

      Themightyflowersandfoliagerustle;

      undertheleavestheinsectstunnel.

      Wemustgounderthewallpaper

      tomeettheinsect-gladiator,

      tobattlewithanetandtrident,

      andleavethefountainandthesquare.

      Butoh,thatwecouldsleepupthere.…

      SleepingStandingUp

      Asweliedowntosleeptheworldturnshalfaway

      throughninetydarkdegrees;

      thebureauliesonthewall

      andthoughtsthatwererecumbentintheday

      riseastheothersfall,

      standupandmakeaforestofthick-settrees.

      Thearmoredcarsofdreams,contrivedtoletusdo

      somanyadangerousthing,

      arechuggingatitsedge

      allcamouflaged,andreadytogothrough

      theswifteststreams,orupaledge

      ofcrumblingshale,whileplatesandtrappingsring.

      —Throughturret-slitswesawthecrumbsorpebblesthatlay

      belowtherivetedflanks

      onthegreenforestfloor,

      likethosethecleverchildrenplacedbyday

      andfollowedtotheirdoor

      onenight,atleast;andintheuglytanks

      wetrackedthemallthenight.Sometimestheydisappeared,

      dissolvinginthemoss,

      sometimeswewenttoofast

      andgroundthemunderneath.Howstupidlywesteered

      untilthenightwaspast

      andneverfoundoutwherethecottagewas.

      Cirqued’Hiver

      Acrossthefloorflitsthemechanicaltoy,

      fitforakingofseveralcenturiesback.

      Alittlecircushorsewithrealwhitehair.

      Hiseyesareglossyblack.

      Hebearsalittledanceronhisback.

      Shestandsuponhertoesandturnsandturns.

      Aslantingsprayofartificialroses

      isstitchedacrossherskirtandtinselbodice.

      Aboveherheadsheposes

      anothersprayofartificialroses.

      HismaneandtailarestraightfromChirico.

      Hehasaformal,melancholysoul.

      Hefeelsherpinktoesdangletowardhisback

      alongthelittlepole

      thatpiercesbothherbodyandhersoul

      andgoesthroughhis,andreappearsbelow,

      underhisbelly,asabigtinkey.

      Hecantersthreesteps,thenhemakesabow,

      cantersagain,bowsononeknee,

      canters,thenclicksandstops,andlooksatme.

      Thedancer,bythistime,hasturnedherback.

      Heisthemoreintelligentbyfar.

      Facingeachotherratherdesperately—

      hiseyeislikeastar—

      westareandsay,“Well,wehavecomethisfar.”

      Florida

      Thestatewiththeprettiestname,

      thestatethatfloatsinbrackishwater,

      held
    togetherbymangroveroots

      thatbearwhilelivingoystersinclusters,

      andwhendeadstrewwhiteswampswithskeletons,

      dottedasifbombarded,withgreenhummocks

      likeancientcannon-ballssproutinggrass.

      ThestatefulloflongS-shapedbirds,blueandwhite,

      andunseenhystericalbirdswhorushupthescale

      everytimeinatantrum.

      Tanagersembarrassedbytheirflashiness,

      andpelicanswhosedelightitistoclown;

      whocoastforfunonthestrongtidalcurrents

      inandoutamongthemangroveislands

      andstandonthesand-barsdryingtheirdampgoldwings

      onsun-litevenings.

      Enormousturtles,helplessandmild,

      dieandleavetheirbarnacledshellsonthebeaches,

      andtheirlargewhiteskullswithroundeye-sockets

      twicethesizeofaman’s.

      Thepalmtreesclatterinthestiffbreeze

      likethebillsofthepelicans.Thetropicalraincomesdown

      tofreshenthetide-loopedstringsoffadingshells:

      Job’sTear,theChineseAlphabet,thescarceJunonia,

      parti-coloredpectinsandLadies’Ears,

      arrangedasonagrayragofrottedcalico,

      theburiedIndianPrincess’sskirt;

      withthesethemonotonous,endless,saggingcoast-line

      isdelicatelyornamented.

      Thirtyormorebuzzardsaredriftingdown,down,down,

      oversomethingtheyhavespottedintheswamp,

      incircleslikestirred-upflakesofsediment

      sinkingthroughwater.

      Smokefromwoods-firesfiltersfinebluesolvents.

      Onstumpsanddeadtreesthecharringislikeblackvelvet.

      Themosquitoes

      gohuntingtothetuneoftheirferociousobbligatos.

      Afterdark,thefirefliesmaptheheavensinthemarsh

      untilthemoonrises.

      Coldwhite,notbright,themoonlightiscoarse-meshed,

      andthecareless,corruptstateisallblackspecks

      toofarapart,anduglywhites;thepoorest

      post-cardofitself.

      Afterdark,thepoolsseemtohaveslippedaway.

      Thealligator,whohasfivedistinctcalls:

      friendliness,love,mating,war,andawarning—

      whimpersandspeaksinthethroat

      oftheIndianPrincess.

      Jerónimo’sHouse

      Myhouse,myfairy

      andonthetable

      palace,is

      onefriedfish

      ofperishable

      spatteredwithburning

      clapboardswith

      scarletsauce,

      threeroomsinall,

      alittledish

      mygraywasps’nest

      ofhominygrits

      ofchewed-uppaper

      andfourpinktissue-

      gluedwithspit.

      paperroses.

      Myhome,mylove-nest,

      AlsoIhave

      isendowed

      hungonahook,

      withaveranda

      anoldFrenchhorn

      ofwoodenlace,

      repaintedwith

      adornedwithferns

      aluminumpaint.

      plantedinsponges,

      Iplayeachyear

      andthefrontroom

      intheparade

      withredandgreen

      forJoséMarti.

      left-overChristmas

      Atnightyou’dthink

      decorations

      myhouseabandoned.

      loopedfromthecorners

      Comecloser.You

      tothemiddle

      canseeandhear

      abovemylittle

      thewriting-paper

      centertable

      linesoflight

      ofwovenwicker

      andthevoicesof

      paintedblue,

      myradio

      andfourbluechairs

      singingflamencos

      andanaffair

      inbetween

      forthesmallestbaby

      thelotterynumbers.

      withatray

      WhenImove

      withtenbigbeads.

      Itakethesethings,

      Thenonthewalls

      notmuchmore,from

      twopalm-leaffans

      myshelterfrom

      andacalendar

      thehurricane.

      Roosters

      Atfouro’clock

      inthegun-metalbluedark

      wehearthefirstcrowofthefirstcock

      justbelow

      thegun-metalbluewindow

      andimmediatelythereisanecho

      offinthedistance,

      thenonefromthebackyardfence,

      thenone,withhorribleinsistence,

      grateslikeawetmatch

      fromthebroccolipatch,

      flares,andallovertownbeginstocatch.

      Criesgalore

      comefromthewater-closetdoor,

      fromthedropping-plasteredhenhousefloor,

      whereintheblueblur

      theirrustlingwivesadmire,

      theroostersbracetheircruelfeetandglare

      withstupideyes

      whilefromtheirbeaksthererise

      theuncontrolled,traditionalcries.

      Deepfromprotrudingchests

      ingreen-goldmedalsdressed,

      plannedtocommandandterrorizetherest,

      themanywives

      wholeadhens’lives

      ofbeingcourtedanddespised;

      deepfromrawthroats

      asenselessorderfloats

      allovertown.Aroostergloats

      overourbeds

      fromrustyironsheds

      andfencesmadefromoldbedsteads,

      overourchurches

      wherethetinroosterperches,

      overourlittlewoodennorthernhouses,

      makingsallies

      fromallthemuddyalleys,

      markingoutmapslikeRandMcNally’s:

      glass-headedpins,

      oil-goldsandcoppergreens,

      anthraciteblues,alizarins,

      eachoneanactive

      displacementinperspective;

      eachscreaming,“ThisiswhereIlive!”

      Eachscreaming

      “Getup!Stopdreaming!”

      Roosters,whatareyouprojecting?

      You,whomtheGreekselected

      toshootatonapost,whostruggled

      whensacrificed,youwhomtheylabeled

      “Verycombative…”

      whatrighthaveyoutogive

      commandsandtellushowtolive,

      cry“Here!”and“Here!”

      andwakeusherewhereare

      unwantedlove,conceitandwar?

      Thecrownofred

      setonyourlittlehead

      ischargedwithallyourfightingblood.

      Yes,thatexcrescence

      makesamostvirilepresence,

      plusallthatvulgarbeautyofiridescence.

      Nowinmid-air

      bytwostheyfighteachother.

      Downcomesafirstflame-feather,

      andoneisflying,

      withragingheroismdefying

      eventhesensationofdying.

      Andonehasfallen,

      butstillabovethetown

      historn-out,bloodiedfeathersdriftdown;

      andwhathesung

      nomatter.Heisflung

      onthegrayash-heap,liesindung

      withhisdeadwives

      withopen,bloodyeyes,

      whilethosemetallicfeathersoxidize.

      St.Peter’ssin

      wasworsethanthatofMagdalen


      whosesinwasofthefleshalone;

      ofspirit,Peter’s,

      falling,beneaththeflares,

      amongthe“servantsandofficers.”

      Oldholysculpture

      couldsetitalltogether

      inonesmallscene,pastandfuture:

      Christstandsamazed,

      Peter,twofingersraised

      tosurprisedlips,bothasifdazed.

      Butinbetween

      alittlecockisseen

      carvedonadimcolumninthetravertine

      explainedby galluscanit;

      fletPetrusunderneathit.

      Thereisinescapablehope,thepivot;

      yes,andtherePeter’stears

      rundownourchanticleer’s

      sidesandgemhisspurs.

      Tear-encrustedthick

      asamedievalrelic

      hewaits.PoorPeter,heart-sick,

      stillcannotguess

      thosecock-a-doodlesyetmightbless,

      hisdreadfulroostercometomeanforgiveness,

      anewweathervane

      onbasilicaandbarn,

      andthatoutsidetheLateran

      therewouldalwaysbe

      abronzecockonaporphyry

      pillarsothepeopleandthePopemightsee

      thateventhePrince

      oftheApostleslongsince

      hadbeenforgiven,andtoconvince

      alltheassembly

      that“Denydenydeny”

      isnotalltheroosterscry.

      Inthemorning

      alowlightisfloating

      inthebackyard,andgilding

      fromunderneath

      thebroccoli,leafbyleaf;

      howcouldthenighthavecometogrief?

      gildingthetiny

      floatingswallow’sbelly

      andlinesofpinkcloudinthesky,

      theday’spreamble

      likewanderinglinesinmarble.

      Thecocksarenowalmostinaudible.

      Thesunclimbsin,

      following“toseetheend,”

      faithfulasenemy,orfriend.

      Seascape

      Thiscelestialseascape,withwhiteheronsgotupasangels,

      flyingashighastheywantandasfarastheywantsidewise

      intiersandtiersofimmaculatereflections;

      thewholeregion,fromthehighestheron

      downtotheweightlessmangroveisland

     


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