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    Edith Wharton's Verse, 1879-1919, from various journals.

    Page 7
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      Or in yet deeper hours, when all was still,

      And the hushed air bowed over them alone,

      Such music of the heart as lovers hear,

      When close as lips lean, lean the thoughts between--

      When the cold world, no more a lonely orb

      Circling the unimagined track of Time,

      Is like a beating heart within their hands,

      A numb bird that they warm, and feel its wings--

      Such music have I heard; and through the prayers

      Wherewith I sought to shackle their desires,

      And bring them humbled to the feet of God,

      Caught the loud quiring of the fruitful year,

      The leap of springs, the throb of loosened earth,

      And the sound of all the streams that seek the sea.

      So fell it, that when pity moved their hearts,

      And those high lovers, one unto the end,

      Bowed to the sundering will, and each his way

      Went through a world that could not make them twain,

      Knowing that a great vision, passing by,

      Had swept mine eye-lids with its fringe of fire,

      I, with the wonder of it on my head,

      And with the silence of it in my heart,

      Forth to Tintagel went by secret ways,

      A long lone journey; and from them that loose

      Their spiced bales upon the wharves, and shake

      Strange silks to the sun, or covertly unbosom

      Rich hoard of pearls and amber, or let drip

      Through swarthy fingers links of sinuous gold,

      Chose their most delicate treasures. Though I knew

      No touch more silken than this knotted gown,

      My hands, grown tender with the sense of her,

      Discerned the airiest tissues, light to cling

      As shower-loosed petals, veils like meadow-smoke,

      Fur soft as snow, amber like sun congealed,

      Pearls pink as may-buds in an orb of dew;

      And laden with these wonders, that to her

      Were natural as the vesture of a flower,

      Fared home to lay my booty at her feet.

      And she, consenting, nor with useless words

      Proving my purpose, robed herself therein

      To meet her lawful lord; but while she thus

      Prisoned the wandering glory of her hair,

      Dimmed her bright breast with jewels, and subdued

      Her light to those dull splendours, well she knew

      The lord that I adorned her thus to meet

      Was not Tintagel’s shadowy King, but he,

      That other lord beneath whose plumy feet

      The currents of the seas of life run gold

      As from eternal sunrise; well she knew

      That when I laid my hands upon her head,

      Saying, "Fare forth forgiven," the words I spoke

      Were the breathings of his pity, who beholds

      How, swept on his inexorable wings

      Too far beyond the planetary fires

      On the last coasts of darkness, plunged too deep

      In light ineffable, the heart amazed

      Swoons of its glory, and dropping back to earth

      Craves the dim shelter of familiar sounds,

      The rain on the roof, the noise of flocks that pass,

      And the slow world waking to its daily round. . . .

      And thus, as one who speeds a banished queen,

      I set her on my mule, and hung about

      With royal ornament she went her way;

      For meet it was that this great Queen should pass

      Crowned and forgiven from the face of Love.

      "The Comrade." Atlantic Monthly 106 (Dec. 1910): 785-87.

      WILD winged thing, O brought I know not whence

      To beat your life out in my life’s low cage;

      You strange familiar, nearer than my flesh

      Yet distant as a star, that were at first

      A child with me a child, yet elfin-far,

      And visibly of some unearthly breed;

      Mirthfullest mate of all my mortal games,

      Yet shedding on them some evasive gleam

      Of Latmian loneliness--O seven then

      Expert to lift the latch of our low door

      And profit by the hours when, dusked about

      By human misintelligence, our first

      Weak fledgling flights were safeliest essayed;

      Divine accomplice of those perilous-sweet

      Low moth-flights of the unadventured soul

      Above the world’s dim garden!--now we sit,

      After what stretch of years, what stretch of wings,

      In the same cage together--still as near

      And still as strange!

      Only I know at last

      That we are fellows till the last night falls,

      And that I shall not miss your comrade hands

      Till they have closed my lids, and by them set

      A taper that--who knows!--may yet shine through.

      Sister, my comrade, I have ached for you,

      Sometimes, to see you curb your pace to mine,

      And bow your Maenad crest to the dull forms

      Of human usage; I have loosed your hand

      And whispered: ’Go! Since I am tethered here;’

      And you have turned, and breathing for reply,

      ’I too am pinioned, as you too are free,’

      Have caught me to such undreamed distances

      As the last planets see, when they look forth,

      To the sentinel pacings of the outmost stars--

      Nor these alone,

      Comrade, my sister, were your gifts. More oft

      Has your impalpable wing-brush bared for me

      The heart of wonder in familiar things,

      Unroofed dull rooms, and hung above my head

      The cloudy glimpses of a vernal moon,

      Or all the autumn heaven ripe with stars.

      And you have made a secret pact with Sleep,

      And when she comes not, or her feet delay,

      Toiled in low meadows of gray asphodel

      Under a pale sky where no shadows fall,

      Then, hooded like her, to my side you steal,

      And the night grows like a great rumouring sea,

      And you a boat, and I your passenger,

      And the tide lifts us with an indrawn breath

      Out, out upon the murmurs and the scents,

      Through spray of splintered star-beams, or white rage

      Of desperate moon-drawn waters--on and on

      To some blue ocean immarcescible

      That ever like a slow-swung mirror rocks

      The balanced breasts of sea-birds motionless.

      Yet other nights, my sister, you have been

      The storm, and I the leaf that fled on it

      Terrifically down voids that never knew

      The pity of creation--or have felt

      The immitigable anguish of a soul

      Left last in a long-ruined world alone;

      And then your touch has drawn me back to earth,

      As in the night, upon an unknown road,

      A scent of lilac breathing from the hedge

      Bespeaks the hidden farm, the bedded cows,

      And safety, and the sense of human kind . . .

      And I have climbed with you by hidden ways

      To meet the dews of morning, and have seen

      The shy gods like retreating shadows fade,

      Or on the thymy reaches have surprised

      Old Chiron sleeping, and have waked him not . . .

      Yet farther have I fared with you, and known

      Love and his sacred tremors, and the rites

      Of his most inward temple; and beyond

      His temple lights, have seen the long gray waste

      Where lonely thoughts, like creatures of the night,

      Listen and wander where a city stood.

      And creeping down by waterless defiles

      Under an
    iron midnight, have I kept

      My vigil in the waste till dawn began

      To move among the ruins, and I saw

      A sapling rooted in a fissured plinth,

      And a wren’s nest in the thunder-threatening hand

      Of some old god of granite in the dust . . .

      "Summer Afternoon (Bodiam Castle, Sussex)." Scribner’s Magazine 49 (Mar. 1911): 277-78. Edith Wharton

      NOT all the wasteful beauty of the year

      Heaped in the scale of one consummate hour

      Shall this outweigh: the curve of quiet air

      That held, as in the green sun-fluted light

      Of sea-caves quivering in a tidal lull,

      Those tranced towers and long unruined walls,

      Moat-girdled from the world’s dissolving touch,

      The rook-flights lessening over evening woods,

      And, down the unfrequented grassy slopes,

      The shadows of old oaks contemplative

      Reaching behind them like the thoughts of age.

      High overhead hung the long Sussex ridge,

      Sun-cinctured, as a beaker’s rim of gold

      Curves round its green concavity; and slow

      Across the upper pastures of the sky

      The clouds moved white before the herding airs

      That in the hollow, by the moated walls,

      Stirred not one sleeping lily from its sleep.

      Deeper the hush fell; more remote the earth

      Fled onward with the flight of cloud and sun,

      And cities strung upon the flashing reel

      Of nights and days. We knew no more of these

      Than the grey towers redoubling in the moat

      The image of a bygone strength transformed

      To beauty’s endless uses; and like them

      We felt the touch of that renewing power

      That turns the landmarks of man’s ruined toil

      To high star-haunted reservoirs of peace.

      And with that sense there came the deeper sense

      Of moments that, between the beats of time,

      May thus insphere in some transcendent air

      The plenitude of being.

      Far currents feed them, from those slopes of soul

      That know the rise and set of other stars

      White-roaring downward through remote defiles

      Dim-forested with unexplored thought;

      Yet tawny from the flow of lower streams

      That drink the blood of battle, sweat of earth,

      And the broached vats of cities revelling.

      All these the moments hold; yet these resolved

      To such clear wine of beauty as shall flush

      The blood to richer living. . . . Thus we mused,

      And musing thus we felt the magic touch,

      And such a moment held us. As, at times,

      Through the long windings of each other’s eyes

      We have reached some secret hallowed silent place

      That a god visits at the turn of night--

      In such a solitude the moment held us.

      And one were thought and sense in that profound

      Submersion of all being deep below

      The vexed waves of action. Clear we saw,

      Through the clear nether stillness of the place,

      The gliding images of words and looks

      Swept from us down the gusty tides of time,

      And here unfolding to completer life;

      And like dull pebbles from a sunless shore

      Plunged into crystal waters, suddenly

      We took the hues of beauty, and became,

      Each to the other, all that each had sought.

      Thus did we feel the moment and the place

      One in the heart of beauty; while far off

      The rooks’ last cry died on the fading air,

      And the first star stood white upon the hill.

      "Pomegranate Seed." Scribner’s Magazine 51 (Mar. 1912): p284-91. BY EDITH WHARTON

      DEMETER PERSEPHONE

      HECATE HERMES

      In the vale of Elusis

      Hail, goddess, from the midmost caverned vale

      Of Samothracia, where with darksome rites

      Unnameable, and sacrificial lambs,

      Pale priests salute thy triple-headed form,

      Borne hither by swift Hermes o’er the sea:

      Hail, Hecate, what word soe’er thou bring

      To me, undaughtered, of my vanished child.

      Word have I, but no Samothracian wild

      Last saw me, and mine aged footsteps pine

      For the bleak vale, my dusky-pillared house,

      And the cold murmur of incessant rites

      Forever falling down mine altar-steps

      Into black pools of fear . . . for I am come

      Even now from that blue-cinctured westward isle,

      Trinacria, where, till thou withheldst thy face,

      Yearly three harvests yellowed to the sun,

      And vines deep-laden yoked the heavier boughs--

      Trinacria, that last saw Persephone.

      Now, triune goddess, may the black ewe-lambs

      Pour a red river down thine altar-steps,

      Fruit, loaves and honey, at the cross-roads laid,

      With each young moon by pious hands renewed,

      Appease thee, and the Thracian vale resound

      With awful homage to thine oracle!

      What bring’st thou of Persephone, my child?

      Thy daughter lives, yet never sees the sun.

      Blind am I in her blindness. Tell no more.

      Blind is she not, and yet beholds no light.

      Dark as her doom is, are thy words to me.

      When the wild chariot of the flying sea

      Bore me to Etna, ’neath his silver slope

      Herding their father’s flocks three maids I found,

      The daughters of the god whose golden house

      Rears in the east its cloudy peristyle.

      "Helios, our father," to my quest they cried,

      "Was last to see Persephone on earth."

      On earth? What nameless region holds her now?

      Even as I put thy question to the three,

      Etna became as one who knows a god,

      And wondrously, across the waiting deep,

      Wave after wave the golden portent bore,

      Till Helios rose before us.

      O, I need

      Thy words as the parched valleys need my rain!

      May the draught slake thee! Thus the god replied:

      When the first suns of March with verdant flame

      Relume the fig-trees in the crannied hills,

      And the pale myrtle scents the rain-washed air--

      Ere oleanders down the mountain stream

      Pass the wild torch of summer, and my kine

      Breathe of gold gorse and honey-laden sage;

      Between the first white flowering of the bay

      And the last almond’s fading from the hill,

      Along the fields of Enna came a maid

      Who seemed among her mates to move alone,

      As the full moon will mow the sky of stars,

      And whom, by that transcendence, I divined

      Of breed Olympian, and Demeter’s child.

      All-seeing god! So walks she in my dreams.

      Persephone (so spake the god of day)

      Ran here and there with footsteps that out-shone

      The daffodils she gathered, while her maids,

      Like shadows of herself by noon fore-shortened,

      On every side her laughing task prolonged;

      When suddenly the warm and trusted earth

      Widened black jaws beneath them, and therefrom

      Rose Aides, whom with averted head

      Pale mortals worship, as the poplar turns,

      Whitening, her fearful foliage from the gale.

      Like thunder rolling up against the wind

      He dusked the sky with midnight ere he came,

      Whirling his cloak of
    subterraneous cloud

      In awful coils about the fated maid,

      Till nothing marked the place where she had stood

      But her dropped flowers--a garland on a grave.

      Where is that grave? There will I lay me down,

      And know no more the change of night to day.

      Such is the cry that mortal mothers make;

      But the sun rises, and their task goes on.

      Yet happier they, that make an end at last.

      Behold, along the Eleusinian vale

      A god approaches, by his feathered tread

      Arcadian Hermes. Wait upon his word.

      I am a god. What do the gods avail?

      Oft have I heard that cry--but not the answer.

      Demeter, from Olympus am I come,

      By laurelled Tempe and Thessalian ways,

      Charged with grave words of aegis-bearing Zeus.

      DEMETER

      ( as if she has not heard him)

      If there be any grief I have not borne,

      Go, bring it here, and I will give it suck . . .

      Thou art a god, and speakest mortal words?

      Even the gods grow greater when they love.

      It is the Life-giver who speaks by me.

      I want no words but those my child shall speak.

      His words are winged seeds that carry hope

      To root and ripen in long-barren hearts.

      Deeds, and not words, alone can quicken me.

      His words are fruitfuller than deeds of men.

      Why hast thou left Olympus, and thy kind?

      Because my kind are they that walk the earth

      For numbered days, and lay them down in graves.

      My sisters are the miserable women

      Who seek their children up and down the world,

      Who feel a babe’s hand at the faded breast,

      And live upon the words of lips gone dumb.

      Sorrow no footing on Olympus finds,

      And the gods are gods because their hearts forget.

      Why then, since thou hast cast thy lot with those

      Who painfully endure vain days on earth,

      Hast thou, harsh arbitress of fruit and flower,

      Cut off the natural increase of the fields?

      The baffled herds, tongues lolling, eyes agape,

      Range wretchedly from sullen spring to spring,

      A million sun-blades lacerate the ground,

      And the shrunk fruits untimely drop, like tears

      That Earth at her own desolation sheds.

      These are the words Zeus bids me bring to thee.

      To whom reply: No pasture longs for rain

      As for Persephone I thirst and hunger.

      Give me my child, and all the earth shall laugh

      Like Rhodian rose-fields in the eye of June.

      What if such might were mine? What if, indeed,

     


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