whereupon its fellow five
crumbs chuckled as if they were alive
and number two took up the song,
might i’m called and did no wrong
cried the third crumb, i am should
and this is my little sister could
with our big brother who is would
don’t punish us for we were good;
and the last crumb with some shame
whispered unto God, my name
is must and with the others i’ve
been Effie who isn’t alive
just imagine it I say
God amid a monstrous din
watch your step and follow me
stooping by Effie’s little, in
(want a match or can you see?)
which the six subjunctive crumbs
twitch like mutilated thumbs:
picture His peering biggest whey
coloured face on which a frown
puzzles, but I know the way—
(nervously Whose eyes approve
the blessed while His ears are crammed
with the strenuous music of
the innumerable capering damned)
–staring wildly up and down
the here we are now judgment day
cross the threshold have no dread
lift the sheet back in this way.
here is little Effie’s head
whose brains are made of gingerbread
12
Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and
changing everything carefully
spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and
without breaking anything.
13
who knows if the moon’s
a balloon,coming out of a keen city
in the sky–filled with pretty people?
(and if you and i should
get into it,if they
should take me and take you into their balloon,
why then
we’d go up higher with all the pretty people
than houses and steeples and clouds:
go sailing
away and away sailing into a keen
city which nobody’s ever visited,where
always
it’s
Spring)and everyone’s
in love and flowers pick themselves
14
i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh . . . . And eyes big love-crumbs,
and possibly i like the thrill
of under me you so quite new
15
little tree
little silent Christmas tree
you are so little
you are more like a flower
who found you in the green forest
and were you very sorry to come away?
see i will comfort you
because you smell so sweetly
i will kiss your cool bark
and hug you safe and tight
just as your mother would,
only don’t be afraid
look the spangles
that sleep all the year in a dark box
dreaming of being taken out and allowed to shine,
the balls the chains red and gold the fluffy threads,
put up your little arms
and i’ll give them all to you to hold
every finger shall have its ring
and there won’t be a single place dark or unhappy
then when you’re quite dressed
you’ll stand in the window for everyone to see
and how they’ll stare!
oh but you’ll be very proud
and my little sister and i will take hands
and looking up at our beautiful tree
we’ll dance and sing
“Noel Noel”
16
Humanity i love you
because you would rather black the boots of
success than enquire whose soul dangles from his
watch-chain which would be embarrassing for both
parties and because you
unflinchingly applaud all
songs containing the words country home and
mother when sung at the old howard
Humanity i love you because
when you’re hard up you pawn your
intelligence to buy a drink and when
you’re flush pride keeps
you from the pawn shop and
because you are continually committing
nuisances but more
especially in your own house
Humanity i love you because you
are perpetually putting the secret of
life in your pants and forgetting
it’s there and sitting down
on it
and because you are
forever making poems in the lap
of death Humanity
i hate you
17
POEM, OR BEAUTY HURTS MR. VINAL
take it from me kiddo
believe me
my country, ’tis of
you, land of the Cluett
Shirt Boston Garter and Spearmint
Girl With The Wrigley Eyes (of you
land of the Arrow Ide
and Earl &
Wilson
Collars) of you i
sing:land of Abraham Lincoln and Lydia E. Pinkham,
land above all of Just Add Hot Water And Serve—
from every B. V. D.
let freedom ring
amen. i do however protest, anent the un
-spontaneous and otherwise scented merde which
greets one (Everywhere Why) as divine poesy per
that and this radically defunct periodical. i would
suggest that certain ideas gestures
rhymes, like Gillette Razor Blades
having been used and reused
to the mystical moment of dullness emphatically are
Not To Be Resharpened. (Case in point
if we are to believe these gently O sweetly
melancholy trillers amid the thrillers
these crepuscular violinists among my and your
skyscrapers– Helen & Cleopatra were Just Too Lovely,
The Snail’s On The Thorn enter Morn and God’s
In His andsoforth
do you get me?) according
to such supposedly indigenous
throstles Art is O World O Life
a formula: example, Turn Your Shirttails Into
Drawers and If It Isn’t An Eastman It Isn’t A
Kodak therefore my friends let
us now sing each and all fortissimo A-
mer
i
ca, I
love,
You. And there’re a
hun-dred-mil-lion-oth-ers, like
all of you successfully if
delicately gelded (or spaded)
gentlemen (and ladies)– pretty
littleliverpill-
hearted-NujoIneeding-There’s-A-Reason
americans (who tensetendoned and with
upward vacant eyes, painfully
perpetually crouched, quivering, upon the
sternly allotted sandpile
–how silently
emit a tiny violetflavoured nuisance: Odor?
ono.
comes out like a ribbon lies flat on the brush
18
nobody loses all the time
i had an uncle named
Sol who was a born failure and
nearly everybody said he should have gone
into vaudeville perhaps because my Uncle Sol could
sing McCann He Was A Diver on Xmas Eve like Hell Itself which
may or may not account for the fact that my Uncle
Sol indulged in that possibly most inexcusable
of all to use a highfalootin phrase
luxuries that is or to
wit farming and be
it needlessly
added
my Uncle Sol’s farm
failed because the chickens
ate the vegetables so
my Uncle Sol had a
chicken farm till the
skunks ate the chickens when
my Uncle Sol
had a skunk farm but
the skunks caught cold and
died and so
my Uncle Sol imitated the
skunks in a subtle manner
or by drowning himself in the watertank
but somebody who’d given my Uncle Sol a Victor
Victrola and records while he lived presented to
him upon the auspicious occasion of his decease a
scrumptious not to mention splendiferous funeral with
tall boys in black gloves and flowers and everything and
i remember we all cried like the Missouri
when my Uncle Sol’s coffin lurched because
somebody pressed a button
(and down went
my Uncle
Sol
and started a worm farm)
19
mr youse needn’t be so spry
concernin questions arty
each has his tastes but as for i
i likes a certain party
gimme the he-man’s solid bliss
for youse ideas i’ll match youse
a pretty girl who naked is
is worth a million statues
20
she being Brand
-new;and you
know consequently a
little stiff i was
careful of her and(having
thoroughly oiled the universal
joint tested my gas felt of
her radiator made sure her springs were O.
K.)i went right to it flooded-the-carburetor cranked her
up,slipped the
clutch(and then somehow got into reverse she
kicked what
the hell)next
minute i was back in neutral tried and
again slo-wly;bare,ly nudg. ing(my
lev-er Right-
oh and her gears being in
A 1 shape passed
from low through
second-in-to-high like
greasedlightning)just as we turned the corner of Divinity
avenue i touched the accelerator and give
her the juice,good
(it
was the first ride and believe i we was
happy to see how nice she acted right up to
the last minute coming back down by the Public
Gardens i slammed on
the
internalexpanding
&
externalcontracting
brakes Bothatonce and
brought allofher tremB
-ling
to a:dead.
stand-
;Still)
21
MEMORABILIA
stop look &
listen Venezia: incline thine
ear you glassworks
of Murano;
pause
elevator nel
mezzo del cammin’ that means half-
way up the Campanile, believe
thou me cocodrillo–
mine eyes have seen
the glory of
the coming of
the Americans particularly the
armed with large legs rancid
voices Baedekers Mothers and kodaks
—by night upon the Riva Schiavoni or in
the felicitous vicinity of the de l’Europe
Grand and Royal
Danielli their numbers
are like unto the stars of Heaven. . . .
i do signore
affirm that all gondola signore
day below me gondola signore gondola
and above me pass loudly and gondola
rapidly denizens of Omaha Altoona or what
not enthusiastic cohorts from Duluth God only,
gondola knows Cincingondolanati i gondola don’t
–the substantial dollarbringing virgins
“from the Loggia where
are we angels by O yes
beautiful we now pass through the look
girls in the style of that’s the
foliage what is it didn’t Ruskin
says about you got the haven’t Marjorie
isn’t this wellcurb simply darling”
–O Education:O
thos cook & son
(O to be a metope
now that triglyph’s here)
22
a man who had fallen among thieves
lay by the roadside on his back
dressed in fifteenthrate ideas
wearing a round jeer for a hat
fate per a somewhat more than less
emancipated evening
had in return for consciousness
endowed him with a changeless grin
whereon a dozen staunch and leal
citizens did graze at pause
then fired by hypercivic zeal
sought newer pastures or because
swaddled with a frozen brook
of pinkest vomit out of eyes
which noticed nobody he looked
as if he did not care to rise
one hand did nothing on the vest
its wideflung friend clenched weakly dirt
while the mute trouserfly confessed
a button solemnly inert.
Brushing from whom the stiffened puke
i put him all into my arms
and staggered banged with terror through
a million billion trillion stars
23
voices to voices, lip to lip
i swear (to noone everyone) constitutes
undying; or whatever this and that petal confutes . . .
to exist being a peculiar form of sleep
what’s beyond logic happens beneath will;
nor can these moments be translated: i say
that even after April
by God there is no excuse for May
—bring forth your flowers and machinery: sculpture and prose
flowers guess and miss
machinery is the more accurate, yes
it delivers the goods, Heaven knows
(yet are we mindful, though not as yet awake,
of ourselves which shout and cling, being
for a little while and which easily break
in spite of the best overseeing)
i mean that the blond absence of any program
except last and always and first to live
makes unimportant what i and you believe;
not for philosophy does this rose give a damn . . .
bring on your fireworks,
which are a mixed
splendor of piston and of pistil; very well
provided an instant may be fixed
so that it will not rub, like any other pastel.
(While you and i have lips and voices which
are for kissing and to sing with
who cares if some oneeyed son of a bitch
invents an instrument to measure Spring with?
each dream nascitur, is not made . . . )
why then to Hell with that: the other; this,
since the thing perhaps is
to eat flowers and not to be afraid.
24
“next to of course god america i
love you land of the pilgrims’ and so forth oh
say can you see by the dawn’s early my
country ’tis of centuries come and go
and are no more what of it we should worry
in every language even deafanddumb
thy sons acclaim your glorious name by gorry
by jingo by gee by gosh by gum
why talk of beauty what could be more beaut-
iful than these heroic happy dead
who rushed like lions to the roaring slaughter
they did not stop to think they died instead