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    The Bee Hut

    Page 4
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      have a smell

      like a new lover’s hair

      in winter –

      slippery ice spiced.

      You can’t name the flowers

      going into a foreign forest

      but the leaves blaze

      against the early snow

      like a moment-fire

      blowing into your eyes

      hot. too much. cold.

      JERUSALEM

      I. MY RIGHT HAND’S CUNNING

      Sulfurous Psalm 137

      yowling to the scarred harp

      of exile

      pledges my right hand’s

      cunning

      if I forget Jerusalem

      if I forget if I forget

      but what does my right hand

      know or remember

      as my left hand gnaws

      its bleeding friendless useless knuckles?

      II. DAVID

      When I think of David

      I don’t think of a skinny clapped-out

      senile king

      growling over the juicy young bones

      of his latest concubine –

      nor a hot-eyed paunchy poacher

      of lesser men’s wives,

      the remote-control murderer

      if the cuckolds are a bother –

      nor a father sobbing

      over his beloved hair-strangled enemy

      and eldest son –

      nor a shining darling

      pledging himself to Jonathan

      with the amulet of his breath –

      nor Jerusalem’s poet-in-waiting

      lulling black-dogged Saul

      with the narcotic of song.

      When I think of David

      I crave to be his favourite

      and swing too

      that psalm lasso

      that caught and held forever

      a remote hard god’s pleasure.

      III. MY YOUNG NOSE

      Jerusalem has one delicious smell –

      a fried chickpea

      raucous savoury

      cooked in tantalising mouthful balls

      it sizzles aroma from grubby stalls

      suffused with donkey and camel

      my first taste of street falafel.

      IV. HEROD

      There’s a touch of the Herod

      in my half-breed face.

      Like him I don’t belong

      in this priest-ridden place.

      I hang fancy palaces from the cliffs

      of my fortress lair.

      Our enemies are fanatics.

      They breed like rats.

      Chancer mongrels both

      we know how to behave

      we burn, we slave.

      V. TOPHET

      At all the gates –

      countless and terrifying –

      the enemy gathers.

      Moloch is sulking.

      Is it wrong to ask our best

      to bring their first born

      to the Valley of Hinnom?

      Moloch’s burning-bronze gorge

      our only deliverance.

      And if overnight the enemy

      did suppurate and die

      in their plague-struck tents,

      were we wrong to feed our god?

      Remember us fairly

      for Tophet, the place of fire.

      Tophet, our purifying blood price

      abyss.

      How can you

      who follow in peace

      and wallow in righteousness

      name our sacrifice

      an abomination?

      We didn’t break our hearts

      for God

      we incinerated them.

      Know this –

      We too adore

      our children.

      VI. CRUSADERS

      They don’t like us.

      They won’t marry us.

      We bury ourselves

      catacomb deep

      in high sterile castles.

      Splinters of the True Cross

      burrow like pious worms

      under our nails

      and fester.

      At dawn we cough up gobs

      of our own blood

      not the pure Blood of the Lamb.

      Allah’s hostile breath smells

      mint-tea fresh.

      Our sodden homesick faith

      makes us stink.

      VII. GETHSEMANE

      the bloody bastards

      when your friends get pissed

      and fail you

      the bloody bastards

      even God needs

      short ’n’ sweet ugly speech

      when His friends fail Him

      is it always worse at night

      the long thorn hours

      the hurt, the thirst?

      the flowers may open

      in their fragrant night sweat

      the moon may glow full

      on her Pesach bright trek

      but Godhead is heartless

      the Cup just can’t be passed

      to a single mortal one

      of those bloody bastards.

      VIII. CHURCH OF THE HOLY SEPULCHRE

      When priests are pressed for space

      when priests are greedy for grace

      it’s safest to stand clear.

      When I was eighteen

      I followed the incense

      into a waxy-dark Coptic den

      where a grimy cunning hand

      blessed my breast

      with a pinch of holy water.

      Over the pernicious mourning stone

      I was conned and robbed

      of something precious of my own.

      IX. THE STONING OF STEPHEN

      One of the harshest judges unknowingly

      grabbed a nob of meteorite

      to hurl at Stephen.

      A good shot,

      it shattered the shining young man’s

      eye socket,

      spraying through his skull

      galaxies of heresies and alien bugs.

      Was the new martyr’s bloodied vision

      impossible

      or just extraterrestrial?

      X. THE NIGHTINGALE IN MOLOCH

      Is the secret frolic

      in the heart of suffering

      the nightingale in Moloch?

      The bird looks like nothing.

      The bird sounds like no one.

      Moloch is a pine forest

      on roaring resin fire.

      Did some fierily distant Jewish clown

      watch with a little long-view drollery

      when witless Gentiles tore the Temple down?

      XI. MOHAMMAD’S HORSE

      The Anglican churches of my childhood

      had an indelible smell –

      varnished pew

      blent with the Old Spice freshness

      of my young father’s half-Jewish

      beautiful head

      bent over a prayer book.

      On its holiest of holy mountains

      Jerusalem’s gleaming Dome of the Rock

      still holds the faintest faintest

      fragrance –

      amidst all the incessant sectarian human

      squall –

      of a horse, Mohammad’s horse,

      with a sweet horsey sweat on its impatient neck,

      lifting off the Rock for Heaven.

      One star-rushing night I leapt

      from the cold silky stone floor

      of the Sisters of Zion,

      I left the ancient

      Roman street

      where the soldiers teased

      mysterious Jesus,

      I flew over my years to come

      where I live and change

      in bone and blood.

      I flew in the smell

      of Jerusalem,

      I flew in unknowing flood.

      AFRICA

      SOME BIRDS OF AFRICA

      Hornbills are dinosaurs gawking from thorn trees.

      Flamingos are petals flocking around a crater lake.

      The eye devours a lilac-breasted r
    oller.

      The heart is wooed for life when a fish eagle whistles.

      The soul needs white-backed vultures.

      WAITING FOR THE CROCODILES

      At last

      I have the appetite

      to make a meal

      of this stenching carcass.

      I will glut

      dizzy with necessity

      on its bloated guts

      then pick it sweet

      and clean.

      But its skin

      buffalo-tough

      defeats me.

      I need patience

      the patience of a vulture

      waiting in the ruffling

      putrid breeze

      for the kindly crocodiles

      to come and rip

      this dead thing

      right open.

      KUSINI CAMP

      ‘A badger on my moment of life’—TED HUGHES

      I too saw a badger

      on my moment of life

      but not dead on an English road

      like Hughes’ fly-blown beautiful animal

      (why are Hughes’ poem-creatures

      always dead, dying or dazzling dangerous?)

      My badger was African.

      Nothing Wind in the Willows

      about him as he emerged

      suddenly

      from an inhospitable termite mound –

      as small mammals do

      in the late afternoon

      on the parched Serengeti.

      Very much alive

      and on a wild animal’s hungry mission

      my badger lumbered

      fluidly

      through a shimmering dusk world

      of presences I could only glimpse

      and now so hungrily

      remember.

      THE FISH EAGLE

      Even when David Livingstone

      was dying

      he couldn’t stop loving

      Africa

      the Africa that made his name

      but killed his wife

      and broke his health

      still sated him

      with rapture

      rapture

      that had never left him

      after he was shaken

      like a mouse

      in the lion’s mouth

      the blessed mouth

      that mauled his arm

      and killed

      his fear of death

      death in the heat

      death in the swamp

      death in his own inevitable

      weakness

      in death’s weakness

      Livingstone wrote of the nearness

      of God

      in the gleaming fecund world

      of dangerous wonder

      burning him up

      in rapture

      in dying rapture

      without a dreg of fear

      he felt nothing but

      restless gratitude

      gratitude in finding

      exactly the god-given word

      to take with him forever

      the call of the fish eagle

      hanging high over the

      beautiful pestilent river

      unearthly

      WOLFGANG

      In the Smithsonian

      specimen brains

      of inferior human species

      float in tanks

      like grainy fish.

      The Wet Collection –

      a century old

      wrong turn

      and fascinating

      embarrassment.

      All the poems I’ve written

      after my trip to Africa

      float in my own tank –

      Heart of Cuteness

      where I hoard and ogle

      wondrous birds, magnificent

      mammals, sublime empty

      landscape and no

      Africans.

      Why am I now conjuring

      Wolfgang?

      The banal truth –

      we were white tourists.

      He was our shy driver-guide

      with the charming colonial name.

      But for me

      Wolfgang dominates the heart

      of one cold Serengeti

      dusk.

      Wolfgang’s soft tentative English

      blurs

      under the clapped-out

      safari jeep engine

      as we bump bump bump

      along the rutted

      bone-littered savannah

      searching for cheetahs.

      Wolfgang wheels us past

      bat-eared foxes and silver-backed jackals

      staring from termite-mound dens.

      Wolfgang cranks

      our necks skywards

      to vultures clotting

      the branches

      of a lone umbrella tree.

      We thrill

      to his sharp eyes

      and gifts of surprise …

      Am I redeemed?

      Or is Wolfgang’s

      proud scalp

      now my tank’s most authentic

      pickled star?

      THE FREAK SONGS

      A song cycle written for performance

      with the music of Jonathan Mills

      THE MALE SEAHORSE

      Sung with passionate pride by a

      conspicuously pregnant male seahorse

      I brew

      the impossible

      I hold

      the impossible

      eggs! eggs!

      that grow that grow

      in my swelling male

      belly

      I hatch

      the impossible

      me

      the pulsing star

      exploding!

      I float through

      the impossible

      the mess the mess

      the milky mess

      of fathering

      I am racked through

      the impossible

      my pain! my pain!

      squirts my brood

      into the water

      What does

      the impossible

      tell me

      tell the world?

      What sacred puzzle

      have I unfurled?

      What freak mystery

      swells me

      with wild wild joy?

      THE WINGED HUMAN

      Sung with bitter disillusion by a man

      with uncontrollably f lapping wings

      Wings, you took advantage

      Wings, you promised

      the earth

      Wings, you promised

      the face of God

      Wings, you said

      I would feel his holy breath

      through my hair

      But like any seduction

      you were just

      a cloud castle

      You promised me

      ecstasy

      You fluttered prettily

      like swan’s down

      You told me nothing

      but dangerous lies

      Because now

      I flap

      in terror

      Because now

      my feet don’t

      know me

      And can’t fly

      a straight line

      Wings, turn me around

      Wings, my freezing blood

      is longing

      to be earthbound

      Wings, you took advantage

      And now I fly

      in fear and trembling

      Wings, you promised

      the face of God

      And now

      And now I fly

      like a kicked sod

      You promised

      you promised

      you promised

      the earth

      You promised

      the face of God.

      THE FRUITS OF ORIGINAL SIN

      Sung with yearning by a suited man

      with a dripping peach for a head

      The fruits of Spring

      are in the sinning

      The smells of Spring

      send my blood spinning


     


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