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    Rom Com

    Page 5
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      Puff Puff, Give. Puff Puff, Give

      I

      always

      thought

      Friday

      was

      a

      very

      romantic

      comedy

      about

      Ice

      Cube

      and

      Chris

      Tucker

      trying

      to

      have

      a

      threesome

      with

      a

      joint.

      Acting

      It’s in the shoulders

      and the lips. Anything

      can shrug. Wrists

      roll into suit pockets,

      sly indicators of interest.

      Pupils roll around

      in all directions,

      make everyone dizzy.

      Including yourself.

      Blink to tears. Blink

      them back. And do it again

      with a happy feeling.

      Blink. No, wink. Pretend

      you don’t even

      have eyes. Attempt

      contact. But

      don’t. Look away

      if someone looks at you.

      If you’re alone

      you can sigh. Stumble

      in heels, stumble

      in flats, stumble into arms,

      retract your whole body.

      Clamp down tongue,

      hands, thoughts, nipples,

      anything

      that will give you away

      as someone who really wants.

      The Acting Was Fantastic

      I pretended to like the movie

      so we could make out.

      Forgetting Sarah Marshall

      1

      Did you remember the way love works? I told you once in a small elevator that the world closes in on you in the moments of memory. Sometimes I work on forgetting. I practise it every five minutes. I work through each memory of you, and forget that one, then move onto the next. Sometimes it all comes back, and I work on blacking it out, from the couch, to the bed, to the television, to the chicken sandwich you ate afterwards. Ashes have memories attached too, but you can’t see them. Jumping off a cliff doesn’t make them run away, it only lets it slip back until the memory jumps too, and holds onto you for dear life in the ocean that was never very good at swallowing you up. The ocean runs away from you too.

      2

      Sometimes I think about how thoughts of you stretch my skin. You have a terrible memory so you smile more than I do. I remember, one time in Hawaii, you tightened the blankets around my body so I couldn’t escape, or so that memory couldn’t escape, and you put a bible over my chest. I don’t believe in monsters, so I slipped away in the night.

      3

      You are the devil, I said. Blond hair and blue eyes. I gave you control. I gave up all control. Control is just a construct. I gave up my memories. I figured I could try again, start with new ones, so I handed them to you, but you were never very good at carrying things. I gave my memories names, and put them on your shoulders. I buried a few for later. I put some of them, the ones that sweeten from nostalgia, in Mason jars and leave them in the cupboard, then put a few of them on the counter because they look better for public display.

      4

      You said jump, and I did. The memory holding on for dear life.

      You Fell for the Wrong Girl

      Her face glossy

      easy, breezy, beautiful.

      That face glued on a billboard,

      the best features

      of another woman

      glued to her skin. Eyes

      that pop like Pygmalion’s

      boner for shapely ivory.

      Breasts as lovely and temperate

      as barely legal Scarlett Johansson’s.

      Her nooks are perfume-sample sweet.

      Everything aligned. Legs

      mannequin slick.

      You see the world

      through Kim Cattrall’s

      thigh-gap, reach

      for a sculpted navel.

      Two teens can make a woman

      Kelly Le Brock-bodacious

      out of masturbation

      perspiration, a Barbie doll,

      and weird science.

      Keep adding breasts,

      a second or third vagina.

      She is Her, a voice designed

      to deliver smooth gratification.

      But still, something is off.

      Maybe she’s wrong, because

      she doesn’t push herself

      hard enough to be a real girl.

      Or maybe it’s your fault

      you don’t look like Ryan Gosling.

      But Maybe He Wasn’t Really a Person

      You watch too many romantic comedies so you stayed with the wrong guy

      for the story. For the narrative. He fit the scenario you created,

      and the stories you build wrap a theatre around your heart.

      You couldn’t get out of bed the day he left, put beer in your coffee cup,

      and told everyone you were moving to Bali.

      You watch too many romantic comedies so you stayed with the wrong guy.

      You created a narrative between text messages and between

      things that were unspoken, that maybe were never real,

      and the stories you build wrap a theatre around your heart.

      You moved across the country to live with him

      and when you showed up to his apartment unannounced he said “Oh.”

      You watch too many romantic comedies so you stayed with the wrong guy.

      You flirted with a guy via Twitter who said he was James Franco,

      you sent him your number not realizing it was a robot,

      and the stories you build wrap a theatre around your heart.

      Before you go to bed, you imagine him leaving his wife, maybe at

      a dinner party with all of his famous friends, falling asleep to your own dream.

      You watch too many romantic comedies so you stayed with the wrong guy

      and the stories you build wrap a theatre around your heart.

      On Every Television Channel

      On every television channel

      there’s an opportunity for viewing

      modern takes on Shakespeare, no period

      costumes or iambic pentameter.

      Who needs it when you can have Heath Ledger

      and his greasy 90s curls, put-downs, come-ons,

      crooning. He can’t take his eyes off of you.

      The football field is so American,

      so glowy your head feels like a pompom.

      This is a movie about teens, for you,

      even though it’s not how romance works out.

      Or did you not know that when the time comes

      your only choice will be to wait and wait

      for grand gestures that don’t materialize?

      This Is Considered Adorable

      You lost it all in the recession,

      wrote the sorrow in a diary,

      called a young girl a cunt.

      You fell for the wrong guy.

      She bought you containers for your cereal.

      Lucky Charms choke, said, “There’s someone else”

      in the living room, naked.

      You fell for the wrong girl.

      He broke your car seat, he broke

      your mirror, he broke your bed frame,

      he broke wind, and this was considered adorable.

      You fell for the wrong guy.

      You placed your hope in a song,

      let the world pass you by, paid

      your dues in meatballs.

      You fell for the wrong girl.

      He left you when he was accepted

      into law school, you tried to

      win hearts, trading pink for black.

      You fell for the wrong guy.

      Titanic

      What if Titanic was just a romantic comedy

      starring Leonardo DiCaprio and
    the Ocean?

      The Stories You Build

      The stories you build feel

      real. Not just onscreen,

      in you. Stories pile

      in the rational parts of your brain.

      Transformative, life-solving

      love. Eyes stare into eyes

      until misunderstandings break

      your slobbering bodies apart.

      Mistakes atoned for

      in specific gifts, boom boxes

      blaring, iconic buildings

      illuminated, Tic Tacs.

      You want overtures

      that could get someone

      put in jail: an airport-gate crash,

      a jewel theft, some wholesome kidnapping.

      He will come to you

      without asking when

      you need saving, when

      he doesn’t even know where you are.

      Nora Ephron

      She wasn’t your best friend,

      but she could’ve been.

      The advice would have blown down

      your door, rearranged your meagre apartment.

      You would have felt better

      about almost everything,

      though sometimes not the endings

      of stories. Those would leave you confused.

      Like, why doesn’t anyone question

      the love-of-your-life conceit?

      Why can’t a story end

      with solo wine, torn T-shirt, underpants?

      That’s comfort. But so is she.

      Writing desires, making things messy, then tidy.

      She wasn’t your best friend,

      She could’ve been anyone’s.

      She was everyone’s.

      Ever Wondered If You Might Be

      the Best Friend

      of a Romantic Lead?

      (Additionally, you might be quirky.)

      FIND OUT NOW!

      Check all that might apply:

      Zooey Deschanel might wear a kitten / panda / owl cardigan to play you.

      You use words that make your sexually active friends cringe.

      When you take off your pants and your underpants there is a second pair of underpants painted onto your body.

      You tell everyone you are married to one-liners.

      When you cry alone a ukulele soundtrack plays every single time.

      You have never heard a saxophone sound sincerely sexy.

      You shave your legs, but only because you can’t bear the scratchy feeling. It’s just so … adult.

      You’re always available by phone for long discussions of other’s sex problems, heart problems, brain problems.

      Your inner life is unknown to even your Instagram followers.

      No one takes your advice seriously.

      Every encounter is an opportunity for a joke.

      You joke because you’re so used to that role.

      You’re used to it because no one listened when you tried to be serious.

      No one takes your advice seriously.

      You’re not sure if your friends really like you.

      You’re pretty sure you’ll never find love.

      Every time you order a vibrator online you open the box and the contents have turned into sparkly dust.

      Sonnets for Supporting Roles

      Rita, Bridesmaids

      One morning, you took a towel out of your

      son’s drawer and its softness had turned

      to stone. As you tried to press it into the

      washing machine, it cracked in half. The way you

      feel when the night comes and this isn’t

      anything you expected. When she walks

      down the aisle, you think about it all over

      again, what falling in love is like: the warm

      way bodies shake with new desire.

      When she tells you that you are more

      beautiful than Cinderella, you remember

      the way it all began. The way he spent

      his time fighting for your attention, the

      way you let him, the way you gave in.

      Dionne, Clueless

      The way you let him, the way you gave in

      still doesn’t make the neighbourhood

      feel like home. When the picture is taken, you

      are to the far left, or the far right,

      not centre. You didn’t want to be called woman

      knowing what that really means, knowing

      the slang slides down your skin that

      isn’t the colour of hers.

      If you spend your days being a sidekick

      if you help her get her driver’s licence

      if you help her get a boyfriend, if you

      focus on being the other for others

      maybe you will be voted most popular and

      that, maybe, it could happen to you.

      Muriel, It Could Happen to You

      That, maybe, it could happen to you,

      another working-class woman can swoop in

      take your husband who was always

      more infatuated with your womb

      than with your fire. Someone gives

      you a way out, a golden ticket, a hand

      never offered. They see you as “other”

      and that makes them uncomfortable,

      your desire to escape the low income

      that you were forced into. “You so stupid,”

      you cry out, as he slips away, to a world

      where women are as white as the cream

      they serve him with coffee. This world isn’t

      for you, not for you, but for porcelain dolls.

      George, My Best Friend’s Wedding

      For you, not for you, but for porcelain dolls

      walking down the aisle. You are a cellphone

      or an emergency lip gloss. You are the touch-up

      rouge in her purse, you are the gay best friend.

      The one who fusses over her hair, memorizes wardrobe,

      waits in your apartment for whenever she is ready.

      Filing nails, and sitting on your Barcelona chair,

      watching Murder, She Wrote until she calls.

      When she is ready, you snap fingers and make

      jokes with flapping hands, tell her she has it all.

      When she needed you most, you flew down

      to save a dance at the wedding, a wedding you

      could never have, legally, so instead you collapsed

      back into a lipstick and a clasp purse.

      Kit, Pretty Woman

      Back into a lipstick and a clasp purse,

      where you keep your drugs, and your condoms.

      She would sometimes get the higher-

      class gentleman, but you’re not what

      they are looking for, or so you say. You don’t

      get to be Cinder-fucking-rella. Your glass slipper

      has burn-marked edges from the crystal.

      You offer a night to a grandpa and say

      his wife can watch for extra, and it’s laughed

      off, but you need the money, your life

      depends on the kindness of strangers

      or else your moth wings burn in neon red light.

      When you watch her taken away in her carriage

      it all sinks in a bit deeper, breaking the skin.

      Christmas

      for Daniel Zomparelli

      Christmas is supposed to be

      about love, or about the other.

      About the way we’re supposed

      to feel the pull of others to us,

      and I guess us to them. We want

      holiday-movie elation.

      Liam Neeson is a sad miracle. Emma Thompson

      is the part of you it hurts to see. Don’t

      even get me started on Keira Knightley. Some characters

      are always worshipped for no good reason.

      What is the anatomy of a Christmas movie?

      It’s a human shape that wears novelty sweaters

      and drinks eggnog. You drink too much

      and hope t
    hat the cute guy notices

      how loud and funny your jokes are,

      even though you’re going to offend

      his best friend in ten minutes

      by being right about how offensive he is.

      Sad faces look at mistletoe

      and, below, incessant kissing;

      slobbering fools, happy couples,

      mismatched lovers. Even

      when you know love

      is really holes in underwear,

      and shared silence. Small efforts

      warm your heart the most,

      death, sickness, forgetting how you used to be

      as a kid on Christmas, a hopeful teen. Somehow

      we all end up like Laura Linney,

      unable to fulfill our own Christmas wish lists.

      What we need to do is gather around a screen

      with full bottles of wine,

      and watch a fuck-load of celebrities

      make merry, break hearts,

      become barometers of holiday cheer.

      Because it’s all about tradition.

      You decorate with a remote control

      and turn on the television.

      Love Actually

      Love, actually

      moves between the spaces of desire and fulfillment, it isn’t

      the spaces of longevity versus

      boredom, between

      sustainability and perpetual validation, in an ever decreasing

      power, love, actually

      cannot represent the general public,

     


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