war are built, loomed business-like when contemplated from the
opposite side of the river. For all that, however, the Yard made
no display, but kept itself snug under hill-sides of corn-fields,
hop-gardens, and orchards; its great chimneys smoking with a quiet
- almost a lazy - air, like giants smoking tobacco; and the great
Shears moored off it, looking meekly and inoffensively out of
proportion, like the Giraffe of the machinery creation. The store
of cannon on the neighbouring gun-wharf, had an innocent toy-like
appearance, and the one red-coated sentry on duty over them was a
mere toy figure, with a clock-work movement. As the hot sunlight
sparkled on him he might have passed for the identical little man
who had the little gun, and whose bullets they were made of lead,
lead, lead.
Crossing the river and landing at the Stairs, where a drift of
chips and weed had been trying to land before me and had not
succeeded, but had got into a corner instead, I found the very
street posts to be cannon, and the architectural ornaments to be
shells. And so I came to the Yard, which was shut up tight and
strong with great folded gates, like an enormous patent safe.
These gates devouring me, I became digested into the Yard; and it
had, at first, a clean-swept holiday air, as if it had given over
work until next war-time. Though indeed a quantity of hemp for
rope was tumbling out of store-houses, even there, which would
hardly be lying like so much hay on the white stones if the Yard
were as placid as it pretended.
Ding, Clash, Dong, BANG, Boom, Rattle, Clash, BANG, Clink, BANG,
Dong, BANG, Clatter, BANG BANG BANG! What on earth is this! This
is, or soon will be, the Achilles, iron armour-plated ship. Twelve
hundred men are working at her now; twelve hundred men working on
stages over her sides, over her bows, over her stern, under her
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keel, between her decks, down in her hold, within her and without,
crawling and creeping into the finest curves of her lines wherever
it is possible for men to twist. Twelve hundred hammerers,
measurers, caulkers, armourers, forgers, smiths, shipwrights;
twelve hundred dingers, clashers, dongers, rattlers, clinkers,
bangers bangers bangers! Yet all this stupendous uproar around the
rising Achilles is as nothing to the reverberations with which the
perfected Achilles shall resound upon the dreadful day when the
full work is in hand for which this is but note of preparation -
the day when the scuppers that are now fitting like great, dry,
thirsty conduit-pipes, shall run red. All these busy figures
between decks, dimly seen bending at their work in smoke and fire,
are as nothing to the figures that shall do work here of another
kind in smoke and fire, that day. These steam-worked engines
alongside, helping the ship by travelling to and fro, and wafting
tons of iron plates about, as though they were so many leaves of
trees, would be rent limb from limb if they stood by her for a
minute then. To think that this Achilles, monstrous compound of
iron tank and oaken chest, can ever swim or roll! To think that
any force of wind and wave could ever break her! To think that
wherever I see a glowing red-hot iron point thrust out of her side
from within - as I do now, there, and there, and there! - and two
watching men on a stage without, with bared arms and sledgehammers,
strike at it fiercely, and repeat their blows until it is
black and flat, I see a rivet being driven home, of which there are
many in every iron plate, and thousands upon thousands in the ship!
To think that the difficulty I experience in appreciating the
ship's size when I am on board, arises from her being a series of
iron tanks and oaken chests, so that internally she is ever
finishing and ever beginning, and half of her might be smashed, and
yet the remaining half suffice and be sound. Then, to go over the
side again and down among the ooze and wet to the bottom of the
dock, in the depths of the subterranean forest of dog-shores and
against the upper light, and tapering down towards me, is, with
great pains and much clambering, to arrive at an impossibility of
realising that this is a ship at all, and to become possessed by
the fancy that it is an enormous immovable edifice set up in an
ancient amphitheatre (say, that at Verona), and almost filling it!
Yet what would even these things be, without the tributary
workshops and the mechanical powers for piercing the iron plates -
four inches and a half thick - for rivets, shaping them under
hydraulic pressure to the finest tapering turns of the ship's
lines, and paring them away, with knives shaped like the beaks of
strong and cruel birds, to the nicest requirements of the design!
These machines of tremendous force, so easily directed by one
attentive face and presiding hand, seem to me to have in them
something of the retiring character of the Yard. 'Obedient
monster, please to bite this mass of iron through and through, at
equal distances, where these regular chalk-marks are, all round.'
Monster looks at its work, and lifting its ponderous head, replies,
'I don't particularly want to do it; but if it must be done - !'
The solid metal wriggles out, hot from the monster's crunching
tooth, and it IS done. 'Dutiful monster, observe this other mass
of iron. It is required to be pared away, according to this
delicately lessening and arbitrary line, which please to look at.'
Monster (who has been in a reverie) brings down its blunt head,
and, much in the manner of Doctor Johnson, closely looks along the
line - very closely, being somewhat near-sighted. 'I don't
particularly want to do it; but if it must be done - !' Monster
takes another near-sighted look, takes aim, and the tortured piece
writhes off, and falls, a hot, tight-twisted snake, among the
ashes. The making of the rivets is merely a pretty round game,
played by a man and a boy, who put red-hot barley sugar in a Pope
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Joan board, and immediately rivets fall out of window; but the tone
of the great machines is the tone of the great Yard and the great
country: 'We don't particularly want to do it; but if it must be
done - !'
How such a prodigious mass as the Achilles can ever be held by such
comparatively little anchors as those intended for her and lying
near her here, is a mystery of seamanship which I will refer to the
wise boy. For my own part, I should as soon have thought of
tethering an elephant to a tent-peg, or the larger hippopotamus in
the Zoological Gardens to my shirt-pin. Yonder in the river,
alongside a hulk, lie two of this ship's hollow iron masts. THEY
are large enough for the eye, I find, and so are all her other
appliances. I wonder why only her anchors look small.
I have no
present time to think about it, for I am going to see the
workshops where they make all the oars used in the British Navy. A
pretty large pile of building, I opine, and a pretty long job! As
to the building, I am soon disappointed, because the work is all
done in one loft. And as to a long job - what is this? Two rather
large mangles with a swarm of butterflies hovering over them? What
can there be in the mangles that attracts butterflies?
Drawing nearer, I discern that these are not mangles, but intricate
machines, set with knives and saws and planes, which cut smooth and
straight here, and slantwise there, and now cut such a depth, and
now miss cutting altogether, according to the predestined
requirements of the pieces of wood that are pushed on below them:
each of which pieces is to be an oar, and is roughly adapted to
that purpose before it takes its final leave of far-off forests,
and sails for England. Likewise I discern that the butterflies are
not true butterflies, but wooden shavings, which, being spirted up
from the wood by the violence of the machinery, and kept in rapid
and not equal movement by the impulse of its rotation on the air,
flutter and play, and rise and fall, and conduct themselves as like
butterflies as heart could wish. Suddenly the noise and motion
cease, and the butterflies drop dead. An oar has been made since I
came in, wanting the shaped handle. As quickly as I can follow it
with my eye and thought, the same oar is carried to a turning
lathe. A whirl and a Nick! Handle made. Oar finished.
The exquisite beauty and efficiency of this machinery need no
illustration, but happen to have a pointed illustration to-day. A
pair of oars of unusual size chance to be wanted for a special
purpose, and they have to be made by hand. Side by side with the
subtle and facile machine, and side by side with the fast-growing
pile of oars on the floor, a man shapes out these special oars with
an axe. Attended by no butterflies, and chipping and dinting, by
comparison as leisurely as if he were a labouring Pagan getting
them ready against his decease at threescore and ten, to take with
him as a present to Charon for his boat, the man (aged about
thirty) plies his task. The machine would make a regulation oar
while the man wipes his forehead. The man might be buried in a
mound made of the strips of thin, broad, wooden ribbon torn from
the wood whirled into oars as the minutes fall from the clock,
before he had done a forenoon's work with his axe.
Passing from this wonderful sight to the Ships again - for my
heart, as to the Yard, is where the ships are - I notice certain
unfinished wooden walls left seasoning on the stocks, pending the
solution of the merits of the wood and iron question, and having an
air of biding their time with surly confidence. The names of these
worthies are set up beside them, together with their capacity in
guns - a custom highly conducive to ease and satisfaction in social
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intercourse, if it could be adapted to mankind. By a plank more
gracefully pendulous than substantial, I make bold to go aboard a
transport ship (iron screw) just sent in from the contractor's yard
to be inspected and passed. She is a very gratifying experience,
in the simplicity and humanity of her arrangements for troops, in
her provision for light and air and cleanliness, and in her care
for women and children. It occurs to me, as I explore her, that I
would require a handsome sum of money to go aboard her, at midnight
by the Dockyard bell, and stay aboard alone till morning; for
surely she must be haunted by a crowd of ghosts of obstinate old
martinets, mournfully flapping their cherubic epaulettes over the
changed times. Though still we may learn from the astounding ways
and means in our Yards now, more highly than ever to respect the
forefathers who got to sea, and fought the sea, and held the sea,
without them. This remembrance putting me in the best of tempers
with an old hulk, very green as to her copper, and generally dim
and patched, I pull off my hat to her. Which salutation a callow
and downy-faced young officer of Engineers, going by at the moment,
perceiving, appropriates - and to which he is most heartily
welcome, I am sure.
Having been torn to pieces (in imagination) by the steam circular
saws, perpendicular saws, horizontal saws, and saws of eccentric
action, I come to the sauntering part of my expedition, and
consequently to the core of my Uncommercial pursuits.
Everywhere, as I saunter up and down the Yard, I meet with tokens
of its quiet and retiring character. There is a gravity upon its
red brick offices and houses, a staid pretence of having nothing
worth mentioning to do, an avoidance of display, which I never saw
out of England. The white stones of the pavement present no other
trace of Achilles and his twelve hundred banging men (not one of
whom strikes an attitude) than a few occasional echoes. But for a
whisper in the air suggestive of sawdust and shavings, the oarmaking
and the saws of many movements might be miles away. Down
below here, is the great reservoir of water where timber is steeped
in various temperatures, as a part of its seasoning process. Above
it, on a tramroad supported by pillars, is a Chinese Enchanter's
Car, which fishes the logs up, when sufficiently steeped, and rolls
smoothly away with them to stack them. When I was a child (the
Yard being then familiar to me) I used to think that I should like
to play at Chinese Enchanter, and to have that apparatus placed at
my disposal for the purpose by a beneficent country. I still think
that I should rather like to try the effect of writing a book in
it. Its retirement is complete, and to go gliding to and fro among
the stacks of timber would be a convenient kind of travelling in
foreign countries - among the forests of North America, the sodden
Honduras swamps, the dark pine woods, the Norwegian frosts, and the
tropical heats, rainy seasons, and thunderstorms. The costly store
of timber is stacked and stowed away in sequestered places, with
the pervading avoidance of flourish or effect. It makes as little
of itself as possible, and calls to no one 'Come and look at me!'
And yet it is picked out from the trees of the world; picked out
for length, picked out for breadth, picked out for straightness,
picked out for crookedness, chosen with an eye to every need of
ship and boat. Strangely twisted pieces lie about, precious in the
sight of shipwrights. Sauntering through these groves, I come upon
an open glade where workmen are examining some timber recently
delivered. Quite a pastoral scene, with a background of river and
windmill! and no more like War than the American States are at
present like an Union.
Sauntering among the ropemaking, I am spun into a state of blissful
indolence, wherein my rope of life seems to be so untwisted by the
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process as that I can see back to very early days indeed, when my
bad dreams - they were frightful, though my more mature
understanding has never made out why - were of an interminable sort
of ropemaking, with long minute filaments for strands, which, when
they were spun home together close to my eyes, occasioned
screaming. Next, I walk among the quiet lofts of stores - of
sails, spars, rigging, ships' boats - determined to believe that
somebody in authority wears a girdle and bends beneath the weight
of a massive bunch of keys, and that, when such a thing is wanted,
he comes telling his keys like Blue Beard, and opens such a door.
Impassive as the long lofts look, let the electric battery send
down the word, and the shutters and doors shall fly open, and such
a fleet of armed ships, under steam and under sail, shall burst
forth as will charge the old Medway - where the merry Stuart let
the Dutch come, while his not so merry sailors starved in the
streets - with something worth looking at to carry to the sea.
Thus I idle round to the Medway again, where it is now flood tide;
and I find the river evincing a strong solicitude to force a way
into the dry dock where Achilles is waited on by the twelve hundred
bangers, with intent to bear the whole away before they are ready.
To the last, the Yard puts a quiet face upon it; for I make my way
to the gates through a little quiet grove of trees, shading the
quaintest of Dutch landing-places, where the leaf-speckled shadow
of a shipwright just passing away at the further end might be the
shadow of Russian Peter himself. So, the doors of the great patent
safe at last close upon me, and I take boat again: somehow,
thinking as the oars dip, of braggart Pistol and his brood, and of
the quiet monsters of the Yard, with their 'We don't particularly
want to do it; but if it must be done - !' Scrunch.
CHAPTER XXVII - IN THE FRENCH-FLEMISH COUNTRY
'It is neither a bold nor a diversified country,' said I to myself,
'this country which is three-quarters Flemish, and a quarter
French; yet it has its attractions too. Though great lines of
railway traverse it, the trains leave it behind, and go puffing off
to Paris and the South, to Belgium and Germany, to the Northern
Sea-Coast of France, and to England, and merely smoke it a little