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    Hard Times


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      Dickens, Charles - Hard Times

      *******************************************************************************

      [Title:Hard Times]

      [Author:Charles Dickens]

      [Scanned:David Price <ccx074@coventry.ac.uk>]

      [Checked:David Price <ccx074@coventry.ac.uk>]

      [ID:*]

      [Revision:1]

      [Source:Gutenberg]

      [Copyright:Public Domain - Copyright Expired]

      [Category:Fiction]

      [Abstract:*]

      *******************************************************************************

      Hard Times

      BOOK THE FIRST - SOWING

      CHAPTER I - THE ONE THING NEEDFUL

      'NOW, what I want is, Facts. Teach these boys and girls nothing

      but Facts. Facts alone are wanted in life. Plant nothing else,

      and root out everything else. You can only form the minds of

      reasoning animals upon Facts: nothing else will ever be of any

      service to them. This is the principle on which I bring up my own

      children, and this is the principle on which I bring up these

      children. Stick to Facts, sir!'

      The scene was a plain, bare, monotonous vault of a school-room, and

      the speaker's square forefinger emphasized his observations by

      underscoring every sentence with a line on the schoolmaster's

      sleeve. The emphasis was helped by the speaker's square wall of a

      forehead, which had his eyebrows for its base, while his eyes found

      commodious cellarage in two dark caves, overshadowed by the wall.

      The emphasis was helped by the speaker's mouth, which was wide,

      thin, and hard set. The emphasis was helped by the speaker's

      voice, which was inflexible, dry, and dictatorial. The emphasis

      was helped by the speaker's hair, which bristled on the skirts of

      his bald head, a plantation of firs to keep the wind from its

      shining surface, all covered with knobs, like the crust of a plum

      pie, as if the head had scarcely warehouse-room for the hard facts

      stored inside. The speaker's obstinate carriage, square coat,

      square legs, square shoulders, - nay, his very neckcloth, trained

      to take him by the throat with an unaccommodating grasp, like a

      stubborn fact, as it was, - all helped the emphasis.

      'In this life, we want nothing but Facts, sir; nothing but Facts!'

      The speaker, and the schoolmaster, and the third grown person

      present, all backed a little, and swept with their eyes the

      inclined plane of little vessels then and there arranged in order,

      ready to have imperial gallons of facts poured into them until they

      were full to the brim.

      Page 1

      Dickens, Charles - Hard Times

      CHAPTER II - MURDERING THE INNOCENTS

      THOMAS GRADGRIND, sir. A man of realities. A man of facts and

      calculations. A man who proceeds upon the principle that two and

      two are four, and nothing over, and who is not to be talked into

      allowing for anything over. Thomas Gradgrind, sir - peremptorily

      Thomas - Thomas Gradgrind. With a rule and a pair of scales, and

      the multiplication table always in his pocket, sir, ready to weigh

      and measure any parcel of human nature, and tell you exactly what

      it comes to. It is a mere question of figures, a case of simple

      arithmetic. You might hope to get some other nonsensical belief

      into the head of George Gradgrind, or Augustus Gradgrind, or John

      Gradgrind, or Joseph Gradgrind (all supposititious, non-existent

      persons), but into the head of Thomas Gradgrind - no, sir!

      In such terms Mr. Gradgrind always mentally introduced himself,

      whether to his private circle of acquaintance, or to the public in

      general. In such terms, no doubt, substituting the words 'boys and

      girls,' for 'sir,' Thomas Gradgrind now presented Thomas Gradgrind

      to the little pitchers before him, who were to be filled so full of

      facts.

      Indeed, as he eagerly sparkled at them from the cellarage before

      mentioned, he seemed a kind of cannon loaded to the muzzle with

      facts, and prepared to blow them clean out of the regions of

      childhood at one discharge. He seemed a galvanizing apparatus,

      too, charged with a grim mechanical substitute for the tender young

      imaginations that were to be stormed away.

      'Girl number twenty,' said Mr. Gradgrind, squarely pointing with

      his square forefinger, 'I don't know that girl. Who is that girl?'

      'Sissy Jupe, sir,' explained number twenty, blushing, standing up,

      and curtseying.

      'Sissy is not a name,' said Mr. Gradgrind. 'Don't call yourself

      Sissy. Call yourself Cecilia.'

      'It's father as calls me Sissy, sir,' returned the young girl in a

      trembling voice, and with another curtsey.

      'Then he has no business to do it,' said Mr. Gradgrind. 'Tell him

      he mustn't. Cecilia Jupe. Let me see. What is your father?'

      'He belongs to the horse-riding, if you please, sir.'

      Mr. Gradgrind frowned, and waved off the objectionable calling with

      his hand.

      'We don't want to know anything about that, here. You mustn't tell

      us about that, here. Your father breaks horses, don't he?'

      'If you please, sir, when they can get any to break, they do break

      horses in the ring, sir.'

      'You mustn't tell us about the ring, here. Very well, then.

      Describe your father as a horsebreaker. He doctors sick horses, I

      dare say?'

      'Oh yes, sir.'

      Page 2

      Dickens, Charles - Hard Times

      'Very well, then. He is a veterinary surgeon, a farrier, and

      horsebreaker. Give me your definition of a horse.'

      (Sissy Jupe thrown into the greatest alarm by this demand.)

      'Girl number twenty unable to define a horse!' said Mr. Gradgrind,

      for the general behoof of all the little pitchers. 'Girl number

      twenty possessed of no facts, in reference to one of the commonest

      of animals! Some boy's definition of a horse. Bitzer, yours.'

      The square finger, moving here and there, lighted suddenly on

      Bitzer, perhaps because he chanced to sit in the same ray of

      sunlight which, darting in at one of the bare windows of the

      intensely white-washed room, irradiated Sissy. For, the boys and

      girls sat on the face of the inclined plane in two compact bodies,

      divided up the centre by a narrow interval; and Sissy, being at the

      corner of a row on the sunny side, came in for the beginning of a

      sunbeam, of which Bitzer, being at the corner of a row on the other

      side, a few rows in advance, caught the end. But, whereas the girl

      was so dark-eyed and dark-haired, that she seemed to receive a

      deeper and more lustrous colour from the sun, when it shone upon

      her, the boy was so light-eyed and light-haired that the self-same

      rays appeared to draw out of him what little colour he ever

      possessed. His cold eyes would hardly have been eyes, but for the

      short ends of lashes which, by bringing them into immediate

      contrast with something paler than themselves, expressed their

      form. His short
    -cropped hair might have been a mere continuation

      of the sandy freckles on his forehead and face. His skin was so

      unwholesomely deficient in the natural tinge, that he looked as

      though, if he were cut, he would bleed white.

      'Bitzer,' said Thomas Gradgrind. 'Your definition of a horse.'

      'Quadruped. Graminivorous. Forty teeth, namely twenty-four

      grinders, four eye-teeth, and twelve incisive. Sheds coat in the

      spring; in marshy countries, sheds hoofs, too. Hoofs hard, but

      requiring to be shod with iron. Age known by marks in mouth.'

      Thus (and much more) Bitzer.

      'Now girl number twenty,' said Mr. Gradgrind. 'You know what a

      horse is.'

      She curtseyed again, and would have blushed deeper, if she could

      have blushed deeper than she had blushed all this time. Bitzer,

      after rapidly blinking at Thomas Gradgrind with both eyes at once,

      and so catching the light upon his quivering ends of lashes that

      they looked like the antennae of busy insects, put his knuckles to

      his freckled forehead, and sat down again.

      The third gentleman now stepped forth. A mighty man at cutting and

      drying, he was; a government officer; in his way (and in most other

      people's too), a professed pugilist; always in training, always

      with a system to force down the general throat like a bolus, always

      to be heard of at the bar of his little Public-office, ready to

      fight all England. To continue in fistic phraseology, he had a

      genius for coming up to the scratch, wherever and whatever it was,

      and proving himself an ugly customer. He would go in and damage

      any subject whatever with his right, follow up with his left, stop,

      exchange, counter, bore his opponent (he always fought All England)

      to the ropes, and fall upon him neatly. He was certain to knock

      the wind out of common sense, and render that unlucky adversary

      deaf to the call of time. And he had it in charge from high

      authority to bring about the great public-office Millennium, when

      Page 3

      Dickens, Charles - Hard Times

      Commissioners should reign upon earth.

      'Very well,' said this gentleman, briskly smiling, and folding his

      arms. 'That's a horse. Now, let me ask you girls and boys, Would

      you paper a room with representations of horses?'

      After a pause, one half of the children cried in chorus, 'Yes,

      sir!' Upon which the other half, seeing in the gentleman's face

      that Yes was wrong, cried out in chorus, 'No, sir!' - as the custom

      is, in these examinations.

      'Of course, No. Why wouldn't you?'

      A pause. One corpulent slow boy, with a wheezy manner of

      breathing, ventured the answer, Because he wouldn't paper a room at

      all, but would paint it.

      'You must paper it,' said the gentleman, rather warmly.

      'You must paper it,' said Thomas Gradgrind, 'whether you like it or

      not. Don't tell us you wouldn't paper it. What do you mean, boy?'

      'I'll explain to you, then,' said the gentleman, after another and

      a dismal pause, 'why you wouldn't paper a room with representations

      of horses. Do you ever see horses walking up and down the sides of

      rooms in reality - in fact? Do you?'

      'Yes, sir!' from one half. 'No, sir!' from the other.

      'Of course no,' said the gentleman, with an indignant look at the

      wrong half. 'Why, then, you are not to see anywhere, what you

      don't see in fact; you are not to have anywhere, what you don't

      have in fact. What is called Taste, is only another name for

      Fact.' Thomas Gradgrind nodded his approbation.

      'This is a new principle, a discovery, a great discovery,' said the

      gentleman. 'Now, I'll try you again. Suppose you were going to

      carpet a room. Would you use a carpet having a representation of

      flowers upon it?'

      There being a general conviction by this time that 'No, sir!' was

      always the right answer to this gentleman, the chorus of NO was

      very strong. Only a few feeble stragglers said Yes: among them

      Sissy Jupe.

      'Girl number twenty,' said the gentleman, smiling in the calm

      strength of knowledge.

      Sissy blushed, and stood up.

      'So you would carpet your room - or your husband's room, if you

      were a grown woman, and had a husband - with representations of

      flowers, would you?' said the gentleman. 'Why would you?'

      'If you please, sir, I am very fond of flowers,' returned the girl.

      'And is that why you would put tables and chairs upon them, and

      have people walking over them with heavy boots?'

      'It wouldn't hurt them, sir. They wouldn't crush and wither, if

      you please, sir. They would be the pictures of what was very

      pretty and pleasant, and I would fancy - '

      'Ay, ay, ay! But you mustn't fancy,' cried the gentleman, quite

      Page 4

      Dickens, Charles - Hard Times

      elated by coming so happily to his point. 'That's it! You are

      never to fancy.'

      'You are not, Cecilia Jupe,' Thomas Gradgrind solemnly repeated,

      'to do anything of that kind.'

      'Fact, fact, fact!' said the gentleman. And 'Fact, fact, fact!'

      repeated Thomas Gradgrind.

      'You are to be in all things regulated and governed,' said the

      gentleman, 'by fact. We hope to have, before long, a board of

      fact, composed of commissioners of fact, who will force the people

      to be a people of fact, and of nothing but fact. You must discard

      the word Fancy altogether. You have nothing to do with it. You

      are not to have, in any object of use or ornament, what would be a

      contradiction in fact. You don't walk upon flowers in fact; you

      cannot be allowed to walk upon flowers in carpets. You don't find

      that foreign birds and butterflies come and perch upon your

      crockery; you cannot be permitted to paint foreign birds and

      butterflies upon your crockery. You never meet with quadrupeds

      going up and down walls; you must not have quadrupeds represented

      upon walls. You must use,' said the gentleman, 'for all these

      purposes, combinations and modifications (in primary colours) of

      mathematical figures which are susceptible of proof and

      demonstration. This is the new discovery. This is fact. This is

      taste.'

      The girl curtseyed, and sat down. She was very young, and she

      looked as if she were frightened by the matter-of-fact prospect the

      world afforded.

      'Now, if Mr. M'Choakumchild,' said the gentleman, 'will proceed to

      give his first lesson here, Mr. Gradgrind, I shall be happy, at

      your request, to observe his mode of procedure.'

      Mr. Gradgrind was much obliged. 'Mr. M'Choakumchild, we only wait

      for you.'

      So, Mr. M'Choakumchild began in his best manner. He and some one

      hundred and forty other schoolmasters, had been lately turned at

      the same time, in the same factory, on the same principles, like so

      many pianoforte legs. He had been put through an immense variety

      of paces, and had answered volumes of head-breaking questions.

      Orthography, etymology, syntax, and prosody, biography, astronomy,

      geography, and general cosmography, the sciences of compound

      proportion, algebra, land-survey
    ing and levelling, vocal music, and

      drawing from models, were all at the ends of his ten chilled

      fingers. He had worked his stony way into Her Majesty's most

      Honourable Privy Council's Schedule B, and had taken the bloom off

      the higher branches of mathematics and physical science, French,

      German, Latin, and Greek. He knew all about all the Water Sheds of

      all the world (whatever they are), and all the histories of all the

      peoples, and all the names of all the rivers and mountains, and all

      the productions, manners, and customs of all the countries, and all

      their boundaries and bearings on the two and thirty points of the

      compass. Ah, rather overdone, M'Choakumchild. If he had only

      learnt a little less, how infinitely better he might have taught

      much more!

      He went to work in this preparatory lesson, not unlike Morgiana in

      the Forty Thieves: looking into all the vessels ranged before him,

      one after another, to see what they contained. Say, good

      M'Choakumchild. When from thy boiling store, thou shalt fill each

      jar brim full by-and-by, dost thou think that thou wilt always kill

      Page 5

      Dickens, Charles - Hard Times

      outright the robber Fancy lurking within - or sometimes only maim

      him and distort him!

      CHAPTER III - A LOOPHOLE

      MR. GRADGRIND walked homeward from the school, in a state of

      considerable satisfaction. It was his school, and he intended it

      to be a model. He intended every child in it to be a model - just

      as the young Gradgrinds were all models.

      There were five young Gradgrinds, and they were models every one.

      They had been lectured at, from their tenderest years; coursed,

      like little hares. Almost as soon as they could run alone, they

      had been made to run to the lecture-room. The first object with

      which they had an association, or of which they had a remembrance,

      was a large black board with a dry Ogre chalking ghastly white

      figures on it.

      Not that they knew, by name or nature, anything about an Ogre Fact

      forbid! I only use the word to express a monster in a lecturing

      castle, with Heaven knows how many heads manipulated into one,

      taking childhood captive, and dragging it into gloomy statistical

      dens by the hair.

      No little Gradgrind had ever seen a face in the moon; it was up in

      the moon before it could speak distinctly. No little Gradgrind had

      ever learnt the silly jingle, Twinkle, twinkle, little star; how I

     


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